Video

Fight, Fuck, or Philosophize

Another Burning Man documentary. “The only things that are going to save us are the arts”…there are some interesting statements and ideas expressed here, but unfortunately they are not really explained with anything approaching logic. YMMV. One guy collects signs from the homeless, presumably to burn at the Temple; “I nee weed” was my favorite.

Short documentary on the culture of Burning Man, featuring interviews with Federico Pistono, Lara Edge, Sean Cusack, Mark W Swizee, Dan Harder, Bernhard Popovic, Nino Bino, Andreas Ribarits, [Mike Zuckerman] and Yasmine Blair.

Directed by: Robert Styblo.
Produced for science program “TM Wissen” for the Austrian channel ServusTV/Red Bull TV.

Does Commodification Matter?

bm shark jumping

If you think Burning Man is just a big party in the desert, then no – it doesn’t matter. Who cares? Just go and have fun. Avoid articles critical of BMOrg’s management, just pretend everything is great. We have more than a thousand happy, positive articles about Burner culture on this site alone that you can read, and there’ll be many more to come. You can start with these ones about Burners trying to end poverty and bring peace to war zones.

If you think there’s something unique and special about this temporary city made by all of us, then keep reading. Because this isn’t over yet.

burningman.org’s post this week of the apology from Jim Tananbaum has brought Commodification Camps back to the fore of Burner dialog. I know that some Burners would like to give it a rest, and say nothing more until Burning Man 2015. Other Burners still feel upset, betrayed, and disillusioned. JT’s statement received 217 comments in 2 days at the official site, almost all of them negative.

This is about more than just one camp. BMOrg placed between 12 and 25 Commodification Camps, by their own differing accounts. They even created a name for the area they put them in, “Billionaire’s Row”.

This is about the future of the event, and the integrity of our culture. It’s about Selective Rule Enforcement, more than equality. Do the Ten Principles still matter at the Nevada event? Or are they just some catchy marketing speak, used to promote the brand expansion into new market segments like education and commerce?  Are they even relevant to where Larry & Co wants to take our culture in the future? Burning Man has jumped the shark, and is embracing the mainstream. Happy Days went onto its greatest commercial success, after Fonzie jumped the shark.

Do Burners even care? Do Veterans even matter…or is it all about indoctrinating the 40% virgins now?

Should we just shut up and take it, be good little Burners and only say happy things, keep any negative comments to ourselves? Or is it OK to talk about it, express our frustration and discontent?

Image: galleryhip

Image: galleryhip

If there are problems in the event, and its leadership, will they magically go away if we all just shut up about them? It seems like things have been getting worse, not better. Larry and Marian said in the Spark movie that they were giving up control, but they didn’t do that. They’re still there, trying to control a very different corporate beast – and it seems like things may be unravelling. Nobody wants that. We all want Burning Man to be awesome forever, to be true to its values and get better and better with age. I’m not writing this blog to facilitate the unravelling – it’s the decisions being made, and the spin being fed to us, that is doing that.

Larry likes to say “people have been saying Burning Man is dead since we started”, but I’m not saying Burning Man is dead. Now that they’ve been on The Simpsons and all over the mainstream media, telling the world it’s full of billionaires, celebrities, politicians, Mistresses of Merriment, and free drugs, there will be plenty more people who want to visit. It’s the Bucket List/Selfie destination of the EDM Generation.

The culture may not be the same, though. And that’s the thing that I think is worth speaking out about, and fighting for.

The thing about PopsicleGate that is particularly jarring is that JT is a Director – and was only just appointed to the Board a couple of weeks before Burning Man. At that time, they were well aware of the kind of camp he was bringing to Caravansary. A healthy civilization gets positive, inspiring leadership from its rulers. As well as ethics, the Bylaws of their 501(c)3 public benefit corporation specifically require Directors to uphold the Ten Principles. Larry can say “they’re not rules, just an ethos”, but it’s there in black and white – they’re rules now. BMOrg can say “the Directors have no influence over the event”, but if that’s true – then who is in charge? Should Directors be able to just ignore the Principles, because they have no influence? If so, why have them? What value do they add?

Image: Charis Tsevis/Flickr (Creative Commons)

Image: Charis Tsevis/Flickr (Creative Commons)

In the typical Silicon Valley startup story, some founders get together with a cool idea. The pioneers on the fringe of society like to try new ideas, they don’t care that they’re boldly going where no man has gone before. They bring their own flavor and personalities into it, and a little community of early adopters emerges. The founders grab the first people they can find to help them out, building a team based on accessibility rather than merit. Existing relationships with people they like and trust are favored over strangers and qualifications. Fun rules the day, not money. Doing something new is exciting. Some of their early customers go above and beyond, and become evangelists for the New Thing. As the New Thing catches on, the organization grows, the money comes in, and with the money come the suits. Doing something new is less exciting and more risky, than expanding the existing thing into new markets. Eventually, the Founders are in the way of the growth of the business, and it’s time for them to step aside or assume figurehead roles, while professional managers focus on the job of taking the business to the “next level”. Then the whole thing goes public or gets sold, and the culture gets blended into the general corporate culture of the Fortune 500.

The examples of a start-up growing from a few inexperienced people, to a large global organization, with the same few people in the same roles, are few and far between. Usually, growth brings change and strains relationships.

burning_man suitsI see parallels today with BMOrg. The lawyering, the brand-building, the media blitz. These are all suit things, not pioneer things. I see Commodification Camps being run by Directors, who blame others for MOOP and a failed build. I see a focus on pushing the safari tourist experience to an ever-increasing pool of newcomers, while they turn their backs on many who’ve been there for the long haul. Where is the retirement plan for long-term DPW crew, and others who’ve dedicated their lives to Black Rock City?

For all its aspirations of changing the world, Burning Man is, at its core, still an arts festival. That’s what their paperwork says, that’s the trademark they own.

Yes, there are many aspects of it that make it interesting, different, more than just a festival. But its essence is art, and entertainment. Fun. “Saving the world” is to my mind an unproven proposition from this party. Even if people have had transformative experiences there, fuelled perhaps by mind-expanding drugs and liberty and surviving outside your comfort zone – is this scaleable internationally? If so, how?

Looking at Burning Man as a startup wanting to grow to the next level, it’s not clear that they’ve solved the scaling issues. And it really doesn’t look like the leadership team who got us to where we are today, are the right people to fulfil the corporate mission of global growth over the next century.

Sometimes it seems like Alabama St live inside a bubble. To get close to the core, you have to LOVE Burning Man, and as a result, yes-men seem to get favored over straight-talkers. They employ a Minister of Propaganda, and pass it off – like so many other things – as an ironic joke. And yet, there is no better word to describe the type of corporate spin that consistently comes out in the Voices of Burning Man, the Jackrabbit Speaks, and their TED talks and panel discussions.

“Fuck you, it’s our business, you’re not part of it!”, they are probably tempted to cry. But it’s not that sort of corporation. Burning Man is a community. We’ve all built this city together, and destroyed it, again and again and again. Some have participated more than others, some have yet to contribute. The special thing about Burning Man is that it’s a pop-up city made by its citizens, and shared with each other – one free from commercial transactions, advertising, cellphones, TV, class and racial divisions, and the other commodities of Default society. We can go there and be Burners together, and express ourselves the way that amuses us the most. For fun.

I get that some people go to Burning Man and it changes their lives, sure. But not everyone. Many of us go to Burning Man and just be ourselves – and love meeting other like-minded people, and doing all kinds of entertaining and silly things with them. If you take it too seriously, you lose sight of that. It’s about FUN, and ART. We put the ART in pARTying.

If you create great art at Burning Man, should you be able to trade off that to build your default world career as an artist? Absolutely! Should Burning Man get a cut of your sales? Absolutely not! Should they sue you because you put a picture of your amazing creation on your web site? Fuck no! Should you be able to sell your art AT Burning Man? Fuck no!

Burners should be able to make money any way they want off the Playa, and if they want to use examples of what they’ve done at Burning Man in their fund-raising, fine. If they want to sell hoodies for their camp, fine. If they want to charge camp dues, fine. If they want to make money AT Burning Man, that’s not so good.

Ignoring and dismissing these problems won’t make them go away. An effort needs to be made to fix the things that aren’t working. Shooting the messenger might feel good in the short term, but it’s not helping their credibility, and it’s not solving any problems.

The response we waited 3 months for, really doesn’t seem like it’s going to alter anything. BMOrg told us they were listening, then they told us they didn’t want to rush the changes they knew they had to make, and then they told us that they’d made them. VIP Donation tickets got stopped. And…? And nothing. Commodification Camps have to have an interactive component, and be placed by the volunteer Placement team. This was already the policy, according to Answer Girl in How Turnkey Camps Get Placed. They told us they’d ban Commodification Camps in 2012. The Directed Group Sale – aka the World’s Biggest Guest List – is still opaque. If Caravancicle appears under another name, and wants another 200 tickets, will they get special privileges to obtain them? Will they get a ton of Early Access passes? We don’t know, but my guess is, yes.

The next Burning Man is 8 months away, so there’s still plenty of time. What else should we talk about, if not the future of our culture? Let’s be open and honest about what’s been going on, and as a community, let’s continue to be vocal about what we will and won’t accept.

The solutions are simple. Stop with the lies and spin-doctoring. Give us the transparency we’ve been promised for years. Open the books, and involve the community in the operations of the charity. Get rid of Directors trying to link the Playa with commercial activities. Keep the Playa free from Commodification. Sell tickets to everyone the same way. Apply the rules the same way to everyone.

Long live Burning Man! Long live Burners!

Gifting For Permanent Art [Update]

disorient 1

photo by Liz Hafalia, SF Chronicle

photo by Liz Hafalia, SF Chronicle

At least we know there’s one BMP Director who gets it. Leo Villareal has been a Burner since 1994, and is the founder of Disorient. If there is a “spectrum of camps” like BMOrg says, then Disorient is clearly on the good end of the spectrum. They provide a major sound stage with many DJs, as well as several areas of their camp that are open to all Burners. They bring multiple art cars, which give rides to the public; and they gift an Art Car Wash every year which every art car can participate in. Everyone who camps with Disorient is expected to volunteer some of their time at the burn in multiple shifts, to give back to the community. While they charge dues, it is in the hundreds of dollars, not tens of thousands, and no-one in the camp is trying to make a profit. Those who stay longer to break down and pack up get a discount on their dues, but even those hard workers still pay to be a part of a camp.

Leo is also an accomplished artist. He’s the first Burning Man artist to have an exhibition of his interactive works at a major art museum (the San Jose Museum of Art).

Wikipedia:

Villareal has permanent installations at the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Brooklyn Museum of Art, and the Albright-Knox Art Gallery in Buffalo, New York, as well as in the private collections of contemporary art collectors CJ Follini. His work has also been on display at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., Madison Square Park in New York City, the Los Angeles Museum of Contemporary Art, the PS 1 Contemporary Art Center in Long Island City, New York and at the Brooklyn Academy of Music.

Oh, and if you’ve been anywhere near San Francisco in the last couple of years, you’ve probably seen one other little piece he’s done: an $8 million commission he got to build the largest electronic sculpture in the world, The Bay Lights.

image: Illuminate The Arts

image: James Ewing/Illuminate The Arts

The Bay Lights were only ever intended to be temporary, and have already lasted longer than the original plan. They have become a beloved feature of the San Francsico skyline, and have had a measured boost on the city’s tourism and the trade of businesses along the Embarcadero waterfront.

Good news, Burners! The Bay Lights could be here to stay. Thanks to the generosity of a number of donors, if the project can raise another $293,000 before the end of the year, Caltrans has agreed to pick up the maintenance tab and keep the installation on the Bay Bridge – permanently.

Illuminate The Arts CEO Ben Davis says:

Dear Bay Lights Lovers,

There’s good news and even better news.

The Good News: If we raise four million dollars in gifts and pledges by the end of this year, we keep The Bay Lights forever.

This is a one-time raise of $4m, made possible by Illuminate The Arts’ break-through agreement with Bay Bridge officials. With that money, ITA will install a new set of LEDs – expressly engineered to withstand the harsh environment of the San Francisco Bay. 

We would then gift these new lights to the Bay Area Toll Authority and Caltrans, in exchange for their on-going stewardship. The Bay Lights would become a permanent fixture of the Bay Bridge, just as the 50th Anniversary necklace lights did in 1989.

This means, Leo Villareal’s temporary masterpiece will become a permanent work of public art, establishing a global icon that lets the Bay Area shine around the world in perpetuity.

The Even Better News: Thanks to a $2 million challenge grant from Bay Area philanthropist Tad Taube, every new dollar raised will be matched until the $4 million goal is reached. Tad’s inspiring gift has already helped spur another $1.7m in private gifts. That means we have only $293,000 left to raise.

If you love The Bay Lights, now is the time act. 
 

MAKE A TAX-FREE DONATION NOW

Here are some other recent media highlights: 

  • Featured in the San Francisco Chronicle yesterday, ‘”Bay Lights” get offer of permanence from bridge officials” Read Here 
  • San Jose Mercury News features “Bay Bridge light sculpture to shine on with big donation” Read Here  
  • San Francisco Chronicle Editorial, “Keep the Bay Bridge lights Shining” Read Here
Thank you for your continued brilliance,
 

Ben Davis
Founder and CEO, Illuminate the Arts

Tad-Taube


Tad Taube is an 83-year old former USAF officer, who escaped the Nazis and became a real estate and tech magnate and major philanthropist. He is connected to the Koret sportswear empire that was sold to Levi Strauss, and runs charitable foundations worth more than $500 million that gave away $26 million in 2012. He’s challenged the community to match his gift to the Bay Lights, many other donors have stepped up, and we’re almost there.

Every little bit helps – a mere $4 from everyone who went to Burning Man this year, would be enough to keep the Bay Lights going forever. Click here to donate.

Why doesn’t the Burning Man Project step up too, and provide a financial contribution to support the biggest and most famous piece of Burner Art being shared with the world forever? Seems like giving $10,000 to this would be more directly relevant to their mission of spreading Burner culture than $10,000 to the Exploratorium.

If Burners want to donate to help promote the art and culture of Burning Man worldwide, making this amazing installation permanent seems like incredible bang for our buck. It’s permanent, internationally renowned, and has already been enjoyed by more than 25 million people. The Bay Lights puts a permanent Burner stamp on the city’s skyline.

The documentary Impossible Light, about the dream that led to the Bay Lights’ Creation, makes a nice Christmas stocking stuffer for your Burner friends.

[Update 12/17/14 10:00pm]

The Bay Lights has met its funding goal, and will be staying permanently:

From SFGate:

There will be permanent, artistic lights at the end of the tunnel — the westbound tunnel of the Bay Bridge leading into San Francisco, that is — come 2016.

After a two-month campaign, the nonprofit Illuminate the Arts announced Wednesday that it had raised the needed $4 million to reinstall the “Bay Lights” as a permanent fixture on the western end of the bridge.

Billed as the world’s largest light sculpture, the display of 25,000 LED lights turns the 1.8-mile San Francisco portion of the span into a nightly show of constantly changing abstract images.

It was first announced as a temporary two-year installation to be taken down in March 2015. Now, after some cable maintenance and repainting, it’s to be replaced with a sturdier set of lights that will begin glowing in time for Super Bowl 50, scheduled for February 2016 at Levi’s Stadium in Santa Clara.

“This is a great moment for public art and a great gift of the holiday season for the people of the Bay Area,” said Ben Davis, founder of Illuminate the Arts.