Shadow History of Burners Part 7: Social Engineering on the Electronic Frontier

So far in this series we’ve gone through the Where, When, What, and Who. Now it’s time to wrap up with the Why and How. We broadcast this live at 1pm PST on Saturday, August 26 2017.

Download the Part 7 presentation as a powerpoint or PDF or PDF with notes.

Huge thanks to Jan Irvin of Gnostic Media for all of his work and help in getting this research out to the public. Draw your own conclusions, I have presented my case and supported it with citations and a large amount of evidence. If you have considered the evidence but drawn a different conclusion, I would be interested to hear it.

There are a lot of clips we didn’t get to play due to what appeared to be active hacking against the live show, which stopped when we called them out for it. The links to the clips are in the notes to each slide. If you enjoyed the show you might enjoy these clips too.

Slide 3 – Social Engineering and Peer Pressure

Slide 6

TC003 Julian Assange on Silicon Valley’s wilful blindness

Slide 10 Pirate Utopias

Lift The Veil: MKULTRA, ElsaGate, Finders Cult particularly 5:27-9:30

 

Hey Kids I am AI 2.0 28s-3:02

Slide 21 Weaponized AI Propaganda

From Adam Curtis Hypernormalization

Slide 23

Full Robert Duncan presentation:

Slide 24 Effects Based Operations

Slide 28 Surveillance Capitalism

Slide 31 2:34-4:52 Google and the Creepy Line

Full Corbett Report episode on Sentient World Simulation – note, “Sentient”

Slide 32 Neural Lace connecting to your digital self

Slide 33 HAL’s a pussycat

 

Slide 35: Mossad Operatives LARPing as YouTube truthers

Slide 76 Stanford Links

 

Slide 78 Chaos Field Experiments

Slide 86 Burning Man and Google

complete Fred Turner lecture (Stanford CASBS)

 

 

 

Burners.Me Radio On The Air

musical truth

Well, here’s something to listen to anyway. Probably doesn’t “rhyme with Burning Man” in quite the same way as the (now silent) official Burning Man radio station BMIR, but perhaps you could say it “rhymes about Burning Man”.

Jan Irvin and I just did a “50 Years of Flower Power” interview with UK-based DJ Mark Devlin, who has been exposing the darker side of the music industry.

Slick editing Mark, thanks for the opportunity. Love your work!


From Gnostic Media:

 

GVP #111 – Jan Irvin & Steve Outtrim – MK-Ultra & The Counter-Culture – interview by Mark Devlin

Returning guest Jan Irvin of Gnostic Media is joined by New Zealand IT specialist-turned independent researcher Steve Outtrim, as we reflect on the legacy of 1967’s ‘Summer of Love’ – in many ways the zenith of the 1960s counter-culture scene.

As Jan and Steve’s work has shown, the entire movement appears to have been the creation of the intelligence community, specifically the CIA working under the direction of Britain’s MI6, and it stands as a 101 masterclass in how culture-changing social-engineering gets done.

We retrace many of the events and personnel that played a key role in the culture shift, including the Macy Conferences, cybernetics, Aldous Huxley, Gordon Wasson, The Esalen Institute, SRI, Berkeley, Owlsley Stanley, Stewart Brand, Ken Kesey, Allen Ginsberg, San Francisco’s Human Be-In and the Monterey Pop Festival. The influential roles of the Beatles and the Rolling Stones are discussed, along with that of the ‘acid guru’ Dr. Timothy Leary, who later confessed to having been an asset of the CIA.

We consider the templates that are so often employed by the social-engineers, including the Hegelian Dialectic and the creation of false heroes and role models, in the hope that the public can fully understand the ways in which we’re continually being played, as the first step towards not getting fooled again.

The interview is interspersed with original music and speech audio to help bring the story alive.


Download our entire Shadow History of Burners series, something to watch or listen to when you’re waiting in line for 9 hours for a False Amber Alert or because the city is at MaxPop or Closed (like in 2014)

 

We did this one on the 50th anniverary of the Human Be-In, January 14 2017:

Preview: 50 Years of Flower Power

 

 

Jan and Joe invited Hans and I on their show UnSpun on the Conscious Consumer Network, to talk about our LIVE SPECIAL EVENT THIS SATURDAY JAN 14TH AT 12:00 NOON 

More information at 50 Years of Flower Power

 

The Greatest Cultural Movement Of Our Time (Clean Version)

Facebook is censoring this post, and some email subscribers had problems opening it, so this is a re-post with some images removed. Here’s the NSFW original.

A year ago psychedelic luminary Daniel Pinchbeck published a widely discussed article “Why I Am Not Going To Burning Man This Year”. He bashed the event’s destructive waste and hypocrisy about environmental values, and made it OK for some of the cool kids to take a year off:

Burning Man has accomplished amazing things, opening up whole new realms of individual freedom and culture expression. At the same time the festival has become a bit of a victim of its own success. It has become a massive entertainment complex, a bit like Disney World for a contingent made up mostly of the wealthy elite. It always had this vibe, to some extent, but it seems more pronounced in recent years. It feels like there is more and more of less and less. The potential for some kind of authentic liberation or awakening seems increasingly obscure and remote.

Well, Mad Max must have pulled a handbrake turn, because now he’s charging off in the opposite direction: “Why I Consider Burning Man the Greatest Cultural Movement of Our Time”.

The festival expanded my sense of what art was and could be. It rewired my sense of what human beings are capable of. The shock has been permanent—my desire for more of it remains addictive.

Did somebody get to Daniel?

His previous article caused some problems at BMHQ. It triggered Ryan Kushner to petition Burning Man to live up to its “Leave No Trace” ethic. Only 1138 people cared. BMorg responded with a December 2015 post entitled Sustainability: The Next Chapter , which followed their classic propaganda template: 1. blame others, 2. say you’re taking the concerns very seriously, 3. promise something “coming soon”:

The Change.org petition incorrectly claimed that Cooling Man (2007) was the last time an emissions analysis was done for Burning Man…The 2012-2016 Burning Man EA, which considers a BRC population of 58,000-70,000 participants, conducted a thorough analysis of air quality emissions. You can read it here. It’s a public document...an extensive quantitative analysis was deemed unnecessary and not conducted…

There are choices to make about how we burn, and how we get to and from Black Rock City that will determine our future carbon footprint. So what happens now? Black Rock Solar and Burning Man staff are exploring ways we can help our organization and our participants learn about and invest in both decarbonized or carbon-neutral power solutions and meaningful offsets for carbon emissions we cannot reduce.

We look forward to working together with participants on this important issue. Stay tuned for more to come.

[Source]

We’ve stayed tuned the whole year, but BMorg don’t seem to have done much about it. They seem more concerned about determining which gender and race Burners identify with and if they swing, than they are about reducing our environmental footprint. I haven’t heard any plans for a trash incinerator or recycling depot at Flysalen. Black Rock Solar was a noble effort, but seems to have gone very quiet since being re-assimilated into the Borg. They reduced the number of vehicle passes, but doubled their price. Exodus times didn’t get any shorter, the roads didn’t get any better, and there are still piles of trash on highways. BMOrg made a definitive choice about our carbon footprint: to start their own airline, with a goal of larger aircraft landing every 7 minutes full of new tourists passengers.

What happened to cause Daniel Pinchbeck’s about-face? Did self-transforming machine elves put in a good word for the Playa?

Perhaps a couple of Exclusive Da Vinci Tickets [Face Value $1200 each] and a naked dip in the VIP pond at Flysalen were all it took.

[Note: to all the Plug-N-Players enticed to the offsite hotsprings for special treatment – beware paparazzi! Black Rock City has strict camera and intellectual property policies, but Flysalen has nothing of the sort:

They get you naked, take photos, then threaten you if you say something They don’t like. We’re making the world a better place!]

Daniel Pinchbeck tried to launch Burning Man into the commercial art world in 2003.

For a long time, the critical establishment and tastemakers of the mainstream art world in New York and Europe refused to take Burning Man seriously as an art movement. They still tend to scoff at it, dismissing the works created for the event as a kind of folk art. Seeking to bridge this gap in understanding, I wrote a feature for Artforum on Burning Man back in 2003……At the time it was published, my Artforum piece seemingly ruffled some feathers in the art world. I was friends with the magazine’s editor at the time, Tim Griffin. We used to play basketball together on weekends. He was enthusiastic about my article when I wrote it. After it came out, silence. I can only assume that critics, dealers, and collectors had filed complaints; perhaps it wasn’t okay to give Burning Man the credence of a place in the art world’s own monthly bible.

[Source]

As it turns out, he still loves Burning Man…he just needed to find a way to tie it into his latest book:

Last year when I skipped Burning Man, I wrote a controversial piece considering how the event has changed as it keeps growing, becoming ever-more successful and attractive to wealthy influencers and the global jet set. The focus of that piece is also the focus of my forthcoming book, How Soon Is Now?

[Source]

Now, perhaps with another book on the way, Artsy sent him back to re-investigate:

In last year’s piece (or petulant outburst), I wrote: “Burning Man has become another spectacle—another cultural phenomenon, in a sense, a cult—and one that sucks a huge amount of energy and time from people who could re-focus their talents and genius on what we must do to escape ecological collapse (building a resilient or regenerative society)”…

This year…I intend to deepen my exploration of the impact of the event as a global art movement and a transformative cultural force. My deeper curiosity continues to focus on the question of whether Burning Man is part of a shift toward a more compassionate, equitable, generous, and ecologically sane planetary culture—or if it is a last gasp of hedonistic abandon before we wipe ourselves out.

[Source]

His new focus seems remarkably aligned to the Templeton Foundation-funded Transformation study, not to mention Esalen and the Human Potential Movement.


Radicals Self-Expressing?

These days the Burning Man 2.0 narrative is tightly controlled with confidentiality agreements. We really don’t know much about what’s been going on with the year-round organization. Less talk, no action. Why haven’t we heard about the wonderful accomplishments of The Burning Man Project? It’s 3 years and $100 million+ since the transition to a non-profit became official. How are we changing the world after all the tax savings and profit re-distribution? The Project employs 100+ people year round, to produce a crowd-sourced event one week every year with no entertainment, catering, or marketing. The Minister of Propaganda has not been publicly replaced – has anybody heard anything about Maker Faire, BTW? We know that Burners Without Borders gifted $4000 to help 8 projects in the Philippines – a  generous 6 vehicle passes per project.

Check their site and you’ll see that they’re still going on with the White Ocean bollocks, all based on a Facebook claim debunked by the police who said a report was not even filed. Apparently a board member’s camp got trashed too. Shouldn’t they be talking about the guy from Utah with the attempted murder, or the report of a man trying to kidnap a 10 year old boy? We need to keep violent criminals and pedophiles out of our community. Not ravers with international DJs, supermodels and fleets of private jets – they are not the enemy.

The full spectrum media putsch petered out once $6.5 million in donations were raised and a bunch of rich tech dudes bought Flysalen for Them us. We have to rely on flowery talks and speculation from outsiders to glean clues about what They’re we’re doing there. It seems like the plan of no plan.

The style of no style...it worked for this guy. Until he mysteriously dropped dead.

The style of no style…it worked for this guy. Until he mysteriously dropped dead.

It’s gone from A Big Farce to A Big Mystery. Lucky we get the occasional quasi-celebrity counter-cultural guru to tell the media about how Transformational™ Burning Man is.

The spokesperson selected to deliver this pro-Burning Man message 10 days after our Census post is quite interesting. Daniel interviewed Bear Kittay on the streets of New York in 2012 (see Sesame Street Cred). He spoke out against Jan Irvin’s research into the Magic Mushrooms Project and the Grateful Dead in 2013; on Facebook, and on his Reality Sandwich site via Simon Powell. Their argument that “Gordon Wasson did not know he was being duped by the CIA” is hilarious. Good try guys, but we have the documents.

Buckle up, ’cause we’re gonna take a long, strange, shadowy trip.

Let’s talk about this Artsy article first.


Artwork That Celebrates Our High-EST Potential

Mr Pinchbeck was quick to brush off his prior disdain for the event:

Despite some concerns about the future direction of the gathering, I still consider Burning Man the greatest cultural movement of our time. This may seem like a strange thing to say about an event that routinely gets dismissed as a hedonistic, drug-saturated, glorified rave. Wagner talked about the “great United Art-work” as “the instinctive and associate product of the Manhood of the Future.” There was—and still is—something peculiarly futuristic, as well as operatic, about Burning Man. It reveals how permeable human nature is and how quickly people will transform when given the opportunity to be part of something new and better. The total context of an environment where people are liberated from commercial transactions, and given license to share their gifts, express their full individuality, and be inclusive toward others has a transformative impact. It also creates a unique context for artwork that celebrates our highest potential—at the cost, perhaps, of some critical distance and discernment.

 I could see “The Manhood of the Future” being a popular art car in Black Rock City. Artwork that celebrates our highest potential? He’s talking about the same Burning Man, right?

barbie-jesus

 

 


The Mysteries of Burning Man

The Burning Man party line being pushed by Mr Pinchbeck was also the theme of the Beats and the Merry Pranksters, the Happenings and Situations and Be-Ins from be-fore.

The focus of Burning Man art is collective enjoyment, rather than removed aesthetic judgment. But the pedigree of Burning Man art does, however, encompass ’60s Happenings—performed by artists like Allan KaprowJohn Cage, and Carolee SchneemanDadaSurrealism, and Pop Art. It is also informed by the human-potential movement, which is centered in Northern California. Many of the early founders of Burning Man belonged to the San Francisco-based Cacophony Society, which mingled post-punk aesthetics and prankster humor, with a tinge of hipster nihilism. The Bay Area is a haven for experiments with personal identity and sexuality, including transgender identities, queerness, BDSM, and kink. These areas remain a focus for many in the Burner community.

The success of Burning Man reveals a familiar pattern of cultural assimilation. As with Beat poetry in the 1950s or punk rock in the 1970s, what was once the expression of a small group of outsider artists and provocateurs gets integrated into the cultural mainstream. In the end, countercultures tend to prop up and support the commercial society, creating new styles and trends that can be sold to the masses even as they influence the mass consciousness.

In its own way, Burning Man threatens to become something of a countercultural Walt Disney World, albeit one with anti-authoritarian values that inspires people to step into the frame as artists and participants.

Disney again; not exactly an original insight:

As we noted in Shadow History Part 2, Disneyland was a project of the Stanford Research Institute.

It is not clear how “influencing the mass consciousness” occurs at an event limited to 70,000 people for one week in a remote location. It’s not like the 70,000 people all meet each other – Burning Man is cosy microcosms and random convergences, rather than one big stage with a few break-out sessions. The bazaar, not the cathedral.

Like Larry Harvey Darryl van Rhey before him, Daniel Pinchbeck connects Burning Man to the Eleusian mysteries.

Burning Man also represents a cultural edge-space where art, entertainment, and spectacle cross back over toward their original roots in ritual, ceremony, and religion. This is something that is difficult to talk about without inviting ridicule. As a unified artwork or social sculpture defined by a set of 10 principles (“Leave no trace,” “radical inclusion,” “gifting,” “decommodification,” and so on), Burning Man functions in the lives of its regular visitors as a ritual, an annual pilgrimage—a ceremony that celebrates the turning of the year, the recreation and transformation of the self, and the mystery of existence itself. Such events were known throughout the ancient world. Most famously, the Eleusinian Mysteries in Ancient Greece was an annual gathering for all of the luminaries of the Classical World that lasted for 1,500 or more years, only coming to an end in the 4th century A.D. at the behest of Christian Roman emperor Theodosius. Burning Man seems an organic return to these archaic mystery traditions, but in an American grain.

Since when were fossil fuels, LSD and designer chemicals considered organic? By which calendar is the end of August the Turning of the Year?

As for entertainment’s original roots in religion and ritual ceremony: has he not heard of the world’s oldest profession? We had entertainers before we had wizards.

If we are placing Burning Man in an historical ritual and cultural context, then the Wicker Man part of the ceremony needs mentioning. Such events were definitely known throughout the ancient world, Julius Caesar wrote about the Druids in 54 BC. Nicholas Cage starred in a recent movie The Wicker Man, so this is known in modern times too. Is Mr Pinchbeck ignorant of this, despite 15 burns? What are we there for: the lamplighters and Crimson Rose’s fire magick, or burning a giant effigy of The Man? It’s not called “Crimson Dance”.

In considering Burning Man as a cultural movement, we should talk about St Bartholomew’s fair, a festival of a jester that took place in London at the same time of year as Burning Man for more than 700 years. Its mixture of art, activities, debauchery, and a freak show “rhymes with Burning Man” much more than the highly controlled Eleusinian rites, which most people only got to experience once in a lifetime.

For some reason it is always this Ancient Mystery cult that They want to link Burning Man to. Population control with drugs and mysticism by an un-elected ruling group. That’s the important heritage that makes this the greatest cultural movement of our time. Not the ritual burning of a wooden effigy inside a pentagram, or an annual experiment in new forms of civilization.

The recreation of the Rites of Eleusis was a specific goal of the bankster promoter of suggestogens Gordon Wasson, and Warburg banking empire chemist Albert Hofmann. It was also the title of a controversial play put on by arch-Satanist intelligence agent Aleister Crowley in London before World War I.

road-to-eleusis

rites-of-eleusis-crowley

The thinking behind this is covered in more depth in our Shadow History series; basically, the idea of Eleusis was to dose the whole population to make them docile. It worked for more than 2000 years in Ancient Greece.

the Mysteries were intended “to elevate man above the human sphere into the divine and to assure his redemption by making him a god and so conferring immortality upon him

Such cults include the mysteries of Isis

[Source: Wikipedia]

This idea of creating our own gods is preached at the Church of Satan, as well as Burning Man’s leadership conferences:

God made Man in His image. Then Man Google made Pokemons, in the image of Demons. And invited us to merge our brains with Them, while Burning Man offered us contracts to sell Them our souls…ah, transhumanism. Gotta love it. Just see the Terminator! The Singularity’s gonna be swell. All those military robots are out there hunting for the last remnants of humans, who did not connect their brains into the Google Matrix to live forever chasing Pokemons. But I digress…


A Pleasure Based Society

Like Paris Hilton and Kim Kardashian, Daniel Pinchbeck became famous for his hedonistic sexual exploits. At least, that’s how I heard of the guy…

For the last few years, I have been exploring the nature of sexuality, love, and relationships, both personally and philosophically. When I separated from my last partner, I realized that I did not feel that monogamy was working for me as a model. Yet I also knew that I craved long-lasting, deep, and sustainable relationships. Since then, I have sought to reconcile my conflicting yearnings, and wondered if other models of relationships are possible or desirable.

Just as we are undergoing a second stage of the process of shamanic initiation that was curtailed at the end of the 1960s, we have entered a wiser and more integrated phase of the Sexual Revolution that crested thirty-five years ago. A more conscious approach to erotic relationships requires a sympathetic awareness of the differences between men and women, and an acceptance of individual distinctions as well. In the 1950s, the scandalous Kinsey Report on human sexuality revealed the vast variety of human sexual experience, and showed that a huge number of people sought intimate contact outside of the confines of their marital relationships. The opening of sexuality in the 1960s led to deflationary decadence in the disco culture of the 1970s, and a pop cultural ambience of constant stimulation and insatiation that the philosopher Herbert Marcuse called “repressive desublimation.”

[Source: Facebook]

Kinsey was a pedophile disciple of Aleister Crowley…but let’s not get sidetracked.

Before Quetzlcoatl’s 2012 return, Daniel Pinchbeck went on a long Facebook rant about how we are descended from apes (despite no missing link to validate Darwin’s theories) and that means that the women should fuck everyone in the tribe and may the best sperm win:

6_bonobos_whcalvin_img_1341I don’t believe that the system of conscripted monogamy as it exists now will be part of our future condition – some people will naturally choose it or gravitate toward it, but it will not be imposed on us or accepted as the norm. There won’t be any stigma to it, of course, and some people will be so constructed that it is deeply satisfying and good for them – or for many of us to explore during long periods of our lives. In general, when you look at the origin of human sexuality, it seems in all likelihood it was communal, much like we find with the bonobos.

[Source: Facebook]

Everyone screws everyone. Good luck with that, from a social, evolutionary, and public health perspective. Did he come up with this on an acid trip at the Orgy Dome?

screenshot-2016-10-17-20-39-28

This is the Officially Sanctioned Voice of Burning Man, perhaps doing damage control after our Census post. Promoting sexual degeneracy, shamanism, psychedelics, and the 2012 return of an Aztec god does seem to fit right into the Templeton Project’s Transformation Study…YMMV.

Tom Swiss at unreasonable.org warned in 2006: “Daniel Pinchbeck’s Psychedelic Shamanist Apocalyptic Vision”. He sounded the alarm again in 2010, Why Daniel Pinchbeck Needs a Smack Upside His Head,

Daniel Pinchbeck is the guy probably most responsible for kicking off the idea that some great transformation is going to occur in 2012. In his book 2012: The Return of Quetzalcoatl, he claims to have received “transmissions” from the Mayan deity Quetzalcoatl telling him about this momentous event. An excerpt from these transmissions:

The writer of this work [i.e., Pinchbeck] is the vehicle of my arrival — my return — to this realm. He certainly did not expect this to be the case. What began as a quest to understand prophecy has become the fulfillment of prophecy. The vehicle of my arrival has been brought to an awareness of his situation in sometimes painful increments and stages of resistance — and this books follows the evolution of his learning process, as an aid to the reader’s understanding.

The vehicle of my arrival had to learn to follow synchonicities, embrace paradoxes, and solve puzzles. He had to enter into a new way of thinking about time and space and consciousness.

Almost apologetically, the vehicle notes that his birthday fell in June 1966 — 6/66 — “count the number of the Beast: for it is the number of the man; and his number is Six hundred threescore and six.”

The Beast prophesied is the “feathered serpent,” Quetzalcoatl. [Pinchbeck, 2012 p. 370]

Because these “revelations” came after many years of heavy experimentation with substances like psilocybin mushrooms, LSD, ayahuasca, iboga, and DPT, [Grigoriadis] Pinchbeck is sometimes described as a modern-day Timothy Leary or Terence McKenna. But from the evidence above, a modern-day Aleister Crowley seems a better comparison — complete with voices “channeled” from “higher powers” which name him as their special agent on Earth, identification with “the Beast”, and a wonderful degree of apophenia.[*]

[Source]

Swiss was a member of Pinchbeck’s Baltimore, MD meetup “spore” for Evolver, the social network built around the Reality Sandwich blog and tied into Burning Man. Social networks aren’t cheap – Rupert Murdoch paid $600 million for Myspace, then sold it for $35 million a few years later. Myspace is now part of TIME Inc monitoring 1 billion users sharing data about their households and devices.

Your average Psychonaut doesn’t have the resources or self-discipline to create social network technology as well as writing books, blogging, giving TED talks and partying all over the world. Perhaps Mr Pinchbeck is a super-blogger with beaucoup bucks behind his hobby; or perhaps he has some sub rosa help with these projects. If there was ever a place for secret agencies funding secret projects, it’s Virginia-Maryland, with the special Permanent Autonomous Zone the District of Columbia in between.

owl-dc-aerial bohemian owl

bohemian-grove-owl-logo

weird_scenes1_465_687_intDaniel Pinchbeck’s Mom is another active public critic of “family values”, likening them to the dreaded “Fifties”. This oppressive time of nuclear families and white picket fences was all shook up by Chuck Berry and “Elvis the Pelvis”. This was reconstructed in the UK as  Mods and Rockers, which morphed into the Beat-les and the Rolling Stones, two weapons of mass cultural debasement launched upon the world in what was openly called The British Invasion. Britain has a long history of ruling its far flung empire through Drug Wars and social engineering, as it showed in both India and China through the privately held British East India Company and its state-sanctioned piracy, slavery, and drug trafficking. If you think this operation shut down with the Sixties, scan the radio and see how long it is before you hear a song from any of these bands. Go to Burning Man and see if you can find anyone on LSD or magic mushrooms. Sex drugs and rock-n-roll – the Crowleyan counter-culture, designed by Satanists to turn others into Satanists – is in full swing.

History repeats. We had the orgiastic decadence of Caligula, leading to Nero fiddling while Rome burned. We had the Weimar Republic, leather and bondage and burlesque and bisexuality and promiscuity. Berlin had opium, amphetamines, cocaine, ecstasy, heroin, marijuana, mescaline, peyote…even LSD. The elite members of secret societies and the wealthy set were doing it all. And then we got the Night of the Long Knives, Hitler and the National Socialists, the ghettos and the concentration camps.

This is the model throughout history. They build a civilization up, lurking behind the scenes, pushing the window of tolerance as far as They can. Then the Satanists come out, showing their hand in all their disgusting glory. The world revolts, and it all burns up in flames. Civilization is destroyed; feudalism prevails. Liberty takes centuries to restore. Eat, sleep, rave, repeat.

New Dark Age is the goal of the eugenicists and social engineers. Merge with computers and you no longer need your organic body. We don’t need to take up space on the earth, since it is all just an illusion anyway. The real world is a computer simulation, so you might as well just join virtual reality. You might have noticed this meme being promoted lately, from Billionaire Burner Elon Musk to Stephen Hawking. Last year, both those guys were saying “we should be afraid of artificial intelligence”. Musk likened it to summoning a demon in a pentagram.

Nothing to worry about, it’s all just software. Nothing is real, everything is illusion, even truth. You will hear this message a lot from the Satanists and Social Engineers that are using Burning Man as a tool to transform society in their desired image.

This book is out of print, but luckily the PDF is readily available. An earlier version with 100 extra pages is much rarer.


Burning With The Beats

The Artsy editorial links Burning Man to the occultist Beat Generation and the Great Work of Man, a major concept in Freemasonry.

This is not a casual connection, and nor is Mr Pinchbeck a casual connector. As a young boy in New York, he grew up with Allen Ginsberg and CIA Assassin William S Burroughs dropping by the house. His mother, Joyce Glassman Johnson, was a member of the New York Beat Scene. She had a love affair with Jack Kerouac right when he was becoming famous for On The Road, after being set up on a blind date with him by Ginsberg. She wrote a bestseller about the 2-year relationship:

Pinchbeck has deep personal roots in the New York counterculture of the 1950s and 1960s. His father, Peter Pinchbeck, was an abstract painter, and his mother, the writer Joyce Johnson, was a member of the Beat Generation and dated Jack Kerouac as On the Road hit the bestseller lists in 1957 (chronicled in Johnson’s bestselling book, Minor Characters: A Beat Memoir).[2]

[Source: Wikipedia]

Like Mr Pinchbeck, the Beats were bi-coastal. The West Coast scene was based in the Bay Area, particularly around Bohemian book stores City Lights in North Beach and Kepler’s in Palo Alto. City Lights owner Lawrence Ferlinghetti and Allen Ginsberg were frequent guests at Esalen. Ginsberg and Trans-Continental Kool Aid bus driver Neal Cassady became part of the Merry Prankster scene that emerged at Camp Fremont, the military sub-section of Stanford – Perry Avenue, or as it is more commonly known “Perry Lane”. The Beats gave some “street cred” to the mixture of decorated soldiers and defense contractors getting drugs and equipment from the Stanford Research Institute that spawned the Pranksters, The Grateful Dead, and more recently, Burning Man and Google.

Burning Man itself is directly connected to the Beats. City planner the late Rod Garrett was a member, friends with poet Gary Snyder and comedian Lenny Bruce.

In 2010 Daniel Pinchbeck promoted Aldous Huxley at Colorado’s Naropa University, beloved of Ginsberg and the Beats.

screenshot-2016-10-17-12-20-47

Joyce Glassman Pinchbeck Johnson taught at the New School for Social Research – also known as the Frankfurt School. This is ground zero for social engineering, so it’s no wonder that the Social Engineers of BMOrg want Daniel speaking for them, not against them.

Progressive economist Thorsten Verblen was part of the New School. He was also one of the original Bohemians at Perry Lane, known at Stanford as The Naughty Professor. Veblen is one of several characters who  pop up in both the New York scene (centered around Columbia University and Greenwich Village), and the Perry Lane scene (Stanford).

Image: Pinterest

Neal Cassady. Image: Pinterest

A key cross-generational bridge between the Beats and the Pranksters was bus driver Neal Cassady. He was one of Brierly’s boys, as was Lockheed Martin CEO Norman Augustine. Denver educator Justin Brierly helped Judge Benjamin Barr Lindsey burn the personal letters and records of thousands of troubled young children in the 1920’s, officially to keep them out of the hands of the Ku Klux Klan. Lindsey was a “sexual reformer” and promoter of promiscuity, who created the Juvenile Court System then got chased out of Colorado for California. The never-married Brierly took promising (and, coincidentally, handsome) young men under his wing, and recommended them for Ivy League futures. He met Cassady at 15, and later introduced him at Columbia to Allen Ginsberg and William S Burroughs, of the Burroughs Computers family.

coincidence-counter-front-panel

Cassady just showed up in the Perry Lane courtyard one day in a Jeep with a blown transmission. This was enough to make him one of the key members of the Merry Pranksters, driving them all around the country while completely out of his mind on high doses of hallucinogens. He was Dean Moriarty in On The Road (Brierly was Denver D Doll).

brand_905

Another guy popping up in both West and East Coast Beat scenes is the Pentagon’s Stewart Burrows Brand, the Army’s most senior photographer, who we find running around the Acid Tests with a military strobe light. He left Stanford’s ROTC program with a degree in biology and anthropology, and headed to Fort Dix New Jersey to train recruits. He used to hang out in the New York scene on the weekend, visiting Timothy Leary at the Millbrook Castle where CIA director Richard Helms reported every week to international financier Billy Mellon Hitchcock. 19-year old student in comparative religion John Perry Barlow was a regular at Millbrook too, when not seducing co-eds with poetry and a motorbike.

Stewart Brand learned his pioneering innovation of projection and trippy lights from the New York USCO team, who were in cahoots with both the Bauhaus and Frankfurt School Germans relocated before World War 2 broke out. They were connected to the scene around Black Mountain College in North Carolina. The infamous composer John Cage shows up there, and also in the Bay Area as music teacher at Mills College, Stanford’s women-only sister school in the East Bay . He was succeeded there by Phil Lesh, before the latter’s recruitment into the Grateful Dead as a bass player – an instrument he had never played before, but taught himself in an hour.

Brand sees a clear connection between the Beats, the Pranksters, and the Burners:

“Probably the most visible and influential continuation of counterculture is Burning Man. It has all sorts of remarkable qualities, one of which continues the premise of Ken Kesey’s acid tests: put together a bunch of creative people and a minimum of rules, and everybody generates as nifty a party as they possibly can.”

stewart-brand-interview-2

Image: Inhabitat

Err, you forgot the LSD, Stewart. The Kool Aid was spiked. The thousands of hippies at the Trips Festival were not taking actual trips. It’s a metaphor. Surely a guy who can build a clock that runs for tens of thousands of years and is bringing back the Woolly Mammoth is aware that these people were on drugs!!! Brand himself claims to have invented the signature “earth from space” image on the cover of the Whole Earth Catalog while on an acid trip in SF.

Stewart Brand also said:

Burning Manthey have surpassed in every way the various things we were attempting with the Acid Tests and the Trips Festival, Burning Man has realized with such depth and thoroughness and ongoing originality and ability to scale and minimalist rules, but enough rules that you can function, and all the things we were farting around with, Larry Harvey has really pulled off. I don’t think that would have come to pass without going through whatever that spectrum of the ’60s was, the prism of the ’60s, the spectrum of bright colors that we espoused for a while. It all got exacerbated by the Internet and sequence of computer-related booms, but I think it flavored a whole lot of the basic nature of Burning Man. Its Hellenism was replaced by Hellenistic Period, driven out by Alexandria and that was basically better. I think that’s to some extent true in this case.” 

[Source: SFGate]

At the Macy Conferences in New York pioneers of computers and mind control, hypnotists, psychiatrists, and anthropologists got together to design the modern electronic control grid and “painless concentration camp for the mind” that was described in Brave New World (1932) and 1984 (1948)…and the books they plagiarized We (1924) and The Scientific Outlook (1931).

The Frankfurt School and the American Jewish Committee were heavily represented in the Macy Conferences. Members of the core team like OSS black propaganda specialist Gregory Bateson (former husband of Samoan sex hoaxer Margaret Mead) showed up at Stanford as the preparations for the Summer of Love psy-op began.

Eric Trist was a leader of the Tavistock Institute who developed psychiatric profiling tests for the military. In 1961 he spent a year as a Fellow at Stanford’s Center for the Advanced Study of the Behavioral Sciences (an offshoot of Princeton’s Institute for Advanced Study).

"Think, Drink , and Be Merry" was Stanford CASBS's theme the year Eric Trist was there

“Think, Drink , and Be Merry” was Stanford CASBS’s theme the year Eric Trist was there

Dr Eric Trist’s son Alan, who grew up on J P Morgan’s country estate, came straight from the Beat Hotel in Paris to Kepler’s in Palo Alto. He arrived at exactly the right time to drive Jerry Garcia (Army) and Robert Hunter (National Guard, Scientology) to see Animal Farm. Hunter had advised his stepfather on publishing the children’s edition.

They never made it to the movie. Instead Trist helped them put the Grateful Dead together, then gave Daddy anthropological reports on their progress.

alan-trist-would-report-back-to-eric

In the official version of Grateful Dead history, Jerry Garcia, Robert Hunter, and Phil Lesh were all hanging out in Palo Alto one day smoking DMT and trying to come up with a name for their band. They had played at the Acid tests as “the Warlocks”, with another band at the opposite side of the room “The Witches”. But the Warlocks was taken.

“It was a grey stormy blowy day in old Palo Alto, and we were hanging out at Phil’s house, smoking DMT, and we had just found out there was another band called the Warlocks so we couldn’t use that name, and we were trying to figure out names and we came out with about a million of ’em and none of them quite got it. We decided to thumb through the Oxford dictionary, so Jerry got up and walked over and spun the dictionary and put his finger in, and it came out Grateful Dead. It’s an ethnological term; it has to do with a guy named Childs who went around and catalogued a lot of folk ballads from northern Ireland and Scotland back before the turn of the century. There was a whole section that he did on what were the Grateful Dead ballads; the Grateful Dead ballads being visitations and stuff like that, generally having to do with people that had died and come back and been kind of glad.” – Bob Weir

The dictionary was Funk & Wagnalls by other accounts. Jerry Garcia told a different tale entirely:

     “Let’s see, the classic story is the one where somebody dies, but there’s some dishonor connected with the death, so they can’t really rest until this matter is settled, and then when it’s settled that puts them in the category of being Grateful Dead. It’s just what it sounds like . . . Grateful Dead.” – Garcia

In May this year, former Special Forces Lieutenant Chalmers Wood, Jr revealed yet another story. His dad Chalmers Wood, Sr ran the Vietnam war for the State Department from 1959-1963. Merry Prankster founder Ken Babbs was over there during this time, he won 5 medals for his service as a chopper pilot before returning to join Uncle Sam’s Acid Tests project.

Wood claims that he designed all the artwork and the spiritual philosophy related to the Grateful Dead, and entrusted it to John Perry Barlow and Bob Weir in 1963. The purpose of this project was to start a “cultural movement” based on sex, drugs, and rock-n-roll – a social engineering operation.

screenshot-2016-10-16-11-10-26

Thanks to Matt Carney for providing this lead

In 1963, Barlow, Weir and Wood were at the 1100-acre Fountain Valley prep school in Colorado Springs. Aldous Huxley’s son also went there. The symbology and cosmology of the Grateful Dead seems taken from Theosophy, co-ed Freemasonry. So far in dozens of books telling the official history of the Beats, the Pranksters, and the Grateful Dead, the connections to the military-industrial-intelligence complex are ignored or dismissed as irrelevant. Maybe American Messiah will be different.


Cyberspace – a Greater Cultural Movement than Burning Man?

John Perry Barlow, left, on stage with Larry Harvey at Black Rock City

John Perry Barlow, left, on stage with Larry Harvey at Black Rock City

John Perry Barlow is another connection between the New York and Bay Area counter-cultural scenes. According to Grateful Dead biographer Dennis McNally, Barlow was “living in New York, dealing cocaine, and carrying a gun” when he was recruited to write songs for his childhood buddy, Bohemian Grover Bob Weir.

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Source: The Long Strange Trip, by Dennis McNally

Barlow founded the Electronic Frontier Foundation with Burning Man super-lawyer Terry Gross. He is a promoter of LSD, and disclosed some CIA work in “Why Spy?” in Forbes in 2002. In a 2013 interview with cult member Julian Assange from inside the Ecuadorian Embassy in London, he said “I personally know almost all the top people at the NSA”. Barlow wrote more than 50 songs for the Grateful Dead, which you can find out about at the Grateful Dead lyric and song finder – created by the head of British Intelligence.

barlow-bohemian-grove-tweet

bohemian-grove-alter-after-burn-with-metal-skeleton

Burning the Man at Bohemian Grove – the Cremation of Care

Alex Allan, Chairman of the Joint Intelligence Committee, is one of the world's top experts on the Grateful Dead

Sir Alex Allan, Chairman of the Joint Intelligence Committee, is one of the world’s top experts on the Grateful Dead

Barlow is a devotee of Jesuit thinker Pierre Teilhard de Chardin, who described the merging of culture and minds of humans in the electronic domain as the Noosphere.

Daniel Pinchbeck is into the Noosphere too. In fact he’s got a book he can sell you about it:

I believe we are on the cusp of transitioning into a psychic level of species existence, what some have called a “noospheric” (from the Greek word nous, meaning mind) or “supramental” condition. I recently published a book by the late Jose Arguelles, Manifesto for the Noosphere, which explores this idea in depth

[Source: Facebook, March 2012]

wired 1996John Perry Barlow was the first to use the word “cyberspace” (credited to William Gibson in Neuromancer) in its modern sense. In 1997, when Burning Man was being marketed on the front cover of WIRED magazine as “the New American Holiday”, it was bombarded by TV crews. A clip from ABC Nightline in 1997 called it “the physical manifestation of the Internet”.

Larry Harvey picked up on this theme in a 1997 speech at the MacWorld Digital Be-In about “Burning Man and cyberspace”, in which he says the Internet doesn’t have any value.


The Controlled Media

Daniel Pinchbeck is by no means the first to crow about the cultural significance of Burning Man. TIME magazine recently put Burning Man on the front cover – at least, the hardcover special edition “Civilization’s 100 Most Important Sites”. Burning Man is #100.

time-places-of-history

Mr Pinchbeck’s story references Robert Hughes and “The Shock of the New”. Hughes was TIME’s resident art critic for more than three decades.

Events in the recent election have woken millions of people up from the Trance, and exposed the fraudulent nature of the mainstream media as a one-to-many propaganda tool for population control. This has been known for a long time in Shadow History. Operation MOCKINGBIRD was exposed by Carl Bernstein (of the dynamic duo Woodward & Bernstein, All the President’s Men) in 1977, and previously in Ramparts magazine in 1967. Intelligence infiltrated media, academia and modern art.

By far the most valuable of these associations, according to CIA officials, have been with the New York Times, CBS and Time Inc.
– Carl Bernstein The CIA and the Media
Rolling Stone cover story 1977

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The founders and senior managers of TIME and Life magazine were mostly members of the Skull and Bones and Century Club secret societies. Miles Mathis has exposed Ramparts as a likely front. Why would Intelligence agencies rat themselves out? It is a psyop technique known as “Limited Hangout”, where a large amount of truth is mixed in with a few details that they want to remain fuzzy, in order to control the narrative.

CIA-the-mighty-Wurlitzer

cultural-cold-war

mighty-wurlitzer

This information has been out in the public since 1967. It has never been debunked, there is no need since it is all true. The CIA’s involvement in culture creation is so well known that there is now an entire podcast series about it – check out Tom Secker’s Spy Culture. He uses FOIA requests to document things like why George Clooney makes so many CIA-related movies. He has proved CIA involvement in vital National Security-related shows like Cupcake Wars, Master Chef, the Golf Channel, and American Idol.

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The Man and the Counter Culture

The Macy Conferences led to MKULTRA in all of its various forms, such as Subproject 58 in which JP Morgan’s VP of Propaganda “discovered” magic mushrooms one day on a CIA-funded expedition to Mexico.

The Merry Pranksters got in their Day-Glo bus and drove around the country, LSD mysteriously following them wherever they went. Luckily hotshot writer Tom Wolfe was there to document everything in The Electric Kool Aid acid test. Kesey’s book became a bestseller, Wolfe’s book became a bestseller…Actually, almost every person on the bus wrote a book – quite remarkable for a drugged out entertainment group, less so when you look at their education and military backgrounds. The publishing world saw to it that this message got out.

After LSD was made illegal, the Merry Pranksters threw the “acid test graduation party”

The MKULTRA program was officially shut down in 1973, but in reality just continued under other names. Never trust a Prankster! LSD was made illegal in 1966, which led to manufacturing being set up in the Bay Area under Bear Owsley, Nick Sand and Tim Scully – all under the tutelage of Bohemian Grove saxophonist-chemist, Burner Sasha Shulgin. The distribution of acid was controlled via various cultural “scenes”. Three of the biggest distribution networks were Timothy Leary’s Brotherhood of Eternal Love, the aptly named Hell’s Angels and the Grateful Dead.

From the FBI Vault

Source: FBI Vault

Banning acid – something CIA agent Timothy Leary advocated in the 1966 Senate Narcotics Hearings – certainly did nothing to stop its production. It just made it easier for the guys at the top to control the distribution of their technology.

After becoming illegal in 6/66, LSD was then studied by the CIA, DARPA, the Navy, the Army Chemical Warfare division, the Stanford Research Institute, the Church of Scientology, big pharma, and 44 Universities – just to name a few. Nobody thought to inform the government that illegal activity was going on in the many research projects they were funding.

Operation Midnight Climax was active in Greenwich Village as well as San Francisco. Beautiful prostitutes would meet men in bars, bring them back to their specially equipped fancy pads nearby, and dose them with LSD before having their way with them. Video cameras behind 2-way mirrors would record the action. Maybe this was for acid tests deemed too juicy for the “Free Love” students of the Sixties; more likely, CIA agent George Hunter White was gathering HUMINT for blackmail purposes. Whatever the (still classified) purpose of these XXX Acid Tests, follow the money: the Federal Government was paying for drugs and hookers.

CIA Director Richard Helms destroyed most of the MKULTRA documents when the project was exposed. Some survived and are in the public domain thanks to FOIA requests.


Conclusion

Daniel Pinchbeck is right that there are a lot of connections between New York, San Francisco, Burning Man, the Beats, the Merry Pranksters, the Great Work, and the Ancient Mysteries.

It seems now the Burning Man machine is to be aimed at the art world. It’s not fine art, it’s not street art, it’s not modern art.

Is this art?

Image: SFist, Big Imagination (Facebook)

Image: SFist, Big Imagination (Facebook)

It’s certainly a form of movement!

Are the Regionals still Burning Man if they don’t have this sort of thing? If the art makes Burning Man the Greatest Cultural Movement Of Our Time, then what sort of cultural movement is there without the art?

Burning Man art cars roam the streets of Art Basel Miami, and many jet-setting Burners attend both events. But it’s not easy to buy the art you see at Burning Man, and I have yet to hear of any profits being made from re-sale. BMorg wants their cut. The artists behind the La Contessa pirate ship art car valued it at more than $1 million. They lost their lawsuit against the landowner who burned it down on his ranch; the judge agreed with him that it was abandoned junk.

So: is Burning Man “the greatest cultural movement of our time”?

I’m not sold. The global rave scene is a much larger and more powerful movement than Burners. The parties are bigger, there are more of them, the music is everywhere. Electronic Dance Music has changed the world much more since 1986 than Burning Man. So has the Internet. Molly and LSD have changed the world – including the art world – much more than Burning Man has. Where did they come from? Where does it all come from now? Why is all this going on at the largest event on Federal Land?

BMOrg Plots World Domination at Hippie HQ

The latest VOBM features a revealing piece about Burning Man’s relationship with the Esalen Institute, “the high church of the religion of no religion”.

The links between Esalen and Burning Man run deep. PR gal Megan Miller has been attending the cult luxury yoga hotel since the age of 3. For the last ten years, BMOrg have taken most of their team there to an exotic luxury locale to debrief, after Black Rock City is wrapped up. And during the year many BMOrg employees, allies and associates regularly attend events at the facility – which even has an “Aldous Huxley Room”.

Image: esalen.org

Image: esalen.org

From SFist:

The stunning 120-acre retreat is an intentional community devoted to meditation, yoga, organic food, and spirituality and was established by Michael Murphy and Dick Price. The two were introduced in San Francisco by a Stanford religion professor with whom they had both studied. Murphy, who had traveled to an ashram in India, held family property at Big Sur, previously a health spa with natrual hot springs that employed Hunter Thompson and was frequented by Henry Miller. Price had continued his studies in psychology at Harvard before joining the air force. Living in San Francisco, he experienced a psychotic episode and spent time at a mental hospital before returning to the City. Their combined experiences soon took off, as their experiment gained traction with the counter-cultural movement.

Esalen still exists as a California 501(c)(3) nonprofit corporation, and weekend workshops there start at $1,750, covering subjects from mindfulness to permaculture and ecological sustainability.

[Source: SFist]

So what do they get up to at the base? Do any of them drop LSD?

The two entities have much in common — the adversity, the freedom, the challenge to the status quo, the suspicion of strangers, even the absence of a guiding monotheism.

[Source: VOBM]

Adversity? In Big Sur – really? Have you seen photos of this place? Does he mean that cellphone reception is patchy and Internet can be slow? Or does he mean getting up at sunrise to do yoga after a big night?

Image: Esalen Institute via SFist

Image: Esalen Institute via SFist

They both provide stages for transformation, without dictating the outcome of that transformation, Esalen on a personal level, Burning Man on a more overtly societal scale.

If Burning Man is overtly transforming society, I’d like to see some evidence of that. Do they mean the art car in Zappo’s lobby?

“So what can we expect from this meeting of the minds,” Goodell asked from the audience as the two men spun their yarns. “Can we discuss our plans for world domination?”

Harvey said that, like Archimedes, they both might be looking for a lever long enough to move the world. Murphy was coy, maybe a bit embarrassed, and blurted: “We’re flirting!”

The people at the summit tackled many big topics: What is Burning Man culture? What is Burning Man art? What does Decommodification really mean? How can the organization foster new affiliations? How can they deal more effectively with political affairs, government relations and law enforcement? How can they facilitate fundraising? Why isn’t Burning Man more diverse? How will the 2016 theme (“DaVinci’s Workshop”) spark conversations about money?

For the record, many of the discussions were passionate and strong. The 2016 theme, especially, provoked divergent views. “The thing is,” Harvey said at one point, “is that we’re taking on the money thing directly. That’s good. That’s what we should be doing.”

The summiteers also could pursue more personal development. They could be guided on a Hero’s Journey. They could seek their North Star. They could take part in any number of movement and meditation exercises in the very early mornings. They could “co-learn” with Esalen staff about sustainability, or go on hikes to hidden hot springs.

Through it all, the participants seemed to get the intention of the outing: They were being asked to work on integrating the interior with the exterior, to be mindful, and as the organization continued to expand, there was a need, and an expectation, to look within, maybe now more than ever.

“This is my worlds colliding,” CameraGirl was saying as she made her way back to the lodge from a session on Personal Transformation. “It’s been a dream forever … (and) it’s never seemed more critical.”

Harvey and Murphy were getting at it during their face-to-face in the tent, too: Murphy went off on a tangent about the art of Norman Rockwell, about how beautiful it was and how deeply it was appreciated, but also how it only captured “things that people know.” On the other hand, he said, “We like to open our hearts and minds to the unknown, (to) find the courage to acknowledge that you are not in control.”

[Source: VOBM]

Seeking the North Star is a military concept, that has become part of New Age management culture mumbo-jumbo. And while I see a lot of value in Campbell’s studies of common cultural archetypes, I observe that one result of contemplating “The Hero’s Journey” is to make you think that YOU are a hero yourself, just for thinking about it. We’re all heroes, we’re all on this mythological journey, and along the way we face the challenges and learn the skills necessary for a happy ending. Although this might generate warm fuzzy feelings, it does nothing to build the intestinal fortitude required to instinctively act with real heroism when the proverbial excrement hits the air conditioning.

So 50 BMOrg insiders get together to discuss our future. Then what happens? Burning Man is a do-ocracy, right? Not just a gabfest? So what gets DONE?

Well, luckily for all of us, BMOrg have announced a new team to preserve the volunteer spirit of our culture. Naturally, the team will be all made of volunteers. What will they DO? Well, Harley will attend the first four meetings. Problem solved! Burning Man saved. Of course, if volunteer culture falls apart at Burning Man, we’ll now know who to blame…(well, if they name the hand-picked members of the new team, we will). They’re also still looking for someone to raise money for the non-profit from donors, a position that seems to have been open for a while now.

This, then, is the last hope for our floundering culture. Not that our voices will be heard, or that anyone will require the Org to live by its own Principles. Not that the vast amounts of money flowing in to the sold-out and mainstream-marketed event will be redistributed in some small way to the Regional network and the artists. Not even that BMOrg will just deliver some of the things they already promised us (like transparency, or a fair contract for the artists).

Just this: that by this NPD-fuelled insider navel-gazing, deep questions and discussions about the soul and future of the event going down in hot tubs and during nature hikes, that these groups will make all the correct decisions to keep Burning Man for the Burners for the next century – and out of the hands of spectators who care nothing for our culture.

Hey, it’s working great so far, right? As BMOrg like to say “we’ve been doing it for 30 years and people have always said we’re doing it wrong. We’re still here, therefore we can’t be doing it wrong”…or something to that effect. Any problems in the culture are due to “social media trolls” or a lack of funding (please donate now).


 

In keeping with this year’s theme of “re-writing history in favor of the Banksters”, John Curley (who confesses to never having received a professional massage before) attempts a white-wash of the darker side of the secret base at the edge of Hearst’s kingdom (and, like so many other location settings in counter-culture history, next to a major military base).

A lot of people didn’t like, or were threatened by, what was happening, or what they thought was happening, at Esalen. Dick Nixon targeted the place for dirty tricks, like the time his henchmen tried to convince the press that Charles Manson had hatched his murderous plans for Sharon Tate while on retreat there. (For the record, Manson never stayed at Esalen.)

[Source: VOBM]

Shadow history has Manson going to Esalen to receive a briefing just 3 days before the Tate/La Blanca “Helter Skelter” murders in the Terry Melcher/Doris Day house. The “Summer of Love” and the hippie age ended abruptly, just as the Church of Satan was building momentum at the edge of the Presidio (staffed by military intelligence). The “Manson Murders” in LA happened around the same time as the infamous “Altamont” concert in SF, where Meredith Hunter was stabbed to death by the Hell’s Angels in the crowd while the Rolling Stones played Sympathy for the Devil on Their Satanic Majesties Present tour. Esalen janitor Hunter S Thompson got his big break writing about the Hell’s Angels and then infiltrating them for 2 years. George Lucas happened to be at Altamont next to the incident with a ready-to-roll movie camera, after which he got his big break to make THX 1138 – a Brave New World for the 21st century which, like it progenitor, has turned out to be presciently true; and the Star Wars series – which was heavily based on both Joseph Campbell’s “The Hero’s Journey” Esalen courseware, and actual military intelligence occult research into psy-power going on at Esalen, SRI, and the Presidio including PROJECT JEDI.

Manson even played a concert there on his last visit – he was a frequent attendee. “Oh but he never STAYED” – weasel words. Interesting that they still feel a need to distance themselves from the consequences of their mass brainwashing, and even more interesting that they partner up with Burning Man and its Propaganda Department as a channel to do that.

Esalen was started in the Sixties by Aldous Huxley and two Stanford guys with military and elite ties. Huxley died there, when his wife Laura injected him with a lethal fatal dose of LSD on November 22, 1963 – the day of the Kennedy Assassination, and also the day Narnia author C.S. Lewis died.

It has been the center of the “Human Potential Movement”, which from very early on was infiltrated by Army Intelligence (specifically Lt Col James Channon and Task Force Delta, under General Albert Stubblebine who was head of INSCOM – see The Men Who Stare At Goats for more of this story).

The “Aquarian Conspiracy” (they actually called it that!) written by Margaret Ferguson described 15 million agents of the New Age, taking positions throughout business and government as the Baby Boomers grew up, and helping to usher in a Progressive New World Order. She worked for Willis Harman. For those interested in delving down this rabbit hole further, check out The Tavistock Roots of the Aqurian Conspiracy, The Beatles and the Aquarian Conspiracy and this and this.

As we outlined in an earlier post on Constance Cumbey’s The Hidden Dangers of the Rainbow, there are some incredible parallels between the ideologies espoused by the New Age movement, and those of the Nazis. This is unsurprising if you understand the history of eugenics and propaganda, which were massively funded by tax-free foundations like Rockefeller and Carnegie at Stanford and later in Germany. They wanted to control large numbers of people mentally, electronically, chemically, and genetically.

This book is out of print, but luckily the PDF is readily available. An earlier version with 100 extra pages is much rarer.

This book is out of print, but luckily the PDF is readily available. An earlier version with 100 extra pages is much rarer.

The Human Potential Movement and the Aquarian Conspiracy were designed at SRI (Stanford Research Institute), a major Defense contractor, by its director Willis Harman (who also founded IONS, the Institute of Noetic Sciences, based in Petaluma and featuring in Dan Brown’s Da Vinci Code series). They conducted a multi-year, multi-disciplinary study called “The Changing Images of Man”, funded by the Charles Kettering Foundation (Kettering developed the first missile). The research combined anthropology, computer simulations, business strategy – and maybe even channelling of interdimensional entities – to envisage a number of future scenarios. They then worked back to determine what the ideal “Man” would be to adapt to the coming new worlds. Once their desired outcome was defined, they engaged the tools at their disposal to reshape the world in their image. Burning Man is one of those tools.

Esalen and the Aquarian Conspiracy were employed to transform the self-image of Man from “Frontier Man” or “Pioneer Man” (the original American dream), to “War Hero Man” (the Democratic personality archetype engineered during World War II), to “Self Help Man” (the Nietzchean uber-mensch product of the Human Potential Movement that went from fringe thinking to mainstream over the 70s and 80s), then to “cyber punk hackers” in the 90s (used to launch the Web, the same way that hippies were used to launch the PC)…and then again to today’s “Burner/hipster” synthetic psychological archetype that is being used to bring in the Sharing Economy. A new prototype is no doubt being shaped now for the imminent Virtual Reality/Robots/Gene hacker world.

MKULTRA’s “Johnny Appleseed” of LSD Al “Captain Trips” Hubbard was a special agent advising Willis Harman at SRI.

willis harmon al hubbard letter

Shadow history researcher Jim Keith fell off a stage at Burning Man, injured his leg, then mysteriously died of a blood clot while being treated at the hospital in Reno. His book Mind Control, World Control discusses the spread of LSD and the role of OSS/CIA agent Al Hubbard:

One associate of Hubbard’s was New World Order theorist Willis Harman at the Stanford Research Institute. SRI had earlier recieved grants from the US Army to research chemical incapacitants. When visited by a representative of the underground press [Michael Rossman of the Berkeley Free Speech Movement] at SRI, Harman told the man, “There’s a war going on between your side and mine. And my side is not going to lose.”

Willis Harman hired Al Hubbard in 1968 as a “Special Investigative Agent.” From Todd Brendan Fahey’s The Original Captain Trips:

Hubbard was specifically assigned to the Alternative Futures Project, which performed future-oriented strategic planning for corporations and government agencies. Harman and Hubbard shared a goal “to provide the [LSD] experience to political and intellectual leaders around the world.” Harman acknowledges that “Al’s job was to run the special sessions for us.”

 

You can learn more about the links between SRI, Esalen, and the counter-culture at Red Ice: Scientists on Acid, and also in Jan Irvin’s article about Darwin, Huxley, Esalen and the Psychedelic Revolution.

How could Burning Man be used as a tool of Esalen and SRI to reshape personalities as Silicon Valley’s counter-culture designers require? We’ll let Navy robot guy Danger Ranger explain this:

It’s all about building consensus reality – while at the same time, detaching people from their previous psychological patterns, breaking their personality apart and getting them into a state of hyper-suggestibility, then surrounding them with the desired ideology. Groupthink is heavily used in this environment to reinforce the new patterning.

The epicenter of Groupthink on the West Coast is the Esalen Institute, and their greatest tool to spread it is Burning Man.

We’re saving the world! From the hot tub!

I’ll let another military intelligence guy and Esalen aficianado have the last word: