Cities of the Future Could Look Like Burning Man – if BMOrg let them [Update]

Gizmodo yesterday had a fascinating story about the Black Rock City Ministry of Urban Planning contest to design a new layout for Black Rock City.

Burning Man is an experiment, right? So why should only Larry Harvey and Stuart Mangrum be the ones conducting the experiment, by setting the themes? Why not experiment with new ways of living together, a temporary, pop-up civilization? Personally, I always thought was what Burning Man was all about. These days, I wonder if the nature of the experiment has perhaps been different all along from the sales pitch we were given over the Kool Aid water cooler.

The Black Rock City Ministry of Urban Planning competition was started last year, and was quickly covered by widely read publications like VICE and ArchDaily, the world’s #1 architecture website.

Despite BMOrg coming out to say “no change, no competition”, the response has been impressive.

From BRCUP:

The Results So Far

We have been pretty amazed by the scale of the response.

Since we announced the project last fall, 1629 people and teams from 168 countries have signed up to participate.

To date, we have received 72 submissions.

Gizmodo’s story goes through many of the submissions. I’ve selected a couple of examples:

Cities of the Future Could Look Like Burning Man
This proposal offers elements for “neighborhood improvement” like the addition of designated parks and public squares that could become locations for cafes and other meeting places, by Phil Walker of CallisonRTKL, USA

Cities of the Future Could Look Like Burning ManA proposal to redesign Burning Man’s Black Rock City as a Navajo mandala, by Sergio Bianchi, Simone Fracasso, and Chiara Pellegrin of Italy

The founder is a double digit Burner and software engineer:

The competition was spearheaded by Brian McConnell, a software engineer and ten-year Burning Man veteran. The original idea was to create a site-specific installation at the festival itself presenting visionary ideas for the urban planning of Black Rock City. But as McConnell quickly realized, thinking about designing a smarter temporary city also surfaced some bigger ideas which might extrapolate into other areas of city-building. McConnell was particularly impressed by the quality and originality of proposals, he said. “There are some designs that have gone completely out of the box.”…

The submissions, as well as all the online comments, will be published in a book that will be available for purchase and will be given to the festival organizers. “The best-case scenario would be that the planners see something that’s very interesting or extraordinary and decide to use it in some way,” said McConnell. But he also loves the idea of delivering annual feedback through the competition format. “The real goal of this would be to make it part of the annual planning process and kind of a ritual,” he said. Planners could offer up concerns and ask for improvements that could be implemented the following year.

McConnell also sees the potential value of completely reinventing the city’s plan each year, perhaps with a layout that responds to the theme, which changes annually. “It’s gotten so large they can’t do radically different things,” he said. “What if each time you went it was a significantly different city plan, and you would have to figure it out?”

Read the whole story here

As someone who’s only been to Burning Man 11 times, that sounds like a great idea. They’ve already shown they can have a “2.0” of any particular theme, so we can always go back to the past. That’s part of it too. In the future we will probably have “Fertility 21”.

Phillippe Glade’s Golden Rebar Awards highlight the incredible architectural creativity of Burners. The style even has its own name: burnitecture. The Tiny House movement is starting to follow in the revolutionary footsteps of the Maker Movement, and it too has links to Burning Man.

What is stopping us from making this experimental city in the desert an actual experiment?

Is it Tradition? Ritual? A lack of ideas, vision, leadership?

Or is it the nature of the existing experiment, that is still being done on all the rats in this alluring anarchic maze without walls – who ALL voluntarily assume the risk of serious injury or death by participating ?

1998 ticket

Rod Garrett was great, may he rest in peace; David Best is amazing, and doesn’t need Burning Man to be an artist on the world stage. Let’s give the fresh, young, new, unseen and untried ideas a chance. Why should only the Medici and their bankster friends get to decide the direction art, civilization, technology takes?

If you didn’t get it yet, I think an experiment to come up with different layouts for Black Rock City is an excellent idea. Bauhaus and the Panopticon have been tried, OK, let’s move on.

3nd attempt-almost final

 

Screenshot 2016-03-23 17.20.12

[Update 3/23/16 5:53 pm – added images and link to video clip of Burning Man Founder talking about the city design]

Here’s BMOrg’s official position on trying a new city layout, or even incorporating any ideas from Burnenrs. According to them, BRCUP have started a conversation, and we’ll see what happens next. Don’t hold your breath!

We recently caught wind of a Black Rock City Street Plan Design Competition hosted by an experienced group of participants calling themselves the Black Rock City Ministry of Urban Planning (BRCMUP). The Burning Man organization has nothing to do with it, but we thought, hey, this could be fun to watch. And then an architecture blog called ArchDaily wrote about the competition on August 16 without doing its journalism homework, so now we have to clear a couple things up.

Burning Man is not involved with this competition, and we aren’t “select[ing] a winner”. The BRCMUP organizers never said we were, either. They say they’ll present their winner to us, and then it’s up to us what we do with it. So the ArchDaily blog post was in error, and it has since been corrected.

As for the contest itself, the official description is worded pretty strongly:

“The final choice of design will rest with bmorg [sic] based on a combination of popularity, logistics and space considerations (including the option to retain the current city plan).”

We love the ingenuity of Burners and are curious to see what they come up with through this competition. We will certainly take a look at all the top designs in this competition, not just the winner, out of curiosity and admiration. The ideas generated by this competition could also be useful to Regional Events, which are in various stages of growth and planning, each with their own location’s design challenges, and we think that’s great. But there are no plans to redesign Black Rock City.

Thanks to BRCMUP for starting an interesting conversation, and we look forward to seeing what comes of it.

[Source]

So, we started an interesting conversation. And so far 72 designs have been submitted. The designs show just how much unbelievable talent is available for BMOrg to tap into, if they truly chose crowd-sourcing, participation, civic responsibility, immediacy, and communal effort as their path.

You can view randomly chosen designs from the gallery and enter the competition at Black Rock City Ministry of Urban Planning. Seems to me that would be a much better official Ministry for BMOrg to have than their only one so far: Propaganda.

Let’s discuss these ideas. Many of them don’t even require the 0.666% of a circle pentagram design to change.

2013 double pentagram

Or, even better than just talking: put on parties based on those designs and we’ll promote them here and go check them out.

 

 

 

Tickets 2016: What’s the Latest? [Update]

Remember back a couple of months ago, in December 2016? BMOrg needed us to send money. They were fighting against the Burning Man Tax. They’d bring us an update in mid-January.

waiting alien

And then in mid-January, they said they’d let us know what’s happening by the end of the month. Well, now it’s February. tickets.burningman.org says (3:27pm on Feb 1st):

 

Screenshot 2016-02-01 13.21.46

 

In the comments to the blog post, they did make an announcement today. Unfortunately, it’s not very helpful or informative; instead, they chose to chide Burners for their excessive creativity:

Screenshot 2016-02-01 13.08.52

Here’s the latest – as of 3pm Feb 1st, 2016. What’s the story? Coming soon.

Screenshot 2016-02-01 15.14.47

2014 ticketing costs: $2,111,716; for that, they can’t even be bothered to figure out the price of tickets they’re not selling, that most of us won’t be able to buy anyway (unless we’re virgins).

Burners are, predictably, not being entertained by these shenanigans – which in a way proves BMOrg’s argument. They are NOT providing entertainment, because we are the opposite of amused.

Screenshot 2016-02-01 14.00.33
Screenshot 2016-02-01 14.03.18 Screenshot 2016-02-01 14.02.54 Screenshot 2016-02-01 14.02.11 Screenshot 2016-02-01 14.03.55
Screenshot 2016-02-01 14.01.37 [Source]

The Man burns in 215 days. Which means it is now 150 days since Burning Man – 5 months. Does anybody else get the feeling that every year they come up with some new way to fuck with us? Lotteries, Dance Music Zones, bugs, tax…what next? Somewhere, somebody’s laughing at us.

Image: Philou Elmon, Facebook

Image: Philou Elmon, Facebook

 

 


[Update 2/1/16 8:31pm]

I think BMOrg may have revealed what the true reason for the hold-up is.

Screenshot 2016-02-01 20.30.18

[Source: Burning Man Journal]

See the problem? Their decision-making process is to listen to the stream of ideas coming from the community and then debate them. Including some (many?) that are impossible and illegal. Large community, lots of ideas, misinformation in abundance, huge amount of time spent talking – not enough time spent doing. Someone over there needs to show some leadership and make some decisions.

I’d like to see BMOrg make some moves that are a benefit to Burners, that the community can all get behind and get excited about. Things that add more goodness, more art – not more bureaucracy. Saving $34 is really not that big of a deal.

Burner Steals Mansion

Is this an example of Burning Man values spreading around the world – the wrong way?


From the SF Chronicle

Image: Paul Chinn, SF Chronicle

Image: Paul Chinn, SF Chronicle

The vagabond artist and alleged thief at the center of one of San Francisco’s strangest real estate tales admitted Tuesday that he squatted in a historic Presidio Heights mansion for weeks and sold off its pricey paintings, but explained he was claiming ownership of the derelict estate.

“To me, I owned the house,” Jeremiah Kaylor, 39, said from the San Francisco jail, where he was booked Sunday on suspicion of trespassing and burglary. “When I first saw it, I thought to myself, ‘This is it. This is my headquarters. This is my thug mansion.’”

Image: Jeremiah Kaylor/SF Chronicle

Image: Jeremiah Kaylor/SF Chronicle

The three-story, eight-bedroom home — listed on the National Register of Historic Places — was built in 1904 and modeled after the Petit Trianon, a Versailles chateau constructed for French King Louis XV. Cnet founder Halsey Minor bought it for $22 million in 2007 but went bankrupt and never followed through on plans to restore it to glory.

Now it’s listed at just over $17 million, down from $25 million when it first went on the market in 2012. The city has repeatedly declared it abandoned, most recently on Tuesday.

But Kaylor may have been drawn by something else — a rumor that pop star Taylor Swift was considering buying the mansion and fixing it up. Kaylor is obsessed with Swift, in part because her first name and his last name are similar, according to a friend.

Kaylor…stayed at the home for more than two months. His claim of squatter’s rights was countered by San Francisco police officials, who said the intruder stole and sold paintings worth well over $300,000 — most of which were quickly recovered.

Kaylor said he sold the premium stereo system, as well as a Viking stove and some chandeliers, then used the money to travel for a few months before returning to the home two months ago. He said he had spent every night since then at the estate, with the exception of three trips, including one to Burning Man.

Image: Jeremiah Kaylor/SF Chronicle

Image: Jeremiah Kaylor/SF Chronicle

Still in need of cash, he said he began selling artwork to pawn shops in San Francisco and Los Angeles, books to nearby Green Apple Books and other household items, which he brought to the Tenderloin and laid out on a blanket.

Kaylor said he wrote up paperwork saying the property wasn’t being taken care of and he was taking ownership under “adverse possession laws.”

Throughout the interview, Kaylor’s thoughts wandered. He spoke of growing up in Massachusetts, a stint as a heroin addict in his mid-20s and his love for his four children. But he also spoke of fantastical plans, including a 2016 presidential bid. He said he and Swift were destined to end up together.

Image: Jeremiah Kaylor/SF Chronicle

Image: Jeremiah Kaylor/SF Chronicle

Read the rest of the story at the SF Chronicle.

Radical inclusion. Everyone’s welcome, even thieves and squatters.

“Everything’s free”, the bike theft mentality. Grifting, not gifting.”Gift me that immediately!”