They Ride Roughshod

by Whatsblem the Pro

The principle of Decommodification that so many burners hold dear takes yet another brutal pounding this week as Australian chartbusting singer-songwriter-actress Missy Higgins releases her new music video. . . ‘We Ride,’ also known as the theme from the film Spark: A Burning Man Story. The single, along with the rest of the Spark soundtrack, is now available on iTunes.

The film, featuring footage shot at Burning Man 2011 – in other words, images of thousands of unconsenting, uncompensated burners and the art they built and transported to the Black Rock Desert at their own expense – would be forbidden by the Decommodification rule, if not for the fact that the people who forbid you from doing things like making commercial films at Burning Man happen to have a large financial stake in this one.

If you or I attempted to release a documentary shot at Burning Man, and followed it up with a soundtrack and a single by one of Australia’s top musical acts, the corporation that runs Burning Man would initiate legal proceedings against us in the name of protecting the culture from commercial exploitation. The fact that they have no problem with that kind of profiteering as long as they themselves have a financial stake in it and get a cut of the money should tell us something: that, once again, they’re not at all interested in protecting us or our culture, and care only about making money and protecting their monopoly on exploiting us and our creativity.

If the culture, the event, and burners as a group need to be protected from predators with commercial interests, then there should be no exceptions.

When challenged on what some consider their money-grubbing hypocrisy, the Org typically has one of two general responses, depending on the nature of the complaint: either they take the stance that Burning Man is a culture in an attempt to justify the exploitation of so many hard-working volunteers, uncompensated artists, and other unpaid participants, or they take the stance that Burning Man is a business entity in an attempt to justify their iron grip on the trademarks associated with it.

How long will we allow them to have their cake and eat it too? If Burning Man is a culture, then everyone who participates in and contributes to that culture should share ownership of the trademarks, and either be equally allowed to profit from them, or equally forbidden from doing so. . . no exceptions! If Burning Man is a business, on the other hand, then there shouldn’t be a single volunteer putting in a single minute of unpaid work on it. So which is it?

The film has already made over a quarter of a million dollars since it was released less than three months ago.

It may be worth noting while watching this film that the general consensus among old school burners seems to be that it sanitizes quite a lot of the dark side of Burning Man, and functions a little too heavy-handedly as pro-Org propaganda, and not an accurate reflection of reality.

What else should we have expected? Caveat emptor. . . and caveat possessorum, too.

[update from BurnersXXX] – note the “ignite.me” in the video credits, that seemed like an independent site to me at first, but now it appears to be yet another sales and propaganda channel for BMOrg. It was launched in December 2012 and the movie premiered at SXSW in Austin in March 2013…

BREAKING: Burning Man Reaches Deal with Pershing County

Last year, Burning Man sued Pershing County, objecting to their proposed increase in fees. At the time, the fear was that costs could skyrocket from $180,000 to half a million or more. Pershing County tried to get the case dismissed and the judge ruled it could proceed, which Burning Man claimed as a major victory for their side in the media. BMOrg tried to get the law changed in the Nevada Assembly, but this appeared to have backfired with Pershing County just embedding themselves with the Feds, and the police presence this year being so heavy handed some DPW workers threatened to strike over the issue.

Well, it seems that BMOrg have “settled all my lawsuits, fuck you Diddy Debbie!“…as Eminem says. And it seems that Pershing got everything they wanted, and more. The 10 year deal will see Pershing getting a minimum of $605,000 if Burning Man has less than 60,000 people, and almost a million dollars if there are more than 90,000 attendees. BMOrg are paying Pershing for the work they do, and paying them extra for the work they do with the Federal Bureau of Land Management. Presumably BLM will still get their 3% cut plus expenses, which came to almost $1.9 million last year.

In addition, Burning Man will pay all the legal costs for the police and DA, in relation to prosecution. This would put BMOrg on the side of the cops, financing their prosecution of Burners, which was one of the community objections in the Paul Addis affair. With only a couple of dozen arrests last year for mostly minor crimes, these might not be significant, but this uncapped exposure could turn out to be a really big deal in the event that something serious goes down.

From ABC News:

Burning Man organizers have agreed to pay the Pershing County sheriff’s office more than $600,000 a year over the next 10 years for security and other services at the annual counter-culture festival in the Black Rock Desert.

Black Rock City LLC, the San Francisco-based company behind Burning Man, also agreed to take out a $1 million insurance policy for the event and reimburse the sheriff and district attorney for costs related to prosecuting crimes at the festival, according to court documents filed in U.S. District Court in Reno last week.

cops bustThe new agreement is intended to settle a lawsuit Black Rock City filed against the county a year ago challenging the constitutionality of a new county ordinance that requires the company to pay a $1.50-per-head fee for festivalgoers.

U.S. District Judge Robert C. Jones has scheduled a hearing in Reno Oct. 18 to consider Black Rock City’s motion to dismiss the lawsuit based on the new agreement. Pershing County is not contesting the motion.

The deal comes after Assemblyman David Bobzien, D-Reno, introduced a bill in the Legislature earlier this year seeking to prevent local governments from imposing fees on any gatherings already permitted on federal lands. The measure eventually was amended and signed into law, authorizing local governments to sign agreements with event organizers exempting them from other county ordinances and negotiated reimbursement for services.

Pershing County District Attorney James Shirley and county commissioners signed the new 10-year agreement Oct. 6, along with Raymond Allen, legal affairs manager for Black Rock City.

cops burning man quadUnder the deal, the payments to law enforcement will be based on a sliding scale depending on the peak attendance at the event that runs for eight days through Labor Day weekend about 100 miles north of Reno.

Last year’s peak attendance was an estimated 68,000, up from about 58,000 the year before.

Under the fee schedule, Black Rock City would pay $605,000 for crowds of fewer than 60,000 — $230,000 to the county for services it provides jointly with the U.S. Bureau of Land Management and $375,000 for services it alone provides. The total climbs to $640,000 for peak population between 60,000 and 70,000, and rises as high as $975,000 if the peak surpasses 90,000. The scale also allows for increases to adjust for inflation.

The gathering, which draws people from around the world, is the largest permitted event on federal land in the United States.

After it moved from San Francisco’s Baker Beach, the inaugural Burning Man in Nevada drew some 80 people in 1990. The first 1,000-plus crowd was in 1993, and attendance doubled each of the next three years before reaching 23,000 in 1999. The crowd was capped at 50,000 under a five-year permit that expired in 2010. The current permit allows a maximum crowd of 70,000, but organizers applied for a cap of 68,000 before this year’s festival.

Lawyers for Black Rock City filed the lawsuit in Reno in August 2012 accusing Pershing County of violating their First Amendment rights by imposing fees for visitors to the event on BLM land.

Allen said the legislation helped pave the way for a resolution to their dispute.

Our goal has always been to adequately compensate Pershing County for the services it provides to our event,” he said.

Good move, Burning Man. It’s always better to pay off the cops than sue them, if you have the choice.

We hope that this deal means the police will now ease off the escalation of harassment of Burners with sniffer dog teams imported from the border, and won’t be trying to impinge on our first amendment right for Radical Self-Expression – meaning, we can still run around naked if we want to. It remains to be seen whether BMOrg will add another $1.50 per day to the ticket prices to cover these new costs.

Lee Burridge Robot Heart Sunrise Set

New York-based DJ and producer Lee Burridge has gone to Mixmag with his 4-hour set which was recorded at Burning Man 2013. He says that Burning Man is the best party in the world:

lee-burridge-robot-heart-burning-man-2013 (1)Burridge does a special sunrise mix at the Robot Heart section of the festival each year, and this time around he kindly recorded it too.

When asked about the mix, Lee said:

“There are certain moments of my life, both as a DJ and a human being, that I’ll never forget. Burning Man presents me with so many of these each and every year. In the capacity of a DJ though it really doesn’t get any better than this.”

The DJ also went on to mention that he played Butch’s ‘Medusa’ as the sun rose, and Hot Since 82’s ‘The End’ as the clouds revealed an astonishing second sunrise.

Listen to the mix and soak up the vibes here.

 

Here’s some video of that sunrise.

lee burridge 2013

sunrise 2013