Why We Burn: Aaron & Honeybee

(After seeing the success of our first Why We Burn segment, I’m delighted to have spoken to Aaron & Honeybee. One a department head at a tech company here in NYC, the other a heart surgeon, they’re two people I look up to. Consumate professionals who work hard & play hard, I was able to get their thoughts on what it takes to venture out from the East Coast and why they keep coming back.) By Terry Gotham

AH11. How many years have you gone to Burning Man & how did you get into the scene?
Honeybee: 9 years in a row. In 2007 I realized I was really bored with my social life, I wanted to be thrilled by it. So I jumped on the computer, searching through Google, throwing in random terms committed to finding a group of people, a community that inspired me. That scared the living shit out of me. After hours of searching, I came across a photo of a guy sitting on a red velvet couch in the middle of the open desert and the floor was scorched black. In an instant the photo brought so much curiosity, I began searching for “Man Burning with Couch” ,”Man Burning Desert”, finally I came across Burning Man. My search was over, I found the community that I so desperately wanted. I immediately signed up to every list I could find, read every bit of information I could read and purchased my tickets a month later. I ended up going by myself and have been going back ever since. I was a main contributor to the art from 2008 – 2013, building large interactive art installations for Burning Man with an arts collective I started with two others, called the Animus Arts Collective.

Aaron: Although not as seasoned as Honeybee, I have been fortunate enough to make it out to the Playa the last two years. We all know that Burning Man is so much more than music but what actually got me into the scene was the music in the first place. Well, that and Honeybee herself. I was always really into the warehouse music/party scene in NYC and had been frequenting many over most of my 20s. I didn’t even really know that the crowd was so full of Burners and how heavily the culture influenced the scene.

Then, Honeybee and I met and started dating in early 2014 and she brought in the Burner culture and sense of community that I had mostly lacked. She was so surprised how much I knew about the music and I was surprised how little I did know about the community at large. Within a few months of us dating, she said to me that we were going to go to Burning Man that year and I immediately said ‘Let’s do it’. This is actually quite funny in hindsight because I remember saying in my early 20s that I would never go to Burning Man. Honeybee opened up a whole new world to me. We had so much fun planning and getting ready for the 2014 Burn and our love for each other blossomed as a result.

2. Do you have default world jobs? How do you earn the funds to make it to the playa?
Honeybee: Absolutely, I am the Head of Developer Relations for an amazing tech company which allows me to afford the trek to the playa from the East Coast.

Aaron: I’m a doctor finishing up my last couple years of training to be a heart surgeon. As a fellow, especially in NYC, the pay/work hour ratio is ridiculously low. But thats okay because I got myself a sugar momma (I just nudged her on the couch). So funding going to BM each year involves planning well ahead and saving accordingly.

Continue reading

Methoxetamine: The “Legal” Dissociative That Is Stronger & More Dangerous Than K

by Terry Gotham

Now that everyone is slowly filtering back into the default world, I wanted to mention a somewhat warped trend that the dance music community has been coping with for the last couple of years. Peeps search for replacements to a select illegal drug of choice, then optimize efficacy when they find one. While this sounds kind of harmless, any of our regular readers will be aware of the issues I’ve discussed surrounding legal highs & novel psychoactive substances. Today I want to talk Methoxetamine or MXE, the latest Ketamine substitute you probably saw someone sniff without knowing on playa.

Continue reading

2C-I & 2C-B: Research Chemicals Before It Was Cool

2CB

The 2C family of drugs is one of Shulgin’s famous progeny. He synthesized over 250 psychoactive chemicals, nearly all of them never having been consumed by humans before. As DanceSafe reminds us, there are 30+ unique chemicals in the 2C family of drugs, including 2C-I, 2C-E, 2C-D, 2C-T7 and 2C-B. So yes, that crazy dude at Entheogen Village years ago wasn’t kidding. That really was a drug name he was talking about & he wasn’t just tripping really hard.

They’re in the class of psychedelics known as phenethylamines, and came to prominence in the late 90’s & early 2000’s until the most populat of them, 2C-B, was scheduled internationally in 2001. Before that, you could still buy it on the internet. And yes, plenty of burners, ravers, psychonauts, taggers & straight-up gangsters purchased a whole bunch online while the getting was good. Sound familiar to anyone? It should, considering Erowid removed the “Research Chemical” label from 2C-B last year. We actually had a drug graduate from “new wackiness” to “yup, the kids are doing that now.”

That’s right, 2C-B & 2C-I served as some of the first examples of “research chemicals” entering the mainstream, especially as MDMA & LSD hit spotted rough patches in availability in the late 90’s & mid-2000’s across the country. Some users came to prefer the 2C’s to LSD or magic mushrooms because of the intense visuals higher doses of the drug provides. While lower doses give people a feeling of connection, at higher doses, many report intense visual illusions & effects. Trails, geometric patterns, carpets breathing & rainbow emanating from what seems to be nowhere, all reported by random users on & off playa of course. These symptoms come without the commensurate crush of thought & “back of the head” work that most report with traditional psychedelics.

This lightness can be a double edged sword. While many enjoy it and use it as a party drug, the lack of mental symptoms can sometimes convince people they’ve not taken enough. Leading many of my friends to the inscrutable “Oh shit the walls are melting” moments after they re-up their dosage. I can say (with confidence) I have seen more people fuck up their dosages & re-dose on the 2C family of chemicals than any other kind of drug. Whether at a burner party, a bar, club, on the deep playa, or at some stupid EDM brand orgy we call a festival now, I’ve seen the intensity knock even the most seasoned psychedelic user on their glowing ass.

It’s a potent reminder of the power of designer drugs. While it doesn’t seem as powerful as LSD or as binding/psychedelic as ayahuasca or psilocybin, set & setting need to be taken into account before doing fistfuls of psychedelics. Additionally, when the difference between the “low” & “high” dose is 5-10mg, dudes at festivals claiming they can eyeball the dose need to be shut down with extreme prejudice.

I do mean this. All of you playa-bound peoples, if you’re not rolling up with a milligram scale, take a pass on this one if some guy says he can dose you out on an index card inside of a tent. Unless you’re a fan of nausea, trembling, chills, anxiety or death, as someone in the UK in 2012 discovered.

2C-I also has a curious side effect that has only been in anecdotal reports around the internet, so hasn’t made it into the clinical documentation. That being one of the longest come-up times of any designer drug I’ve ever seen. When you see someone dose at 11:30 & it not hit them until 2am, you know you’re dealing with something a little out of the ordinary. This is even more of a reason to give yourself time, sometimes 4+ hours, before “doing more” or taking something else. Even in Black Rock City.

Have fun you crazy kids! But be safe, piss clear & don’t re-dose! The playa commands it!

Dextroamphetamine: Tent Stakes, Adderall & Mental Steroids

Dexedrine1The most disturbing thing I’ve seen both in an Ivy League library & the Esplanade happened to be a red Solo cup. Not so much the cup, but what was in it. In both cases someone had poured Vodka & sprite into the cup, and rimmed it with ground up Adderall. You heard me. The way a bartender would ring a margarita glass with salt. The concoction was identical but being used in totally opposite ways. One was assisting this girl rocking a tight brown ponytail & sweats cram as much biochemistry into her head as she could without having a panic attack. The latter was a drink of choice for a girl rocking pink camouflage & a unicorn horn at one of the more ostentatious happenings Tuesday night one year. And of course, in non-ground up form, Dextroamphetamine, or as it’s more commonly known these days, Adderall, Adderall XR & Vyvanse, is a heavily abused drug. But before we get to the current epidemic of usage standing watch, passing finals, playing video games competitively or screwing in geodesic dome spokes (and don’t you even pretend to act surprised, we know how you got the camp up in 12hrs), a little bit of history. Continue reading

Ranting and Raving

Our recent piece stirring the horny nest hot-button issue of kids at the Burn prompted an amusing comment from Burner St Addis of Paul.

DebBurningManLeave it to burnersxxx to get to the real issue here — are babes spoiling the “true meaning of burning man”? (i.e. DJs and the people who love them) You’ll just have to think of kids as living, breathing little Freebirds-at-Temple-burn, and I’m sure Mr the Pro would counsel you that that’s the kind of thing you just have to suck up and deal with in the name of freedom. Personally, St Addis finds it a little troublesome that there’s limited medical care in the event that a kid gets hurt, and thinks that anyone who sticks a kid in a car seat for an 8 hour exodus needs their head examined (i.e. I hope all those kids come in RVs, anything else seems cruel) but there were kids around burner culture long before there were international DJs with dusty cocks in need of sucking, and anything that forces people to realize that burning man is something other than “the world’s largest rave” is probably a good thing.

True. And it’s nice to know people are reading this blog enough to get the point. I’ve got no problem with other things going on at Burning Man beyond the hundreds, if not thousands, of raves. Indeed, I enjoy many other aspects too. But anyone who tries to deny it’s the world’s largest rave is crazy. Maybe Coachella, EDC, Ultra, TomorrowLand get way more numbers, $100 million+ just on tickets in some cases, $1 million+ for artists…but Burning Man is a CITY. We live in this rave. We ride bikes from stage to stage, or get a ride on a stage itself. We can turn our own camp into a stage if we want, anyone of our friends can get up and DJ, if the music is good people will come over and dance. Burning Man has it all over every other party in terms of its physical dimensions, number of DJs, and number of stages – especially feathered raverwhen you consider that pretty much every art car is a mobile stage too. That’s about 500 stages right there. Music is everywhere! Unknown DJs mix with local heroes who mix with international superstars, who are often playing for free and incognito. This has become a fundamental part of the party, and explains most of the increase in numbers from 15,000 in 1998 to 68,000 now. They can get away with $400 ticket prices, because that’s about right for what people would pay to see these artists at a festival. A festival that is paying for the artists, of course.  Look, I’ll grant you, it doesn’t all have to be dubstep, that’s for fucken sure. More psy-trance, more trance! But that’s an aside. Raves have always incorporated the art and lighting elements, as well as loud music and packed dance floors.

Now these days in 2013 we have “EDM”, this week there was a fantastic article by DJ Pangburn in Death and Taxes about the building EDM “bubble” in the United States. It seems doof has been a slow burner (if you pardon the pun) in this country, but right now it is on fire.

St Paul’s comment triggered a certain curiosity in me. Which did come first, the “pollo fuego” or the Eggstasy?

Which came first: raves or Burning Man?

Burning Man was a bit smaller in 1998

Burning Man was a bit smaller in 1998

It seems that the first events the Burning Man founders had on the Playa did not feature electronic music. I do remember losing my Burginity in 1998 and rave was there, but maybe 2 or 3 camps that you had to find by listening for the bass. Anyone with more information, please let us know.

Wikipedia has slightly conflicting information on when Burning Man started, between the official Burning Man entry and the Cacophony Society. The movie Dust and Illusions goes into this in some detail. The first Burning Man was held on Baker Beach in 1986, a fire ceremony. Burning Man claims this as the start of their party, but in fact it was the Cacophony Society in 1986 and they claim it became Burning Man in 1989.

The first Burning Man on the Playa was in 1990.

The first raves were held in the 1980’s, and the first description in the media of “Acid House Parties” as “raves” is claimed as 1989 – by Genesis P.Orridge, an occultist from the band Psychic TV . By 1991, the rave scene was no longer undeground and they were throwing legal parties in the UK for upwards of 30,000 people. That’s right, 20 years ago, they were throwing official, permitted raves – with electronic music – a comparable size to Burning Man.

What about the US? Wikipedia says:

scott hardkissAmerican ravers, following their early UK & European counterparts, have been compared to both the hippies of the 1960s and the new wavers of the 1980s, due to their interest in non-violence and music.

In the 1990s, one of the most influential Rave organisers / promoters in America was San Diego’s G.U.N., Global Underworld Network known as Nicholas Luckinbill and Branden Powers. They were made famous for organising and throwing the internationally known OPIUM and NARNIA raves that reached in size of 60,000 plus people in attendance, a feat unheard of at that time. Narnia which would become famous for a morning hand holding circle of unity was featured on Mtv and twice in LIFE magazine being honored with Event of the Year in 1995. Narnia quickly became known as the “Woodstock of Generation X”. These festivals were mostly held on Indian Reservations and Ski Resorts during the Summer months and were headlined by well known DJs such as Doc Martin,Dimitri of Dee-lite,Afrika Islam and the Hardkiss brothers from San Francisco

So we have San Francisco DJs and San Diego promoters throwing parties for 60,000 people in the early 90’s. The Woodstock of Generation X. I think it’s safe to say that rave was well on the scene in California before Burning Man was anything more than some loosely affiliated people camping together in the desert for free. If you read the story of the first Burning Man on the Playa, it seems like it was viewed more as a Cacophony Society event back then. For about 80 people. According to the respected source Dr Dre Started Burning Man, they applied for their first permit in 1991 and Dr Dre took it over in 1995.

Just kidding. That video sure stands the test of time though. And raises more questions than it answers. But let’s go with Wikipedia instead of Dr Dre:

1996 was the first year a formal partnership was created to own the name “Burning Man” and was also the last year that the event was held in the middle of the Black Rock Desert with no fence around it.

Thus it seems we should call the official start of Burning Man 1996, when they built the fence, created the company, and called the thing “Burning Man”…and get back to my rant about raves. First, we should define “rave”. Wikipedia is good enough for me:

Juno Reactor - ultimate live rave band

Juno Reactor – ultimate live rave band

According to Gibson (1999) rave is a spatial practice, which is done through the harmonization of dance, music and lighting. A part of a growing global subculture, and a powerful entertainment industry, the rave party is an event through which individuals can experience trances, religious rapture, deal with personal issues and of course have a really good time.[3]

St. John (2003) claims that raves pride themselves on their friendly atmosphere and welcoming attitude, by both the employees of the event and the guests. With a specific code of conduct, and a developing spiritual philosophy, rave culture can, according to St John, be viewed as part of new religious movement, as well as a re-invention of shamanistic or pagan spiritual practices.[4]

Shamanistic? Pagan? You mean, as old as time then. Going all the way back to the Dreamtime. Reading this definition, you could argue that Burning Man already was a rave, as soon as it started.

Thesite.org has a history of rave culture (yep, we do our research here at Burners.Me)

A rave is an all night event, where people go to dance, socialise, get high and generally have fun in an uninhibited way with other likeminded people. Some say it’s about the creation of a community and re-connecting with something perceived as lost. Others just say it’s about necking loads of pills and getting wasted with your mates in a field.

They have some informaton on the origin of the term:

The term rave first came into use in Britain in the late 50’s referring to the wild bohemian parties of the time. It was then briefly revived by the mods, but didn’t come back into fashion until the illegal London warehouse party scene in the mid eighties. However it is likely that the term ‘rave’ came from Jamaican usage rather than a revival of any previous usage in Britain.

Wikipedia provides further clarification:

In 1958 Buddy Holly recorded the hit “Rave On,” citing the madness and frenzy of a feeling and the desire for it to never end

So, Buddy Holly was the first American raver. Right on, Rave On.

And also, Eric Clapton (she don’t like cocaine) and Paul McCartney were ravers. Now it all makes sense – Ravers, Red Bull, gives you wings, yard birds dazed and confused…ah hah!

From Wikipedia:

Tomorrow Land, the world's biggest rave since Love Parade 2000 in Berlin

TomorrowLand in Belgium, the world’s biggest rave since Love Parade 2000 in Berlin

In the late 1950s in London the term “Rave” was used to describe the “wild bohemian parties” of the Soho beatnik set.[5] In 1958 Buddy Holly recorded the hit “Rave On,” citing the madness and frenzy of a feeling and the desire for it to never end.[6] The word “rave” was later used in the burgeoning mod youth culture of the early 1960s as the way to describe any wild party in general. People who were gregarious party animals were described as “ravers”. Pop musicians such as Steve Marriott of The Small Faces and Keith Moon of The Who were self-described “ravers”.

Presaging the word’s subsequent 1980s association with electronic music, the word “rave” was a common term used regarding the music of mid-1960s garage rock and psychedelia bands (most notably The Yardbirds, who released an album in the US called Having a Rave Up). Along with being an alternative term for partying at such garage events in general, the “rave-up” referred to a specific crescendo moment near the end of a song where the music was played faster, heavier and with intense soloing or elements of controlled feedback. It was later part of the title of an electronic music performance event held on 28 January 1967 at London’s Roundhouse titled the “Million Volt Light and Sound Rave”. The event featured the only known public airing of an experimental sound collage created for the occasion by Paul McCartney of The Beatles – the legendary Carnival of Light recording

Burning Man can trace roots prior to 1996 all the way back to the Cacophony Society, I’ll give you that. But the first raves started out of the Factory in Manchester, even earlier than that. Wikipedia accredits this to the Stone Roses in 1985:

The first warehouse parties in Manchester were organized by the group The Stone Roses back in 1985, when to get around the licensing laws they would play a gig and book a line up of DJs under the disused arches of Piccadilly train station. These parties were then advertised as an all night video shoot, and the kids who bought tickets for £5 would have a 1p piece sellotaped to the back as their fee for being extras in a video shoot, thus for several months the forces of law were kept at bay

24 hour party people…but that completely overlooks the role of Tony Wilson, Factory and the Hacienda in Manchester in shaping the career and sound of the Stone Roses, and New Order in the Factory prior to that. I highly recommend the movie 24 Hour Party People, starring Steve Coogan, which is the story of Factory Records. I have friends who were there and they assure me the movie is pretty close to the true story. New Order were the absolute pioneers of electronic dance music, of course they were not the only ones, but their 1982 track “Blue Monday” is the biggest selling 12 inch of all time. And I’m not talking dildoes. It used to be in every DJ’s vinyl collection.

“Blue Monday” was described by the BBC Radio 2 “Sold On Song” feature thus: “The track is widely regarded as a crucial link between Seventies disco and the Dance/House boom that took off at the end of the Eighties.”[12] Synthpop had been a major force in British popular music for several years, but “Blue Monday”, by encouragement of the band’s manager, Rob Gretton, was dance record that also exhibited influences from the New York club scene,[12] particularly the work of producers like Arthur Baker (who collaborated on New Order’s follow-up single “Confusion”).

 

Earthcore Australia, 2007. A proper Bush Doof. The lineup for their 20th anniversary in December is outstanding - click image for details

Earthcore Australia, 2007. A proper Bush Doof. The lineup for their 20th anniversary in December is outstanding – click image for details

And then, we go back to the New York club scene. Possibly all the way to the synthesized disco beats of the 1970’s. Detroit and Chicago have strong arguments for creating the house sound, Derrick May in particular is viewed by many as the main creator of techno in 1987. Before that we had Kraftwerk from Germany. Jean-Michel Jarré from France – in 1986 he was doing shows with 1200 projectors, for 1.5 million people. Pink Floyd. Techno sound. Electronic sound. David Bowie, Brian Eno. All ravers. You follow the rabbit hole far enough, and you get to Lucy. Not Lucy, our common ancestor, the genetic originator of humans. The first one dancing to the beat of the drum, at the original rave in a cave. No, I’m talking about Lucy in the Sky with Diamonds. LS ‘n wonder lanD. The preferred trip of the trippers. Acid. The founding DNA of Burning Man, the Rave Scene, and 50 years of culture and creativity emanating from San Francisco, bringing peace and love to the world through art and music and invention.

If you really want to dive down this particular rabbit hole, consider this particular take on Rock and Roll history in the mid 60’s. There are 22 parts in total to it, quite the read.

entrance_to_the_hive_mind_by_vitaloverdose-d5k0803

Entrance to the Hive Mind, by Vitaloverdose

You wanna argue that Burning Man can claim  hippy purity  by tracing its San Francisco roots to the 60’s acid freak scene of Timothy Leary, Ken Kesey and the Merry Pranksters, and the Grateful Dead? I’ll argue back that the electric guitar is electronic music. So Hendrix is one of ours, the Doors. Obviously we claim the synthesizer, meaning Transhumanist leader Ray Kurzweil is a raver. This Founding Father of the Singularity is now Director of Engineering at Google, BTW. He’s building a mind there. Actually it’s an Artilect, a Godlike Massively Intelligent Machine – an Artificial Intelligence Hive mind that will be plugged into all our emails, appointments, movements, and everything we see and hear and do through our phones, cars, homes and glasses. And, given that Google makes $3.5 billion profit per quarter and has $50 billion in cash, it’s probably fair to say his budget has no limits. So ravers got robots. It’s a mistake to classify all of us as drugged up and obsessed only with hotpants, glowsticks and deep bass.

Yep, he’s a raver. A hard core one – he pops 200 pills a day. No idea if we can claim him as a Burner – but I would be astounded if that guy had not been to Burning Man. Especially to get a job like that at Google, who seem to have already fast-forwarded the Singularity timeline about 20 years. The Age of Spiritual Machines was an amazing book, and most ravers I’ve met are very spiritual people – though not necessarily religious.

Anyway, do I need to get medieval on your ass? We come from the old skool:

Here we have electronic music even before acid. But let’s go back even further. Ecstasy was invented by Merck in 1912. Where were all the hippies then? Thomas Edison was inventing electric cars and the phonograph – AKA vinyl. The wheels of steel. This was back in the days before USB sticks son, before the DJ had to put a mirror ball on his head and hop around to his laptop. This was when music was first

Art Car - in 1912. And it was electric.

Art Car – in 1912. And it was electric.

being electrified. The National Parks Service was created in 1916; Silent Spring wasn’t written until 1962.

Yes, that’s right. You heard it here first – Burners.Me BREAKING NEWS. Thomas Edison was a raver. Quite possibly the first one. Think about it – he had the turntables, he was recording beats in 1878. Then he needed to develop the low-emissions, off grid art car and  system so he could get to the doof, set up the sound system and the blinky lights, he was all about the blinky lights. 10,000 failures to get his light bulb going, that’s persistent. I bet he would have loved the Burner blinky light geniuses of today. He had electric cars, like Burner Elon Musk – whose car is named after Edison’s rival, genius Nikola Tesla. Put them both together you get AC/DC, true fact. Sounds very Burning Man.

So, perhaps predictably, I’m gonna have to call this one for the ravers. We were on the scene first, we were dropping phat beats and cruising in electric art cars before anyone even invented ecstasy or acid. Before the environmental movement began. Since there’s been electricity, since there’s been electronic music and blinky lights, there’s been ravers, and ravers invented art cars. We didn’t take over Burning Man, Burning Man came out of an existing scene of raves that had been happening for some time. We were there first, and as soon as our rave scouts found a place for a good doof, we showed up with the boom box. And we’ve been showing up ever since. We live in the 21st century now, sorry old-timers. We’re well into it. Hippies are still welcome, you can still bring your sitars and drop acid, it’s cool. But it’s not the 60’s any more, or the 70’s,80’s, 90’s, or Naughties. We’re in the teenies, and raves ain’t going nowhere. Burning Man is the world’s biggest rave and there’s no point fighting against it – especially given that “radical inclusion” is one of the core principles of the party.

lego raversThe rave element is not only there, it is the greatest party in the world for lovers of that scene, many of whom bring extreme amounts of resources to the Playa which contributes to everyone’s enjoyment. There are more shiny happy people dressed up in sexy costumes there to dance, than are there for free booze, workshops and TED talks, or anything else. Those major lasers aren’t there for the kids! And neither are those giant, world class sound systems and video screens. This stuff doesn’t get provided by Burning Man, it gets brought by the ravers. It draws almost all of the crowd to the party, and everyone gets to enjoy for free. Without amplified music, it would not be a party, it would be people camping. A rainbow gathering, perhaps. Acoustic Burning Man. Some friends around a campfire at Baker Beach.

There’s only one rave like this we can go to. Most of us agree, there should be more. One of the major differences is the Art Cars. You can take your kids to the Houston Art Car parade, but we can’t throw a rave there.  The same with pretty much any park in the San Francisco Bay Area. There are plenty of places you can go with your kids or for silence.

rave girlsWe welcome you to come with us, join us at our party, there will be music and dancing, wine women and song! And we’ll give it all to you for free! All we ask is, please don’t complain when you get there. Don’t try to turn it off, or make us turn it down. That’s what we get everywhere else in the world. In San Francisco, if we throw a rave, the cops can seize the sound system and the DJ’s laptop. Burning Man is one of the rare places in the whole world where we can come to turn it up. That’s why we travel for so many hours in the desert to go to it: so we’re not disturbing anyone. I know we make a great spectacle, and it’s cool and you want your kids to see it. We’re not stopping you, so don’t try to stop us. Accept and celebrate us: loud music is part of Burning Man, just like flashing lights are. Just like generators are. Bring some ear plugs. Camp on the outer perimeter. If you don’t like it, don’t go – we don’t like haters anyway, so that’s perfect. If you want to have your own party, by all means do. Get as much as you can out of Burning Man, express yourself, do whatever feels good. Go into the Deep Playa and enjoy the silence and sense of isolation out there, then get yourself into the middle of a packed dance floor and feel the Funktion1 15 hz bass so loud and deep that it makes your skull ache. Appreciate that you can easily do both, for free, without criticizing another human being or asking them to adjust their sense of wellbeing to benefit your own. Enjoy your Burn and the freedom of “We Do What We Want“, what a privilege it is for all of us to be there. In this giant, 24/7,  thumping bass and blinky lights ultimate rave city.