Burning Man Financial Analysis – a Decade Decayed, We Need D.O.G.E. [Update]

2012 2013 2014 2015 2016 2017 2018

Thanks to many of you who’ve reached out over the last few months asking us to cover BMorg’s latest financial shenanigans. It’s not that I haven’t wanted to – it’s outrageous, and definitely a hot topic of discussion amongst my Burner friends. I’ve just been very busy with IRL stuff building AI systems at aiLevelUp.ai. I was hoping that over the holiday break I would get some downtime for my Burning Man art project.

As luck would have it, BMorg’s official IRS 990 Tax Report for 2023 came out yesterday, the last day of 2024 and perfect timing for me to do this analysis. We’ll have to wait a whole ‘nother year to find out what happened in 2024 to cause this dire financial crisis. The Burning Man Project ended 2023 sitting on a $30 million net assets pile (up $10 million since COVID), most of which is liquid…so WTF went wrong?

Of course the self-proclaimed Leaders in Non-Profit Transparency haven’t bothered to put this information on their web site yet. It’s…wait for it…”coming soon”. They’re desperate for millions more of our dollars, but not so desperate that they feel any need to explain their salary increases or the general inefficiency of this $67 million “non-profit” behemoth that’s kicking off $3m net income per year.

No really.

Source: Burning Man Project 2023 IRS Form 990, via Propublica

FUELED BY FOSSILS

It’s now been a full 10 years of public IRS filings, so we can consider not just the changes from when Burning Man first “transitioned” until today, but also look at the performance over the past decade of this regime – many of whom are doing the same jobs they did in the 90’s or even 80’s.

I notice many of the same names on the Board today as when we started this blog back in 2012…come on Chip and Jennifer and Leo and Mercedes and Ping and Terry and the rest, no disrespect, they’re all fine people, but where is the accountability? Where are the fresh ideas? As Einstein said, “we cannot solve our problems with the same thinking we used when we created them”. Yet basically we have a party for people in their 20’s and 30’s being organized by people in their 70’s. Why should it be on the Zoomers to bail out the Boomers? It should be the other way round, the Boomers should be rushing to empower the Zoomers to take the reins and take Burning Man to levels nobody has even imagined yet! For fuck’s sake we have the richest man in the world wanting to go to Mars (Space Playa) and he launches companies at Burning Man and his brother Kimbal is on the Burning Man Board…yet somehow BURNERS are expected to foot the bill for bloated bureaucracy and hokum holocracy and mediocre middle mismanagement? EVERY YEAR? It makes me so mad I want to tell someone take a big step back and go fuck yourself in the face, then go to war on this issue the likes of which you cannot possibly comprehend. Or something.

We need D.O.G.E. – our own one, the Department Of Gerlach Efficiency. Or perhaps Donor Operated Gift Economy.

Why not use the advanced cyber-tribal civilization of Burning Man to rapidly iterate through prototypes of operational efficiency civic upgrades before applying the flamethrower to a million+ Government jobs? After all, it is an experimental test site on Federal property, where every participant agrees to accept the risks. Burners are demographically more likely to be able to absorb the economic shocks from Radical Self-Reliance writ to Giga scale, and hey, who knows – maybe we have some things to contribute too.

Forget fossil fuels: this is being fueled by fossils. Sustainability starts at Burning Man with Civic Responsibility, Radical Self Reliance, Radical Self Expression, Gifting, Immediacy, Communal Effort, Participation, and Radical Inclusion. How Radical would it be if those values were expressed by a new generation of leadership with a new vision for this community that can inspire the world. Burning Man is stagnating, decaying, fading: Leave No Trace wasn’t supposed to mean let it disappear when the founders got too old. Decommodification is butting heads with Concierge Camps and Instagram.

It doesn’t have to be this way. It’s the people that make the party.

The Tesla Roadster’s first public showing was at Burning Man 2007. Coincidentally(!) the theme was “The Green Man”

CONSOLIDATED FINANCIAL STATEMENTS

How much was spent on the party, how much was spent on the year-round overhead, how much was spent on the mission? How much went to “spread Burner culture around the world”? What % went to art? How come the 2nd biggest regional could be financially sustainable while spending 50% of revenue on art…but instead of learning the lessons from the field, the Org decided to cancel it?

For those who want to geek out on the data here’s the full spreadsheet, compiled from the last 10 years of IRS Form 990 data.


SALARIES

For the people who were there from the start (rest in peace Larry Harvey and Ray Allen), this highly profitable “non-profit” has sure kicked back some hefty sums. Charlie Dolman’s earned every penny, but the others need to take ownership for the current circumstances. Other than the $30 million assets and $3 million annual profits that are now outside the LLC and free from taxes…has anything really changed? I mean sure, the culture has got worse. But what about the Permanent Utopia we’re building at Fly Ranch? No? There’s a geyser you can pay $430 to walk around, if you’re on the guest list. I guess that’s making the world a better place. I kinda feel with the collective creativity and talents of the global Burner diaspora we could set our sights a little higher. How are we going with spreading Burner culture around the world? Oh, Love Burn got too big and shared too much of the ticket revenue with artists, making the Org look bad? Shut it down!

If Burners were shareholders we’d be voting these people out. If “Civic Responsibility” meant Burners having a say in the Civics of the City they build and tear down every year then we’d also be voting these people out. Instead there is absolutely no oversight. You’re looking at it here. Unlike other festivals, we can’t vote with our dollar – not only is there just one Black Rock City in the world, it’s made by us. And yet we’re powerless to stop its decline or call to account its past-their-use-by-date leadership. Needless to say I won’t be donating; Your Mileage May Vary. Give your money to Operation Dignity providing shelter for the Bay Area’s homeless veterans instead, the overheads are low and the social impact of your dollar is very high.

Oh and speaking of philanthropy, Captain Paul Watson is free – huge thanks to SHIFTPOD for bringing that interview to us all the way from Greenland.


UPDATE 3 Jan 2025

Thanks to Burner Christopher Schardt for putting together this more detailed salary review, which highlights the consistency of these people giving themselves raises while becoming increasingly dependent on extra donations beyond the $60 million annual event. The Treasurer is literally called “Raiser”, perhaps that should have been a clue…

Source: Christopher Schardt, via ProPublica


WHERE IS THE MONEY BEING SPENT?

Source: Burning Man 2023 IRS Form 990, via ProPublica

The party is profitable. It’s making $13m a year from $57m revenues, an extremely healthy profit margin of 23%. The problem lies in all the other stuff.

They gave out art grants of $1,325,470 in 2023. Almost all of that was for art at Burning Man – what for every other festival is considered part of the expenses of the party. In this case it’s being dressed up as “Burning Man’s mission” and it takes them an additional $2,425,606 of program spending to decide how to hand those grants out. That’s $1.83 of overhead for every $1 of grant. And we’re not including any general corporate overhead here – this is specific to Black Rock Arts, Crimson’s fiefdom. Crimson herself claims the situation is even worse than this, with $5m of overhead required for $1m of art (her email is included at the end of this post).

The Regionals got grants of $20,275. Yes you read that right, that’s twenty THOUSAND total not twenty million. For 87 official events, so an average of $233 was generously donated to each Regional by the Org. That’s about the same as a vehicle pass these days. This is how we spread Burner culture around the world: starve the Regionals so they’re small and kind of sucky, serving mainly as a feeder to the Nevada event – where BMorg get all the direct income, but vast fortunes are also being made from ancillary businesses like fuel and rentals and food and water and honey wagons. This area of the Burning Man economy has always been impenetrably murky – they were forced to reveal their now 100+ list of vendors authorized to profit from the Playa only after we filed a FOIA request in 2017. Who owns what share of which vendors and what kickbacks flow to whom is one of the Black Box Bamboozlers of Black Rock…just like where all the acid comes from. Same same?


GERLACH EFFICIENCY

What are the KPIs on the Organization’s mission, and how are they tracking against them? Is Marian smashing her numbers every quarter? Or is this a rat-infested ship that’s slowly sinking under the weight of its own smug hubris?

In the past 10 years Burning Man has received $67m in donations. This is on top of the $340m they’ve raked in from 8 Black Rock City events. Combined they’ve brought in $427m. How much was given out in grants? Bearing in mind that 80% of the grants go to art that’s part of the event, and the artists have to transfer their intellectual property to Burning Man who can earn continuing royalties on it.

$13.4 million. 3%. So 97% of the money flowing into Burning Man does not go out into funding the alleged purposes of this “charity” non-profit highly profitable tax-exempt corporate structure.

To put this generous giving back to the community in perspective, $12.5 million was spent on meals and entertainment, $7m on travel. $6m went to lawyers and accountants, in addition to all the lawyers and accountants on the BMorg year-round payroll. How hard can counting these ticket sales really be to figure out, after doing it for 40 years? $33.7m was spent on rental equipment, despite the organization having $30m in assets. At what point does it make more sense to own the stuff yourself, rather than spending $8 million every year to rent it from your mates? Or just hire a single book-keeper that can count ticket sales and file a Form 990 in the same year – corporate governance, where are you? We have an emergency here!

We hear a lot about how expenses keep going up because of the Feds, but in fact the permit costs have stayed relatively stable compared to other expenses like Salaries and Office Expenses. If you want to make $427 million from 8 events on government land, they’ll charge you $33 million – not a bad deal.

Payroll, Board and Benefits combined is around $190m, by far the biggest expense, and clearly the first area of fat for the DOGE trimmers to start liposucting.


C’MON BRO, GIVE US YOUR MONEY BRO, WE REALLY NEED IT BRO

Crimson Rose sent this from “giving@burningman.org” on Nov 25th 2024. ICYMI that’s us giving to them, not them giving to anyone…[highlighting ours]

Do you remember the first time an amazing work of art at Burning Man opened your heart? For me, it was the Man itself, which I had the honor of sending to its fiery release at my first Burn in the desert in 1991. Now, imagine a newcomer coming to Black Rock City and experiencing Burning Man art for the first time, just as we did. How would their hearts open?

Radical Self-expression is one of our core principles, and art has always been central to the Burning Man experience. A work of art can take you on a journey and give you insight into your own art spirit, for we are transformed from spectator to participant and we are given permission to become active contributors to the creative process. 

But it also requires an incredible contribution from the community to make it possible — countless hours of work and the essential monetary support. When you tally it all up — the annual Honoraria grants, art support services such as heavy equipment, and ticket assistance for participating artists — the nonprofit’s annual cost for facilitating Black Rock City art is approaching $5 million. This is a relatively small part of the roughly $48 million spent in 2023 to produce the event, but it’s a priceless and irreplaceable part that brings so much joy to so many.

While it may seem we just finished Black Rock City 2024, the Burning Man Project art team and artists around the world are still in high gear, focused on creating next year’s Burning Man art. 

The Tomorrow Today art theme has been announced, the Honoraria grant process is underway, and proposals for the Temple have been submitted and are under review. 

But ticket prices have not yet been set. In order to keep them reasonable, and to fully fund our art programs, we need elevated long-term financial support from the community to be able to plan with confidence for the future. Burning Man needs your help to raise $3 million that will go towards art and engagement in Black Rock City. 

To keep Burning Man accessible and fund Black Rock City art,
we urgently need your recurring support, now and into the future. 

As stimulating as the art of Black Rock City is for so many people, its influence extends far beyond the city limits, reaching local communities around the world, every day of the year. Did you know — community members have helped place hundreds of art pieces from Black Rock City out in the world. The joy and connection on the playa reaches beyond it! I remember when we chose “Charon” by Peter Hudson for an Honoraria grant in 2011. Little did we know that work of art would spend years touring France, Belgium and the UK. 

Artwork that once had a life in Black Rock City can live again. By installing art in a community, the same creative energy that was born of the desert is exposed to new audiences. We always look for art that resonates in Black Rock City, and we are overjoyed when people around the world get the chance to experience this art too.

We are making progress toward the 2024 fundraising goal and we thank you for being so responsive and involved. The community goal for December to raise $3 million plays an important role in securing the future of Burning Man art — on the playa and in the world. And, that goal will help to keep Black Rock City accessible. If you have the means to contribute, I’m asking for your help. I have been part of building and running the art program since 1991 because of the people I’ve met and the art I’ve experienced at Burning Man events around the world. 

Join me in supporting Burning Man Project with a tax-deductible donation today. 

Burn brightly,

Crimson Rose
Burning Man Co-founder

Can someone explain to me please how they need $3 million in December to “facilitate” $1 million of art being deployed on the Playa next August? How does this “secure the future of Burning Man Art” in any way? And since when was “the people I’ve met and the art I’ve experienced” been a qualification for running anything?

We’ll leave you with an email from the CEO asking for $14 million, not so much “mea culpa” as “tua sumptu“:

Dear Burning Man community, 

Here we are two weeks before the end of the calendar year. Thank you to all of you who have sent words of encouragement, donations, and pledges to participate in Burning Man and bring more joy, awe, art and engagement to the world.

Let me give an update as to where we are so far in our year-end fundraising effort, and what’s in store.

We started 2024 with a commitment to raise $10M philanthropically. This was up 20% from the $8.2M raised in 2023. Due to the ticket sales shortfall to Black Rock City in 2024, we found ourselves needing to make mission-aligned budget adjustments and raise the remaining deficit to the tune of approximately $10M—this, in addition to the initial $10M goal. And today, with reductions as well as dollars raised from supporters, we’re still about $14M short of where we ought to be.

We cut expenses, reduced the year-round workforce, deferred some payments, got reductions on our office rentals, and doubled down on our commitment to do more to bring Burning Man and Black Rock City to the world, not less.

Burning Man is like nothing else in the world. There is no other mass gathering the size and length of Black Rock City that, driven by Principles including participation, gifting, and inclusion, creates such awe and joy—all without corporate sponsorship, vending and merchandise to subsidize the operation. Much bigger than an event or festival, Burning Man is a global cultural movement that is already benefiting the world. 

So, how do we sustain it, and get more Burning Man out there? 

We have dedicated and passionate donors and supporters. Thank you. With your support, we will continue to lean into what Burning Man Project is: A global arts and culture nonprofit that needs year-round philanthropic support to accomplish our mission to facilitate and extend Burning Man culture to the world.: 

This is the first front of our inflection point: leaning into philanthropy to bring more belonging, connection and creativity to the world. 

We launched a $3M December Community Campaign on Nov. 25. Now, thanks to the generosity of enthusiastic donors, we are able to offer a match to your donations through the end of the year to help us reach our goal. Every dollar donated is worth $2. 

The opposite of shrinking, we are also leaning into our role as a service provider. This is the second front of our inflection point. Burning Man Project is in service to a global cultural movement advancing a more creative, connected and thriving society. 

And, to be in service to you, the participants that bring Burning Man to life and sustain it 365, we are making it easier to participate in this phenomenon that started on a beach and migrated to the Nevada desert and out into the world. How? 

  • We are determined to keep Burning Man financially accessible by offering reasonably priced ticket options for Black Rock City 2025, and we’ve improved many processes to provide better access to tickets and support your efforts to bring your self expression to Burning Man. Ticket details are still being ironed out, and today’s philanthropic support helps inform planning for the 2025 event. 
  • We have reduced many administrative processes, including how you bring your art, content, mutant vehicles and Theme Camps to Black Rock City. This includes the shortening of forms, including the Theme Camp Statement Of Intent, the Placed Camp Questionnaire and the Department of Mutant Vehicles (DMV) Application Form, and removal of unnecessary questions, to ensure we are seeking only the most necessary details. Additionally, with a new fast-track system for returning camps in good standing, you’ll find many questions pre-populated from your previous applications.
  • We are looking deeper into feedback around delivery of Recreational Vehicles not being allowed to the playa, to ensure the policy best balances your safety and mitigation of onsite commercial activity. 
  • As we did in 2024, we will continue to visit Theme Camps less for compliance to government regulations and instead lean more heavily into pre-event education. In Black Rock City 2024, we simplified the complex fuel storage guidelines to make it easier for participants to follow.
  • We are also making ourselves more accessible. By offering town halls, office hours and more clearly providing contact points for you within the nonprofit, we are making ourselves available to participants as a resource, supporting them to successfully contribute to and advance Burning Man culture in every corner of the world. 
  • We will continue to optimize your Black Rock City gate experience not only for wait times, but to also feel welcoming. This includes helping you prepare for what is expected for entry, and resolving side trips to D-Lot quickly and respectfully.

It is heartwarming and frankly overwhelming at times to hear all of your powerful stories of change and transformation at Burning Man. Most recently, we were thrilled to hear from a major Black Rock City theme camp and art car community that is working to have their group achieve 100% participation in donating to Burning Man Project. Gifts of any amount help us increase our fundraising participation numbers, and when everyone takes part, the benefit Burning Man can have on the world is limitless

The world needs more Burning Man — let’s lean in and make it happen together. 

With gratitude and love,

Marian Goodell, CEO, Burning Man Project

They’re looking deeper into the feedback, sweet. We’re saved.

Burning Man As A Service – BAAS? Could it work? Hands up who is eager to pay money to receive the wisdom and expertise of BMorg to help advise them how to have a good time! Silicon Valley is pivoting away from SAAS, something tells me this is not going to be the answer to the management team’s woes.

If the team keeps losing and you keep bringing in new players and they still keep losing and it’s the same old coach running the same old playbook telling you “no everything’s fine, it’s the fans who are the problem”…do you give that coach a 10% payrise?

Building the Revolutionary Community (Again)

“Take a moment to drop in, and imagine the world that you want to co-create.”

That’s the Burning Man 2.0 message, sent to me today by Social Alchemist Bear Kittay. He’s just given a talk – combined with escalating soothing live backing rhythms of digiridu and Ableton to emphasize his Esalen workshop-honed points – to the techno-hipster elite of Berlin at the 2016 Tech Open Air Inter-disciplinary Technology Festival

No offense to Bear, but the backing music reminds me of the Wayans Brothers movie I’m Gonna Git You Sucka

 

Bear says:

Creating physical spaces to prototype the design of our new civilization…That’s what we’re doing at these conferences and these festivals. We experience these immersive ways of life and we re-imagine who we are, what’s most important to us, how we should be reallocating our resources – through experience, through art, through participatory culture

Hmmm…so we’re not just tripping out and trying to find Dancetronauts?

BMOrg told us they’d bought Fly Ranch on June 10 2016.

6 weeks later, on July 21, they revealed some of the donor names:

The individuals that contributed funding for the purchase have one thing in common: they have been deeply moved and changed by their involvement in Burning Man, and they are invested in the future of this culture. One of our early supporters and driving forces behind this project is Burning Man Project Board Member Chip Conley (AirBnB), who has shared his motivations for contributing to this project on Fest300. Another is Ping Fu (3D Systems), who, like so many of you, is a dreamer and a maker. Her reasons for giving inspire all of us, and we have been working with Ping, Chip and others to share the reasons they felt called to contribute to this project.

Other donors you may hear from in the coming weeks and months include: Joe Gebbia (AirBnB Chief Product Officer), Bill Linton (ProMega – therapeutic magic mushrooms), Rob and Kristin Goldman (Facebook VP Product), Guy Laliberté (Cirque du Soleil), Farhad Mohit (Flipagram) and Nushin Sabet, Alex Moradi (ICO Group – Real Estate), Graham Schneider (Real Estate)  and Jonathan Teo (Binary Capital: Instagram, Twitter, Snapchat). A handful of donors have asked to remain anonymous, and we absolutely respect that choice. Just like in Black Rock City, we also celebrate and honor anonymous giving.

Thanks to everyone who donated. 12 names. Did they all give half a mil each, leaving 1 slot unaccounted for? Or did they all kick in $100k, and some Anonymous group wrote a check for the remaining $5.3 million?

Screenshot 2016-07-29 22.39.17

For all we know, El Chapo, Google or the Rothschilds are funding it.

Who pays the utilities and operating expenses? What’s the business model…or is it all just donation-supported, like public access television and radio? We’re coming up on two months since the big announcement – with Burning Man looming, and now opening earlier than ever – and this is the first we’ve heard of what they actually plan to do with the joint. We’ll probably have to wait til 2017 now for further details.

Bear described the vision:

bear canada

Image: Facebook

The overall valley is roughly the size of Manhattan – 20 square miles. Our property is 3800 acres, it includes beautiful hot springs, hot lakes that hundreds can swim in, and geysers, and a very very large Playa, this open tabula rasa, this context for re-imagining our civilization.

So now we own this property year round in the non profit organization. It’s really a gift for the community by the community. It’s been funded completely philanthropically by a group of Patrons who believe that the process of us coming together as a community and experimenting with what could happen there isn’t just something that’ll happen at this site at Fly Ranch, but ultimately that having these semi-permanent locations that are owned by community groups so that year round iterations in the same template much as we develop these technology tools that we can get one step closer, bringing more and more people into the experience of co-creating and manifesting what will work as we re-imagine and re-invent our civilization. Welcome to Fly Ranch. This is a new era for Burning Man. This is a gift from the Burning Man community as a social experiment for humankind in the 21st century.

I have to say I’m not really enlightened much further about what exactly will be going on out there in one of the most remote parts of the United States. OK, some rich people bought the pitch and ponied up the $6.5 million. Now what? Will there be art cars? DJs?

As fun as Burning Man is, I am still waiting for them to explain how living in the desert with porta-potties but no showers or clean drinking water on tap, no money and no trashcans is the new model for humanity. There are already billions on the planet living in those conditions, and I think we would be better served directing our energies towards helping them rise out of it, instead of turning our civilization backwards so we can join them!

What are the gifts that the Burning Man Project will bestow upon humankind from their desert base? Neo-feudalism? Blowjob Workshops? Group masturbation to childrens cartoons? Black Lives Matter?

Some of the many events on offer in the 2016 Playa Events Guide

Some of the many events on offer in the 2016 Playa Events Guide

Screenshot 2016-07-29 21.56.37

2015 black lives matter

2015 black rock lives matter

thanks to Parker for this photo

Image: Parker; from a prior year. Is she doing the devil horns? What’s up with that extra hand?

childrens story time vibrator

I mean, I’m sure this is fun and all…but is this really the next evolutionary step for civilization? Humanity depends on this? The future of Burning Man is to have all this sort of thing going on year round?

Today I was also lucky enough today to attend – if only for a short time – WIlliam Binzen’s exhibition at the Smith Andersen gallery in San Anselmo.

Screenshot 2016-07-29 22.11.01

Marin County is old timers like me (43). The Mission and 666 Alabama is where the young hipsters like Bear and the BMOrg 2.0 coterie hang out network. Tonight’s crowd skewed more towards hip replacement than:

man bun fedora

 

…but having said that, we were among the last to arrive and first to leave. Anyway, I managed to catch an equivalent segment of the talks in length to Bear’s presentation. It felt like the guts of it, if anyone who was there has a better video or recording please share. [Aside: As always at these things, like with my shaky phone recording of Eric Schmidt at Further Future 2016, there are dozens of professional looking cameras filming it but nobody ever shares, even on commercial videos. So who are all these people? And why are they recording?]

chris radcliffI couldn’t see the stage but I believe this is William Binzen talking and then John Law. They mention Chris Radcliff “imposing fellow with an SKS”…a name that has been erased from the official Burning Man history. You will hear about Cris(tina) in a future Shadow History episode. Part 4 is being edited now, Part 5 is coming soon, here’s Parts One, Two, and Three and my debunking of the first challenge to my research.

It is interesting to hear the similar words and themes between the Burning Man 2016 future vision and what was going on at the Playa before Black Rock City LLC and The Burning Man Project ™ showed up. One of the many tributary streams that flowed into the city that was created for BMOrg to take over and steer toward the future. A future of ever increasing ticket prices, vehicle permits and monetizable transactions. It’s not just the future of Burning Man…it’s the future of civilization itself. That’s what these people are going to be designing at Flysalen. No votes. No transparency. No details. No plans. No vision. Anonymous donors giving untold millions. Unknown names making the list of items to check off. Details and vision not made up as we go, but “coming soon” once they’ve been cleared by the suits…

I wish I could have stayed longer tonight and mingled with what looked to be an amazing crowd. The real people who built Burning Man. I wish it was that crowd that was steering our culture towards the future, not a bunch of starry eyed Millenials with 3 Burns under their belt. Maybe I’m just getting old…

 

 

hero's journey

Wanted: Someone To Make The Whole Dream Come True

robin-hoodhigh engagement philanthropy

Remember when BMOrg wanted to become a non-profit, raising funds from Burners to further its mission of spreading Radical Self-Transformation throughout the world?

Well, guess what. It’s still happening. And now, you could be the actual one to make it happen. Yes, one lucky Burner gets to be responsible for manifesting this entire vision of BMOrg, the Borg, Larry & Co, McLarry, and everyone else in the hierarchy of inclusion that is Burning Man 2.0. The rainmaker! The funds taker! The gifting staker!

From Painter Executive Search (emphasis ours):

Burning Man

Director of Philanthropic Engagement

Position Description

 Painter Executive Search is supporting Burning Man in their search for an experienced and entrepreneurial fundraiser to help shape and execute a fundraising strategy that honors Burning Man values and invites the whole community to share and spread Burning Man culture around the globe.

Burning Man Project (Burning Man) is a 501(c)3 public benefit corporation whose mission is to facilitate and extend the culture that has issued from the Burning Man event (AKA Black Rock City) into the larger world. Burning Man is committed to nurturing Black Rock City as the seminal manifestation of the 10 Principles-based culture, while developing a support infrastructure to connect, celebrate and facilitate the sharing of the culture in communities around the world. Based in San Francisco, California, Burning Man employs a diverse staff of creative professionals with extensive knowledge of art, civics, and community building who seek to bring experiences to people in grand, awe-inspiring and joyful ways that lift the human spirit, address social problems and inspire a sense of community, culture and personal engagement.

Burning Man exists and grows from the vibrant and creative contributions of a largely volunteer community. “Burners” who are transformed by their experiences in Black Rock City and embrace the 10-Principles culture, seek to contribute to the social good “off-playa” when they return to their home communities. Burners gift their personal resources in a range of ways, through financial support, labor, creation of artwork, public art, community building, civic action and other forms of participation. It is this gifting culture that fuels the community’s creativity and powers the social transformation which has led to the dissemination of 10 Principles-based work in the world.

The Burning Man organization seeks to be a node in this highly dispersed network by facilitating learning, sharing ideas and technical knowledge, developing resources to seed and foster grassroots work and by celebrating the culture and gifts that flow from it. Burning Man supports this diverse community by awarding grants for art and civic engagement projects, producing interactive art exhibitions and events, offering fresh and unique interactive public art and performance experiences, as well as providing technical, operational or administrative support for efforts to influence social change in local communities. They also share their values and ideas in public speaking engagements and connect leaders, informal groups and like-minded organizations who are working to develop a vibrant, life-enhancing world of civic participation. Burning Man’s community of artists, event participants, and volunteers spans the globe and includes over 60 community produced regional celebrations and gatherings as well as civic engagement work in more than 24 countries.

POSITION SUMMARY

Working in collaboration with the leadership team, the Director of Philanthropic Engagement (Director) will lead the development and execution of a fundraising strategy which celebrates a culture of gifting and extends the opportunities for those who embrace Burning Man’s mission to participate fully in support of that work. Reporting to the CEO, the Director will provide strategic and operational leadership and manage the department staff and programs including annual, major gift and capital campaign initiatives while continuing to nurture and celebrate the unique and vibrant volunteer culture.

This role is highly creative and calls upon an experienced fundraiser to establish sound fundraising practices which embrace 10 Principles-based culture. Deep experience with fundraising mechanics, including clear policies, infrastructure and process development, as well as substantial experience in donor engagement and major gifts is critical. Engaging with donors of a wide range of means, including volunteers whose gifts of time, expertise and passion are essential to the culture will be highly important. Working through ideas and programs that develop a range of opportunities aligned with donors’ and volunteers’ interests and celebrating all contributions with equal enthusiasm is critical for this role.

ORGANIZATIONAL VALUES, HISTORY AND PROGRAM

10 Principles and a Gifting Culture

Burning Man co-founder Larry Harvey wrote the 10 Principles in 2004 as guidelines for the newly-formed regional network. Importantly, they are descriptive rather than prescriptive and are a reflection of the Burning Man community’s ethos and culture as it had organically developed since the event’s inception. Understanding these 10 Principles will be critical in developing a culturally sensitive and effective fundraising program. While these principles rose from the experience of Black Rock City, they define Burning Man culture on and off the playa–how they inform the work of Burning Man continues to be explored and evolved as the work of the community moves off-playa and around the world.

…Burning Man both raises funds for programmatic needs, core initiatives and grantmaking programs, and distributes a range of support grants for arts, civic engagement and training.  Burning Man also highlights and supports other mechanisms that fund and support artists, celebrations or civic efforts—elevating multiple channels for support. Challenges to fundraising methods will arise when philanthropy seeks to influence in ways that are contrary to other Burning Man values such as Decommodification or Radical Inclusion; where contributions can be seen as class-driven, transactional or as a shortcut for personal participation. Maintaining an even playing field, where people are treated and thanked with equal care for their unique contributions–regardless of background or level of personal wealth–are important to members of our community.

…In 2011, they recruited a Board of Directors and formed the nonprofit organization, The Burning Man Project, in a formalized effort to extend the principles, creativity, and culture of Burning Man into the world, year round. The nonprofit received its 501(c)3 status in May 2012. In order to more fully realize the vision of the new nonprofit, the Board of Directors and Burning Man’s leadership developed a strategy of aggregating the programs and organizations into a single entity. This strategy ultimately brought together Black Rock City LLC, the Black Rock Arts Foundation (BRAF) and Burners Without Borders (BWB) under the umbrella of the Burning Man Project nonprofit. Today the Burning Man Project, simply known as Burning Man, is positioned to support these key programs through its focus on three core areas of work; The Event, The Culture and The Network.

In the past, the LLC raised nearly all of its money from ticket sales to the annual event in Nevada, but that alone cannot support the flourishing global expansion of Burning Man culture. In order to seed and support the dreams of inspired Burners year-round, the organization needs to grow charitable contributions from the community to help support this important work.

The mission of Burning Man Arts is to change the paradigm of art from a commodified object to an interactive, participatory, shared experience of creative expression.

In the Fall of 2014, all art initiatives, were joined to create a single, robust program that strives to provide more streamlined services to artists, produce more interactive, community driven art and inspire more civic engagement projects. The Burning Man Arts program supports artists on and off the playa, and is exploring an expanded range of offerings, including increased collaborations and partnerships with like-minded organizations and additional support services for artists, including fiscal sponsorship.

Burning Man Arts provides a range of grants focused on Black Rock City, Global Arts and Civic Arts. This year Burning Man provided more than $1 million in grants to artists. In the previous 13 years, the Black Rock Arts Foundation had funded 149 projects worldwide, providing more than $2,500,000 in grants and support to artists and more than $430,000 through its Grants to Artists program and installed or otherwise supported 38 projects (with direct grants of $770,000) through its Civic Arts program...

DIRECTOR OF PHILANTHROPIC ENGAGEMENT

RESPONSIBILITIES

The Director of Philanthropic Engagement will build a sophisticated and sustainable fundraising program that seamlessly integrates into Burning Man’s programmatic initiatives to advance the organization’s mission. The role focuses on both fundraising program development and relationship building, including identification, cultivation, solicitation, and stewardship of contributors to Burning Man from individuals, foundations and companies, public agencies as well as a large number of volunteers including artists, regional leaders and event participants whose creativity and participation is the cultural capital upon which Burning Man is built.

Goals for the Director include establishing a culture of fundraising that invites broad participation in the development of leadership and major gifts and ensures that all gifts are welcomed with a spirit of gratitude. The Director will also create systems and processes that enhance the ability to deepen relationships with donors and volunteers and that effectively acknowledge their contributions in a timely and affirming manner. The Director will be responsible for increasing both the base of individuals and foundations contributing to Burning Man annually, and in deepening the support through effective storytelling, engagement and participation. They will lead the efforts to creating an increasingly healthy and dependable annual fund, as well as prepare the infrastructure for a future capital campaign or special project need.

Specific responsibilities include managing a portfolio of leadership donors and prospects, supervising staff and participating as a member of the leadership team. The department is being constituted by existing staff members from other departments, but the Director will have the opportunity to hire as needed. The current department is envisioned as a Major Gifts Officer, an Individual Gifts Officer, a Fundraising Grants Officer, an Information Systems Development Assistant, a Special (Fundraising) Events Manager, and a Stewardship and Volunteer Appreciation Programs Manager. Aligning the existing fundraising efforts and building understanding and consistency across all fundraising programs will be an important focus for the position.

DUTIES & ESSENTIAL JOB FUNCTIONS

LEADERSHIP, STRATEGY AND COMMUNICATIONS

  • Support and partner with the CEO, Board members and other key leadership to develop and execute a fundraising strategic plan;
  • Actively work across the organization to set and communicate specific fundraising objectives, strategies and goals in support of the mission and strategic plan;
  • Work with the CEO to engage and activate Burning Man’s Board of Directors, including establishing a Fund Development Committee and supporting, motivating, training Board volunteers in their fundraising efforts;
  • Actively understand, reflect, and promote Burning Man to the public, effectively and joyfully sharing the fundraising opportunities and needs of the community;
  • Engage with volunteers in a manner that affirms their importance and value to Burning Man culture and both facilitates and celebrates their personal contributions of creativity, participation and time;
  • With the CEO and leadership team, steward the strategic vision of the organization, participating in weekly leadership team meetings, communicating priorities and goals, and building a positive team culture that reflects the organizations values;
  • In consultation with others, craft organizational messaging about Burning Man’s programs to communicate and motivate current and prospective donors to strengthen their organizational and philanthropic commitment;
  • Working across the organization, help establish an awareness and a vocabulary for communicating outcomes of Burning Man’s highly diverse and creative work;
  • In coordination with Burning Man Communications, drive development-related content in such publications such as Jack Rabbit Speaks, newsletters, annual reports, fundraising appeals, e-mail, and other communication channels;
  • Engage in positive leadership development within the team to advance Burning Man as a great organization;
  • Play a leadership role in capital campaigns and discussions that ensure the long-term sustainability of Burning Man and its programs.

MANAGEMENT AND PROGRAM DEVELOPMENT

  • Manage the day-to-day responsibilities of executing the development program;
  • Identify, develop, and mentor the development team; promote professional development of the staff and creatively organize them to maximize their effectiveness and clearly define their roles, relationships, and expectations;
  • Collaborate with the Finance Director to develop and implement Burning Man’s financial strategy; oversee the development and monitoring of the annual budget for the department;
  • Oversee research of funding sources and trends, with foresight, to help position Burning Man ahead of major funding changes or trends;
  • Oversee development and execution of all fund development proposals with a long-term relationship-management approach;
  • Monitor donor and fundraising information; regularly provide and present data and analysis to the board and senior leaders, reporting progress and challenges to fundraising efforts;
  • Develop and implement a stewardship program aimed at cultivating deeper ties with donors;
  • Oversee and provide supervision for hands on/engaged experiences, receptions and events;
  • Assist in the creation, publishing and maintenance of process documentation.

INDIVIDUAL FUNDRAISING

  • Manage a portfolio of leadership gift prospects ($25,000 and above) contributing to achievement of the overall fundraising goals for Burning Man;
  • Regularly meet with the CEO to review the fund development prospect pool and devise specific strategies for individual engagement and solicitation.

EXPERIENCE

A successful candidate will likely have:

  • Ability and successful experience in conceptualizing a comprehensive strategy for institutional advancement; possess a deep command of the fund development body of knowledge;
  • Demonstrated success in identifying, cultivating and soliciting individual donors which resulted in a robust pipeline of new relationships and significant increases funding;
  • Experience building and/or significantly growing a sophisticated, complex development function, ideally within a visual arts-related organization or cultural institution;
  • Excellent relationship-building skills and agility to build rapport with internal and external stakeholders around innovative ideas and programs;
  • Able to work effectively with artists, board members, donors of all financial capacities and colleagues across the Burning Man community;
  • Experience fostering deep relationships with volunteers and valuing their contributions of time expertise and passion as equal to any financial contribution;
  • Ability to both motivate and engage volunteer leaders in fund development activities, including making ‘the ask’;
  • Exceptional communication skills; articulate, with proven ability to write effectively and speak persuasively;
  • Superior organizational skills, with a strong sense of detail-orientation and excellent time management skills;
  • Demonstrated success in working with a diverse volunteer leadership; donors and donor prospects; and corporate, community, and government leaders;
  • Demonstrated leadership skills in order to establish and build a finely-tuned fund development department;
  • A bachelor’s degree, preferably a Graduate Degree;
  • Valid Drivers’ License and a clean driving record;
  • Direct familiarity with Burning Man as a result of participating in the annual Black Rock City and/or official Burning Man regional events in other locations;
  • Ability to adjust work schedule seasonally and work away from home (on playa) for up to 10 days during the months of August and September.

ATTRIBUTES

  • Dedicated to principles of behavior and ethics of the Burning Man organization; able to embrace the organization’s evolving mission and the sweep of its vision, and will fit well within a culture of impassioned, driven, creative, and dedicated professionals;
  • Dynamic, highly organized, and strategic individual with a deep understanding of their personal value and a commitment to express that value creatively and with passion;
  • Inspirational, able to bring out the best in others and joyfully approach challenges as opportunities for growth and learning;
  • Ability to think on his or her feet, problem solve, critically think, and remain calm under stress;
  • Friendly, personable demeanor conducive to effectively presenting information and responding to questions from executives, managers, staff, vendors, artists, local community members, participants, BMP board members, and the general public;
  • Ability to prioritize tasks in a fast-paced environment along with the ability to accept interruptions as part of the routine; confidence in managing multiple projects and deadlines;
  • Exercise a keen sense of organizational diplomacy, able to maintain personal integrity and uphold high standards of confidentiality;
  • Committed to building a responsive, efficient, and highly lucrative fundraising program within a dynamic cultural enterprise;
  • Possesses a high degree of emotional intelligence, self-awareness and fortitude.

 

For additional information or to be considered for this role contact:

Nancy Painter

Nancy@painterexecutivesearch.com

(415) 202- 6240 [Source]

If you know anyone who you think might be suitable, please suggest them to Nancy. I can definitely think of a few candidates.

The stakes are high: if this person does a good job, then the entire Burning Man Project vision of the past 30 years could actually be achieved.

Anyone care to venture a guess as to what happened to the last person in this role?

High Engagement Philanthropy: taking it to the next level. $25k and up.

High Engagement Philanthropy: taking it to the next level. $25k and up.

Source: Columbia University

Seems like a positive career trajectory. Source: Columbia University