Debra Klein has written a great feature at the Daily Beast about David Best’s new Temple at the Paradise Ridge Winery in Sonoma- a permanent structure made of steel, now installed between “TRUTH” and “LOVE” in their outdoor sculpture gallery which features a lot of Burner Art.
Previously, they had burned a David Best Temple there. People (Burners?) knew to write notes on the Temple, without ever being told.
From The Daily Beast:
David Best Creates a Temple Made of Memories Outside San Francisco
What do we have, in the end, when a love has gone? When a person has left for good? All that was everything between two people—a romance, a friendship, or simply day-to-day life—disappears. Only our memories never leave. But what if we want them to?
These are the thoughts that might flood visitors to David Best’s Temple of Remembrance in a meadow on the grounds of Paradise Ridge Winery. Like a vaguely Asian-themed birdcage, the deceptively ingenious rusted lattice memorial to love and loss is part shrine, part interactive do-it-yourself art project, as light visually as it is heavy emotionally.
It’s a place to remember the people you’re carrying in your mind or your heart. You can scrawl something on a flat pebble and bury it in a bird-bath bowl, or send a message to them on a piece of cloth set aflutter in the wine country wind. And, in doing so, you release your own feelings, too.
Best and his crew helped put the “burning” in the Burning Man festival fourteen years ago when they built the massive Temple of the Mind memorial in Nevada’s desert, and then dedicated it to a friend who’d died before the event began. Droves of attendees streamed inside to vent their emotions over the course of several days. The structure ignited their passions, and then the creators ignited it.
The temple idea caught fire, and while that ephemeral tradition continues as an end-of-the-festival ritual each year, the new Temple of Remembrance, on a hillside in Sonoma County, is Best’s first constructed in steel and is permanent. It sits somewhere between Truth and Love (that’s not a metaphor, those are the names of two other large Burning Man sculptures relocated to the same grassy, oak-fringed field) in a place where—despite expansive tree and vineyard vistas—visitors will find themselves looking within.
While Best’s flammable work is fleeting, the changes people experienced inside seem to stick. Best recalls a grieving father confiding that a visit let him unlock the emotional door trapping his family in grief. “Our son is free now,’” Best remembers he said. It’s a reminder that the flip side of anger is love, isn’t that why we feel both so intensely?
Although Best doesn’t consider himself particularly spiritual, he has a sixth sense about what people need to heal emotionally, be it from a trauma or a lost love, or both.
“You have to provide a place where someone can feel private, yet safe. They can be there or run away, they are not locked in,” he says. Immediately after, as if to prove his non-guru bona fides, he mentions he’s putting the finishing touches on a hot rod to race at Bonneville.
[read more at the Daily Beast…]
Pingback: Burner Art Becomes Symbol Of Hope In Fire Disaster | Burners.Me: Me, Burners and The Man