Burning Man Punked Itself

Screenshot 2016-08-31 14.38.57

It seems the upside down, headless Man – first spotted by yours truly on our Facebook page in the wee hours of Monday morning…

Screenshot 2016-08-29 02.57.09

… was not intentional. But it was news-worthy, for USA Today at least.

Image: Andy Barron, Reno Gazette-Journal

Image: Andy Barron, Reno Gazette-Journal

 

Jenny Kane reports that Burning Man wasn’t quite ready for opening, people were still working on the workshop and not in the workshop:

The main attraction at Burning Man is stuck — upside-down…

Crews raised the man above the Renaissance-style piazza Sunday but discovered that the gear designed to rotate the man like a Ferris wheel was broken. He still is without a wooden head as well.

The “man” site, including the piazza, is planned to open Tuesday morning since crews are expected to work through the night on a project.

Usually the man is hoisted upright by Sunday, the opening day of the event, but various large-scale projects on the playa have been delayed and are behind after sporadic dust storms and rainfall before the event. The Catacomb of Veils and the Temple also have yet to open.

The “man” is expected to burn Sept. 3, and the temple is set to burn Sept. 4. Other art installations will burn throughout the week beginning as early as Thursday night.

Check out their whole story which has 6 dozen photos from the Playa. Or, check out my screenshots from the video feed, below.

Is this a message from DPW, that Burning Man is now turned upside down with its head up its ass in the sand? Or is it the same message..but from the Rulers, showing us what the event will be like once they all leave for the retirement village hot springs?

Anyway, I thought the whole point was that people would push something and rotate The Man. Another Burning Man dream that fizzled? Or just “coming soon”?


The hilarious Burning Man hate week is back:


In other good news, Paris Hilton has lost her Burginity:

 

https://twitter.com/OnlineHilton/status/770621359353364480/photo/1

View this post on Instagram

I believe I can fly…✨🌠✨ #BurningMan

A post shared by Paris Hilton (@parishilton) on

 

America’s Next Top Model winner Adrianne Curry is staying well away from the smelly and salty event:

adrianne curry burning man


I’ve had the live stream on in the background most of the day. The Man was fine from this morning. It looks like The Temple is open now. Not sure yet about The Piazza, the Workshops of “Da Vinci’s workshop”.

Realism seems to be the order of the day. Whale, gorilla, bear, boar, bull, pyramids, 747, @, #  – all look a lot like larger-than-life imitations of their real-world inspiration.

Australia has a lot of this sort of stuff, Big Banana, Big Sheep, etc. The tourists love it, it’s great for Instagram.

5590932-Big_Banana-0BigMerinoGoulburnbig koalaBig_Prawn_Ballina

[For those who’ve been to Byron Bay, the Big Prawn in a Ballina gas station was saved by a Big Box hardware store, who bought the site and built around the prawn]big prawn bunnings

Perhaps we will see all these “Big Things of Burning Man” trotted out each year now, providing a comforting familiarity like Disneyland and Las Vegas. They can mix it up a bit; maybe one year the 747 has a wing, maybe one year they bring part of the tail section. With enough fundraising from the community, we may even get to see a wheel or an inflatable slide…or a coat of paint.

aboriginal747

Plug-n-Play looks amazing, the Space Whale looks amazing at night. I’m sure it’s incredible up close too. I like the Converse art car, and Icarus.

For every mutant vehicle you see driving around, you see 3-4 non-mutant ones. Vans, trucks, driving all over the Playa. I would say 70-80% of the non-mutant vehicles are speeding.

The Magical Realism certainly applies to the HD video feed as well.

Kudos to @motorbikematt for a major upgrade on what we’ve previously had. GoPro exceeding the capabilities of NASA and JPL?  The resolution, stability, panning speed, and zoom have all greatly improved from last year. I am watching via YouTube and a 4 year old iMac, and I can clearly identify people and read signs. I bet they could read license plates if they want. If this is what us in the public get to see on YouTube, I can only imagine what Google, DARPA and the Sheriffs are looking at, combining drones, low and high orbit satellites, radar, infrared, geospatial and electromagnetic intelligence…I bet they know where all the Pokemons are

Screenshot 2016-08-31 14.34.43Screenshot 2016-08-31 14.34.10Screenshot 2016-08-31 11.41.27 Screenshot 2016-08-31 10.18.04 Screenshot 2016-08-31 10.25.37 Screenshot 2016-08-31 10.25.09 Screenshot 2016-08-31 10.18.52 Screenshot 2016-08-31 11.46.29Screenshot 2016-08-31 11.58.26Screenshot 2016-08-31 14.40.19 Screenshot 2016-08-31 14.39.48 Screenshot 2016-08-31 14.38.27 Screenshot 2016-08-31 14.38.04 Screenshot 2016-08-31 14.37.32 Screenshot 2016-08-31 14.37.11 Screenshot 2016-08-31 14.36.52 Screenshot 2016-08-31 14.36.07 Screenshot 2016-08-31 14.35.49 Screenshot 2016-08-31 14.33.48 Screenshot 2016-08-31 14.32.15

Here’s some Playa video from Mark Day:

We’ll let artist Otto von Danger have the last word:

otto von danger

Easter Bunny Brings Plenty More Tickets [Update]

this Bunny Slippers?

Bunny Slippers, anyone?

Thanks to Anonymous Burner for this tip-off. Tickets and Vehicle Passes are still for sale. Just go to your Burner Profile.

Screenshot 2016-03-27 17.37.33

Screenshot 2016-03-27 17.22.01Anonymous Burner questions how would we know if only 500 of these tickets get sold? If 5,000 were sold at this price, how would we know?

November, 2013. I made the call. Burning Man tickets $500, and above $1000 by 2020.

My prediction is we will see ticket prices go above $500 in the next 3 years, and I would not be surprised if they were more than $1000 by 2020

Little did I know that we would hit both milestones in 2016.

Think I’m kidding? The cost to buy 2 tickets and a vehicle pass in 2016 is $973.74. You pay a $7 service fee on each item you purchase, even though it’s a single transaction and mailing.

 

bm2016 tickets

It might not sound like much to BMOrg, managing their almost $40 million annual budget; but 9% Live Entertainment tax on 2 $390 tickets should be $70.20, and Burners are being charged $70.74. I mean hey, it’s only 54 cents, what’s that on a $500 ticket? $37,800 $18,900 if you’re the one selling 70,000 tickets! That is more than any individual art grant (unless you’re David Best)

What sort of mindset do these people have, that they would do this to us? Rip us off even further, for less than an extra 0.01% take. When we are the ones providing their party in the first place.

One wonders if this random number for the Live Entertainment Tax of $70.74 is because they really mean $77.40 – what the 9% would be if we were paying the tax on the Vehicle Pass as well.

The vehicle passes look cheap, the tickets look kinda pricey.

Stubhub:

Screenshot 2016-03-27 17.51.01

Tickets are around $750 on eBay and Vehicle Passes start at $250.

 


 

[Update 3/28/16 7:26am]

In the comments, Trey said:

The extra $.54 is explained on the website ticket cost page. No conspiracy.

Who said anything about a conspiracy? We’re clearly being ripped off by BMOrg, it gets worse every year, and no conspiracy theory is required to see that because it is obvious to anyone who pays for their own ticket.

But what of this comment?

I went to the “website ticket cost page” – presumably this http://tickets.burningman.org/

I searched for “54”. Nada.”27″ just took me to the 27,000 vehicle passes.

On the ticket support page that Nomad (not Trey) helpfully posted, there is a clue – but you have to be very, very dedicated to get to it.

At the very bottom of the FAQ is an item: Live Entertainment Tax. This item requires you to log in before you can even read it. And it’s not logging in to your Burner profile: it’s yet ANOTHER account with BMOrg to create. It requires 2-factor authentication, you have to verify your email with them – before they can answer any “Frequently Asked Questions” about the tax. The password security on this account is much higher than on the Burner profile, so you might need to pick a new password also. I guess BMOrg is terribly concerned about hackers trying to get answers to frequently asked questions. Fortunately, no hacker could ever figure out how to create a fake email account – phew! Nice saving us from scalpers and hackers, BMOrg!

In three decades of using the World Wide Web, this is the first time I have ever encountered an FAQ where some of the answers were password-protected. Helpful? Transparent? Or more PITA jumping through senseless hoops, to avoid giving Burners a straight answer?

When you get there, it says:

Screenshot 2016-03-28 07.30.47

 

Then I found this on the Tickets Page:

  • A 9% Nevada Live Entertainment Tax will be added to the price of all tickets and $3 of the $7 per ticket service fee. Will Call delivery is the only delivery method subject to this tax. The $12 Will Call delivery charge will be inclusive, meaning additional tax will not be added for choosing this delivery method ($1.08 of the $12 fee is built-in tax).

Let me try to parse these two statements, so we can figure out what’s going on. They’re sure not making it easy for us.

You pay $7 on top of each item. Ticket, vehicle pass, doesn’t matter.

You pay $0.27 per ticket extra for the Live Entertainment Tax being applied to just $3 of the total $7″handling” fees; all handling is done by computers outside Nevada.

Although you pay the same handling fee for buying a vehicle pass in this transaction, you don’t have to pay any tax on vehicle passes.

You pay $1.08 tax out of your $12 Will Call fee, but Burners don’t have to pay this particular sub-tax because BMOrg will.

Everything else, Burners pay.

Why is it 9% of $3 of the $7? That will require some further password-protected answers, probably. I certainly couldn’t find an explanation in the FAQ.

As Nomad says, have you ever seen a more convoluted and confusing ticketing system?

So each ticket is $390 Face Value

Actual cost is $397

And the tax on each ticket is (390 * .09) + (3 * .09) = $35.10 + $0.27 = $35.37

Making each ticket (without vehicle pass): $432.37

plus $22 domestic mailing charge = $454.37

plus $87 vehicle pass = $541.37

Look at what we have to go through, just to figure out how much tickets cost. It’s certainly not “$390 – unchanged from last year”. Tickets actually cost 40% more than face value – yet Burners are supposed to snitch on other Burners selling tickets for anything more? Because we’re trying to prevent scalpers? It’s quite clear who is selling tickets above face value, from the very beginning.

In the example I gave originally, each ticket was subject to an additional 27c “Live Handling Tax”, creating a further 54c cost to buy two tickets. So I was incorrect in saying that BMOrg benefits by $37,800. It was a mere $18,900.

BMOrg are collecting the tax from us now, when they sell the ticket. But the tax isn’t due until the event, almost half a year away.

Now, interest rates are low, and it’s not a great time to be sitting on cash. But you can still get more than 1% on a 6-month CD. The best offer here is 1.6% and here 1.74%, but that is retail. People with powerful friends on the inside of the banking system (not to mention $40 million or so in up front cash) could probably get better deals.

How much interest does BMOrg earn on our tax money, before handing it over to the Nevada government?

Screenshot 2016-03-28 09.37.18

The new information that the Live Entertainment Tax is not being charged on vehicle passes, but is being charged on $3 of each handling fee (for tickets, not vehicle passes), is now incorporated in this chart. However, we may still be missing 4,000 tickets worth of revenues from the count.

There has been a lot of talk about 72,000 tickets this year, including tickets to staff and Fire Conclave performers (not that a live performance is live entertainment, or anything…). The change on total revenue from this has a significant impact:

If those extra 4000 tickets are sold at $397, $38,861,090

If they are sold at the VIP “Da Vinci” price, $42,392,690

They are being sold right now at the VIP price – the point of this post. But we are told only 500 of these are available and the total tickets for paid participants is 68,000, so anything else is pure speculation.

Sticking to what we know – $2,682,900 LET; and a retail 1.74% interest rate for 6 months, how much could BMOrg make in interest? $23,341.23

For BMOrg to eat the Live Entertainment Tax on handling fees for all of us, not just Will Call users, would have cost them less than the interest they’re going to earn from collecting the tax money from us now and paying the government after the event.


 

[Update 3/28/16 11:47am]

Vivid tickets have cheaper prices than either eBay or Stubhub – $748.

http://www.vividseats.com/concerts/burning-man-tickets.html

Anonymous Burner confirmed that even after buying two VIP tickets, the link is still available on their profile to buy more.

2016 vip ticket

 

 

Art Budget Shenanigans [Update]

A Burning Man artist has responded to my request for feedback in yesterday’s post Follow the Money, with a most interesting tale.


 

From Anonymous Burner:

BMHQ Artists meeting, 2014

BMHQ Artists meeting, May 2015

 

This picture was taken at the Follow Up Artists’ Summit held last May at BMHQ.  This was the second meeting after the first one in 2014 where a group of artists tried to make changes in the artist contract for the event but were met with a meeting facilitator that broke everyone up to bitch in different sessions.
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Then last May they held the follow up meeting.  Whereas there were upwards of 50 at the first meeting, this one was poorly attended.  Besides myself there was 2 other “Playa” artists and a bunch of newbies.  No one would show up because they knew nothing was going to come out of this meeting. They had tons of food…
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Looking at the pie chart, they state that for 2015 they would spend $3M on the art.  For ease of discussion, look at 40% Grants, 40% Services, and 20% Administration.
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1.2M for Grants (now includes Man and Man Base)
$600k on Admin?  Pick a number of FTEs for BRC art at $100k each.  They don’t have 6 FTEs working on BRC art and they sure as hell aren’t paying them $100k
$1.2M on Services?  For the heavy equipment thats used to build the site and is already out there?
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They won’t feed the artists at the Commissary.  The art projects have to pay for water, fuel, light towers, wood, DG for burns, Etc, Etc.  Plus pay for Port-o-Lets, feeding their crew, and everything else.  How are these service and Admin amounts calculated?
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Here’s the problem these folks have:
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They can’t raise money for the BM Project because if you donate to it, what is your donation doing?  I see lots of folks flying around the world talking.  What specific programs can they point to to make a case for donating money to the BM project?
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That leaves them trying to run the non-profit on the back of the event.  Yes the event makes money, finally – they ran the outfit out of a cigar box for years –  but leaves them unable to increase funding for the artists.  And given the way these lemmings throng to get a spot on the cliff, why should they even consider it.
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And now that they have to raise money for the BM project, where do they go?  To the folks that have been funding these pieces and supporting the artists.  It is a very shallow donor pool.  The result is “donor fatigue”  these folks are weary of being badgered by the Org and look for more permanent art installations.
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At the same time, they have to be careful in getting the community to support the artists more – Larry’s latest efforts are lame in that he keeps referring to the moneyed class and most folks say “he can’t be talking about me, I don’t have any money”.  My wealthy friends that have supported art projects in the past have been insulted by his “let the rich folks pay for it”.  Many are taking the year off this year, as am I.
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Well, I found that somewhat cathartic.  Thanks for hearing me out.

 

burnersxxx:

Thanks very much for sharing that. The artist raises some good points.

Specifically, from a $3 million budget, the numbers work out to:

$1,290,000 Art (43%)

$570,000 Admin (19%)

$1,140,000 Services (38%)

Heavy Equipment Rental was $2.45 million in 2014.

From a $1.2 million Black Rock City art budget, in 2016 they are paying for:

60 Honoraria art projects. Partial grants, artists have to raise most of the project costs themselves

33 Guild Workshops. Regional projects. Projects required to raise almost all the funding and supply personnel themselves.

The Man

The Piazza

The “Turning Man” contraption

The Temple. Partial grant, artists who “win” the project have to raise most of the funding themselves

4 Belltowers

A blacksmith shop

Possible other sculptures

Is the $90,000 what gets spent on art across Burners Without Borders, Black Rock Arts Foundation, Burning Man Arts, and all the other non-Playa activities?


[Update 3/15/16 5:44pm]

The artist has responded to some of the questions raised in our comments. emphasis ours

A question was raised about tickets and that was a good point.  I don;t know how the value of the tickets given to artists/art projects is calculated or categorized.  Here is what I do know – 
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Registered art pieces (funded and non-funded) get access to free tickets, vehicle passes, early arrival passes and the coveted 12 mile (aka Point 1) access privilege
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In addition to the free art project tickets, there are also half price (aka staff tickets) that are made available to the project depending on project scope, schedule, and staffing.  And if that isn’t enough, the Org can also press the special button and grant full price tickets to the artists as well.
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When the Org gives an artist a free ticket (or a half price ticket) how is it categorized in the accounting?  I would bet that in the calculations for the BRC art budget that the tickets are added to Administration or the Services figure at face value ($390).
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One way artists can take advantage of the Org is to have a high profile project start to go bad.  When that happens the tickets and vehicle passes can really start to flow.  A case in point is last year’s Temple – they had like 150 people in their build camp – due to physical constraints they really couldn’t have more than about 30 people working on the Temple at a time.  Even allowing for a generous support crew there was still upwards of 50-75 burners early to the event getting the party started early.
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The other question that was raised had to do with the construction of the Man Base and The Man.  One of the reasons the contractors category has been growing is that the “traditional” Man Base and Man Build crews have been terminated.  The Man and the Man Base are now basically built by hired carpenters – the Org has outsourced the construction function under the guise that “professionals” were needed to build the infrastructure for the city.  They got rid of the Man Base crew in 2013 (Cargo Cult) and the Man Build crew in 2014 or 2015 depending on how you define the termination.
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Another change for contractors happened this year when the Org eliminated the DPW Power Crew and outsourced the electrical grids to Agreko.  They kept a small crew of former DPW Power folks in supervisory roles, and the end result is a little more Disneyfication of the event.  Eventually they’ll outsource gate and perimeter to a security firm and the event will have all the charm of a visit to Ikea.
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The shark was jumped in 2012 with the ticket lottery.  When we look back 10-15 years from now I believe we will acknowledge that the year tickets became scarce was the year the Org stopped caring.
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This is an interesting point about the accounting. If a $397 ticket is sold for half price, do they write it off in the books as $200 of “Admin Costs” (claiming full revenue for the ticket, then the lost revenue as an expense) and then claim that they are contributing this towards arts?
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Why is the only time this “$3 million on art” figure appears in a small, quiet meeting with artists – and all the press discussion is of $1.2 million or $1.5 million? Why do they feed artists generously  (and unnecessarily) at HQ, yet shut them out of the Commissary during their builds?
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Thanks very much to the artist who has been contributing here, I can confirm that I have also heard what they are saying about entire crews being sacked and replaced with contractors from other sources. People who have given a decade or more of their lives to physically constructing Burning Man have been shunted out the door, while newcomers get to cash in. One consequence of this corporatization/Disneyfication is that it is more scaleable and movable. As I said recently to VICE, let’s take this show on the road!

Follow the Money [Updates]

If you thought this year’s theme of “Da Vinci’s Workshop” and the corresponding shift of Propaganda Minister Will Chase over to the Maker Movement meant that 2016 was going to be all about 3d printing, laser cutting, computer-controlled manufacturing, nanomaterials, and all of the exciting things going on in Silicon Valley with the built environment…think again.

So far, it seems, it’s all about money.

We’re not quite 10 weeks into the year, and already we’ve had:

Art, Money and the Renaissance: Re-imagining the Relationship

What Powered the Renaissance? (Could it Have Happened Without Cash?)

The Renaissance’s $ecret Weapon for Arts Funding

How Burners are Re-Inventing the Artists Workshop (answer: “fronted by a master and funded by a relatively small group of wealthy clients”)

And now, Larry Harvey’s latest post “Following the Money: the Florentine Renaissance and Black Rock City”

Is it just me, or is there a bit of a “theme within a theme” starting to emerge here?

In the new post, Larry likens BMOrg spending $1.2 million in art grants to Lorenzo de Medici taking notice of the young man Michelangelo and moving him into his palace to get intimate, or Peggy Guggenheim sponsoring Jackson Pollack.

When Lorenzo de’ Medici adopted the young Michelangelo into his family, he did much more than hire on a hand to serve his needs. Private patronage is personal; it is immediate and intimate, and what is true of Florence and our temporary city is also true of every celebrated art scene ever known. One example is the relationship of a famous heiress, Peggy Guggenheim, and Jackson Pollack, a struggling painter. Peggy paid the painter’s daily bills, bought his work when no one else would, and organized his first art show. At a soirée held in her home, she even let him pee in her fireplace (though not on the carpet)…

…Money sluiced through the streets and piazzas of Renaissance Florence, and yet the sheer hydraulic force of capital did not determine every outcome. Money was a means, but not an end. What mattered most was social interaction in the context of a networked culture driven by ideals, and Burning Man may be regarded in a similar light. One way to fathom this phenomenon is to follow the money. In 2016, Black Rock City will distribute 1.2 million dollars to artists in the form of honoraria.

It is around 3% of revenues – almost exactly half this year’s $2,349,000 Vehicle Pass take.

Artists have been asking for a fair and equitable contract. Here at Burners.Me, we have been suggesting more should be spent on art than on lawyers. It doesn’t sound like Larry & Co are listening to either of these groups, so we wonder where the feedback he’s getting is coming from – and if his information diet is being distorted and propagandized as it moves up the food chain.

In the case of Burning Man, such quasi-governmental patronage does not exhaust resources that are devoted to art. As with competitions sponsored by the Wool Guild, Black Rock City’s honoraria are awarded by a small committee, but this curatorship, as practiced by a few, is counter-balanced by a radically populist patronage. Each year many artist groups will subsidize their projects through community fundraising events and crowd-sourced campaigns on the Internet. Some critics say that Burning Man should shoulder all of these expenses, but we have found that self-initiated efforts create constituencies, loyal networks that support these artists on and off the playa.

This has produced a flow of art that’s issued out of Black Rock City in the form of privately commissioned work, civic installations, and exhibitions subsidized by festivals. Now this surge of money in support of art is going global.

[Source: Burningman Journal]

Radically populist patronage? Sounds like Sanders and Trump voters.

I would love to see a link to somewhere on the Internet where somebody said that BMOrg should pay all the costs of all the art at Burning Man. I think the general consensus here has been that they should pay more of the costs than a third of the pieces they promote the crap out of and claim credit for – and they should probably pay for The Temple, the same way they do for The Man.  Let us spend our artist funding budget supporting pieces that wouldn’t otherwise get there, rather than mega-works you can promote with Oprah and Dr Phil and sell tickets to for $1207+ for spectators to come and behold.

Here is a recent link to Larry Harvey repeating his oft-told tall tale that “no artist has ever signed their art at Burning Man”. This previously espoused philosophy seems to be the antithesis of his latest claim, that the art at Black Rock City funded by their annual Medici donation of $1.2 million (by year BM30) has enabled outside careers and markets for its artists. Personally, I believe the latter to be closer to the truth, and his earlier claim to be false. Nice to see you coming round, Larry.

Last year, in an interview with Ignite Channel, BMOrg were claiming to have created their own art market.

So instead of trying to cater to the traditional art market, Burning Man has created its own. The Burning Man Project not only funds art projects shown at the festival itself, but supports artists creating interactive projects in cities internationally. 

Many cultural festivals have since followed Burning Man’s example in putting art front and center. With pride, Harvey shares: “Many people come [to Burning Man] for the art and stay for the community. (…) We are making it more possible for artists to sell their art in such a way that they can live off their art.” By supporting artists who would otherwise struggle to gain recognition in the traditional art market, Burning Man and other festivals are giving birth to creative dreams while shining a light on unlikely art.

“Anybody who’s going to take art as a vocation has to endure enough. Artists deserve to make a living.” — Larry Harvey

I would be interested to hear the opinions of some Burner artists about this. Has BMOrg helped them to live off their art? Last we heard, BMOrg’s artist contract specifically forbade artists from paying themselves anything from the art grant. It also said BMOrg take a 10% cut if the art piece is sold off-Playa.

Are they going to claim credit, and a cut of the money, for this? If you ask me, the credit and the money should all go to Marco.

Bliss-Dance-Marco-Cochrane-web_t1000

Artist Marco Cochrane with Bliss Dance, now in front of the MGM at Park Las Vegas. Image: MGM Resorts

[Update 3/13/16 11:55pm]

A reader has let us know that the reason the art grants have “increased” from $850k to $1.2m in the last couple of years is that the costs of The Man are now being lumped together with Art Honoraria grants.


 

[Update 3/13/16 5:42pm]

Here’s what BMOrg said last week:

Burning Man Arts is funding BRC art to the tune of $1.2 million this year, including these Honoraria recipients, as well as the sculptures, the bell towers, and the 33 Guild Workshops in the Piazza around the Man.

The sculptures? Meaning, The Man and his rotating clock frame? Or other sculptures as well as the Man and the Temple?

The $ are also funding blacksmithing collective Iron Monkeys, linked to BMOrg Board member Kay Morrison, to provide a functioning blacksmith shop in the desert:

There will even be a functioning, participatory blacksmith shop — the Piazza de Ferro — built by the Iron Monkeys. Sparks will fly!

What further indications do we have that the $1.2 million BRC art budget is funding The Man, as well as everything else listed and fractional funding of 60 art projects?

In the most recent financial information we have for the Burning Man Project (2014) the Man and platform can be found at the bottom: $407,055 for Cargo Cult and $237,581 for Fertility 2.0. It’s hard to imagine that 2014’s 120 foot-high Man cost much less than this to construct.

As you can see, in 2014 the Man and Platform are no longer being listed as a separate line item (Donations to Schools and Regionals have also disappeared). Are they office expenses? Contractors has risen $2 million from 2013 to 2014, neatly mirroring a drop in (estimated) profit after all expenses from $4 million to $2 million. Perhaps it could be hidden away in there – but, why?

2014 bmp comparison financials 2013 2013 burnersdotme 2

Walking the Talk – New “Democratic” Process for Art Grants

BMOrg are introducing a “democratic” grant process for funding art grants, something the community has long been demanding. They have some funny ideas about participatory democracy, though.
Attendees at the Global Leadership Conference will vote on how to allocate a total of $1500 to art. The conference is invite only, and not open to the public. And artists will need to go through their local RC (Regional Contact…although in Australia RC means something else, more suited to this year’s Medici theme).

“Walk the Talk” Art Grant for GLC 2016

What is this grant?

A democratic grant process aimed at funding innovative community art projects within the Burning Man Global Network.  We are interested in projects that create collaborations, break down the distinction between audience and artist, are directly interactive and/or enhance the public, civic sphere.

Participants in a session at the annual Burning Man Global Leadership Conference will award a total of $1,500 however they wish among any qualified projects. This is meant to both serve as an exercise in structuring and judging a grant opportunity as well as a way to provide a small amount of support and encouragement to worthy projects.

Timeline:

–  Deadline for grant submissions is March 25th. (Midnight U.S. Pacific Time)
–  Judges will review the grants at the 2016 Global Leadership Conference (March 31st- April 3rd)
–  Winner(s) will be announced Sunday afternoon at the GLC.  (April 3rd)

Apply Here 

Who is eligible to apply?

Individuals, Groups, and Not-for-Profits are all eligible to apply.  All projects *must* be endorsed by a local Burning Man Regional Contact.   The RC does not need to be heavily involved with the process, but rather they will serve as a point of communication between the granters and the grantees.

To find out who your Regional Contact might be, see  http://regionals.burningman.org/

How much can I request?

The total amount of grants given will be $1,500. This amount could go to one project or be split among two or more, so it might be helpful to explain what you would do with the full amount as well as how you would use a smaller amount.

[Source: burningman.org]

Here are the conference details. I’m sure if you buy a Leonardo VIP ticket (on sale now for $1200) and kiss a few of the the right rings they’ll let you attend.
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SF, CA March 31 – April 03, 2016

The 10th annual Burning Man Global Leadership Conference (GLC) is an annual conference of Burning Man community leadership that happens each spring in San Francisco. From humble beginnings in 2007, where 70 Regional Contacts joined us at Burning Man HQ, the GLC has since grown to include over 400 participants from around the world.

These highly-energized folks are Burning Man’s global representatives and community leaders, ambassadors of Burning Man culture in their regions who throw any of 65 Regional events in 20 countries. They participate in the GLC to share ideas, best practices and inspiration, and to make the invaluable face-to-face connections that may just lead to the next big thing.

The conference is for organizers and community leaders in the Burning Man Regional Network, and space is limited, so attendance isn’t open to the public

[Source: burningman.org]

Those of us not on the list will be able to participate by reading Tweets from the Chosen Few in attendance to see Larry dressed up as a worm, a guy with a slinky in his beard, and other hilarity. We might get to watch a few select sessions on YouTube.

In other news…
You can buy tickets to the Burnal Equinox – Night of a Thousand Guilds on March 19 at Public Works for $20.

Congratulations to Piper from Distrikt who is thrilled to be the latest member of Burning Man’s Communications team. Is she filling in the clown shoes left by departing Minister for Propaganda Will Chase? We shall see…

Screenshot 2016-02-18 17.00.16