Big Art That Will Blow Your Mind

Fest300 have published a story on some of this year’s larger art installations.

We’ve covered some of these already:

Embrace Embrace

Temples, Temples, Everywhere

Temple Deal Falls Through

2014 Art Grant Winners Announced

Temple Debacle Highlights Hypocrisy

The only one that will actually get burned this year is David Best’s Temple of Grace.

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Re-blogged from Fest300:

 

BIG ART THAT WILL BLOW YOUR MIND AT BURNING MAN 2014

Article by: 
Published: July 15, 2014
Photo by: Josh Haywood

Soon the desert will bloom with art. Like a lunar cactus that only flowers once a year, the Black Rock Desert will blossom with the weird, wild, and wonderful during Burning Man. Here are a few art projects we are excited to see, and you can contribute to their success.

The Embrace by the Pier Group

The Embrace   By The Pier Group

From the artists who imagined a sand-locked shipwreck comes an enormous Embrace  fit for those fleeting Playa moments that seem eternal.

“It’s planned to be a space where people can sit, reflect, look up, feel the wind through the sculpture, and think about life and love,” says Matt Schultz, the project’s lead artist.

The sculpture is a monument to relationships, both present and past. Schultz’s stepfather died unexpectedly in 2011, and the persistent feeling of absence inspired Schultz to reflect on the moments in relationships when people know they are loved.

Embrace is also meant to explore the idea of collective consciousness, the shared beliefs and ideas that unify a society. To this effect, each of the figures’ heads will be accessible by spiral staircase and will each hold about 20 people, who will have a view out to the other head, the event, and the expansive desert. This design feature is intended as a metaphor for shared experiences and viewpoints.

You can help.

The Temple of Grace by David Best

Grace 400

One of the most renowned temple artists is no stranger to Burning Man. After the proposed Temple of Descendants got sidelined, David Best stepped up again. Known for his masterpieces The Temple of Juno, The Temple of Forgiveness and others, this prolific temple artist is very loved by Burners.

“The Temple of Grace is intended to be a spiritual and sacred space for memorials, reflection, celebration, and to commemorate life transitions. It is the latest in a long line of temples going back to 2000, which started the tradition of the temple built as a spiritual center for this art festival. It is a special work of art given to the community, and is a spiritual refuge where thousands gather, each to engage with it in his or her own way. The community comes to write their memorials and place tokens of their transitions, and it is burned at the end of the festival in a tradition of releasing them by the immolation of the temple.”

Contribute here.

Paha’oha’o by Kahai Tate

The Volcano

Sacrifice yourself in a giant volcano slide. You are a virgin no more. And this fire god approves when you hurl your flesh into the fire.

“The Hawaiian translation of Paha’oha’o is transformation,” as described by Indiegogo. “Transform into something more beautiful or elevated. In Hawaii, eruptions are viewed as beneficial, as acts of creation, and Hawaiians often see their lives mirrored in the level of volcanic activity.”

Get involved.

The Celestial Mechanica by Jessica Welz

Celestial Mechanica2

In our minds it’s the Dark Crystal meets Playa in this universal installation. Celestial Mechanica  will allow its participants to travel to a whimsical world that is our own world. You have not seen our world in this way and you will be amazed. It is a kinetic mechanical representation of our own solar system. By just walking a few steps one can travel great expanses and explore this amazing place; you are the spaceship.

Participate.

Pulse and Bloom by Shilo Shiv Suleman, Saba Ghole, and Rohan Dixit

Pulse And Bloom

Synchronize your heartbeat with up to 25 other burners with a mechanical reactive lotus flower garden.

Pulse and Bloom is an interactive art installation that visualizes the heartbeats of participants with the hope of syncing human heartbeats in a rhythmic pattern,” says the artists. “Composed of 25 mechanical lotuses arranged in a circular matrix shape with LED lights embedded inside each lotus, Pulse and Bloom is activated when individual participants physically interact with a lotus. Each lotus is equipped with a pulse sensor that, when pressed by a participant, translates their heartbeat into flashing LED lights within the lotus. As more people begin to interact with the different lotuses, visualizing their heartbeats in flashing lights, we will begin to see the effects of each person’s heartbeat on the other and the effect of meditative synchronicity unfold.”

Hayam Sun Temple by Josh Haywood

Temple Of The Sun

sun temple for Burners and sun worshippers—sometimes the beauty is in the details.

As Josh describes it: “‘Hayam’: a filigree temple of light and shelter, a spiritual retreat resting lightly on the Playa, a tiny tessellated palace named for love and open to the sky, a miniature caravanserai to welcome the weary traveller.

The Hayam embodies the spirit of Islamic geometry: intricately interwoven patterns and repeating themes that speak of infinity. Geometry is the language of the universe; in the very small the infinite can be found.”

Hybycozo by Serge Beaulieu and Yelena Filipchuk

Hybycozo

Beautiful, golden, laser-cut 3D shapes will form in the desert sands of Burning Man. In the artists’ words: “Much like the Hitchhiker’s Guide to the Galaxy, these sculpture are meant to provide a map and a definitive set of instructions for interacting with a reality as subjective as plans to destroy the earth to build a hyperspace bypass may seem. We hope each Hyperspace Bypass Construction Zone will amaze and inspire all beings that it comes into contact with it.” We have a feeling they will.

Donate here. 

Coup de Foudre Musical Lightning by Matt Faulkner and David Brown

The Tesla Coil

Stuff we love: giant Tesla coils and lightning bolts you can dance under. Enough said.

Here’s how Matt Faulkner describes the work: “Coup de Foudre is a large-scale electrical art piece for Burning Man 2014. Drawing on recent Tesla coil innovations, Coup de Foudre will produce large (10 foot) arcs of lightning that can be modulated to produce sound and respond to music. An idiom for love at first sight that translates literally to bolt of lightning, Coup de Foudre seeks to evoke awe for beautiful and dangerous forces.”

Support this project.

The Vulvatron by the Clitterati


The Vulvatron is a mobile art piece designed by a group of female artists in San Francisco.

“The Vulvatron is an interactive, immersive environment that celebrates the female experience in us all. Through an immersive multi-media experience, the Vulvatron explores the feminine identity and acts as an advocate for feminist issues. The project’s form is inspired by the often politicized and stigmatized vulva. There are two 20’ tall projection screens in the shape of labia. Our video artists will project images on these that are evocative of the feminine – human forms, elements, abstract geometric shapes, and so on. In addition, people will be able to stimulate the lighting effects of the Clitoris by touching sensors located within the installation.”

Help make it happen.

For more incredible projects and ways to support them, check out the full list of 2014 Burning Man Honorarium Art Installations

Support Mid Burn Art [Updates]

midburn all seeing eye of horus hand of godIsrael’s Midburn needs help getting art out to the desert. I guess the Israelis couldn’t figure out how to make enough money from a sold out event, to actually get the art to it! Tickets cost 490 shekels, which is US$140. They sold 2000 of them, which is US$280,000.

In addition to this, they’ve raised $75,000 from the Israeli community. They still need another $18,000 – or $9 from each person attending. So far they have raised $211 of the $18,000 they’re looking for. What happens if they don’t get more? Will this first-time event be art-free? For some reason their Indiegogo runs for a month after the event, which happens in 9 days.

Caveat emptor, Burners…remember this is the Middle Eastern bazaar.

We hear Maid Marian is attending, let’s hope she (and her multi-million dollar non-profit  Burner culture spreading .ORG) are donating too. $18k doesn’t seem like much to spread Burner culture to a giant segment of the globe, with the first ever Middle Eastern burn.

From Mid-Burner Rachel:

20140521063253-Copy_of_Shavout-003What can I say – you have a sweet blog, and write about Burning Man …which is why I’m reaching out to you.  As part of Israel’s first Burning Man Festival- Midburn- My fellow Burners and I working hard to raise money to support artists contributing to the Midburn Art Project.

Here’s a link to our website: http://www.midburn.com

20140521062401-2hand_of_inspiration_-_Sharon_AvrahamWe already have over 30 artists and art projects underway for our festival this June, but we need to raise a bit more money to ensure that all this artwork makes it to the festival and beyond!

Here is the link to our Indiegogo campaign: https://www.indiegogo.com/projects/support-the-midburn-art-project-burning-man-in-israel-2014–2

midburn machine shop 2014It would mean the world to us if you could write a short blog post about our Indiegogo Campaign- or about our event in general.   Of course, we’d love you to donate too :), but we really need your help in spreading the world.

I cannot express how grateful I am to you for reading these words.
Hopefully, we’ll be able to thank you in person at the next burning man festival.

Burn On!

 

[Update: 5/25/14] Rachel has contacted us to ask us to change this post. I’m not sure which part she has a problem with – it seems accurate enough. Her explanation sheds further light on the funding compromises the organizers were forced to make, without support from BMOrg. She answers our question: yes, they’re not going to bring much of the art to the event unless they raise these extra funds – even though it is located close by. Apparently the reason the Israeli’s can’t pay the artists from their sold-out event is they underestimated what things cost in Israel. The fences have to be higher and the generators have to be bigger. Emphasis ours.

Please allow me to explain the campaign, it’s timing and expenses, so that you might consider changing what you wrote in your post, since we’ve seen it take a very negative toll already. 

1) Campaign timing
As this is our first ever burning man, we had to make estimations about how much money we would need to cover the event at the beginning.  Unfortunately, we ran into budget issues late in the game, and our artists are sadly the ones who we see need money the most. If we don’t get money to cover expenses, some art will not be able to make it to midburn (despite its proximity) and many artists will be in large debtIt will also take a toll on our desire to support the project in the future. So yes, the timing is unfortunate, but it was necessary.

2) Expenses: 
Israel is extremely expensive – at least 2x more expensive than the States. As we’re off in the middle east, surrounded by countries we have poor trade with, all supplies that might be considered to be cheap in the states are quite expensive here. This means that the money that we do have, doesn’t go nearly as far as you might think.

3) Security requirements: 
Israel has unbelievably strict security requirements. 
For Example: Only very specific and expensive generators can be used according to law. Gas requirements also leave us with far more expensive equipment than is required in the US. Lighting is extremely strict and requires way more lighting than would ever be required in the states. Fencing is also extremely strict- we have to invest in building a massive fencing encasing in order to get approval from the law. 

For all of these reasons and more we are running the campaign despite the timing, and despite the money we’ve already succeeded in bringing in

Perhaps Midburn would’ve been better to rent the fencing and lighting and generators for their first time event, rather than taking the cash windfall from the sold out show and “investing” in this gear. That way, they could still pay the artists, make profit for themselves, and charge even more for tickets next year. It seems like a mere $10 price rise on the tickets would have made the event profitable, not bad for a first effort. Coachella didn’t make money for years.

According to Haaretz, the promoters weren’t expecting the event to be so popular – it is now the third largest Burning Man event in the world:

We did not expect such a massive response, especially as we chose not to publicize the event,” admits Nir Eden, one of the organizers, who works as a logistics manager for a fashion chain. “There are about 300 people working nonstop on the Midburn festival. You have to understand, it involves building a temporary city.”…Midburn organizers claim theirs has quickly become the third-largest Burning Man-type festival in the world, behind the original in the U.S. (70,000 participants) and one in Africa (8,000 participants). 15 trucks and two shipping containers full of equipment will be brought down to the desert, along with installations and artworks created by 40 different groups. Midburn has a foundation supporting its artwork, which has granted 150,000 shekels to the artists. Eden, a perennial guest at Burning Man, says he has gladly spent tens of thousands of his own shekels on the festival. Representatives from the World Burning Man have recently arrived in Israel to declare the country one of the seven official areas where the festival is held.

Rachel confirmed that Midburn does have to pay a licensing fee to Decommodification LLC. This conflicts with the recent opinion of nay-sayers here. It also conflicts with Midburn founder (and BMOrg official contact) Rei Dishon, who says in the comment shared by Nomad below that they are not paying BMOrg any fees.

I know none of these people and am not attending the event, I have no dog in this fight and no axe to grind. I couldn’t tell you if both were authorized founders, or neither was, all I know is we now have two different people involved with two different stories. Let’s hope the truth gets out, we welcome everyone who has knowledge of the situation to come forward and tell us what is really going on behind the scenes. In my time I have met a fairly wide variety of party promoters around the globe, some successful, some only sporadically so. I’ve done business in the Middle East before, and have run into all kinds of “bazaar” situations in that part of the world. It’s no surprise to encounter two people who claim to be insiders and founders, but have completely different views about what is going on. Somewhere in this souk, agreements get made, things get worked out so everybody can move forwards, usually with everyone grumbling about something but getting enough to make it worthwhile. I have never been to Israel, but Burning Man’s Social Alchemist Bear Kittay told me “you’d love it. It’s just like Burning Man. People stop their cars in the middle of the street and get out and dance”.  Burners will need to make up their own minds about what is actually going on in Israel with Burning Man’s first ever official (or is it?) Middle Eastern regional.

Rachel’s claims that they messed up the budget because “we didn’t know things in Israel cost twice as much as the US” and “there are all these stricter regulations in Israel”, are called into question by reports that Midburn have been throwing Burning Man Regional events since 2012 – complete with art cars, a Man and Temple to burn, MOOP, Center Camp, costumes, gifting. The only difference here appears to be licensing the Burning Man name. Official affiliation doesn’t seem to have brought Midburn much, especially since they did not even have to publicize the event to sell all the tickets in advance.

Hopefully the Burning Man Project will step up and supply what’s needed to reimburse the artists and get the art to Midburn. It’s a chance for them to do something meaningful with that money – what better cause than the first Middle Eastern Burn, in the year that we have a Middle Eastern theme? It’s also a chance for BMOrg to demonstrate to the international Burner community that their charity cares more about Art than it does about The Founders Speaking. The $18,000 would be less than 0.1% of the Burning Man gate take (it’s 47 tickets), and about 4% of BMOrg’s annual travel budget. They’re a non-profit, they want to spread Burner culture around the world, and they’re going to get royalties back from this one which is the second biggest…so what’s the problem? Why wouldn’t BMOrg want to support the Midburn artists? Or invest in the fencing, lighting, and generator infrastructure that burns in the region require, so that the promoters can pay the artists instead of having to keep all this sophisticated equipment, which would only be used once a year.

If Burners donate to the Burning Man Project, is the money going to flow through to the artists, to get their art to Midburn? Or will it go to BMOrg personnel for first class international travel to the rave?

Burners who want to help out in the Middle East may also consider spending their dollars healing the damage done by fences, instead of putting up new ones.

 

World’s Biggest Fire?

We’ve just been contacted by Burner Lise, who’s a little butt-hurt that we described Norway’s giant 130-foot high Midsummer bonfire as “the world’s biggest burn”. The flame measured a “mere” 135 feet, and one brave soul lit it from the top.

She insists that their 2007 Burn in Slovenia was even taller, at 142 feet:

slovenia burnFrom fire breathers to Mother Nature, the element of fire has set an assortment of world records…
…In celebration of Labour Day, a bonfire with a volume of 60,589 feet cubed was constructed by SKD Mladi Bostanj and lit on April 30, 2007 in Bostanj, Slovenia. The bonfire was also more than 142 feet tall  qualifying it for the [tallest] bonfire in the world on record. 

It ‘slovely. Apologies to the Lovely People of Slovenia, we never meant to cast aspersions about the size of your penis festival!

Their bonfire celebrated Labor Day, also known as the Feast of Ba’al. In American ritual ceremony Labor Day is the weekend of Burning Man. The occult nature of our Wicca burn is preserved on America’s Labor Weekend, by the pentagon pentagram that contains it.

14_theme_manBurning Man’s highest Man+Base to date has been (officially) 2011, when the height was 104 feet. Will the flames rise above the new baseless Man, more than 38 feet from its top? It’s arguable, I don’t think so. The Man’s arm raises up in a Nazi-style one handed salute, fireworks go off, then the structure burns and collapses on itself.

This year’s “Craven Ass Eerie” theme is a throwback to Mans of old, before there were themes…when there was no base and the Man stood his own ground. Can you climb up it? Can you slide down it? No-one knows but the Gamemasters:

How high will the Man stand without a base? Before, it has been around 40-feet tall. It seems unlikely that it will be 170 feet+ tall. How high do the flames go? Well, how does anyone really measure?

Lift your game and lift your flame, Burning Man! 

In 2007, Burning Man had the largest ever structure burned, the  amazing “Crude Awakening” Fire. The platform itself was 99-feet high, Christopher Lawrence played on it. Burner estimates claim a 300+ foot fireball. Wired claimed the flame as 1000 feet high, above the 100-foot platform.

bonfire 2007 sloveniaThe brains behind the tallest structure ever built at Burning Man plan to produce the tallest fire ever seen at the event as well — a 1,000-foot column of flame, primed by 900 gallons of jet fuel and fed by 2,000 gallons of liquid propane. Its creators hope this massive flame will send a powerful message about the oil economy.

The piece is called Crude Awakening. It’s the brainchild of Bay Area artists Dan Das Mann and Karen Cusolito. Its collaborative execution brings together eight different artists who have previously received art grants from Burning Man, and involved the help of 180 different people.

The centerpiece is a 99-foot-tall wooden oil derrick that was receiving final touch-ups Wednesday afternoon, including the completion of the steps inside that allow attendees to climb to the top.

To the left of the derrick stand eight metal sculptured human figures, most of whose surfaces are made of connected metal rings, each designed with their own different participant-activated fire effects via propane tubing. The statues are 540 percent of the size of a normal human. Some are standing, hands waved in supplication; many prostrate in various ways. All of them, Das Mann says, emulate the prayer posture of some religious tradition.

The piece is meant to dramatize the worshipful relationship and dependence modern man has toward oil. The idea occurred to the married couple during their honeymoon in India two years ago, and fit in with this Burning Man’s environmentally minded theme of “Green Man.”

The piece’s fruition comes in a performance Friday evening, to be aired live on Current TV beginning at 10 p.m. PST. At its climax, four different containers at each corner of the tower will shoot a total of 900 gallons of jet fuel (given away by NASA as unusable for its purposes, Das Mann says) to engulf the top of the structure in a huge fireball.

Seconds later up the center of the derrick, 2,000 gallons of liquid propane in a pipeline stretching out to the derrick’s right will shoot out at once through a remote-control 5-inch pneumatic ball valve. The piece’s creators figure this should create a 1,000-foot-high column of flame.

The detonation of the piece will create 2.4 gigawatts of energy, which Das Mann and Cusolito say is enough to “power the entire Bay Area for one minute.”

The artists realize that it might seem indulgent to burn so much fuel for art meant to dramatize our warped relationship with fuel. They understand those concerns. But they stress the personal conservation efforts about environmental and carbon impact that working on the piece created in all the 180 people involved, which they expect to continue.

The fuel the piece consumes only amounts to an ounce or so of fuel per attendee at the event, they note. Cusolito, who says she is thought of by her friends as somewhat of an “environmental Nazi,” says she thinks of Crude Awakening as if “all the energy I have not consumed by living the way I do, it’s almost as if I get credits” to use the fuel to “make the biggest environmental statement I could make in my lifetime.” The pair hopes the message will reach far beyond the 45,000 or so who might see the finale at Burning Man.

Das Mann and Cusolito stress the massively collaborative nature of the project, including fire work from Donya Parkinson and Joe Bard of Pyro Kinetics, and Mark Perez’s carpentry work on the derrick, among many others. Let’s also not forget the tireless work done by the best tile saw ever! That thing is running 24/7 during set up.

I guess the Guinness Records crew weren’t there that day…

Do fireballs count? Or is it the height of the sustained burn that’s important? What do you think, Burners? Did Slovenia beat us, and Norway too? Or does Burning Man reign supreme in the Fire God Wars?