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Preview: 50 Years of Flower Power

 

 

Jan and Joe invited Hans and I on their show UnSpun on the Conscious Consumer Network, to talk about our LIVE SPECIAL EVENT THIS SATURDAY JAN 14TH AT 12:00 NOON 

More information at 50 Years of Flower Power

 

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50 Years of Flower Power

This  Saturday, January 14 2017 at High Noon 12:00 PST, tune in to a unique live event.

50 Years of Flower Power: The MKULTRA Be-In

Steve Outtrim (burners.me, Shadow History), Jan Irvin (gnosticmedia.com, The Secret History of Magic Mushrooms), Joe Atwill (postflaviana.org, Caesar’s Messiah, Shakespeare’s Secret Messiah), and Hans Utter (hansutter.com, Laying The Dead To Rest, Music, Mind Control and Psychobiology) are teaming up to bring you a very special show. On the 50th Anniversary of the Human Be-In in San Francisco’s Golden Gate Park, we will take an in-depth look at this historic event which kicked off the Summer of Love and the ensuing five decades of festival culture.

The Internet has never seen anything like this before.

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The Grateful Dead, Jefferson Airplane, Janis Joplin…famous names today, but not big enough to even get a listing on the poster back in 1967.

Tune in..to 50 Years of Flower Power. Turn on…to the truth. Drop Out…of your trance.

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Shadow History of Burners Part 5a: Burning With The Man

It has been almost 5 months since I released Part 4: Occult Rituals of the Cult.

Part 5 is a monster, so we have split it into two sections. Part 5b is in editing now. In Part 5a, we continue our investigation into the “When? Where? What? Who?” of Burning Man, which is necessary before we discuss the “How” and “Why” of this Project. For those with the patience to consider it all, there are some amazing revelations in here. Burning Man is not just a rave in the desert…

Download the powerpoint file here

Slides in PDF

Notes in PDF

See the rest of our Shadow History of Burners series.

Safety First: The Reality of Housing, Parties, and Legality in the Scene

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Alright, listen Burners, while the facts continue to filter out about the disaster of Ghost Ship, the Oakland warehouse space that was reduced to ashes over the weekend, the swirling commentary, tidal wave of thinkpieces & classism masquerading as concern has (once again) missed the forest for the trees. The arguments about the responsibility of the owner, the problems with having parties at underground venues, and the nature of the community at the center of the tragedy are all aggressively useless. People can talk about “what parties should be” until the K-heads wake up, but there are realities that have forced event spaces to be the way they are for decades now. Those realities involve dollar signs, not lifestyle or philosophical choices. And, as someone that has actually made a “need a fire extinguisher to save an event from burning down” hand-off at 5 am at an underground warehouse, I hope you’ll trust that this isn’t going to be your standard anti-capitalist or anti-club rant.

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Louisa May Alcott: Breadwinner, Frustrated Creative and Opiate Addict

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by Terry Gotham

While I was never that big of a Louisa May Alcott fan, her impact on American literature cannot be denied. Alcott is an adored and fiercely protected author, in no small part because of just how impeccably written and potentially life-changing Little Women can be.  Her eight YA novels have remained in print continuously for the 140 years since they were written. There are two anime adaptations of Little Women, plus half a dozen other adaptations. Her creative output is a fundamental piece of American literature. Today is her 185th birthday, so I wanted to tell you a story about her. You probably didn’t know she smoked hashish and used opium for most of her life to deal with the side effects of mercurous chloride to treat typhoid pneumonia, which is believed to have eventually killed her (though an alternative diagnosis of Lupus was suggested in 2007).

Previously, I was delighted to dismantle the myth that the Civil War created a flood of heroin addict veterans. However, that doesn’t mean everyone managed to escape the clutches of substance abuse. Nurses, doctors and surgeons were far more exposed to the dangers of these substances than the Union soldier who only saw the inside of a field hospital once during his service. Repeated use of alcohol in the form of whiskey and opium in the form of laudanum, morphine, and heroin to treat hundreds of soldiers a week, in addition to essentially zero oversight when it came to use was a one-two punch that created a tempting proposition for those who tended to the wounded on both sides. There are a number of isolated reports, documenting the odd doctor or surgeon who got a little too sauced at work, or needed to be relieved of his duties because he was incapacitated. This implies that there could have been more of these medical practitioners who didn’t get caught, but still ended up using to cope.

Louisa May Alcott, one of the most influential and beloved American writers of the 19th Century, was one of these medical practitioners. She worked under Dorothea Dix who administrated military hospitals as a nurse.   Before leaving for the Civil War, she’d already assumed her station at the head of the household. Her father, one of the pre-eminent thinkers of their day, couldn’t keep it together for long enough to keep them out of poverty. When she left for the Civil War, her father was reported to have said he was “sending his only son to war.”

It was during the Battle of Fredricksburg that she contracted typhoid pneumonia, an ailment that would alter her life forever. The prescription for typhoid was calomel, and to ease the side effects of literally consuming mercury every day, she started using opium, in the form of morphine & laudanum. She didn’t enter into this habit by accident. She was a very smart lady and knew the potential dangers in consuming it daily. Alcott assisted Catherine Beecher in writing The American Woman’s Home in 1869, a year after Little Women was published, in which she stated:

“The use of opium, especially by women, is usually caused by at first by medical prescriptions containing it. All that has been stated as to the effect of alcohol in the brain is true of opium; while to break a habit thus is almost hopeless. Every woman who takes or who administers this drug, is dealing as with poisoned arrows, whose wounds are without cure.”
~Alcott & Beecher, The American Women’s Home (1849), revision of A Treatise on Domestic Economy (1841)

But a little thing like typhoid pneumonia & a daily opiate habit didn’t stop her. She built herself into the powerhouse of an author by sheer force of will. Realizing that her success and financial stability was depending on her career as a writer, Alcott built herself and her writing into a brand that we remember to this day. While she had made money previously from writing pulp fiction, this was light years away in propriety from Little Women and the branding and recognition that followed. The pulp was published anonymously or under a man’s name (A.M. Bernard) for similar reasons to why women writers today publish using a man’s name.

By 1870, she had grown so dependent on opium that she no longer expected to be able to sleep without it, as she described at the end of this letter to her father:

Our hotel is on the boulevard, and the trees, foundations, and fine carriages make our windows very tempting. We popped into bed early; and my bones are so much better that I slept without any opium or anything, a feat I have not performed for some time.
~Louisa May Alcott to her father, Hotel D’Universe, Tours, June 17,1870

As discussed in the Seattle Pi article that I’ve cited a few times, it’s important for stories like this to be told. Not because I think famous people should be knocked down off their pedestal, but just the opposite. We treat substance use/abuse as almost integral to the creative process, especially when it comes to strong drink and writing. This seems to be heavily amplified in men while minimized in women. The idea that alcoholism is this noble part of the developing male writing process has been so deeply embedded in the work that I have friends who honestly didn’t pursue significant study in writing because they were Irish and didn’t want to fall in love with Jameson. This is going on while we eulogize female writers in the exact opposite way, discussing them as pure or without stain, objectifying them in hugely problematic ways. Then, when someone like Amy Winehouse, Billie Holiday or Janis Joplin struggle and die from drugs, we pretend there was nothing we could do and that it just “happened again.” That needs to stop. As a dear friend reminds me, we celebrate drug use in men and totally ignore it in women.

Creative women are no different than creative men and their processes should be laid bare for all to see, scars and stumbles included. Louisa May Alcott probably pursued her habit away from her family or those who could help her. Given her status as the household’s main income generator, I think it’s easy to see her habit in line with the alcoholism of Don Draper, or the cocaine usage of a street dealer. They use because they have to, in order to provide for the people they love. Louisa May Alcott was able to produce Little Women & Perilous Play, a story about hash, in the same year. That’s nothing if not professional. She inspired generations of women to be better than the brand she created. Which is the point of art in the first place. She may not personally be this amazing protagonist hero that she write about, but in striving to be so, even if it’s only to feed her family and take care of your idealist, lazy ass family, she created the possibility for those who looked up to her to become exactly that. As a biographer of hers said on NPR: “You don’t grow up to walk two steps behind your husband when you’ve met Jo March.”