“Nothing For Sale On The Playa”: 2017 Burning Man Vendor List

I had to file a FOIA request to get Burning Man’s vendor list, even though I spoke to the BLM’s Winnemucca office some time ago and they initially told me it would be no problem to provide it. Somehow that got intercepted, just like the arrest statistic information seems to have been. Maybe #Chocotacogate caused a distraction.

Perhaps it is time to stop the charade that Black Rock City is a world where nothing is for sale except ice and coffee. I count 84 different vendors, none of whom appear to be selling those products. In addition we have BMOrg ($40 million+), the Feds ($4 million), the State ($3.6 million), the Counties (hundreds of thousands)…and whatever black market activity might be going inside a Utopian pleasure city of 80,000 people…and about $100 million being added to the local economy from all the Burners hitting up the casinos, Wal-Marts, gas stations, CostCos and Whole Foods on the way.

BMOrg vs BLM: You Took Too Much

Sally Ho from the Associated Press reports that the Burning Man Project are disputing their $2.8 million bill from the Bureau of Land Management.

From the Washington Post:

Burning Man organizers are disputing their $2.8 million bill from the federal government…The festival takes issue with the Bureau of Land Management’s discretion over the weeklong counterculture celebration, claiming that the authority has been overstaffing and overcharging without fully explaining the tab…“If they can’t explain all of it, than we’re asking for all of it back,” said Ray Allen

…the case also pulls back the curtain on the logistical hurdles and an evolving backstage power struggle behind an event once considered an extreme camping experience that has now achieved widespread popularity with millions in revenue.

The BLM said Burning Man officials were provided with a detailed summary of costs with receipts and that “(f)ederal government agencies are obligated to recover the full cost of providing a special benefit…”

The Court case is likely to take more than a year:

The festival is taking the issue to the Interior Department’s internal appeals court, where an administrative law judge will decide on the case. This arbitration process, which could last more than a year, is commonly used for challenges related to grazing or mining uses and fees.

We get an official number for BLM cops in 2015, 84. Plus Pershing etc.

BLM contends that Burning Man demands year-round planning and an unparalleled response to protect the public lands given its scope and nature. The 2015 event required 84 law enforcement officers

BMOrg thinks that’s too many cops, and wonders what they’re all doing:

The festival argues that that many officers aren’t necessary given that more than a thousand Burning Man volunteers also patrol the event and that it has a clean record of taking care of the land. Burning Man said in its appeal that more than half the BLM bill was to pay for labor costs, but that the paperwork lacked specific information about the duties they actually performed.

Ray Allen, the lawyer, seems to be working off a different set of books than the After Burn accounts:

In recent years, a more openly adversarial partnership has surfaced between the festival and the increasing number of local authorities assigned to oversee it. Allen said Burning Man has been stomaching dramatically increasing costs since 2011, when its permit was $730,000.

2011 Afterburn: $1,552,000

It’s not all bad news, things are running pretty smoothly. BLM is going down. Let’s hope this doesn’t throw a spanner in the works:

Both the federal authority and Burning Man organizers said planning for the 2016 festival has been going smoothly. The new state director John Ruhs said BLM staffing numbers are expected to go down this year because communication between both sides are now much improved.

Read the full story  at the Washington Post.

Chocotacos were too much, cops were too much, and now BMOrg are asking the Federales to explain exactly what the money was spent on. Or, to be specific, just what all those cops were doing. Maybe now they will release the arrest information like they used to in the Transparency 1.0 era.

Recent revelations in the Reno Gazette Journal have featured both Commissioner Vaughn Hartung and  Sheriff Chuck Allen taking their families on joyrides important police RAVEN missions to extravagant 18 course meals on the Playa. Sponsored by Krug, perhaps. Most definitely sponsored by First Camp, and their wealthy patrons at the Burning Man Project.

There’s no spectators, unless you’re the cops or the media, then come on in! Look at the freaks! Have some air-lifted lobster.

raven washoe 5155

Now they can cut costs and fly in on the Burner airline. 3% of the revenue from that presumably goes to the BLM too, so in the future we might get lucky enough to see how well that little sideline monopoly is doing, through the magic of FOIA.

The BLM did accede to Burning Man’s demands to increase the population size from 50,000 including everyone to 70,000 paying plus 10-15,000 volunteers or workers.This has seen revenues go from $13.5 million in 2010 to at least $37 million this year. BLM fees have increased from $1.9 million in 2012, to $2.8 million. This is about what Burning Man’s entire payroll was in 2010. To me, it doesn’t seem all that unreasonable.

This Federal take is about the same as the estimated State windfall from the 9% Live Entertainment Tax. This was imposed on all outdoor festivals. BMOrg passed it straight onto Burners. The money sits in their bank account for half a year or more earning interest, before they have to hand it over to the Government. Not to mention all kinds of weirdness with the “9% of $3 of the $7 handling fee” or whatever all that was.

Do the hundreds of BLM workers involved with Burning Man take their frustration about this complaint out on any BMOrg personnel, who are dealing through lawyers and media spokespeople? Or do they take it out on DPW and Burners, trying to make their budgets instead of getting their hours cut…with sniffer dogs and citations?

Maybe they should just let the government take their share, the same way we do when we accept the ever-increasing  ticket prices. It’s the Government’s land, in the same way that it’s Decommodification LLC’s brand. You wanna use it, you pay rent.

“Transparent” Burning Man should provide their own figures, since they are demanding the Government do the same. We want to know where the money goes too. It’s us that are funding the whole thing, on both sides. At least, it was until Flysalen…now we have very little idea where the money’s actually coming from.

Why things are so tight, when ticket prices and demand are so high, and they no longer have to pay any tax?

If only the money and energy that they put into lawyers and accountants went into waste management, reduced carbon footprint, and reforestation.

rainforest

Wickermanlarge

Image: Rescendent CC BY_SA 3.0 via Wikimedia Commons

 

Art Budget Shenanigans [Update]

A Burning Man artist has responded to my request for feedback in yesterday’s post Follow the Money, with a most interesting tale.


 

From Anonymous Burner:

BMHQ Artists meeting, 2014

BMHQ Artists meeting, May 2015

 

This picture was taken at the Follow Up Artists’ Summit held last May at BMHQ.  This was the second meeting after the first one in 2014 where a group of artists tried to make changes in the artist contract for the event but were met with a meeting facilitator that broke everyone up to bitch in different sessions.
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Then last May they held the follow up meeting.  Whereas there were upwards of 50 at the first meeting, this one was poorly attended.  Besides myself there was 2 other “Playa” artists and a bunch of newbies.  No one would show up because they knew nothing was going to come out of this meeting. They had tons of food…
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Looking at the pie chart, they state that for 2015 they would spend $3M on the art.  For ease of discussion, look at 40% Grants, 40% Services, and 20% Administration.
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1.2M for Grants (now includes Man and Man Base)
$600k on Admin?  Pick a number of FTEs for BRC art at $100k each.  They don’t have 6 FTEs working on BRC art and they sure as hell aren’t paying them $100k
$1.2M on Services?  For the heavy equipment thats used to build the site and is already out there?
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They won’t feed the artists at the Commissary.  The art projects have to pay for water, fuel, light towers, wood, DG for burns, Etc, Etc.  Plus pay for Port-o-Lets, feeding their crew, and everything else.  How are these service and Admin amounts calculated?
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Here’s the problem these folks have:
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They can’t raise money for the BM Project because if you donate to it, what is your donation doing?  I see lots of folks flying around the world talking.  What specific programs can they point to to make a case for donating money to the BM project?
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That leaves them trying to run the non-profit on the back of the event.  Yes the event makes money, finally – they ran the outfit out of a cigar box for years –  but leaves them unable to increase funding for the artists.  And given the way these lemmings throng to get a spot on the cliff, why should they even consider it.
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And now that they have to raise money for the BM project, where do they go?  To the folks that have been funding these pieces and supporting the artists.  It is a very shallow donor pool.  The result is “donor fatigue”  these folks are weary of being badgered by the Org and look for more permanent art installations.
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At the same time, they have to be careful in getting the community to support the artists more – Larry’s latest efforts are lame in that he keeps referring to the moneyed class and most folks say “he can’t be talking about me, I don’t have any money”.  My wealthy friends that have supported art projects in the past have been insulted by his “let the rich folks pay for it”.  Many are taking the year off this year, as am I.
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Well, I found that somewhat cathartic.  Thanks for hearing me out.

 

burnersxxx:

Thanks very much for sharing that. The artist raises some good points.

Specifically, from a $3 million budget, the numbers work out to:

$1,290,000 Art (43%)

$570,000 Admin (19%)

$1,140,000 Services (38%)

Heavy Equipment Rental was $2.45 million in 2014.

From a $1.2 million Black Rock City art budget, in 2016 they are paying for:

60 Honoraria art projects. Partial grants, artists have to raise most of the project costs themselves

33 Guild Workshops. Regional projects. Projects required to raise almost all the funding and supply personnel themselves.

The Man

The Piazza

The “Turning Man” contraption

The Temple. Partial grant, artists who “win” the project have to raise most of the funding themselves

4 Belltowers

A blacksmith shop

Possible other sculptures

Is the $90,000 what gets spent on art across Burners Without Borders, Black Rock Arts Foundation, Burning Man Arts, and all the other non-Playa activities?


[Update 3/15/16 5:44pm]

The artist has responded to some of the questions raised in our comments. emphasis ours

A question was raised about tickets and that was a good point.  I don;t know how the value of the tickets given to artists/art projects is calculated or categorized.  Here is what I do know – 
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Registered art pieces (funded and non-funded) get access to free tickets, vehicle passes, early arrival passes and the coveted 12 mile (aka Point 1) access privilege
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In addition to the free art project tickets, there are also half price (aka staff tickets) that are made available to the project depending on project scope, schedule, and staffing.  And if that isn’t enough, the Org can also press the special button and grant full price tickets to the artists as well.
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When the Org gives an artist a free ticket (or a half price ticket) how is it categorized in the accounting?  I would bet that in the calculations for the BRC art budget that the tickets are added to Administration or the Services figure at face value ($390).
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One way artists can take advantage of the Org is to have a high profile project start to go bad.  When that happens the tickets and vehicle passes can really start to flow.  A case in point is last year’s Temple – they had like 150 people in their build camp – due to physical constraints they really couldn’t have more than about 30 people working on the Temple at a time.  Even allowing for a generous support crew there was still upwards of 50-75 burners early to the event getting the party started early.
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The other question that was raised had to do with the construction of the Man Base and The Man.  One of the reasons the contractors category has been growing is that the “traditional” Man Base and Man Build crews have been terminated.  The Man and the Man Base are now basically built by hired carpenters – the Org has outsourced the construction function under the guise that “professionals” were needed to build the infrastructure for the city.  They got rid of the Man Base crew in 2013 (Cargo Cult) and the Man Build crew in 2014 or 2015 depending on how you define the termination.
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Another change for contractors happened this year when the Org eliminated the DPW Power Crew and outsourced the electrical grids to Agreko.  They kept a small crew of former DPW Power folks in supervisory roles, and the end result is a little more Disneyfication of the event.  Eventually they’ll outsource gate and perimeter to a security firm and the event will have all the charm of a visit to Ikea.
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The shark was jumped in 2012 with the ticket lottery.  When we look back 10-15 years from now I believe we will acknowledge that the year tickets became scarce was the year the Org stopped caring.
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This is an interesting point about the accounting. If a $397 ticket is sold for half price, do they write it off in the books as $200 of “Admin Costs” (claiming full revenue for the ticket, then the lost revenue as an expense) and then claim that they are contributing this towards arts?
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Why is the only time this “$3 million on art” figure appears in a small, quiet meeting with artists – and all the press discussion is of $1.2 million or $1.5 million? Why do they feed artists generously  (and unnecessarily) at HQ, yet shut them out of the Commissary during their builds?
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Thanks very much to the artist who has been contributing here, I can confirm that I have also heard what they are saying about entire crews being sacked and replaced with contractors from other sources. People who have given a decade or more of their lives to physically constructing Burning Man have been shunted out the door, while newcomers get to cash in. One consequence of this corporatization/Disneyfication is that it is more scaleable and movable. As I said recently to VICE, let’s take this show on the road!