The Arrival of Empress Zöe

Burning Man didn’t always have themes. For the first 10 or so Burns, the theme was “Burn The Man”, recreating the Wicker Man effigy burn rituals of the Druids.

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Cult movie The Wicker Man, 1973

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These Wicker Man burns had been going on in San Francisco for some time before the first Burning Man on Baker Beach.

beelzebub josh white snake theater

Snake Theater Beelzebub Burn, Sausalito 1979. Image: Bruce Forrester

timothy oneill wicker man

Timothy O’Neill (Gnosis Magazine) Wicker Man Ocean Beach burns, 1984-85. Flyer is for related art gallery exhibition, via Timothy O’Neill

satan man 1986 baker beach

The Man looked a little different back in 1986

In 1995 Burning Man dipped a toe in the thematrical waters with “Good And Evil”, then doubled down on the Evil with 1996‘s “Helco: The Inferno”

BRC_96

The 1996 year of Hell was also the year that Burning Man had the first of what would unfortunately be many deaths to come during the annual radical ritual.

One of the big productions that year was a live opera by Argentinian artist Pepe Ozan.

photo of Pepe Ozan

Here’s a version of the above video narrated by Paradox Pollock, a seemingly close associate of deadly occultist Derrick Ion Almena:

It has never been disclosed what happened to the goat, but Paradox Pollack’s description makes it seem like it was quite a hassle for them having to keep it alive until the performance.

Screenshot 2017-09-18 14.14.57.png

Live animal sacrifices at Burning Man are still happening today. In this case I’m not talking about 2017’s terrible burning man tragedy or the crushing by Lucifer, but Google executives decision to fly live lobsters in from Maine to be killed at the Radical Ritual.

Screenshot 2017-09-18 12.57.31Almena got the lawyer of Hell’s Angels and Shrimp Boy (SF head of the Chinese Freemasons), Tony Serra – “the Hippie Atticus Finch”.

Serra, who took a lifelong vow of poverty on an LSD trip, said “he’s been made a scapegoat for persons or entities culpable for this tragedy…our client has been demonized

Demonized like a goat by entities, huh? Perhaps like the Kali Yuga? These people sure have a strange way of speaking and thinking, which happens to be Aleister Crowley’s way too…but I digress.

Paradox has sp(l)iffed up his social media image since pulling down the video with Derrick that can be glimpsed in the skull-infested screenshot above.

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Suit or not, he’s still promoting Evil:

He was the Master of Ceremonies and Emissary Coreographer of the 1996 Burning Man occult sub-ritual.

the music, magnificently composed and played by Chris Cunningham, was sung by Lili Oldfield, Pat Bregant, Sean Steward and Todd Nelson. The representation of this legendary true story was incarnated by Emissaries Justin Miller as Empress Zoe and by Steffanos X as the High Priest of Hell. The Devil was enacted by the goat Sussy, and His wife by WarriorGirl. Master of Ceremonies was Emissary Choreographer Paradox Pollack. The Graces of Hell were represented by CC, Shari Greenfield, Martha Thomson and Susanne Couture. Deployment Secret Services were executed by Emissaries Sculptors Morgan Raimond, Al Honig, Denzil Meyers, and Leo Nash. Messenger Coordinator was Julieta Ozan.

[Source]

Here’s Ozan talking about his operas and how he was using these elaborate rituals to gather a Satanic sub-community of about 250 people out of the broader Burning Man group (1996 population: 8000):

 

This particular opera featured devils, demons and insects chanting the lyrics “devils’ delight, fire tonight” while dancing around a 40-foot towered sculpture with gargoyle heads called the City of Dis, named after one of the levels of hell in Dante’s Inferno. [Source: John Law]

temple of dis 1996

The Temple of Dis. Image: Burning Man Opera

This description of the Arrival of Empress Zöe is in the video itself:

“A tribal opera with a ballet of insects depicting the peculiar saga of a soul’s birth to death.

The hermaphrodite condition of Empress Zoe and her Lascivious Behavior in the Court has been revealed by Cardinal Petrocelli, one of her passive homosexual Lovers. Condemned by the Holy See to be drowned in the Bosphorous, the Empress manages to take to the waters the Light of the Casiksi Diamond which will assure her the favor of the Devils. Steffanos, the High Priest of Hell, is possessed by Desire at the sight of the Empress inciting the Jealousy of the Graces, who assist him in the Infinite Recreation of Fire.

Pretending to help in the production of the Dust of Darkness to spray the Empress out of Existence, the Graces plot the Destruction of their Rival, the Hideous Lil-llik to ascend in the Hierarchy of the Ninth Circle. Satan, embodied by a goat to please his Wife, seems amused by the events that threaten the very Balance of the Universe”

The wording has changed slightly from the original video to the official web site:

It is the year of ll58AD. The structure of power of the Fire Lingam Project has briefly shifted from Babylon to the Byzantine Empire in Constantinople. The hermaphrodite condition of Empress Zoe has been revealed by Cardinal Petroccelly, one of her passive homosexual lovers. Condemned by the Holy See to be drowned in the Bosphorous, the Empress managed to take to the waters the Light of the Casiksi Diamond which assured her the favor of the Demons. Steffanos, the High Priest of Hell, possessed by desire at the site of the Empress, incites the jealousy of the Graces who assist him in the Infinite Recreation of Fire. Pretending to help in the production of the Dust of Darkness to spray the Empress out of existence, the Graces plot the destruction of their rival, the hideous Lil-llik to ascend in the Hierarchy of the Nine Circles. Satan, embodied in a goat to please His wife, is amused by the events that threaten the very Balance of the Universe. As Chaos erupted, the Mantra singing of 50 devotees and 1000 participating audience helped to save the Universe

The seemingly minor changes – Devils to Demons, Ninth Circle to Nine Circles – could be dismissed as irrelevant, if there were no significance to them. If demons are vices, then we all have demons – even atheists. Devils is explicitly Luciferian.

As for the Ninth Circle, this is the name of a Luciferian Pedo Cult linked to Jimmy Saville, the Jesuits, the Vatican, and many world leaders which has been operating for at least 300 years.

Saturnalia was an ancient Roman orgiastic festival that encouraged gift-giving and continual partying. The god Saturn is associated with black rock.

Of course, this is all just a big farce of pan-ic art and coincidences, they’re not crazy for doing it but I’m crazy for pointing any of it out…go about your day.

 

Tickets 2016: What Really Happened

 

Church fire

Image: Dan Rademacher | Wikimedia Commons CC BY 2.0

At first, it seemed like things were going very smoothly this year. I logged on in the Pre-Sale, got straight through, got 2 tickets and a vehicle pass, no problem. Whole thing took less than 3 minutes. Of course, that cost $2271.74. I couldn’t bring myself to spend $1207 for a $997 ticket, but for anyone who wants tickets, there are still those VIP Da Vinci’s available. Log into your Burner profile and click this:

Screenshot 2016-04-18 09.28.46

Although it says the limit is 2 per person, the reality is it is at least 2 per profile. Anyone can create a profile and buy these tickets, so if Medici Camps want a hundred tickets they will get them. A little bird told us that you can just log in and keep buying 2 at a time, after buying Art Tickets the button is still visible on the profile. One camp has already purchased more than 100 Da Vinci tickets from a single profile. [Pro tip: if you still need a vehicle pass, you can get one here without getting the Leonardo’s; some readers have pointed out that BMOrg says VP-only orders will be voided, so you might want to make a small donation just in case]

After the Pre-Sale, the Directed Group Sale happened. Although most camps got a reduced allocation from last year, the sale seemed to go through hitch-free for those who did get codes.

So far, so good. That’s about 30,000 Burners in the door. Rich people, and those with enough Borg points to be on the World’s Biggest Guest list, can come to Burning Man.

But just being on the DGS list doesn’t mean that your camp got all of the tickets it needed. A neutral sample from the Theme Camp Organizers group showed 94% got less than they needed this year.

Which bring us to everybody else. Regular Burners, who want to just log in when the sale opens and hopefully get in there early enough that they can buy a ticket.

This is where the problems began.

The 30,000 tickets sold out in about half an hour; it took a further half an hour before people in the queue were informed. From the Reno Gazette Journal:

At about 12:35 p.m., 30 minutes after tickets went on sale, Burning Man announced that all tickets were in the “baskets” of buyers at the time. By 1 p.m., tickets were officially sold out…More than 70,000 people registered to purchase 30,000 tickets

Assuming that most people are buying 2 tickets, that is potentially 140,000 tickets wanted from a pool of 30,000 tickets. Although clearly demand exceeds supply, this is just a regular day in the ticketing world. This problem has been solved, well, and long ago.

Jenny Kane at the RGJ raised some criticism of the last-minute move to add the “Waiting Room”

Since demand has far outpaced supply in recent years, Burning Man has experimented with different ticketing processes, this year trying out an online “waiting room,” which Burning Man threw into the equation via an email announcement last minute Tuesday night.

The waiting room was a response to “anticipation of high demand and a high server load,” according to the email. No information was available about the sudden change of process on Burning Man’s website.

Some Burners criticized the waiting room as a move that returned the system to a lottery-style ticket sale, others said that the waiting room was a joke since Burning Man’s email was sent out so last-minute, and some Burners did not receive the email in the first place, according to reports on social media.

Because some Burners reported acquiring tickets after skipping the waiting room, some Burners suspected that there was a glitch with this year’s process, a theory that Burning Man organizers denied.

“Everything seemed to go as planned,” said Jim Graham, Burning Man spokesman.

Whether as planned, or a glitch, reading a post from BMOrg explaining how the ticketing process went wrong this year is nothing new. I started this blog in early 2012, and ticket troubles have been an annual story every since. The usual response is “we know you are frustrated”, followed by “blame Burners (sort of)”, and then “blame anyone else we can”. In previous years, the problem has been blamed on the previous ticketing vendor, Burners buying tickets for their friends, scalpers, and hackers.

This year, the problem was Burners accidentally entering the early room too early (but it wasn’t their fault), and Ticketfly (supposedly, entirely their fault). BMOrg, of course, did nothing wrong, they are a highly competent organization that unfortunately (and inexplicably) regularly encounters undeserved bad luck.

From burningman.org:

Early in the planning process for the 2016 Main Sale, Ticketfly wanted to put a waiting room in place before the sale to accommodate the expected high server load. Under this plan, Burners who entered the sale before it opened would be placed in a “pre-queue” waiting room, and when the sale opened, everyone in that room would be randomly assigned a place in line.

We pushed back on this idea because it conflicted with our longtime policy that arriving early for a sale shouldn’t give one an advantage over someone who arrives when the sale officially begins. In this respect we’re kind of industry oddballs — it is standard practice in most high-volume ticket sales to use a waiting room like this, but it is philosophically out of line with how we feel participants should be treated in a sale.

In response, Ticketfly insisted the system was necessary to ensure a smooth sale, so we sent our standard night-before reminder email to everyone registered for the sale, including an explanation about the waiting room, to be transparent about the process.

…Needless to say, we don’t like being in the position of having to notify people late in the game of a change in how the system works.

Well, that’s the official story, anyway. You can read about it at the BJ or the RGJ. BMOrg knew about the waiting room since early in the planning process, but only chose to tell Burners about it by slipping it into a last-minute reminder email…in the name of transparency.

According to BMOrg, there was only one problem: Ticketfly opening the waiting room at 11:30 insterad of 11:45.

Ticketfly did not anticipate how the safety net would interact with the waiting room, and proceeded to open the expected waiting room at 11:30 am, 15 minutes earlier than we’d agreed and publicized. This waiting room was open for 35 minutes, still ending at 12:05 pm. Unbeknownst to us though, the roughly 3,500 people that arrived in the “safety net” period were given preferential placement ahead of everyone else to buy tickets and vehicle passes.

The full story of what went wrong includes some key details that will need to be addressed to avoid these problems in the future.

A summary of the main problems reported:

  • The sale “officially” starts at 12:00. BMOrg modified this to start at 12:05 for people in a “20 minute waiting room” that officially started at 11:45. This announcement of a new method (get in even earlier than 12 and get tickets) went out at the last minute, and not to everyone
  • The waiting room was actually open earlier than 11:45
  • Some people who waited in the waiting room for 20 minutes or more did not get tickets
  • Some people who logged in after 12:05 got tickets with no queue
  • BMOrg asked people not to open multiple browser windows. Each time you did, you increased your chances of getting tickets.
  • The code involved in the waiting room system made the process vulnerable to hackers trying to outsmart the system.
  • After the last ticket was sold, there were still many people waiting in the queue, who were forced to stay there for at least an extra half hour.
  • It appears that tickets that were “refreshed” – put back into the pool because a transaction was not completed in time, or a credit card failed – were not then offered to the people who were waiting the longest. Instead they were offered to whoever logged in the most recently. I say this because of reports that people logged in after 12:20 and got tickets, while others logged in to the waiting room before 12 and didn’t.

The entire ticketing system is a big black box. Is there even one person that knows how BMOrg’s code AND Ticketfly’s code AND Queue-It’s code works? If so, then maybe they should be taking responsibility for these annual clusterfucks.

One of the great ironies of Burning Man is how fiercely BMOrg fight against transparency, now that profit has been removed from their activities. They will say they don’t because they got a friendly to write a puff piece in Philanthropy magazine. YMMV. Apparently, one of the outcomes of this year’s Global Leadership Conference was “Radical Transparency”:

Our leaders are advocating transparency because it reduces Fear, Uncertainty, and Doubt, a.k.a. FUD. Keeping things secret allows for FUD to spread and we all know how our community loves a little drama.

Something tells me “leaders advocating transparency” really means “Regionals are being forced to implement Burner Profiles”. But I’ll keep my mind open – maybe BMOrg 3.0, of the people, for the people, by the people, really is “coming soon”. Personally, if we’re going to have an 11th Principle I vote CONSENT. Gratitude is a good one. Transparency is not a Principle of Burners, it is simply a fundamental requirement for a non-profit that wants to raise tens of millions of dollars from wealthy donors. Unless you’re the Clinton Global Initiative, of course!

A disconnect between BMOrg’s words and actions is par for the course, and the ticketing system gets more opaque every year. To figure out what really happened in the Ticketing black box, we have to do some investigation. Fortunately, we have some very competent technical engineering talent within the Burner community, and by taking in the comments from Burners about their experiences, we can attempt to deconstruct what really happened. It may not be perfect, but it’s the only option we have in the circumstances.

The night before the ticket sales started, BMOrg sent out a last minute email, announcing a change of plans. I guess up until then, they had no idea that there may have been high demand and a high server load. Not to mention that many of the Burners were probably high too.

In anticipation of high demand and a high server load, a 20-minute waiting room will open Wednesday, March 23 at 11:45am PDT. Actual sales begin at 12:05pm PDT.

Opening multiple browser tabs won’t improve your chances; when the sale opens, everyone in the 20-minute waiting room will be assigned a place in line that is not related to when they entered the sale. Anyone who joins after 20 minutes will be placed in line after those already in the queue.

A Balanced Perspective described this well:

In actuality, what occurred is the opposite of what the Borg stated. Black is White. Any people whom opened their browser window prior to near to 11:35am, and waited for the sale at 12:05pm, gained near to 7,000 tickets. In addendum, any people whom opened their browser window after near to 12:04pm gained tickets. In addendum, any people whom opened a new browser after 12:05pm gained tickets. Few Burners whom obeyed the Borg gained tickets. How might it be possible for an organization to screw the people whom desire to obey them in such a horrible manner?

He makes another good point, which is that if this was a one-off, we could dismiss it as coincidence. But it’s been every year since they announced their “transition”. These ticketing problems should be seen in the context of everything else that has been changing at Burning Man this decade:

  • the shift to a “mall of participation” featuring vending machines at the Man base,
  • tourist packages being promoted on the official site,
  • “ironic” timeshare sales with brochures handed out in a market at the Man base,
  • Directors running multi-million dollar hotel camps with sherpas,
  • the art budget shenanigans where the money spent on the Man and related infrastructure is now accounted for as “grants to artists”, and we’re told that has increased compared to past years
  • the massive increases in ticket costs over the past few years,
  • and of course the frequent tweaks of the system which every year have been pushing secondary market prices higher.

Without getting too bogged down in the technicalities, let’s try to break down the 2016 Main Sale problems.

Shaggy Skier offers some detailed analysis at Reddit:

TicketFly allowed people into the ticketing system before the queue opened sometime around 11:30. These people were given an authenticated session on the ticketing system and thus bypassed the queue once tickets went on sale. { I’d bet my left nut on this }

The waiting room / queue (aka a company called “Queue-It”) handled queue placement based on unique cookies assigned to the browser upon hitting their website, and not your secret access code (aka “promo code”). This meant opening multiple independent browser instances increased one’s odds. { I’d bet my right nut on this one }

Professional scalpers absolutely know about the later, and probably the former flaws. Profit motive … motivates people.

Here we have Problem 1: people were allowed to enter the system before it officially opened.

This raises the question: did someone deliberately put these “back doors” (or loopholes) in the system, so that insiders – either at Ticketfly, BMOrg, or Queue-It – could get in before anyone else? Or once again, did BMOrg change their system and it “accidentally” made it way better for scalpers those who knew the loopholes?

According to reports online, not everyone was sent the email about the Waiting Room. Was this selective, sent only to “preferred” Profiles? Why else did some people not receive the email?

Shaggyskier on Reddit:

 

The devil is in the details. From the URL that redirects us back to TicketFly we can see they’re using a Queue-it feature called Safetynet. We can read about Safetynet on Queue-it’s website:

The SafetyNet feature constantly monitors your website, auto-queueing excess users when website capacity threshold is exceeded. End-users within website capacity limits do not see queue numbers. The SafetyNet feature can be implemented as a small JavaScript on your site (like e.g. Google Analytics).

Or in other words Queue-it will keep passing people through to TicketFly, and authenticating their session cookie until the website gets busy enough to be ruled ‘at capacity’. See the problem now? The website doesn’t start getting busy (and/or the queue wasn’t manually enabled) until it gets close to sale time! Anyone who clicks in before then gets an authenticated session on TicketFly’s server – and will no longer be sent to the queue.

I can personally state that Queue-it passed me through to TicketFly (thus authenticating my session) as late as 11:25am, and a friend recognized the same thing happened to her. My friend clicked early on her own accord to “make sure the IT department wasn’t blocking the site”. How many people did that?

“But I did click the link before the queue got going and I got an ‘Invalid Promo Code’ message?”. That’s right. You did. Your promo code was still set to only be valid from 12:05 onwards. If you re-clicked your link, or re-entered your code after 12:05 then you have tickets right now since you still had an authenticated session.

So if you got there early – like, before it was supposed to be open – you got a code to get tickets, because you bypassed the Safety Net in the queueing system. As the waiting room filled up, those codes were allocated via the queueing sytem; by the time the system processed its way through to the end of the queue, all tickets had been sold.

Meanwhile, people logged on at 12:20 and got tickets. Maybe by that time, server load had died down and the queue was not so crowded; meaning the “very early” and “very late” people got processed differently. That’s Problem 2.

Problem 3, is that the cookies used by the Queue-It system were not linked to UserID. Opening more browser windows got you more cookies, which got you more chances to get in to buy tickets. This calls into question yet again the role that the Burner Profile actually plays in this process. In the past we have speculated that it could be used to favor Virgins over Veterans, something that is supported by the strangely consistent “40% Virgins” ratio we have had ever since this new ticket lottery process began.

Problem 3 is particularly bad because it is the complete opposite of BMOrg’s instructions that opening more browser tabs would not give you more chances. While technically this statement could be true depending on the browser and OS, in general opening new browser instances, and running different browsers at the same time definitely made a difference.

Problem 4 is a consequence of Problem 3. The system had no way to differentiate humans from Browser sessions. If one person with one code opened up 10 browsers, it thought that was ten people in the queue. Each one had to be processed individually, before moving on to the next. The system would have wasted a lot of time rejecting sessions that timed out before completion. How else to explain a 30 minute delay between all tickets being in baskets, and the sold out message? Most people should have been able to check out in minutes once they had tickets in their shopping cart.

Problem 5, the “little green man” is not really showing you accurate information. When the time gets down to zero, there is no guarantee you will be able to buy a ticket. It is just looking at all the sessions, and making an estimate of how long it will take to get to processing you. This appears to be based on the size of the queue and your place within it, and not the number of tickets remaining. If this is true, the queue would seem to be getting shorter but then suddenly get longer again as a bunch more people got in the queue; you would seem like you were close to the front, when really you had no chance – which definitely happened last year.

If the Little Green Man’s position is tied to the queue, not the number of tickets remaining, then the LGM is bullshit.

Even when all the tickets have been sold, the system is still processing these queued sessions. People see the man moving, and think there’s hope. The reality is, for regular people logging in to buy tickets after noon (the original instructions), there was almost no hope. The best way to get tickets was to figure out a way around the rules.

They did at least reduce the time wasted by Problem 5 from last year. Instead of waiting up to 2 hours in the queue before being notified that no tickets were remaining (but you could still make a donation), this year it seems to have been more like 30-45 minutes.

We are told we need this convoluted system to prevent scalpers – that is, selling $397 tickets above farce value. Meanwhile, BMOrg are selling a seemingly unlimited number of tickets for $1207. Wake up people: THEY ARE THE SCALPERS! If you really want to stop scalping (0.6% of ticket sales), link IDs to tickets. To stop insiders with large blocks of tickets selling them on the secondary market for profit, link IDs to tickets. It’s pretty basic. But nothing like this has ever been tried. Instead, we have the opposite – a system that started off as brilliantly suited to boosting secondary market profits, and over the last few years has been refined and improved even more to make it a wet dream for anyone wanting to sell tickets for more than $397 farce value.

Low income tickets are still available, but processing them has been delayed 3 weeks:

Heads up: there’s a delay in processing Low Income applications. Normally we strive to respond to applicants within eight weeks, which means the first wave of applicants would have been notified by the end of April. Unfortunately some behind-the-scenes hitches will cause a delay of 2-3 weeks.

What “behind-the-scenes hitches” could there be? Surely the method of processing Low Income Ticket applications does not change from one year to the next? Maybe they need to see how many more VIP tickets can be sold in that time?

A few selected comments from Burners on this year’s ticketing SNAFU:

Alex:

I was in the queue five minutes before the start, then sat in the queue, then sat until there were no more tickets available…

Two of my friends clicked on the email link after 12pm, got straight in and purchased tickets. I’m happy for them

BCool11 says:

Our friend jumped into our 8 person group chat at probably 12:10 and asked us “hey sorry i’m late i’m on the screen that asks for a code”

we pretty much tell him he’s SOL because he didn’t register for an access code. My girlfriend give him her access code since were all waiting in line. I tell her that she may lose her place in line if he uses it on his end.

Literally 2 minutes later he responds back that he has checked out and tickets and vehicle passes were purchased. No one else of our 8 person group got through. He literally put in the code and was pushed through to the checkout page. It really goes to show that there are flaws in this system

23 replied:

If you’d given him your other codes he could have repeatedly purchased your group’s tickets.

Pinthead:

I truly believe people in the waiting room had a huge disadvantage and if you followed the rules they suggested entering the waiting room at 11:45 and never refreshed, closed your browser or opened up another link you where just screwed.

Snakelee:

So two years ago, the OMG sale allowed for queuing 30 minutes before the sale started. My wife and I both tried to get tickets and I noticed that we could queue up really early, so we both queued and we both were given the option to buy. Lots of people from our camp tried to buy in that sale and none of them got in.

Then, that method hit the main sale this year. I know multiple people in our camp queued really early and got them, but I didn’t queue until 15 minutes before and wasn’t able to get tickets. So basically, I think this happened 2 years ago for OMG and then it was routed out to the main sale. I didn’t try the OMG sale last year, I bet they did it this way and have some experience with this method of sale.

I bet that they won’t have this patched for the OMG sale this year and it will be scalper central at 11:29:59.

GHKMasterRace:

After reading all this shit im gonna start being an asshole and getting tickets how ever I can. 

zz_z:

That’s pretty much what you have to do, our camp had 50 people in it last year and only two people got through the main sale this year. The system is broken.

Conclusion

This “waiting room” was a trap. The bottom line is, if you followed the official last minute instructions, and joined it between 11:50-12:00, you reduced your chances of getting a ticket by an order of magnitude.

The idea that “ticket sales start at 12 but people who get there before 12 can buy them first” is silly. It either starts at noon or it doesn’t.

Why not follow the Principle of Immediacy? Start the sales at 12:00:00, and process them on a first-come, first-serve basis. When the last ticket is sold, whoever is at HQ watching $14 million cash hit the bank in 30 minutes or less could immediately send out a Tweet (100k followers) and a message on the Burning Man Facebook page (1 million). It’s pretty fucking simple.

If the Ruling Group were Satanists, they would delight in laughing at the suffering of all these Burners trying to follow the rules, jumping through senseless hoops, and wasting an hour or more of their life just to experience disappointment, disillusionment, and bitterness. But, hey, maybe there’s some other motivation for this sort of thing now happening every year. Maybe, like they say, they did a great job and it’s all just Burners and Ticketfly’s fault.

How was your ticket experience this year? Did your camp get enough tickets? Please share in the comments.

Founded On Fire Magick

Fest300 has just published a lengthy interview with Burning Man Founder Crimson Rose. Are they the new Voices of Burning Man?

The article is very interesting and I encourage you to read it in its entirety at Fest300. I want to highlight in particular the occult and marketing aspects of this. The emphasis is ours:

Every year, hundreds of accomplished fire performers throughout the world wipe sweat from their brows, cross their fingers and submit an audition reel for the experience of a lifetime. If accepted, these “conclaves” are granted exclusive access to the Holy of Holies at the godfather of transformational festivals: the Great Circle at Burning Man . They’ll be among the select few taking part in a ritualized fire dance as a gift to all the fest’s participants, and as tribute to the epic burning of “the Man.”

Out of all the myriad forms of artistic expression found at festivals today, many are grandiose achievements by incredible men. But the hearty warmth, nurturing, and acceptance that pervade these places are divinely feminine. Perhaps the archetype who best captures this quality is Crimson Rose , the fire performance community’s celebrated heroine and a founding board member at Burning Man.

Often hailed as “the godmother of fire arts” (she was the first-ever fire dancer on the playa), Crimson reviews conclave auditions with a panel of legends to select the crème de la crème for the ceremony. Year after year, fire performers strive just to be a part of her continued legacy by pouring their souls into their Burning Man performances so the tradition is passed with grace on to the next generation.

To learn more about this sacred art, we caught up with Crimson Rose, who graciously took some time with us to talk about the origins of fire performance, the history of fire dance at Burning Man and the future of man’s first invention in the festival community.

Before joining the Burning Man community in her current role, Crimson was a fine art model and dancer for 27 years. In the 80s, a good friend passed along the art of fire dancing. Coming from a background in theater and dance she took to it quickly and fostered an intimate relationship with flames.

And when they say “intimate relationship” in this puff piece glowing tribute, they’re not kidding:

“…to me, that was really the journey of magic that I discovered not only within myself, but in fire dance itself.”

In those days, everybody danced but nobody danced with fire. What Burners now enjoy out on the esplanade is an evolution of many ancient dancing-based traditions – which only became more tribal once flames were introduced. “I don’t do poi and I don’t do staff,” she said. “My dancing is really handling torches and a bowl of fire, dipping them into the fire and laying that on my body.

Sometimes called fleshing, this technique has been passed down through tribal civilizations for generations. It’s sensual and intimate, and sparks a very special rapport with fire, both for the viewer and the performer.

Righty-ho. Nothing too occult about that is there, worshipping fire so intimately that you want it laying on your body, “sensually”. Perfectly normal behavior, everyone does it, Marge Simpson‘ll be into next.

When we asked about her first-ever dance, she said, “I discovered things about myself because I felt like the fire was a sort of essence of all life. Although, it really is more a phenomena in some sense because there’s a magic to it…That magic, for a lot of fire performers, is the hottest part of the flame…“It was also as if the fire was sort of leading me on its own journey. Sort of provoking me to bring it to life.””

Burning Man Darren Keith Processional

In this photo by Darren Keith, note the Devil Horns on all the keepers of the sacred flame, who stride like giants above us in their Procession to The Man

Without question, this person believes that this is a magick ritual she is performing, in the much larger magick ritual of Burning Man. She was recruited into the Organization Project in 1990 – 7 years before Harry Potter came out – specifically to perform this magickal role.

The Man looked a little different back in 1986

The Man looked a little different back in the early days

We asked how she got involved with this desert social experiment in the first place. She thought for a bit, and took us back to a time before that first dance, to an email and a phone call with the man often accredited with launching Burning Man, Larry Harvey himself. “In 1990, I had a conversation with Larry Harvey and he talked about a thing they were doing. He had sent me a video of what they did the year before. It was really dark. It was a lot of fire and I couldn’t figure out what the hell they were doing.”

…she said to herself sarcastically. “I’m gonna be really cool because I don’t know what the hell these people are doing. They started pulling and a man raised up, and something clicked in me.” Crimson explained. “I didn’t know what it was. But I knew that I had to go to the desert.” Footage from the prior year continued to beckon her to visit. Seeing a man in the film breath the fire that ignited the effigy was enough to inspire the trip.

Igniting the effigy, from the magickal cauldron called El Diabla. Inside the pentagram and the 0.666% circle.

“I always felt like I was sort of a freak. You know, that I never fit in. Not with my family. Not with the school. And all of a sudden I felt like I was among my family in the desert.”

Yep, that’s the marketing pitch. Play to the social element, give the reason why all the freaks should buy tickets to this transformational festival. They don’t have to look beautiful and glamorous and cool like the people at other festivals. But maybe once they spend $400 and brainwash themselves at the self-service cult, they will walk away feeling Burnier-Than-Those People.

Back to the occult bits:

At the center of her magnetic attraction this new subculture was this effigy, over which Crimson grew protective. In one of her first encounters with it, “one of the very first things I did is I had these 16-foot-wide silk wings that I wore as I climbed the Man.” People were astonished to look up and see what looked like a fairy climbing to the top of the figure’s shoulder. “I felt like that at that point, I was the protector for the Man. If the man was going to be released we had to do it in the best way that we could, so that year I got a chance to actually help set him on fire.” For the first time, the magic of dance kicked off the legendary ceremony.

Dance, magic dance.

We must all worship the fire. Like Druids.

Despite an urge to push the envelope every year, rules now exist with a sort of informal reverence for the Great Circle. The fire is hallowed and respected

…Fire dancing at Burning Man spawned greater mysticism and creative energy, along with an appreciation for the accompanying rituals and traditions from which fire dancing came.

The flame that Burns the man is lit in a magickal cauldron named El Diabla. Image: Dust to Ashes/Flickr

The flame that Burns the man is lit in a magickal cauldron named El Diabla. Image: Dust to Ashes/Flickr

Image: Blip.TV documentary on Helco

Image: Blip.TV documentary on Helco

“Spawning greater mysticism” is presented here as a positive. Is this black magick, or white magick? It happens at night in a pentagram with people wearing devil horns and a fire lit from a cauldron named El Diabla; the corporation they started around it chose to launch with Helco parties where they got a lawyer to draw up contracts for people to sell their souls to the Devil. It seems pretty obvious to me which side we’re talking about, but your mileage may vary.

The suggestion that Crimson Rose invented incorporating  fire dancing in sacred rituals at Burning Man in 1991 is ridiculous, as anyone who has been to a South Pacific island could tell you.  

Back to the sales pitch:

One of the great joys of Burning Man is that it provides a space for us to go and learn about one another and ourselves through such rituals. Those who travel to the playa often report feeling more distant from what is familiar. Many, like Crimson Rose, find deeper connection. This will be her 24th Burn on the playa, and she told me, “Every time I go I feel I’m coming back to a place I’ve always been. You know, it sort of reminds me of home.” [Source: Fest300]

mcsatans

Image: Geek Times

Even in the sales pitch there are quite strong occult and psychological elements.

I’m not sure how things could be made more clear to you, people. This is one of the Founders of Burning Man laying out for you specifically what goes on, what she was recruited into the organization to add to their Project.

An occult black magick ritual ceremony of fire dance. It’s more than just a rave in the desert…


 

We have published quite a few articles on the spiritual and occult side of Burning Man in the past. We have a lot of new readers now who probably have never seen some of our earlier work, I would encourage you to check these out: and think for yourself.

2014:

 The Magickal Symbols Are Displayed, The Occult Ritual Can Commence

Brainwashing: the New Billionaire Obsession

Creating God in the Digital Age

Satanists With Guns

2013:

Magic On A Grand Scale

2012:

Seeking Divine Truth at Burning Man

Finding Jesus at Burning Man – a Christian perspective

“Theater in a Crowded Fire” – Spirituality, Burning Man, and the Apocalypse – Neo-Paganism

Hidden Dangers of the Rainbow – Paganism, Wicca, Druids, Lucifer

Ghost Trancing on Sacred Lands – Native American

Burner Principles vs the 10 Native American Commandments – Native American

Burner Fundamentalism – Burning Man’s own religion

Looking for the Next Evolutionary Step – Buddhism and consciousness