The Man Burns is a play set at Burning Man, to be performed outside Burning Man. The playwright is David Vernon, who grew up in a showbiz family: his dad was the voice of Frosty the Snowman.
It’s quite an interesting vision. For those who may or may not be going to Burning Man this year – perhaps you’re still waiting for tickets – this is an art project you can support, and be a part of, and get to enjoy. You can bring friends and family to it, to give them a taste of Burner culture without making them breathe and bathe in Playa dust. It meets the Burning Man Project’s mission of facilitating the extension of Burner culture through the world, so you can feel all Burnier-than-thou and Ten Principally about backing it too.
It’s a Kickstarter, so if Burners don’t fund it, it won’t get made. Which would be a pity, because it sounds like a fun evening’s entertainment. They’ve hit 10% of their funding goal already, so any support you can give them would be appreciated. For any aspiring actors, young and old, for a mere $350 you can get a part in the production.
A BRAND NEW THEATRICAL EVENT THAT BRINGS BURNING MAN TO YOU
THE MAN BURNS is a mystical, joyous theatrical observation on Burning Man and a glimpse into the lives of people who make this epic trek once a year. This interactive play breaks down the walls and gives you a night at Burning Man
This is not a play that will be performed at Burning Man-this will be performed off-playa, in your city, in a theater.
You walk up to the theater to see a performance of a new play, “The Man Burns.” Out front is an art car playing music and getting the evening going. When you enter the theater the first thing you notice is a group of people gathered around a costume exchange picking out free colorful clothing accessories like a faux fur mantle or a set of glowing devil horns to wear inside the theater. If you brought an extra costume piece you can leave it behind for someone else.
Next, you’ll come across an old tiki bar called MAKIMAKI, the kind of bar you might accidentally happen on the esplanade at Burning Man. MAKIMAKI is decorated with well-traveled thrift shop tiki items. The house cocktail is of course, the MAKIMAKI, but there are other playa-themed cocktails as well. And a jar of pickled eggs on the counter.
When you go inside you’ll notice that the theater is decorated like the inside of a Mongolian yurt with beautiful tapestries lining the walls. The play begins. If you’ve never been to Burning Man you will be transported to this far-off, mysterious place. If you’ve been to the playa before you will find yourself back home, in the middle of a conversation about connectivity, overwhelming art, accidental sharts, (or accidental art and overwhelming sharts), late night poutine and Burning Man urban myths.
During intermission and after the play there might be a marching band or or someone playing jazz songs on their ukelele or grilled cheese sandwiches being handed out. The party will change from city to city because YOU are the party.
WHY WON’T MY AUNT TILLEY COME TO BURNING MAN?
It’s too hot. It’s overrun by naked hippies. It’s too far away. There are no real showers. It used to be better ten years ago.
Those are some of the reasons I’ve heard from friends and relatives about why they’ll never come to Burning Man. But they love hearing stories about the playa and looking at all the photographs. Selfishly, I thought that by making “THE MAN BURNS” an interactive night with some fun, exciting elements of Burning Man, I could give all of my friends a Burning Man night. And you can too. Everyone has at least 5 friends or relatives who say they’ll never go. Bring them to see “THE MAN BURNS” and share the experience with them.
My name is David Vernon and I grew up in a show biz family. My dad was a comedian and the voice of Frosty the Snowman. I spent my childhood backstage at The Ed Sullivan Show, The Tonight Show and wondering why my father was never the “Secret Square” on The Hollywood Squares. I also grew up with a love of story. I would read a play then perform them with my sisters Barbies. In fact, her Barbie dream house was redressed many times and became the set for “A Streetcar Named Desire” and “The Glass Menagerie” and “The Merry Wives of Windsor.” Eventually, I took my love of story to the Tisch School of the Arts at NYU where I studied Film and TV.
I have been a professional writer for the past twenty years. I’ve written short fiction (which has been widely anthologized), screenplays (a film I wrote, “The Mostly Unfabulous Social Life of Ethan Green” premiered at the Tribeca Film Festival and was released by Regent films.) I was recently commissioned to write three short scripts for an upcoming feature film anthology about the city of Berlin by the producers of “New York, I Love You.” I’ve written essays on Salon (http://www.salon.com/2000/12/20/frosty/ …I didn’t know it at the time but all of these projects and jobs were training grounds for my most challenging and exciting project to date.
A whiteout is announced at Burning Man over the radio. People are warned to take shelter. Within moments several strangers run into a Mongolian yurt to get away from the wind storm.
The strangers include: ANDY and BUNNY EARS, a gay couple that own the Mongolian Yurt and were preparing for a hot sexual encounter with someone they met on the playa. FIREFLY, a virgin burner who just dropped her first ever hit of MDMA and was on her way to a dance club, PERSEPHONE, an Australian sci-fi actress looking for a ride share to Venice Beach after having another disappointing day on the playa, MOWGLI, a bouncy, energetic young guy dressed entirely in blinky lights who communicates only through motion, MARY ANIMALS, a 60 year old woman who comes to Burning Man on her own and sets up a coffee stand (with the worst coffee on the playa), that is destroyed in the white out, and an ex-marine with an unfortunate sense of direction, known as McRIB, who is dressed in a sketchy Ronald McDonald outfit who was on his way to fight at Thunderdome but got lost.
The result is some funny chaos as these characters, and a few others, spend the evening connecting, disconnecting, arguing, and telling their Burning Man stories; some heartbreaking, some extraordinary.
“If you want to build a ship, don’t drum up the men to gather wood, divide the work, and give orders. Instead, teach them to yearn for the vast and endless sea.”
― Antoine de Saint-Exupéry, author of The Little Prince
I’ve been going to Burning Man for the past eleven years and have also been active in the Burner community. During that time I’ve witnessed many fascinating Burning Man stories unfold in front of me. I’ve also met so many fascinating and unique individuals. Their stories inspired me to write “THE MAN BURNS.”
The people who go to Burning Man travel a great distance and experience great joy, and sometimes hardship in search of….what exactly? A unique vacation? An opportunity to meet like-minded people? A chance to become part of something bigger than ourselves…part of an artistic experiment? After years of taking notes, I became passionate about writing a play that explored these questions.
For many people, “THE MAN BURNS” might be the closest they come to attending Burning Man. For others it might be their first introduction to this amazing place. For Burners, I hope the play might be a catalyst for them to further discuss their own experiences and stories.
…I decided to rededicate myself to only telling stories that mattered–to me, and hopefully to others. I wanted to dream big–bigger than ever before. The concept for THE MAN BURNS came to me about a week later. And this has been my dream ever since.
I have been developing the story and working on “THE MAN BURNS” for the past three years.There is still more work to be done to get the play up and running…I will be counting on the passion of tight knit community of artists to help bring this dream alive on a limited budget.
Any money raised beyond my goal will pay for more faux fur rugs. I’m only half joking. The design of the inside of the yurt is based on I Dream of Jeannie’s bottle and needs to be as ornate as possible. And more tapestries to decorate the set. And more fake playa dust to fly through the yurt door whenever someone opens it. It will also be used to give the creative team more options to create a bigger, better evening. We would also be able to perform the play for more than one night in each city. We’d like to put more items on the clothes exchange rack. And more importantly, paying the creative team a little better for all of their hard work. All of the money will be up their on the stage. So if you can afford to donate generously, please do. The more money the more elaborate the production.
I’ve written the play. …Kickstarter is an all or nothing proposition–if I don’t reach my goal I don’t receive any of the funds donated. This is a dream that can’t happen without you.