White Dragon Noodle Bar Brings Blade Runner to I, Robot

A guest post from Burner Cedric. Check out their fundraiser in San Francisco on Friday, August 17: https://www.facebook.com/events/237054556942919/

The White Dragon Noodle Bar, led by a group of Burners from San Francisco, is coming to the playa for the first time in 2018 as part of the Golden Guy Alley camp at 7:15 & Bender.
We are addressing this year’s theme of “I, Robot” by constructing and replicating the White Dragon Noodle Bar from the iconic 1982 movie Blade Runner, in which Harrison Ford’s replicant-chasing cop character enjoys a bowl of noodles for far too short a time before being removed from the scene. We are excited to be honoring the vision and legacy of Larry Harvey and hope that our neighborhood noodle bar, from which we will gift noodle soup and sake, will become a place for community gathering and storytelling.
The vision for this originated when three of the bar founders in 2017, as part of the Hotel California camp, ended up having a drink at one of the original Golden Guy bars, The Pickle and Eggs (a Scotch whiskey bar). After a drink or two, the inspiration came to create an Asian noodle bar, and these formerly non-handy friends ended up with another founding co-collaborator and, in a radically self-reliant way, a lot of paint and sawdust on their hands. The result, we hope, is a pretty damn accurate representation of Blade Runner’s White Dragon bar that will be memorable for all who make their way there or end up there unexpectedly.
Of course, an undertaking like this takes more than just a village of helping hands and some blood, sweat, and tears (of which lots have been shed!). The cost of build materials and transportation has taken us over budget and we are looking for additional donations to help cover expenses. We fully expect to take this project to future Burning Man festivals as well as local burns so that we can spread this gift to more people and more broadly!
We’re grateful for this community and we look forward to interacting with everyone who’s excited about what we’re bringing to life!
Our fundraiser in San Francisco on Friday, August 17: https://www.facebook.com/events/237054556942919/

 

 

Rockstar Librarian 2018 – A Great Way To Help With Communal Effort, Gifting,and Radical Self-Expression

If it was up to BMorg, Burning Man would have no music and would be 100% transformational blowjob workshops. Fortunately we have about 1000 stages, 10,000+ DJs, and RockStar Librarian to help us ignore their foolish ideals.

This year, Rockstar Librarian wants to make the world a better place with music. Support her – if you like music at Burning Man, you will appreciate her guide which comes from a team of volunteers every year. Thank you so much to Rockstar Librarian and her team, and thank you from the bottom of our hearts to all the DJs, art cars, and sound stages that have ever played at Burning Man – it’s you who makes the party.

If you’re going to support any art project this year, support the music.

Check out our collection of mixes from previous Burning Mans at our Music page.

 

Here’s Our Chance to Leave A Legacy

In order for an angel investor to fund the 2018 RSL Music Guide, we need to raise $11,000 for Josie’s Well/Water Access Now, a non-profit to build a safe water well in Ghana.

We have until August 15th to raise the funds and still get the Music Guide produced and to the playa.

So let’s work together to create the music guide, create lasting change in Ghana, and leave a legacy.

I’ve also streamlined my RSL contacts database so everyone gets the chance to get the Music Guide and notices.

The Why: The Story

I didn’t realize how powerful leaving a legacy was until I attended AfrikaBurn in 2017.

It was in the wee hours of the morning sunrise, sitting under the DMV’s red beduin tent while sipping South African boxes wine, that I engaged in philosophical conversations with AfrikaBurn founders Paul Fletcher, Paul Jorgensen and Robert Weinek.

In those wee hours we discussed, “What comes next, from Leave No Trace?”

These beautiful, gritty influencers had an intention: Leave a Legacy.

For AfrikaBurn it looked like this: save plywood from dismantled camps and build outbuildings for a local school; leftover non-perishable food to stock an orphanage’s pantry. “We have so much,” they all agreed.

Then earlier this summer I met an eleven year old girl named Josie, from Seattle, Washington area, who at age nine, raised the money to build her first well in Ghana.

She created her own non-profit, Josie’s Well, in partnership with the local non-profit Water Access Now, and now at age eleven, Josie has realized her vision threefold!

I recently shared both stories with a Burner friend of mine and Music Guide supporter. And on the spot he proposed a challenge:

If we rally the Burner community to raise $11,000 to build a well in Ghana, he’d fund the entire 2018 RSL Music Guide. 

If Josie can do it, WE can do this!
 

The HOW:

Your simple way of participating is key to making this happen.

* Make a tax deductible donation to Burn for Water: Leave a Legacy GoFundMe page
* Forward this email to tribes of Burner friends, campmates, and community
* If you have a following, please send this email to your email list
* Share the Burn for Water: Leave a Legacy GoFundMe Page on your social media

Let’s leave a legacy together!

Big Dusty Hugs,

Kate Houston,
the Rock Star Librarian
Share this message on your social media & forward in email:

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PS. I have answers to your questions. So ask them!

  • Josie’s Well and Water Access Now are volunteer run and committed to transparency, passing donations directly onto building wells in Ghana.
  • Water Access Now has a sustainability plan in place so that wells don’t just get built and left in nonfunctional disrepair, and it includes community & civic investment & involvement.Your tax deductible donation goes directly to the charity.
Burn for Water: Leave a Legacy!

2018 Theme Announced

irobot

In 2013 we had aliens. In 2014 it was camels. In 2015, clowns. 2016 was Medici. In 2017 we had temples.

I guess Larry and Stuart were trying to figure out how more people could have a transformational experience, and they came up with…

transformers.

Robots burning The Man. Or do we burn the robots?

From the Reno Gazette-Journal:

Burning Man announced its 2018 theme on Wednesday, “I, Robot,” a theme inspired by the 1950 collection of short stories published by author Isaac Asimov. The stories tell the fictional history of robots…

“This year’s art theme will focus on the many forms of artificial intelligence that permeate our lives; from the humble algorithm and its subroutines that sift us, sort us and surveil us, to automated forms of labor that supplant us. Are we entering a Golden Age that frees us all from mindless labor? Everything, it seems, depends on HMI, the Human-Machine Interface. In a world increasingly controlled by smart machines, who will be master and who will be the slave?” …

The theme seems appropriate given the increasing reliance Burners have on technology at the week-long event

Read the full story here.

The robots surveil us.

If you wonder what that means, especially in the context of Burning Man, start here.

You can read more of the philosophy of I, Robot at the BJ.

The allure of immortality and god-like powers is as old as god. The Greeks, who more or less invented humanism, had a word for this ― they called it hubris, making it the basis of all tragedy. This enduring fantasy is lately clothed in cyber-togs. It is said that computational power is increasing exponentially, much like the singularity that created the universe, and charts and numbers are employed to predict the point in time at which this supra-intelligence will take over.

This is a millenarian idea, sometimes called the Rapture of the Techies, and like all such schemes, it is essentially a religious concept now dressed in the trappings of science. In this scenario, the future rule of one vast integrated Robot will exceed all human comprehension. This notion also contains an ingenious escape clause, a sort of intellectual insurance policy. When pressed to pinpoint exactly when this event will occur, its acolytes reply that it may have already happened — its advent will elude the grasp of slimy brains. This is a contest between wet intelligence, something that we barely understand that has evolved on earth over a span of billions of years, and dry intelligence, which in its digital form was invented in 1936

[Source: burningman.org]

Burning Man is a contest? I guess they started the themes with Good vs Evil, and now it’s humans vs robots.

burning man fallen robot

Image: Tyler FuQua

I agree with them that the Singularity has already happened, and Google and the NSA are already inside our heads. We live in a Sentient World Simulation, operated by the Deep State. The Defense Department, defending The Man against the humans that might question him with armies of always on, always faithful robots.

will-smith-i-robot-wide-56186200

will smith segway burning man.jpg

Will Smith loved Burning Man so much they named their theme after him?

will smith burning man mask

As I pointed out in Shadow History Part 3, robots are a specific vision of the Church of Satan (as is the “allure of immortality and god-like powers” that are also part of this theme).

Screenshot 2017-10-19 15.11.19

Will Google and Tesla be debuting new walking robots at Burning Man 2018?

In 2004, the DARPA Grand Challenge was launched: for a car able to navigate through an obstacle course by itself. It was a complete failure. By 2007, half a dozen cars successfully completed the course. In 2014, Tesla announced Auto-Pilot – and self-driving cars hit the mainstream. Tesla expects to have completely self-driving cars by the end of this year.

In 2013, the DARPA Robotics Challenge was for humanoid robots to walk, climb over rubble and stairs, open doors and use tools.

They’ve come a long way since then.

As if all that wasn’t trippy enough, check out this little guy:

So what’s it going to take to bring Androids into everyday life? Burning Man?

People have been fucking machines [NSFW] for quite some time. Now there are robot brothels springing up, and by all accounts doing a cracking trade. So to speak. In Barcelona one all-robot brothel was run out of town by angry human prostitutes.

Will there be sex bots at Robot Heart?

robot heart

People who think there should be less technology at Burning Man should probably just give up at this point. DARPA has to test somewhere!

The Anti-Burning Man

The New York Times has a story about the Bombay Beach Bienalle at the Salton Sea in California.

They just had the first one, seems like it was a hit. Art, opera, and weirdness: sign me up.

The Times have coined it the Anti-Burning Man.

Last weekend, a mostly abandoned town on the Salton Sea was transformed into a pageantry of art and opera and weirdness.

The three-day Bombay Beach Biennale was free to attend, unpublicized and driven by a mission of local engagement.

Call it the anti-Burning Man.

The idea came from Tao Ruspoli, a Los Angeles filmmaker, who years ago became fascinated by the Salton Sea, a onetime tourist mecca straddling the Imperial and Coachella Valleys that has succumbed to environmental decay.

He started visiting often and even bought a house in Bombay Beach, a speck of a town on the eastern shore.

“This idea of Bombay Beach Biennale popped in my head because rather than play up the sadness of the place,” he said, “I thought it would be more interesting to play on the surrealness of the place…It’s such a mixture of contradictions, of natural and unnatural, of beautiful and ugly.”

[Source]

Forget Leave No Trace. These artists want to leave it better:

Mr. Ruspoli partnered with two friends, Stefan Ashkenazy, an art lover and hotelier, and Lily Johnson White, a philanthropist and member of the Johnson & Johnson family.

Last year, the trio self-funded the inaugural festival, under the theme “Decay,” and invited artists, philosophers, writers and other assorted merrymakers from their network of friends to join. It was a hit.

But rather than simply clear out once the fun was over, the festival has aimed to reinvent some of the abandoned buildings in town as permanent art spaces.

“The ethos is to be playful but also leave a lasting impact to the town,” Mr. Ruspoli said.

[Source]

The Johnson (and Johnson) family are full of interesting characters, to put it mildly.

crazy rich

Stefan Ashkenazy is the owner of La Petit Ermitage, one of the commercial hotels doing pop-ups at Burning Man VIP camps.

petit ermitage

And as for the third player in this trinity, the description of “film maker” doesn’t quite do him justice:
Tao Ruspoli is an Italian American filmmaker, photographer, and musician. Ruspoli is the second son of occasional actor and aristocrat Prince Alessandro Ruspoli, 9th Prince of Cerveteri and Austrian-American actress Debra Berger. He is the older brother of Bartolomeo dei Principi Ruspoli, second husband of oil heiress Aileen Getty.
A prince(ling), whose sister-in-law is a Getty. No big deal. Oh and he got engaged to Olivia Wilde at Burning Man and married her at 18 on a school bus
olivia wilde tron
The Salton Sea is a seriously trippy place.

This year the Biennale theme was The Way The Future Used To Be. There were more than 100 artists and performers, with attendance “in the hundreds rather than thousands”.

Carmiel Banasky in LA Weekly described the psychedelic space station and other accoutrements:

My first stop at the fest was a Mad Hatter-esque tea party, where cake pops (made by a local family), joints and edibles were passed around while fairy women made bondage art in the branches. Along the beach was a lifeguard stand turned into a psychedelic space station. Colorful smoke bombs set off at sunset through large sea creature cut-outs asked us to remember where we were, while the outdoor bar next door (tended by men in yellow bikini briefs) asked us to forget it.

Read the full story at the New York Times

Read the LA Weekly Story

See more photos on Instagram

An art installation on the sand at Bombay Beach. Credit: Jennifer Wiley
Photo

Artists explored the surreal setting of the decaying Salton Sea. Credit: Laura Austin
Photo

Men in yellow bikini briefs tended a bar at the Bombay Beach Club. Credit: James Frank
Films were screened at a drive-in theater featuring the shells of broken-down cars. Credit: James Frank
A performance at the Bombay Beach Opera House featured dancers from the San Francisco Ballet. Credit: James Frank

The Big Picture

 

andrew-johnstone-cargo-cult-lancashire

Image: This is Lancashire

Black Rock City was designed by Rod Garrett, a member of the Beat Generation. His apprentice Andrew Johnstone from American Steel took over Rod’s role when he passed away, becoming Design Steward of the Man. He designs The Man Base every year with Larry Harvey.

His side project is to address the $20 billion a  year in the US ($100 billion worldwide) being spent wasted removing graffiti. Give the kids paintbrushes, and save on aerosol cans; give them permission, and turn them into artists. This is art literally transforming peoples’ lives.

An amazing project, Mr Johnstone deserves to be commended. This seems to be exactly the type of thing that the Burning Man Project was granted a tax exemption for. Andrew has a @burningman.org address, he’s definitely an insider. So why haven’t we heard anything about this at burningman.org? Why no glowing stories in the BJ?

Perhaps it is because the last thing anyone would want to do with at-risk teenagers is bring them to Burning Man, and expose them to the world’s biggest market of temptation, where everything is free including sex, drugs, and EDM.

Or perhaps the project doesn’t need support, since the Tides Foundation is behind it. Tides is a notorious George Soros front, with further financial muscle from the Rockefeller, Ford, and Heinz Foundations.