So far in this series we’ve gone through the Where, When, What, and Who. Now it’s time to wrap up with the Why and How. We broadcast this live at 1pm PST on Saturday, August 26 2017.
Huge thanks to Jan Irvin of Gnostic Media for all of his work and help in getting this research out to the public. Draw your own conclusions, I have presented my case and supported it with citations and a large amount of evidence. If you have considered the evidence but drawn a different conclusion, I would be interested to hear it.
There are a lot of clips we didn’t get to play due to what appeared to be active hacking against the live show, which stopped when we called them out for it. The links to the clips are in the notes to each slide. If you enjoyed the show you might enjoy these clips too.
Slide 3 – Social Engineering and Peer Pressure
Slide 6
TC003 Julian Assange on Silicon Valley’s wilful blindness
Slide 10 Pirate Utopias
Lift The Veil: MKULTRA, ElsaGate, Finders Cult particularly 5:27-9:30
Hey Kids I am AI 2.0 28s-3:02
Slide 21 Weaponized AI Propaganda
From Adam Curtis Hypernormalization
Slide 23
Full Robert Duncan presentation:
Slide 24 Effects Based Operations
Slide 28 Surveillance Capitalism
Slide 31 2:34-4:52 Google and the Creepy Line
Full Corbett Report episode on Sentient World Simulation – note, “Sentient”
Slide 32 Neural Lace connecting to your digital self
Slide 33 HAL’s a pussycat
Slide 35: Mossad Operatives LARPing as YouTube truthers
In the latest installment of my Shadow History series with Jan Irvin at Gnostic Media, we take a look at who the people are behind this project. Is it really “an unemployed landscaper, an art model, a struggling photographer, a dot-com PR gal, an aerobics instructor, and a signmaker”, as Brad Wieners said in Outside Online? Or is there more to the story? Why is there only one person in the Burning Man staff list who admits to having a military background?
Download the powerpoint with notes and citations here.
Please download the video and repost it, previous episodes of this series have been subjected to YouTube censorship, despite the non-profit and educational nature of our analysis which falls squarely under the Fair Use provisions of the Copyright Act. Somebody doesn’t want this story getting out…