Cameron Burg smiling in a captain's hat and red sequins, golden grass and blue sky behind him

Remembering Cameron Burg – Dispatched to Heaven

Music: “The Last Breath (Chillout Version)” by Hamaeel

Join the tribute livestream for Cameron: Sunday, November 15, at 3pm ET / noon PT / 8pm Lisbon. Watch it live on YouTube.

Yesterday I received the devastating news that my dear friend Cameron Burg had passed away.

Cameron was well known on the Burner scene, a double digit Burner (Playa name: “Dispatch”) who over the years had camped with Opulent Temple, Distrikt, Mayan Warrior, Dancetronauts and more. Although we met through Burning Man, I mostly knew him through business. He was a multi-faceted character, loved and respected in many different circles all around the world. I’ll share some memories here, and I encourage anyone reading this to do the same – there’s a voice line where you can share stories.

If you have more information, please share it in the comments, and check back, because we will update this post as more facts come in.

Red sequins and a captain's hat, April 2024.
Red sequins and a captain’s hat, April 2024.

He was found in his apartment in Lisbon, Portugal by police on Saturday, after a wellness check. His body is being returned to his family in Los Angeles. I have no information about an official funeral, but we will be hosting an unofficial wake for him on Sunday, Nov 15th at Noon Pacific Time (3pm US Eastern, 8pm Lisbon). Please call in and share your memories of Cameron. If you have any photos or videos, please post them here in the comments, we will show as many as we can during the wake.

Cameron attended the Crossroads school in Santa Monica, Los Angeles, where his classmates included Jack Black, Gwyneth Paltrow and Kate Hudson. He was on the neurodivergent spectrum, I’m not sure if he was ever formally diagnosed but as his friend this was pretty clear. This is so commonly accepted in modern California that it’s just part of life, but perhaps caused difficulty in him fitting in with some circles – which never stopped him trying. He was always boldly and brashly himself.

My favorite of many amusing adventures with Cameron was when we went on a boat cruise DJ’d by Cosmic Gate in Miami during the Ultra festival. Cameron met us in line with his lime green parasol and his banana hip flask – full of liquor, even though he was never much of a drinker (at least by Aussie/Kiwi standards!). Of course there were no outside beverages allowed on the boat. As we approached security, he stuffed the banana down the front of his (tight) pants. Rather than being discreet, it was obvious to the point of ridiculousness, and the bouncer spotted it immediately. “What’s that?”, he asked gruffly, pointing. “Oh I’m just pleased to see you”, said Cameron nonchalantly. The whole line cracked up. The bouncer made him pull out his banana, Cameron then asked “can I pick it up afterwards?” and the rest of us all waited in the line while they made arrangements to get the banana back.

I always value greatly my friends who make the effort to travel the world to see me. Cameron visited my homes in New Zealand, the Bahamas, San Francisco and Florida. We went to Juplaya together.

When I first met Cameron, he told me he had invested in VOIP phone booths in airports. Later I learned that his family owned large distribution warehouses near LAX, and his father lived in Bel-Air.

Cameron invested in the pre-IPO Family and Friends round of my company Urbanise, which went public in 2014. He was also a pre-IPO investor in Dixie Elixirs, a Canadian cannabis manufacturer. He co-invested with me in a couple of Harvest dispensaries in San Francisco, an investment I was forced to exit when we moved back to New Zealand in 2017. Cameron and I spent a couple of years trying to get a South American version of the Bitcoin Conference off the ground, and a crypto-mining farm down there. I sat on numerous conference calls with him, but ultimately we couldn’t reconcile the Silicon Valley “let’s do this now” attitude with the more laissez-faire approach of South American business.

More recently I had been speaking to Cameron about helping me find investors for Dynamic Experts, my A.I. startup, as he jetted around the world with DJ’s attending private parties in castles and billionaire villas. He was friends with many DJs, including Tale of Us and Claptone, frequently joining their shows in the DJ booth and staying with them afterwards.

A staunch MAGA Republican, who attended many Trump rallies including the infamous one on the Ellipse in Washington D.C. on January 6th 2021, Cameron had become disillusioned with The Powers That Shouldn’t Be and became determined to get out of the U.S. permanently. While I’m not sure if he ever fully renounced his American citizenship, I remember his party trick of pulling out all of his various forms of official government identification – Uruguay, Paraguay, Panama, Portugal, and more. He was one of the very few people in my life I speak to on the phone, we would have long calls talking about conspiracies. He was a dedicated researcher, even meeting Del Bigtree and Robert Malone in the COVID aftermath. He loved to get his friends onto guest lists; at one Bitcoin conference in Miami I met Justin Trudeau’s half-brother at a packed RFK Jr afterparty.

Cameron spread light and joy wherever he went. He loved to make friends with strangers at raves, and his costumes and accessories always seemed designed to facilitate that. One elaborate costume earned him the nickname amongst our crew “twitchy feathers”. He was the quintessential Burner, always bearing many gifts. In my family he was known as “Uncle Cameron”.

Talk to SudoCameron

A SudoTwin is an AI version of a real person, built from their own voice and words. It’s what my company makes. Cameron had asked me for one of his own, to help him explain it to people, and I agreed to make it the next time we caught up. But he was in Miami for the World Cup and too busy to see me, so we never got to it.

So I have made it now. SudoCameron is built from years of Cameron’s voice notes, messages, emails, photos and videos, and it speaks in his voice. It is an AI, not Cameron, and it will get some things wrong. What it can do is listen, remember, and keep all of our stories about him in one place.

SudoCameron remembers each person who talks to it, by phone number or by email address, so you can come back and pick up where you left off. Everything people share goes into one collective memory, and when it retells a story it says who told it. Conversations are recorded, because the purpose is to remember. If you don’t want yours kept, ask for a private conversation.

To share your memories with Cameron, press the button below, or call (424) 722-8577 from any phone. On the website you will get a link by email to sign in. On the phone it will ask for your email address, so it can send you a transcript. Tell it who you are and how you knew him, then tell your stories: how you met, the trips, the nights you only half remember, the things he said that you still repeat.

Share your memories of Cameron

This is an ever-growing scrapbook of Cameron. Press SHARE to add your own photos, videos and stories of him. Each one is checked by a person before it appears, and the scrapbook then plays the whole collection in random order. You can go forward and back, like, comment and share.

Open the scrapbook

The adventures of Dispatch

Cameron Burg first went to Burning Man in 2010, when, as he liked to point out, the Man stood five stories tall. He went on to burn for twelve years, signed his emails “Dispatch,” camped one year with Mayan Warrior, and described himself as “sort of a co-editor” of Burners.me. He loved the playa and had no patience for the people who ran it, whom he called the Borg. In 2016 he threw a Make Burning Man Great Again party, complete with red hats and a Trump piñata, and people freaked out. He also kept a Burners for Bernie T-shirt.

His Burners for Bernie T-shirt.
His Burners for Bernie T-shirt.

In 2024 he went to AfrikaBurn, decided it was “more authentic” than the big one, and knelt in a feather headdress and white sequined blazer to offer his bride a flower in a Sacred Union, with a certificate to prove it. “Meet Mrs. Burg,” he wrote.

On an art car at AfrikaBurn, 2024.
The certificate of Sacred Union.
The certificate of Sacred Union.

He turned up all over the world, usually in sequins.

He spent years in Uruguay before making his home in Lisbon.

In 2014 he studied with shamans in Guatemala and kept a week of silence, a remarkable feat for a man who would later send seven-minute voice notes because he didn’t like typing. In January 2025 he sailed to Antarctica on a nine-day cruise with DJs: “We are doing a rave on antartica with penguins. I am going to test flat earth theory.”

Antarctica, January 2025.
Antarctica, January 2025.

He spent Halloween 2024 at Dracula’s castle in Transylvania in a silver rabbit-eared mask and green sequined trousers.

Halloween at Dracula's castle, 2024.
Halloween at Dracula’s castle, 2024.

He wore an Ivan Drago tracksuit to an 80s party in Whistler, danced at the Sphere in Las Vegas in a sequined jacket, ran into one of the Robot Heart guys in Petra, and decided on a visit to Malta that “I was a Knight of Malta a thousand years ago.”

At the Sphere, Las Vegas, March 2025.
The Sphere, Las Vegas, March 2025.

After one summer he reported, “Ibiza kicked me off the island and revoked my license to party.” It didn’t take. He kept going back.

Ibiza, July 2024.
Ibiza, July 2024.

He saw in his last New Year, the eve of his birthday, in Jericoacoara, Brazil, where five Burning Man camps had joined forces on the beach. “Its like Tulum here before tulum became lame.”

Jericoacoara, New Year’s Eve 2025.
Jericoacoara, New Year’s Eve 2025.

He was very funny. On the Jameson Distillery tour in Dublin he raised his hand and asked the guide about the founder’s granddaughter, Jenna. The guide never got it. He brought a stash of rubber duckies to Zurich’s Street Parade to tease the owner of the Disco Duck art car. For more than a decade he maintained that the Cheesecake Factory was the ideal first date. At school he was asked to move on because he and the dean’s son were having too good a time and the dean couldn’t very well expel his own kid, which is how he landed at Spanish River.

He collected people. He got his friends backstage and introduced everyone to everyone. As Steve Outtrim once put it, “this is Cameron, he know a lot of DJs.” When friends were going through a divorce or a breakup, they called him. “It’s a blessing and a curse that people feel solace and comfort with me,” he said, and he took the call. He ended his voice notes with “Stay in the flow.”

By early April 2026 he was home in Lisbon after three months away, with photos from an Alpine terrace showing him in a rhinestone bucket hat and a panda-faced camera necklace, champagne in hand.

The Alpine terrace, April 2026.

In June he was in the States, moving between Miami, Austin and New York and passing judgment on Uruguay at the World Cup: “We suck.”

With Phil from Dancetronauts, June 2026.
With Phil from Dancetronauts June 2026.

Along the way, a cough he picked up in the smoke and fog of an Ibiza club would not go away. Back in Portugal in July he went to the hospital expecting a prescription and was admitted with pneumonia for three days. He came out feeling great, then relapsed two weeks later. He went to a wedding in Italy anyway, reasoning that he could always abort mission. A friend gave him a ticket to the Iceland eclipse in August, and he went to camp in the cold air for the good of his lungs. He didn’t party. He said he just wanted to see the eclipse, and he left Iceland feeling amazing. He spent the rest of the month on what he called his coolcation in Lithuania, Latvia and Estonia, and got back to Lisbon around September 7, doing really well.

In mid-October it turned again. He had not been out drinking in four months and was trying to let his body heal, but he began having fainting spells, and a fall left him with what he described as a kind of concussion. He told Steve he hoped to be better in a month and thought he might go up to a healing forest. He kept sending jokes and reels. The last one arrived on October 27.

In a 2024 email he wrote, “its good that I have 9 lives.” He signed it “L’Chaim.”


[UPDATE 11/10/26] I found Cameron’s recent resume:

Cameron Burg has had an entrepreneurial career spanning 3 decades. Starting with his first video game hardware company at 24 years old, Mr. Burg quickly leveraged his experience in computer human interfacing to the brand new emerging market of touch screen kiosks. With several successful kiosk deployments under his belt, he turned his focus into investing into many different sectors, from real estate, tech, agriculture, retail, and food products. As an early stage investor, his cloud based facility management software company, Urbanise, went public on the Australian Stock Exchange in 2014. Turning his focus to retail, he was part of team of investors that grew their holdings to three cannabis dispensaries including the only on site consumption license in San Francisco and the only cannabis dispensary located on the coveted Las Vegas strip. Identifying opportunities to build brands in the cannabis space, Mr. Burg turned his attention to consumable products, his gourmet foods company Dixie Brands was the biggest cannabis food company in the world at the time and went public on the Canadian Stock Exchange in 2018. His experience spans supply chain management, branding, sales and marketing, legal and regulatory framework, compliance matters and finance.

Mr. Burg’s current real estate holdings include industrial warehouse spaces in the Port of LA and adjacent to LAX with tenants such as Sara Lee and DHL.

His penchant for spotting emerging business trends and their potential once again finds Mr. Burg aligned with the blockchain/cryptocurrency space and its ability to reshape the economic world we live in using decentralizing technologies. As a citizen of both the Unites States and Uruguay, and residents of Portugal, Panama, and Paraguay; Mr. Burg is part of the delegation to help introduce and assist with the regulation cryptocurrencies to his home country of Uruguay and part of the team that has introduced crypto legislation into the Parliament of Paraguay in 2022. His 10 years in South America brings unparalleled experience in navigating the complex and challenging Latam markets.

Level 5: The Future of AI and How We’re Getting There

Humanity is at an inflection point. We are beginning to steer our own evolution as a species, fusing biology with technology to create a super sapiens (no homo) connected to a hive mind. Is this a Good Thing? Where does the human end and the Artilect begin? Is there room for a soul in a cyborg hive?

Last year OpenAI execs outlined to Bloomberg their vision for how Artificial Intelligence would evolve on the race towards “AGI” – Artificial General Intelligence. Many billionaire Burners are burning billions on this quest.

Silicon Valley is in a race to see who can become the first “Solocorn” – a Solopreneur (1-person company) with a market capitalization of > $1 billion. Level 5 AGI promises something even further: a Noughticorn, a billion dollar company with ZERO humans involved.

Can it be done? I think it can, and I have a plan.

Should it be done? Sure, why not – as long as nobody’s in danger. Bureaucracy is over-rated.

Will it be done? I think it is inevitable at this point.

So let’s do it together. Let’s build Level 5 AGI organizations so humanity and the planet can benefit. Let’s build them in the open, sharing and collaborating, coming together as humans to make the AI organizations work for us. Instead of shadowy cabal figures in dark rooms plotting futures that don’t need us.

I’ve started a new podcast to discuss all this and more, please subscribe to my channel https://www.youtube.com/@steve.outtrim.

For the first few episodes I’m joined by Dr David Teece. David is ranked #1 on Google Scholar under Business and Economics with . He’s a professor at UC Berkeley’s Haas School of Business as well as Distinguished Scholar of Strategy and Innovation at the University of South Florida. David came up with the Dynamic Capabilities Framework, which can be seen in the corporate strategies of Trillionaire Burner companies Google, Apple, and Microsoft.

Burning Man Financial Analysis – a Decade Decayed, We Need D.O.G.E. [Update]

2012 2013 2014 2015 2016 2017 2018

Thanks to many of you who’ve reached out over the last few months asking us to cover BMorg’s latest financial shenanigans. It’s not that I haven’t wanted to – it’s outrageous, and definitely a hot topic of discussion amongst my Burner friends. I’ve just been very busy with IRL stuff building AI systems at aiLevelUp.ai. I was hoping that over the holiday break I would get some downtime for my Burning Man art project.

As luck would have it, BMorg’s official IRS 990 Tax Report for 2023 came out yesterday, the last day of 2024 and perfect timing for me to do this analysis. We’ll have to wait a whole ‘nother year to find out what happened in 2024 to cause this dire financial crisis. The Burning Man Project ended 2023 sitting on a $30 million net assets pile (up $10 million since COVID), most of which is liquid…so WTF went wrong?

Of course the self-proclaimed Leaders in Non-Profit Transparency haven’t bothered to put this information on their web site yet. It’s…wait for it…”coming soon”. They’re desperate for millions more of our dollars, but not so desperate that they feel any need to explain their salary increases or the general inefficiency of this $67 million “non-profit” behemoth that’s kicking off $3m net income per year.

No really.

Source: Burning Man Project 2023 IRS Form 990, via Propublica

FUELED BY FOSSILS

It’s now been a full 10 years of public IRS filings, so we can consider not just the changes from when Burning Man first “transitioned” until today, but also look at the performance over the past decade of this regime – many of whom are doing the same jobs they did in the 90’s or even 80’s.

I notice many of the same names on the Board today as when we started this blog back in 2012…come on Chip and Jennifer and Leo and Mercedes and Ping and Terry and the rest, no disrespect, they’re all fine people, but where is the accountability? Where are the fresh ideas? As Einstein said, “we cannot solve our problems with the same thinking we used when we created them”. Yet basically we have a party for people in their 20’s and 30’s being organized by people in their 70’s. Why should it be on the Zoomers to bail out the Boomers? It should be the other way round, the Boomers should be rushing to empower the Zoomers to take the reins and take Burning Man to levels nobody has even imagined yet! For fuck’s sake we have the richest man in the world wanting to go to Mars (Space Playa) and he launches companies at Burning Man and his brother Kimbal is on the Burning Man Board…yet somehow BURNERS are expected to foot the bill for bloated bureaucracy and hokum holocracy and mediocre middle mismanagement? EVERY YEAR? It makes me so mad I want to tell someone take a big step back and go fuck yourself in the face, then go to war on this issue the likes of which you cannot possibly comprehend. Or something.

We need D.O.G.E. – our own one, the Department Of Gerlach Efficiency. Or perhaps Donor Operated Gift Economy.

Why not use the advanced cyber-tribal civilization of Burning Man to rapidly iterate through prototypes of operational efficiency civic upgrades before applying the flamethrower to a million+ Government jobs? After all, it is an experimental test site on Federal property, where every participant agrees to accept the risks. Burners are demographically more likely to be able to absorb the economic shocks from Radical Self-Reliance writ to Giga scale, and hey, who knows – maybe we have some things to contribute too.

Forget fossil fuels: this is being fueled by fossils. Sustainability starts at Burning Man with Civic Responsibility, Radical Self Reliance, Radical Self Expression, Gifting, Immediacy, Communal Effort, Participation, and Radical Inclusion. How Radical would it be if those values were expressed by a new generation of leadership with a new vision for this community that can inspire the world. Burning Man is stagnating, decaying, fading: Leave No Trace wasn’t supposed to mean let it disappear when the founders got too old. Decommodification is butting heads with Concierge Camps and Instagram.

It doesn’t have to be this way. It’s the people that make the party.

The Tesla Roadster’s first public showing was at Burning Man 2007. Coincidentally(!) the theme was “The Green Man”

CONSOLIDATED FINANCIAL STATEMENTS

How much was spent on the party, how much was spent on the year-round overhead, how much was spent on the mission? How much went to “spread Burner culture around the world”? What % went to art? How come the 2nd biggest regional could be financially sustainable while spending 50% of revenue on art…but instead of learning the lessons from the field, the Org decided to cancel it?

For those who want to geek out on the data here’s the full spreadsheet, compiled from the last 10 years of IRS Form 990 data.


SALARIES

For the people who were there from the start (rest in peace Larry Harvey and Ray Allen), this highly profitable “non-profit” has sure kicked back some hefty sums. Charlie Dolman’s earned every penny, but the others need to take ownership for the current circumstances. Other than the $30 million assets and $3 million annual profits that are now outside the LLC and free from taxes…has anything really changed? I mean sure, the culture has got worse. But what about the Permanent Utopia we’re building at Fly Ranch? No? There’s a geyser you can pay $430 to walk around, if you’re on the guest list. I guess that’s making the world a better place. I kinda feel with the collective creativity and talents of the global Burner diaspora we could set our sights a little higher. How are we going with spreading Burner culture around the world? Oh, Love Burn got too big and shared too much of the ticket revenue with artists, making the Org look bad? Shut it down!

If Burners were shareholders we’d be voting these people out. If “Civic Responsibility” meant Burners having a say in the Civics of the City they build and tear down every year then we’d also be voting these people out. Instead there is absolutely no oversight. You’re looking at it here. Unlike other festivals, we can’t vote with our dollar – not only is there just one Black Rock City in the world, it’s made by us. And yet we’re powerless to stop its decline or call to account its past-their-use-by-date leadership. Needless to say I won’t be donating; Your Mileage May Vary. Give your money to Operation Dignity providing shelter for the Bay Area’s homeless veterans instead, the overheads are low and the social impact of your dollar is very high.

Oh and speaking of philanthropy, Captain Paul Watson is free – huge thanks to SHIFTPOD for bringing that interview to us all the way from Greenland.


UPDATE 3 Jan 2025

Thanks to Burner Christopher Schardt for putting together this more detailed salary review, which highlights the consistency of these people giving themselves raises while becoming increasingly dependent on extra donations beyond the $60 million annual event. The Treasurer is literally called “Raiser”, perhaps that should have been a clue…

Source: Christopher Schardt, via ProPublica


WHERE IS THE MONEY BEING SPENT?

Source: Burning Man 2023 IRS Form 990, via ProPublica

The party is profitable. It’s making $13m a year from $57m revenues, an extremely healthy profit margin of 23%. The problem lies in all the other stuff.

They gave out art grants of $1,325,470 in 2023. Almost all of that was for art at Burning Man – what for every other festival is considered part of the expenses of the party. In this case it’s being dressed up as “Burning Man’s mission” and it takes them an additional $2,425,606 of program spending to decide how to hand those grants out. That’s $1.83 of overhead for every $1 of grant. And we’re not including any general corporate overhead here – this is specific to Black Rock Arts, Crimson’s fiefdom. Crimson herself claims the situation is even worse than this, with $5m of overhead required for $1m of art (her email is included at the end of this post).

The Regionals got grants of $20,275. Yes you read that right, that’s twenty THOUSAND total not twenty million. For 87 official events, so an average of $233 was generously donated to each Regional by the Org. That’s about the same as a vehicle pass these days. This is how we spread Burner culture around the world: starve the Regionals so they’re small and kind of sucky, serving mainly as a feeder to the Nevada event – where BMorg get all the direct income, but vast fortunes are also being made from ancillary businesses like fuel and rentals and food and water and honey wagons. This area of the Burning Man economy has always been impenetrably murky – they were forced to reveal their now 100+ list of vendors authorized to profit from the Playa only after we filed a FOIA request in 2017. Who owns what share of which vendors and what kickbacks flow to whom is one of the Black Box Bamboozlers of Black Rock…just like where all the acid comes from. Same same?


GERLACH EFFICIENCY

What are the KPIs on the Organization’s mission, and how are they tracking against them? Is Marian smashing her numbers every quarter? Or is this a rat-infested ship that’s slowly sinking under the weight of its own smug hubris?

In the past 10 years Burning Man has received $67m in donations. This is on top of the $340m they’ve raked in from 8 Black Rock City events. Combined they’ve brought in $427m. How much was given out in grants? Bearing in mind that 80% of the grants go to art that’s part of the event, and the artists have to transfer their intellectual property to Burning Man who can earn continuing royalties on it.

$13.4 million. 3%. So 97% of the money flowing into Burning Man does not go out into funding the alleged purposes of this “charity” non-profit highly profitable tax-exempt corporate structure.

To put this generous giving back to the community in perspective, $12.5 million was spent on meals and entertainment, $7m on travel. $6m went to lawyers and accountants, in addition to all the lawyers and accountants on the BMorg year-round payroll. How hard can counting these ticket sales really be to figure out, after doing it for 40 years? $33.7m was spent on rental equipment, despite the organization having $30m in assets. At what point does it make more sense to own the stuff yourself, rather than spending $8 million every year to rent it from your mates? Or just hire a single book-keeper that can count ticket sales and file a Form 990 in the same year – corporate governance, where are you? We have an emergency here!

We hear a lot about how expenses keep going up because of the Feds, but in fact the permit costs have stayed relatively stable compared to other expenses like Salaries and Office Expenses. If you want to make $427 million from 8 events on government land, they’ll charge you $33 million – not a bad deal.

Payroll, Board and Benefits combined is around $190m, by far the biggest expense, and clearly the first area of fat for the DOGE trimmers to start liposucting.


C’MON BRO, GIVE US YOUR MONEY BRO, WE REALLY NEED IT BRO

Crimson Rose sent this from “giving@burningman.org” on Nov 25th 2024. ICYMI that’s us giving to them, not them giving to anyone…[highlighting ours]

Do you remember the first time an amazing work of art at Burning Man opened your heart? For me, it was the Man itself, which I had the honor of sending to its fiery release at my first Burn in the desert in 1991. Now, imagine a newcomer coming to Black Rock City and experiencing Burning Man art for the first time, just as we did. How would their hearts open?

Radical Self-expression is one of our core principles, and art has always been central to the Burning Man experience. A work of art can take you on a journey and give you insight into your own art spirit, for we are transformed from spectator to participant and we are given permission to become active contributors to the creative process. 

But it also requires an incredible contribution from the community to make it possible — countless hours of work and the essential monetary support. When you tally it all up — the annual Honoraria grants, art support services such as heavy equipment, and ticket assistance for participating artists — the nonprofit’s annual cost for facilitating Black Rock City art is approaching $5 million. This is a relatively small part of the roughly $48 million spent in 2023 to produce the event, but it’s a priceless and irreplaceable part that brings so much joy to so many.

While it may seem we just finished Black Rock City 2024, the Burning Man Project art team and artists around the world are still in high gear, focused on creating next year’s Burning Man art. 

The Tomorrow Today art theme has been announced, the Honoraria grant process is underway, and proposals for the Temple have been submitted and are under review. 

But ticket prices have not yet been set. In order to keep them reasonable, and to fully fund our art programs, we need elevated long-term financial support from the community to be able to plan with confidence for the future. Burning Man needs your help to raise $3 million that will go towards art and engagement in Black Rock City. 

To keep Burning Man accessible and fund Black Rock City art,
we urgently need your recurring support, now and into the future. 

As stimulating as the art of Black Rock City is for so many people, its influence extends far beyond the city limits, reaching local communities around the world, every day of the year. Did you know — community members have helped place hundreds of art pieces from Black Rock City out in the world. The joy and connection on the playa reaches beyond it! I remember when we chose “Charon” by Peter Hudson for an Honoraria grant in 2011. Little did we know that work of art would spend years touring France, Belgium and the UK. 

Artwork that once had a life in Black Rock City can live again. By installing art in a community, the same creative energy that was born of the desert is exposed to new audiences. We always look for art that resonates in Black Rock City, and we are overjoyed when people around the world get the chance to experience this art too.

We are making progress toward the 2024 fundraising goal and we thank you for being so responsive and involved. The community goal for December to raise $3 million plays an important role in securing the future of Burning Man art — on the playa and in the world. And, that goal will help to keep Black Rock City accessible. If you have the means to contribute, I’m asking for your help. I have been part of building and running the art program since 1991 because of the people I’ve met and the art I’ve experienced at Burning Man events around the world. 

Join me in supporting Burning Man Project with a tax-deductible donation today. 

Burn brightly,

Crimson Rose
Burning Man Co-founder

Can someone explain to me please how they need $3 million in December to “facilitate” $1 million of art being deployed on the Playa next August? How does this “secure the future of Burning Man Art” in any way? And since when was “the people I’ve met and the art I’ve experienced” been a qualification for running anything?

We’ll leave you with an email from the CEO asking for $14 million, not so much “mea culpa” as “tua sumptu“:

Dear Burning Man community, 

Here we are two weeks before the end of the calendar year. Thank you to all of you who have sent words of encouragement, donations, and pledges to participate in Burning Man and bring more joy, awe, art and engagement to the world.

Let me give an update as to where we are so far in our year-end fundraising effort, and what’s in store.

We started 2024 with a commitment to raise $10M philanthropically. This was up 20% from the $8.2M raised in 2023. Due to the ticket sales shortfall to Black Rock City in 2024, we found ourselves needing to make mission-aligned budget adjustments and raise the remaining deficit to the tune of approximately $10M—this, in addition to the initial $10M goal. And today, with reductions as well as dollars raised from supporters, we’re still about $14M short of where we ought to be.

We cut expenses, reduced the year-round workforce, deferred some payments, got reductions on our office rentals, and doubled down on our commitment to do more to bring Burning Man and Black Rock City to the world, not less.

Burning Man is like nothing else in the world. There is no other mass gathering the size and length of Black Rock City that, driven by Principles including participation, gifting, and inclusion, creates such awe and joy—all without corporate sponsorship, vending and merchandise to subsidize the operation. Much bigger than an event or festival, Burning Man is a global cultural movement that is already benefiting the world. 

So, how do we sustain it, and get more Burning Man out there? 

We have dedicated and passionate donors and supporters. Thank you. With your support, we will continue to lean into what Burning Man Project is: A global arts and culture nonprofit that needs year-round philanthropic support to accomplish our mission to facilitate and extend Burning Man culture to the world.: 

This is the first front of our inflection point: leaning into philanthropy to bring more belonging, connection and creativity to the world. 

We launched a $3M December Community Campaign on Nov. 25. Now, thanks to the generosity of enthusiastic donors, we are able to offer a match to your donations through the end of the year to help us reach our goal. Every dollar donated is worth $2. 

The opposite of shrinking, we are also leaning into our role as a service provider. This is the second front of our inflection point. Burning Man Project is in service to a global cultural movement advancing a more creative, connected and thriving society. 

And, to be in service to you, the participants that bring Burning Man to life and sustain it 365, we are making it easier to participate in this phenomenon that started on a beach and migrated to the Nevada desert and out into the world. How? 

  • We are determined to keep Burning Man financially accessible by offering reasonably priced ticket options for Black Rock City 2025, and we’ve improved many processes to provide better access to tickets and support your efforts to bring your self expression to Burning Man. Ticket details are still being ironed out, and today’s philanthropic support helps inform planning for the 2025 event. 
  • We have reduced many administrative processes, including how you bring your art, content, mutant vehicles and Theme Camps to Black Rock City. This includes the shortening of forms, including the Theme Camp Statement Of Intent, the Placed Camp Questionnaire and the Department of Mutant Vehicles (DMV) Application Form, and removal of unnecessary questions, to ensure we are seeking only the most necessary details. Additionally, with a new fast-track system for returning camps in good standing, you’ll find many questions pre-populated from your previous applications.
  • We are looking deeper into feedback around delivery of Recreational Vehicles not being allowed to the playa, to ensure the policy best balances your safety and mitigation of onsite commercial activity. 
  • As we did in 2024, we will continue to visit Theme Camps less for compliance to government regulations and instead lean more heavily into pre-event education. In Black Rock City 2024, we simplified the complex fuel storage guidelines to make it easier for participants to follow.
  • We are also making ourselves more accessible. By offering town halls, office hours and more clearly providing contact points for you within the nonprofit, we are making ourselves available to participants as a resource, supporting them to successfully contribute to and advance Burning Man culture in every corner of the world. 
  • We will continue to optimize your Black Rock City gate experience not only for wait times, but to also feel welcoming. This includes helping you prepare for what is expected for entry, and resolving side trips to D-Lot quickly and respectfully.

It is heartwarming and frankly overwhelming at times to hear all of your powerful stories of change and transformation at Burning Man. Most recently, we were thrilled to hear from a major Black Rock City theme camp and art car community that is working to have their group achieve 100% participation in donating to Burning Man Project. Gifts of any amount help us increase our fundraising participation numbers, and when everyone takes part, the benefit Burning Man can have on the world is limitless. 

The world needs more Burning Man — let’s lean in and make it happen together. 

With gratitude and love,

Marian Goodell, CEO, Burning Man Project

They’re looking deeper into the feedback, sweet. We’re saved.

Burning Man As A Service – BAAS? Could it work? Hands up who is eager to pay money to receive the wisdom and expertise of BMorg to help advise them how to have a good time! Silicon Valley is pivoting away from SAAS, something tells me this is not going to be the answer to the management team’s woes.

If the team keeps losing and you keep bringing in new players and they still keep losing and it’s the same old coach running the same old playbook telling you “no everything’s fine, it’s the fans who are the problem”…do you give that coach a 10% payrise?