Burning Man Fashion 2013: Manish Arora’s Indian Burn

by Whatsblem the Pro

Photo: Ramesh Sharma

Photo: Ramesh Sharma

A major five-day fashion show in India last week featured a much-ballyhooed grand finale: designer Manish Arora’s latest line, inspired by his visit to Burning Man.

From the Times of India:

Arora, whose new collection was a beautiful amalgamation of Indian and Western outfits with multicolored embroideries, explained the inspiration behind the theme of the show.

“Last year I went to a festival called Burning Man which happens in a desert of America. I got inspired by the place, I always wanted to go that place and I went on my 40th Birthday last year so the collection is based on that,” he said.

No doubt this will inspire mixed feelings in a lot of burner hearts. This is the world of high-dollar (OK, high-rupee) haute couture, blatantly capitalizing on the Burning Man trademark. On the other hand, maybe there shouldn’t be a Burning Man trademark. . . and perhaps this penetration of our culture into so exotic and faraway a milieu as Indian high fashion should encourage us and even flatter us a little.

No matter what you think about it, it’s impressive that Manish Arora’s burn-inspired line wasn’t just included in the show; it was the grand finale, and was apparently hyped half to death. Asian Age covered the event, and had this to say:

For those who were waiting for it to happen with bated breath, it did. Yes, the grand finale of Wills Lifestyle India Fashion Week 2013 at Pragati Maidan happened without any glitch. And grand it was.

The show area reserved for designer Manish Arora’s show took almost a day to prepare. In fact it was cordoned off for the entire day and the junta wasn’t allowed to be seen near it.

The show finally started after the expected delay and the guests were greeted with a wide runway — black and glossy, open-air opera like setting and an international band waiting to blow our minds with their insane music.

Manish’s experiences at the Burning Man festival in Nevada resulted in the making of this astounding collection.

The show was divided into two segments.

The first one kicked off with geometric motifs and borders along with lustrous holographic stones, dull gold and beads were put together to create illusions of the Burning Man. Indigo, black, pink and green were used as the base to let metallic gold stand out.

Sequined, embroidered peplum and balloon dresses, fitted pants, sweatshirts and pencil skirts were noticed along with over-sized tops, coats, knitted dresses.

While the second part saw models wearing leather turbans with long, distressed hair peeping out, leather trench coats, jackets with Chinese collars, long and short dresses, shifts, shorts, overcoats and interesting knitwear. Neon embellishments shone bright on cuffs, collars and corset belts.

Breaking the tradition of a Bollywood celebrity closing the show for the finale designer, model Bhawna Sharma sashayed down the ramp in the showstopper outfit and bid adieu to the week.

This is what Manish Arora looks like:

Photo: Ramesh Sharma

Photo: Ramesh Sharma

. . .and this is what Manish Arora thinks we look like, as translated through the mirror of his subcontinental big-money fashion sense:

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

Photo: Ramesh Sharma

LOVE FOR SALE: Bruno Throws in the Towel

by Whatsblem the Pro

Photo by Consumptionblog

Photo by Consumptionblog

Big news in Gerlach this week as real estate magnate Bruno Selmi, the Ted Turner of Northern Nevada, puts Bruno’s Country Club up for sale at a whopping 1.5 million dollars. The property is well-maintained and consists of a bar, a restaurant, a 53-unit motel, and a mobile home/RV park.

Selmi came alone to America on a boat from Italy at a tender age, leaving the post-war Old World behind for a life of better prospects. He wandered the States, picking up odd jobs and cooking for a living, until he settled in Gerlach and opened a restaurant.

After his first venue in Gerlach burned down, he opened Bruno’s Country Club in 1953, and has presided over the place (and the town) with little to no competition to worry about ever since. Selmi has gone from success to success in the intervening years; he must own at least half the businesses in town, and they say as a commercial entity, he was second only to the railroad for decades. When Burning Man moved from a San Francisco beach to the Black Rock Desert, Bruno got pushed to third place, at least seasonally, but his business interests began to boom.

If you had to guess what the secret to Bruno Selmi’s success might be, luck would no doubt figure prominently in your mind, but you would be slighting the man for his hard work and thrift. He still drives the Jeep Cherokee he bought new in the ’80s – the receipt is on the wall in his restaurant – and he never misses a day of work at the Country Club. He even tends the bar from time to time. . . and Bruno Selmi is a multimillionaire.

The townsfolk of Gerlach seem to love him and his place. “Bruno’s a genuine Gerlach icon,” one tells me. “He likes to play surly, but he’s a good guy. He throws free chukar bird feeds for the locals in season, and lots of us come together to make ravioli for him by hand. It’s sort of a town tradition. He’s like our unofficial mayor.”

Bruno and friends enjoy some world-famous ravioli. Photo: RenoJohn

Bruno and friends enjoy some world-famous ravioli. Photo: RenoJohn

Thanks to Burning Man and the annual gathering and diaspora of burners from all around the globe, the ravioli at Bruno’s place – a hundred miles from anywhere, in a town with a population under five hundred – is genuinely world-famous. The service is notorious, too, but Bruno is cherished for his cantankerous demeanor. One Yelper described the place as “an oasis in the desert” with “a dash of Stockholm syndrome.”

With all the turmoil, secrecy, and misinformation swirling around the Burning Man event, it’s hard to say what the sale of Bruno’s Country Club portends. There has already been some talk online to the effect that Bruno must know something; speculation is that Burning Man will be moving soon, and Bruno is getting out while the getting is good. As an explanation it sounds legit enough, but unnecessary: Bruno Selmi is no longer a young man, and it seems perfectly reasonable for him to want to retire. Indeed, the real estate listing at BizBuySell contains an entry that says simply “Reason Selling: Retirement.”

No matter how you slice it, it’s the end of an era. . . and who will feed DPW?

Temple Builders Revealed!

by Whatsblem the Pro

The Temple of Whollyness - Rendering by Gregg Fleishman

The Temple of Whollyness – Rendering by Gregg Fleishman

With David Best out of the picture for 2013, there’s been a lot of anticipation over who will build the Temple this year. There’s even been talk of more than one Temple being built; one prominent industrial arts crew has been seriously considering building their own design without funding from the Org.

Today, the honorarium grant for the 2013 Temple was awarded to the Otic Oasis‘ triumvirate of Gregg Fleishman, Melissa ‘Syn’ Barron, and Lightning Clearwater III, who will build their “Temple of Whollyness” with labor courtesy of the Otic Oasis crew.

Syn, Gregg, and Lighting - Photo by Tedshots

Syn, Gregg, and Lighting – Photo by Tedshots

USC-educated architect Gregg Fleishman has been exploring the possibilities of interlocking slotted plywood for many years. Working out of his studio in Culver City, California, he creates elegant decorative furniture, model vehicles and other sculptures, and full-sized structures, all with no metal fasteners or joints. Fleishman works miracles out of single sheets of plywood, crafting compound curves from flat-cut material. Some of his pieces even incorporate wooden springs and hinges. His “SCULPT C H A I R S” are included in the collections of the Museum of Modern Art (NY), Yale University Art Gallery, and the Art Institute of Chicago.

Not surprisingly, Fleishman expressed an interest in sacred geometry when we spoke. The concept goes back at least 3,000 years, to the time when King Solomon reportedly built his Temple on Mt. Zion to house the Ark of the Covenant. Solomon, so the story goes, received his blueprints directly from God, and his Temple was designed as a sort of architectural wave guide in which the God of the Hebrews would resonate harmonically, the way an untouched string on a guitar will vibrate when an adjacent string is plucked at the same note.

Photo by Gregg Fleishman

Photo by Gregg Fleishman

The 2013 Temple design is highly geometrical, and will be built using Fleishman’s patented connectors at each joint, capitalizing on the intrinsic strength of the arch at every opportunity in an interlocking jigsaw of triangles and pyramids. No nails, screws, or other metal connectors will be used at all. The gross form of the Temple will consist of a large central trussed pyramid, sixty-four feet tall and eighty-seven feet square, with four smaller satellite pyramids measuring twenty feet tall and twenty-nine feet at the base, intricately interlocked and ornamented in Fleishman’s signature style: Archimedes, Pythagoras, and R. Buckminster Fuller holding hands and enjoying some really good acid.

Birch Car - Photo by Gregg Fleishman

Birch Car – Photo by Gregg Fleishman

The Otic Oasis, a “wilderness outpost” intended to serve as Black Rock City’s equivalent of San Francisco’s Golden Gate Park, debuted in 2011 and returned in 2012, providing a much-needed respite from Black Rock City’s continuous sound. There won’t be an Otic Oasis this year, as the crew will be busy with the Temple of Whollyness, but look for the Oasis’ return in 2014. As the city grows and becomes noisier, Otic Oasis is an increasingly vital resource for the dazzled and overstimulated among us, or for those of us who just want to connect with the spartan beauty and enchanting ambience of the desert.

The group also built the ‘Pistil’ sculpture inside the Man base in 2012.

'Pistil' - Photo by Gregg Fleishman

‘Pistil’ – Photo by Gregg Fleishman