Why We Burn: Miss Sabado

(As the summer rolls on, we’re going to keep it going with great stories from your favorite East Coast Burners. Miss Sabado is one of those amazing DJs you see on playa then can’t find again for the rest of the week. Bi-coastal & a multi-talented entrepreneur, model, artist, actress, and all-around exceptional human being, Miss Sabado, talked with me about how Burning Man, being a woman in today’s society, creativity, inspiration and two coasts come together. Enjoy!)

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Interview by Terry Gotham

1. What’s your favorite Burning Man memory?
There are so many! But I think no burn compares to your first burn. My first burn was the year of Evolution, 2009. I had never seen anything like it. I felt like I was on another planet, experiencing things for the very first time, with wondrous, childlike curiosity. I remember the carbon garden, and sticking my whole head into the faces of the flowers; I remember laying under the Cubatron under the nighttime sky and laughing my ass off with total strangers and passing Kleen Kanteens around full of questionable cocktails. And that big slide! How dangerous but so fun! I remember climbing up those steep rickety stairs, potato sack in hand, thinking to myself that I could very well die on this thing. I only weigh 100 lbs, so I flew down that slide sooo fast I was practically airborne (laughs).  I remember the moment I first laid eyes on the rocket ship, and thinking to myself: is it really going to launch? I was so excited! It was utopia; festival earth. My favorite memory by far was dropping acid for the first time on Thursday night at the Twilight Spaghetti Theatre (right before twilight, of course), and walking out to the center of Esplanade, and I could hear every conversation from one end of the esplanade to the other, every bicycle bell ring, every footstep… everything. Art cars were floating off the ground, her purple sky majesty cloaking me with all her glory, dust in every crevice. Everything started to melt, and everything made sense. It was glorious.

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Why We Burn: Kevin Bracken

(As the East Coast begins its preparation to head West for Burning Man, I’m deeply honored to bring you an interview with Kevin Bracken, one of the low-key legends of the Brooklyn & Toronto party scenes. While the name isn’t familiar, if you partied in Brooklyn in the later oughts, Newmindspace & their dope Bushwick loft was a storied institution not to be missed. A member of Opulent Temple, he’s moved up to massive Pillow Fights, Bubble Battles, tangling with the Empire With Ears & bringing a big metal swan to the playa! He’s friends with Ryan & Erika from our first Why We Burn as well, so I hope you enjoy the chat!)

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By Terry Gotham

1. What’s your favorite Burning Man memory?
My favorite memory was the first sunrise I spent with my wife Marie at the burn, a.k.a. the moment we started dating. I’m pretty sure we both knew even then it was going to turn into something magical 🙂

Not my favorite memory, but my most unforgettable moment: It would be hard to top Paul Addis burning the man early in 2007 while most people were distracted by a lunar eclipse. For those who don’t remember, that was the year that Burning Man allowed Tesla to put an unmarked prototype in the Green Man “Corporate Pavilion.” It was an unmitigated PR disaster that was magically swept away by the deranged actions of a sick man. And even though I do think what Addis did was dangerous and pretty messed up, a tiny part of me does think it was the final chaotic, anarchic action of a Burning Man most people will never experience.

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Why We Burn: Nuvoletta, Art Direction into the Deep with DisOrient

(This is a rare treat for y’all. Nuvoletta, the creative genius behind what you’ve seen at DiSORIENT events for the last couple of years, agreed to pull back the pornj curtain and give us some insight on how one of the most recognizable camps at Burning Man makes it happen, on and off playa. Plus she included some of her favorite mixes from over the years, so what’s not to like? If you’re chomping at the bit for more DiSORIENT in your life, check out their weekend away, Country Club, in its sixth stunning year, May 27-30.)
By Terry Gotham

1. What’s on tap for DiSORIENT for 2016? Is it just me or has DiS taken a step back this season?
It’s a busy time, we are moving forward, sideways and inward. We just wrapped Bedouin Tech, the third year of our experiment in Dubai. On playa this year, we will be building our Teatro di Sorient a Disoriented opera house.. We work on our playa projects with a team spread out across the world. It’s a busy time internally.

If it seems like we have taken a step back in NYC, it is because we are evolving with the changing landscape. The old style of the same themed predictable events concretely on the calendar is fading away. We have some exciting new plans for 2016. It feels like the right move for us. People are capitalizing on the burner world, creating faux-burner production companies making profit by hosting faded facsimile copy of burning man art fundraisers. They use burner visual tropes and language for their promotion. The landscape in NYC is currently warped by these people commodifying it.

2. How does DiSORIENT run? Is the leadership based out of NYC or are you constantly coping with video chat across the country/globe?
We use a cell/module system. Anyone can propose any idea and if they attract enough people to their idea, they form a Disorient cell. We have some classic cells, sound, lighting, projection, etc. These cells participate in Disorient modules. A module can be a fundraiser, and art car, and so on.
The Disorient model is how we propagate worldwide. We have cells and modules throughout the United States and abroad. Absolutely- Video chats and emails are a constant as well as spreadsheets and phone calls. We have many smaller groups within Disorient, people get together for dinner, tecates and bubbles. We detail our system at http://wiki.disorient.info/index.php?title=Disorient_Model
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