Founded On Fire Magick

Fest300 has just published a lengthy interview with Burning Man Founder Crimson Rose. Are they the new Voices of Burning Man?

The article is very interesting and I encourage you to read it in its entirety at Fest300. I want to highlight in particular the occult and marketing aspects of this. The emphasis is ours:

Every year, hundreds of accomplished fire performers throughout the world wipe sweat from their brows, cross their fingers and submit an audition reel for the experience of a lifetime. If accepted, these “conclaves” are granted exclusive access to the Holy of Holies at the godfather of transformational festivals: the Great Circle at Burning Man . They’ll be among the select few taking part in a ritualized fire dance as a gift to all the fest’s participants, and as tribute to the epic burning of “the Man.”

Out of all the myriad forms of artistic expression found at festivals today, many are grandiose achievements by incredible men. But the hearty warmth, nurturing, and acceptance that pervade these places are divinely feminine. Perhaps the archetype who best captures this quality is Crimson Rose , the fire performance community’s celebrated heroine and a founding board member at Burning Man.

Often hailed as “the godmother of fire arts” (she was the first-ever fire dancer on the playa), Crimson reviews conclave auditions with a panel of legends to select the crème de la crème for the ceremony. Year after year, fire performers strive just to be a part of her continued legacy by pouring their souls into their Burning Man performances so the tradition is passed with grace on to the next generation.

To learn more about this sacred art, we caught up with Crimson Rose, who graciously took some time with us to talk about the origins of fire performance, the history of fire dance at Burning Man and the future of man’s first invention in the festival community.

Before joining the Burning Man community in her current role, Crimson was a fine art model and dancer for 27 years. In the 80s, a good friend passed along the art of fire dancing. Coming from a background in theater and dance she took to it quickly and fostered an intimate relationship with flames.

And when they say “intimate relationship” in this puff piece glowing tribute, they’re not kidding:

“…to me, that was really the journey of magic that I discovered not only within myself, but in fire dance itself.”

In those days, everybody danced but nobody danced with fire. What Burners now enjoy out on the esplanade is an evolution of many ancient dancing-based traditions – which only became more tribal once flames were introduced. “I don’t do poi and I don’t do staff,” she said. “My dancing is really handling torches and a bowl of fire, dipping them into the fire and laying that on my body.

Sometimes called fleshing, this technique has been passed down through tribal civilizations for generations. It’s sensual and intimate, and sparks a very special rapport with fire, both for the viewer and the performer.

Righty-ho. Nothing too occult about that is there, worshipping fire so intimately that you want it laying on your body, “sensually”. Perfectly normal behavior, everyone does it, Marge Simpson‘ll be into next.

When we asked about her first-ever dance, she said, “I discovered things about myself because I felt like the fire was a sort of essence of all life. Although, it really is more a phenomena in some sense because there’s a magic to it…That magic, for a lot of fire performers, is the hottest part of the flame…“It was also as if the fire was sort of leading me on its own journey. Sort of provoking me to bring it to life.””

Burning Man Darren Keith Processional

In this photo by Darren Keith, note the Devil Horns on all the keepers of the sacred flame, who stride like giants above us in their Procession to The Man

Without question, this person believes that this is a magick ritual she is performing, in the much larger magick ritual of Burning Man. She was recruited into the Organization Project in 1990 – 7 years before Harry Potter came out – specifically to perform this magickal role.

The Man looked a little different back in 1986

The Man looked a little different back in the early days

We asked how she got involved with this desert social experiment in the first place. She thought for a bit, and took us back to a time before that first dance, to an email and a phone call with the man often accredited with launching Burning Man, Larry Harvey himself. “In 1990, I had a conversation with Larry Harvey and he talked about a thing they were doing. He had sent me a video of what they did the year before. It was really dark. It was a lot of fire and I couldn’t figure out what the hell they were doing.”

…she said to herself sarcastically. “I’m gonna be really cool because I don’t know what the hell these people are doing. They started pulling and a man raised up, and something clicked in me.” Crimson explained. “I didn’t know what it was. But I knew that I had to go to the desert.” Footage from the prior year continued to beckon her to visit. Seeing a man in the film breath the fire that ignited the effigy was enough to inspire the trip.

Igniting the effigy, from the magickal cauldron called El Diabla. Inside the pentagram and the 0.666% circle.

“I always felt like I was sort of a freak. You know, that I never fit in. Not with my family. Not with the school. And all of a sudden I felt like I was among my family in the desert.”

Yep, that’s the marketing pitch. Play to the social element, give the reason why all the freaks should buy tickets to this transformational festival. They don’t have to look beautiful and glamorous and cool like the people at other festivals. But maybe once they spend $400 and brainwash themselves at the self-service cult, they will walk away feeling Burnier-Than-Those People.

Back to the occult bits:

At the center of her magnetic attraction this new subculture was this effigy, over which Crimson grew protective. In one of her first encounters with it, “one of the very first things I did is I had these 16-foot-wide silk wings that I wore as I climbed the Man.” People were astonished to look up and see what looked like a fairy climbing to the top of the figure’s shoulder. “I felt like that at that point, I was the protector for the Man. If the man was going to be released we had to do it in the best way that we could, so that year I got a chance to actually help set him on fire.” For the first time, the magic of dance kicked off the legendary ceremony.

Dance, magic dance.

We must all worship the fire. Like Druids.

Despite an urge to push the envelope every year, rules now exist with a sort of informal reverence for the Great Circle. The fire is hallowed and respected

…Fire dancing at Burning Man spawned greater mysticism and creative energy, along with an appreciation for the accompanying rituals and traditions from which fire dancing came.

The flame that Burns the man is lit in a magickal cauldron named El Diabla. Image: Dust to Ashes/Flickr

The flame that Burns the man is lit in a magickal cauldron named El Diabla. Image: Dust to Ashes/Flickr

Image: Blip.TV documentary on Helco

Image: Blip.TV documentary on Helco

“Spawning greater mysticism” is presented here as a positive. Is this black magick, or white magick? It happens at night in a pentagram with people wearing devil horns and a fire lit from a cauldron named El Diabla; the corporation they started around it chose to launch with Helco parties where they got a lawyer to draw up contracts for people to sell their souls to the Devil. It seems pretty obvious to me which side we’re talking about, but your mileage may vary.

The suggestion that Crimson Rose invented incorporating  fire dancing in sacred rituals at Burning Man in 1991 is ridiculous, as anyone who has been to a South Pacific island could tell you.  

Back to the sales pitch:

One of the great joys of Burning Man is that it provides a space for us to go and learn about one another and ourselves through such rituals. Those who travel to the playa often report feeling more distant from what is familiar. Many, like Crimson Rose, find deeper connection. This will be her 24th Burn on the playa, and she told me, “Every time I go I feel I’m coming back to a place I’ve always been. You know, it sort of reminds me of home.” [Source: Fest300]

mcsatans

Image: Geek Times

Even in the sales pitch there are quite strong occult and psychological elements.

I’m not sure how things could be made more clear to you, people. This is one of the Founders of Burning Man laying out for you specifically what goes on, what she was recruited into the organization to add to their Project.

An occult black magick ritual ceremony of fire dance. It’s more than just a rave in the desert…


 

We have published quite a few articles on the spiritual and occult side of Burning Man in the past. We have a lot of new readers now who probably have never seen some of our earlier work, I would encourage you to check these out: and think for yourself.

2014:

 The Magickal Symbols Are Displayed, The Occult Ritual Can Commence

Brainwashing: the New Billionaire Obsession

Creating God in the Digital Age

Satanists With Guns

2013:

Magic On A Grand Scale

2012:

Seeking Divine Truth at Burning Man

Finding Jesus at Burning Man – a Christian perspective

“Theater in a Crowded Fire” – Spirituality, Burning Man, and the Apocalypse – Neo-Paganism

Hidden Dangers of the Rainbow – Paganism, Wicca, Druids, Lucifer

Ghost Trancing on Sacred Lands – Native American

Burner Principles vs the 10 Native American Commandments – Native American

Burner Fundamentalism – Burning Man’s own religion

Looking for the Next Evolutionary Step – Buddhism and consciousness

 

 

Ensign to the Bridge!

by Whatsblem the Pro

Useful is the new sexy

Useful is the new sexy

We’ve been covering the build of the Control Tower over the last month or two, and today we’ve got an opportunity for YOU to be part of the project on-playa.

Sevenn, the International Arts Megacrew‘s administrative angel, is looking for people to fill slots as “Control Tower Ensigns,” helping the crew keep the Tower manned and operational 24/7. There are a number of four-hour shifts available throughout the week that will give you a chance to get a look at the workings of this massive, amazing art project from an insider’s point of view. There may be swag involved, and you’ll also get to hobnob and generally rub elbows with the legendary builders of the IAM, creators of the Temple of Transition that wowed Black Rock City in 2011, among other major playa art projects.

“The Control Tower Ensigns will help support the crew and systems of the Control Tower during the event, serving as ambassadors and safety personnel,” says Sevenn. “There will be a Control Tower crew member on site at all times to train and help you. Thank you for your assistance and support!”

As a CT Ensign, you’ll be assisting an IAM crew member with duties such as keeping people from climbing the tower, recording any technical issues, acting as a liaison with Rangers and law enforcement personnel, ensuring the generators are running and fueled up, and more.

Sign-up for a CT Ensign shift is quick and easy; just visit the Volunteerspot page for the project and enter your information, then show up for your shift on the playa at the appointed time. You won’t have a hard time finding it – even at Burning Man, a sixty-foot tower loaded with lasers and flamethrowers and other implements of funstruction will be hard to miss – just go to 3:15 and Esplanade, and you’ll see it.

That's a 1:5 scale model of the Tower; crew members are actual size

That’s a 1:5 scale model of the Tower; crew members are actual size

The 1:5 scale model of the Control Tower shows off

The 1:5 scale model of the Control Tower shows off

Mischief Lab's fine work-in-progress on the Tower's flame capability

Mischief Lab’s fine work-in-progress on the Tower’s flame capability

The base of the full-sized Tower taking shape

The base of the full-sized Tower taking shape

prepare