Droning On, on the Radio

Fast forward to 6:30 for the start of the KCRW/NPR interview. Some highlights: “We’re kind of a petri dish”…The danger is: “could cut up a person real quick…”. Apparently this issue has created “vitriol” amongst Burners. “A drone can’t ask permission”. “Anyone who comes to Burning Man and walks around naked, or wears a dildo on their head…that should be on them, not on the rest of us”

drone 2013

I think the point about these aircraft creating danger for the highly flammable Man, and Temple, is a fair one – but idiots shooting the structures with lasers, especially while people are still inside, are a much more dangerous problem.

It’s hard to see how 21:12 of this adds much to our collective Burn experience, national radio interview or not. Seems like a self-indulgent hobby at the expense of others, a bit like using leaf blowers instead of good old fashioned rakes. Perhaps at Caravanaserary, some enterprising Burner will bring a leaf blower and chainsaw, not just any chainsaw, the best electric chainsaw powered by the sun, and operate them next to the drone bases.

What thinkest thou, Burners?

 

Drone Bombardment Develops

Award-winning technology journalist Susan Karlin has written an excellent, in-depth article for Fast Co Create on drone use at Burning Man – something that is becoming increasingly popular, making some Burners disgruntled (of course!). You can also listen to this story on Los Angeles NPR station, KCRW.

Burning Man–an annual bacchanalian, clothing-optional experimental community in Nevada’s Black Rock desert–is regarded as a weeklong end-of-summer party and escape from the outside world. But it’s now attracting real-world attention for how it balances drone use with freedom of expression, privacy, invasion of space, and commercialism–issues that have been vexing the FAA, law enforcement, and municipalities as hobbyist flyers and commercial potential proliferate.

We’re kind of a Petri dish for what’s going to happen out in the ‘default world,’” says Graham, evoking the festival term for “real world.” “The FAA is looking at certain types of rules for civilian use of drones in the United States and we just happen to be a testing ground for them right now. The Bureau of Land Management is going to send in their aviation person to talk with our drone pilots and see what they can learn from it.”

Great news, Burners. We’re no longer just a petri dish for the social engineers and game theorists of BMOrg. Now the Federal Government is doing experiments on us too!

Currently, the U.S. is more restrictive than Europe on commercial uses for drones–also called unmanned aerial vehicles (UAVs), the more PC term used by flyers wanting to distance their hobby from combat use. “In the U.S., the FAA is supposed to implement rules that enable commercial use of UAVs by 2015, but it hasn’t happened yet and no one really has a sense of whether it’s going to,” says Sergei Lupashin, a postdoctoral researcher in aerial robotics at the University of Zurich in Switzerland. Lupashin spoke at the first annual Drone and Aerial Robotics Conference in New York over the weekend.

“It recently approved two high-end UAVs that can be used commercially, but that doesn’t handle the 99% of people flying their own drones, who have to do it as a hobby,” he adds. “In Europe, you can actually make money as an aerial drone operator shooting for things like real estate, events, journalism, and surveying oil pipelines.”

(L-R) Video consultant Eddie Codel demonstrates his quadcopter for filmmaker Sam Baumeland NASA engineer Kevin Panik.

The BLM are taking a keen interest in drones, particularly for surveillance. You can bet their Pershing County Sheriff’s department special integration task force is looking at this too.

Back in Nevada, the Bureau of Land Management–which can’t comment on drone use for investigative techniques, like surveillance–is considering drones for firefighting, and is more interested in regulating safety than privacy. “As far as a long-term vision goes, you’re going to see the BLM state office and aviation manager taking a look at how this is run to make sure everything is as safe as can be,” says Mark Turney, the public affairs officer for the BLM’s Winnemucca, Nevada, district office. “We will certainly take lessons learned from this and perhaps incorporate it into a larger overview.”

Burning Man has always been a “hotbed of early technology adopters”. Perhaps – I know it was a long time before I saw a full-color laser out there. It’s not often that Australia leads Silicon Valley in technology.

The rise of the drones at this year’s event was hardly surprising. Burning Man has long been a hotbed of early technology adopters, applying real-world engineering to fire-spewing art cars, computerized LED-lit installation art and clothing, and solar and wind energy-fueled power grids. There are even science-themed camps, like Phage (offering science lectures), the Alternative Energy Zone (sustainable energy engineering tours), and Math Camp (invitations to “drink and derive”).

There’s always been an experimental technology undercurrent to Burning Man, and a lot of R&D that’s tried out here and taken into the default world,” says Eddie “Ekai” Codel, a live video streaming consultant based in San Francisco. Codel’s footage (below), which he shot from a DJI Phantom Quadcopter, went viral within a few days of posting on YouTube, with more than 1.4 million views. “Technology is used to further art out here. It’s a giant sandbox to figure these things out.”

You can build your own drone from scratch. And, if you thought feathers were bad on the Playa, look what the birds got to contend with now: skydivers, light aircraft, multi-rotor helicopters, General Wesley Clark‘s Blackhawk, Mark Zuckerberg’s chopper and now – now we got giant Imax blimps too.

Most of the UAV users here fly ready-to-fly models, like the $700 DJI Phantom Quadcopter, and add GoPro HD cameras and gimbaled stabilizers for steadier views. But there are also serious professional aerial photographers and hard-core DIY enthusiasts who build their own from scratch. This year, Ziv Marom, a professional aerial cameraman now in Bulgaria shooting Expendables 3, operated a Red Epic camera from his octocopter, “Big Mama” (see lead photo), while a European IMAX crew used an elaborate multicopter-propelled balloon to guide their footage.

“I think I have about $1,500 invested in all of it,” says Ed Somers, a retired Los Angeles sound engineer of his self-made quadcopter. “There’s the airframe, motors, motor controllers, computer, five different kinds of battery chemistries to choose from, the chargers, and on and on. I thought it would be an incredible education, by forcing me to learn all that stuff. I’m a tech head anyway, so this is right up my alley. It’s just a gigantic learning curve.”

Drones offer a particularly interactive way into the Burning Man art scene and unique views of the event’s five square-mile expanse. Artists Bruce Tomb and Maria del Camino used a UAV with first person view (FPV) technology–allowing folks on the ground to see the craft’s viewpoint in real time–to display giant ground drawings only decipherable from above.Death Guild Thunderdome, a Mad Max-like cage fight with foam rubber clubs, attempted close-up combat footage with a drone before accidentally smashing it in the process.
Aerial roboticist Sergei Lupashin and his self-made Fotokite quadcopter.

It’s the perfect Petri dish to test the technology in very harsh conditions,” says Lupashin, who flies a tethered quadcopter drone, called a Fotokite, that he hopes to commercialize. “The scale of the event lends itself well to aerial photography. Once you reach those high altitudes–50, 100 meters–you get a whole different sense of how huge this thing is.”

…Wayne Miller, a San Francisco event planner and handyman better known as Sweetie, attempted to project live video footage from his fixed-wing Dynam C-47 Dakota model cargo plane, Duststar, onto two giant screens at a stage at his camp, Dustfish. “I’m also pretty sure I’m the first person to do aerial bombardment,” he laughs. “I just dropped six plastic paratrooperson the Esplanade. I have lots of ’em!”

It turns out that Free Bird wasn’t the only Temple controversy last year. We got Whirly Bird as well.

Discussions about UAV regulations began last year after a buzzing drone disrupted a silent, solemn burn of the festival’s spiritual center, called The Temple. It prompted a flurry of angry emails to the Burning Man organization, which responded with a Drone Summit in July at its San Francisco headquarters and online. Roughly 140 participants expanded theAcademy of Model Aeronautics rules to include Burning Man quirks–among them, don’t fly over crowds, at the Temple burn, by the airport, during the playa’s frequent dust storms, or near the Man on burn day.

Retired audio engineer Ed Somers flies his DIY drone by his camp

“What they really don’t want is people flying UAVs where there’s a potential of hurting someone,” says Somers. “You have to realize that, even a 10-inch plastic propeller spinning at 10,000 rpm can cut up a person real quick.

This is as serious as flamethrowers people. A young guy was flying his drone helicopter in a Brooklyn park last month, and lost his head – literally. DUIs for drugged-out drone pilots might be difficult to dole out in the dust.

Other rules, such as registering drones with Media Mecca, the event’s media center, pertain to a grayer area of privacy. Despite the festival’s mantra of radical self-expression, Burning Man takes pains to protect participant privacy and commercialization. Professional journalists and photographers arrange photo passes and sales contracts with Burning Man granting different types of image use. Burning Man disallows sales to stock photo agencies, but takes a 10% commission on fine art sales, as well as joint copyright so it can stop inappropriate usage. It also urges all photographers to ask permission of subjects before taking pictures.

More secrets of BMOrg finances come out. They get a 10% commission on fine art sales. So much for no commerce on the Playa. The booming use of drones (140 people attended last year’s Burning Man Drone summit) also raise a controversial privacy issue – “I went to Burning Man and all I got was photographed”

You may not have a right to privacy out here, but we try to give people the opportunity to express themselves how they want, and sometimes it’s a balancing act,” says Graham. “A drone with a camera is separated from its operator. That’s why there’s this extra sensibility training that we do with the drone pilots and we let the community know about it as well.”

The UAV community falls on both sides of that line. Sweetie, for one, balks at privacy restraints.

“I think that anybody who comes to Burning Man and walks around naked or wears a dildo on their head or whatever silliness they feel they need to do, if they need to protect their privacy, I think that should be on them, not on the rest of us,” he says.

Then you have Sam Baumel, a Brooklyn filmmaker and UAV flyer who believes privacy rules actually enable expression.

There are a lot of exhibitionists. But there are also people like myself,” he says. “Yesterday, I went out to deep playa. I was completely by myself at sunset and got naked. I wouldn’t have wanted anyone to photograph me. But the reason I did it was because, how often do I get to just stand on this Earth, in my body, and nothing else? If someone were to have flown a drone over my head, it would have made me uncomfortable.”

Carlos Abler, the global manager of online content strategy for 3M in St. Paul, Minnesota, found his reaction running that gamut when a drone interrupted a wedding he attended there.

“We were embracing the couple as a group when we suddenly heard this buzzing, whirring sound, and saw this thing hovering over us with a camera,” he says. “At first, it felt like a violation–it was really disturbing and distracting. But then we realized, ‘Oh my God, this is the best shot ever!’ So now we’re pretty excited to get our hands on the footage.”

This year’s rules were a good start, but need consensus, considering the vitriol spewing on the Burning Man drones mailing list. Subscribers clashed on how to define a crowd, whether to designate special flying areas, and how to penalize rule-breakers, like the wiseguy who flew his drone over the Man on burn day. Turns out, it was our very own Sweetie.

“They said to me, ‘Don’t you realize you could have set off the remote detonators?’“ Sweetie recounts. “I said, ‘If I can set off the remote with an RC plane, you guys are amateurs!’”

Apprised of Sweetie’s comments, Graham shakes his head and sighs. “Sweetie’s got a lot of self-confidence.”

 

And so this tug of war over UAV rules continues, while being watched by the outside. But what happens in the desert will be only so useful to bureaucrats dealing with drones in the real world. Because at Burning Man, freedom of expression will almost always trump anything else.

“I’m not only operating a camera, I’m operating a remote-controlled flying vehicle,” says Baumel. “I feel like I’m playing when I’m using it, and in that space of play, that’s where I can be most creative.

 

[Images courtesy of Carolyn Marut (Top) and Susan Karlin]

The Eye in the Sky: Drone Views of Cargo Cult

From The Week:

aerial 2013When most people think of drones, they probably think of remote-fired missiles raining down on Pakistan and Yemen. But it turns out that drones — or, technically, unmanned aerial vehicles (UAVs) — are also a pretty good platform for capturing a flavor of Burning Man, the surreal celebration of fleeting beauty, self-reliance, generosity, and elaborate self-expression held every year in Nevada’s Black Rock Desert.

If, like me, you’ve never been to Burning Man — or, like Facebook billionaire Mark Zuckerberg, you just helicopter in for one day of the weeklong festival — these drone’s-eye views of the big party in the desert are certainly a better introduction than the photos on your friend’s smartphone or Instagram page. If you are a Burning Man regular, here’s a different way to relive the magic.

The video above was taken by Eddie Codel from a DJI Phantom quadcopter UAV. The one below was captured by Tugrik d’Itichi from a TBS Discovery Pro quadrotor. Both UAVs held GoPro Hero3 cameras.

Here’s some more drone footage from 2013: