In 2006, out in the Deep Playa, about as far away from the Man as the man was from 10 & 2, there was this piece of art called Uchronia that we affectionately dubbed the “Belgian Waffle.” A massive installation by Belgian artists that we were quite sad never served breakfast. At night, it turned into de facto megaclub on playa cranking out some of the stompiest techno, trance and glitter house I’d ever heard. I found it to be a very interesting alternative to some of the American, non-fully electronicized camps that still played a mix of jazz, house, disco, alternative & live sounds. It was at times a dirty, intoxicated mess of fur coats and tekno music.
I had no idea that installation would be relevant as a metaphor 11 years later, after a Global Leadership Conference & insightful Burn.Life article on how the powers that be see the problems that plague Black Rock City. People are finally realizing that the utopia they took such pride in building has become an unaffordable, elitist, mainstreamed event. The ticketing system, while a noble attempt at solving the “Burning Man is Full” problem that simply didn’t exist a decade ago, continues to frustrate long-time Burners & small/mid-size camps, the true bread and butter of Burning Man.