The Black Rock Arts Foundation is on the way out. The BuMPy Burning Man Project will be taking it over. When? It’s already happened, but details are “coming soon”…of course.
Let us translate the doublespeak, exaggeration and misdirection for you. From the official blog:
What if I want to make a donation to Burning Man Arts moving forward?
At this time you can still donate through the BRAF website, here:http://blackrockarts.org/participate/donate. In the very near future there will be a new way to donate to art programs through the Burning Man Project. While details are yet to be determined, donors will have the option of directing support specifically to arts.
“Very near future” probably means “after we get back from Caravansary”, and I wouldn’t be surprised if it turns out to be “sometime in 2015”. They’ve been working on this non-profit thing since 2010. They announced it was completed in January of this year, which has turned out not to be true. This latest announcement is just another example of how much non-profit transition still lies ahead of us. How hard can it really be? How many more details are there to determine?
Burning Man today announced a reorganization of its arts programs to place more art in communities around the world, make more art available for the annual event in the Black Rock Desert, and create more opportunities for artists and donors.
More art, more opportunities, in more communities around the world. Sounds good. Will this actually happen though? I mean, I’m sure there will be more opportunities for donors. No doubt about that. BMOrg’s line of scarves and calendars and above-face-value-tickets will expand to other merch items, and every issue of JackedRabbit will be jam-packed with pleas for us to give them more money. “For the good of the artists”, we’ll be told, “to help the community”. Is there actually some sort of plan with quantifiable goals behind these lofty statements? Like, “100 art works in 3 years”? Or is it just “eventually, we’ll do more?” Perhaps the thinking is along the lines of “when we increase ticket prices to $650 next year, we will also increase funding for art grants from $800,000 to $1 million”.
Black Rock Arts Foundation, which is now a subsidiary of the non-profit Burning Man Project, is joining forces with Black Rock City’s art department to create one program called Burning Man Arts. The mission of Burning Man Arts is to change the paradigm of art from a commodified object to an interactive, participatory, shared experience of creative expression.
“This change breaks down the barriers. Art for the playa and art for the world will be one and the same,” said Burning Man’s founder Larry Harvey. “It makes it easier for artists to apply for grants and support, and it enables donors to contribute to the entire spectrum of expressive culture that is pouring out of Burning Man.”
Err…and how exactly will it do that? They don’t know, the details are “yet to be determined”. Let’s just go ahead and execute a merger of two corporations, don’t worry about how it will work, that’s just details, details don’t matter, we can figure all that out later…we’ll drop some acid on an art car in Deep Playa and the answer will come to us.
There is plenty of “art for the world”, and the Burning Man Project’s
merger takeover announcement is not suddenly going to make the Art World and the Playa the same. No-one is talking about what a problem the commodification of art is except Decommodification, LLC. Andy Warhol painted 32 different flavors of Campbell’s Soup cans in the 60’s, and that work is considered iconic. The art world is doing just fine without Burning Man. According to Bloomberg:
Global art sales approached their pre-crisis high last year, led by record prices for postwar artists and a jump in U.S. auctions. Sales of art and antiques increased 8 percent to $65.9 billion…Boosted by a 25 percent increase in sales, the U.S. confirmed its position as the international art market leader, representing 38 percent of the market by volume, a 5 percentage point increase from 2012, according to the report.
“Most high priced works in postwar and contemporary art are being sold in New York, both at auctions and in dealer sales,” Clare McAndrew, a cultural economist who compiled the report, said in a telephone interview. “It’s not just the U.S. buyers. People from Latin America and Asia are buying in New York.”
Is this just another big pie for Burning Man to stick their fingers into, in the name of “non-profit” – like oil? Will we see art galleries on the Playa soon, like at most other festivals?
So far in 2014, the Black Rock City art program has provided more than $1 million in grants and support to artists preparing works for the annual event in the Black Rock Desert during the last week of August.
Since its creation in 2001, Black Rock Arts Foundation has funded 149 projects worldwide, providing more than $2,500,000 in grants and support to artists. BRAF has awarded more than $430,000 through its Grants to Artists program and installed or otherwise supported 38 projects (with direct grants of $770,000) through its Civic Arts program. BRAF has also produced 82 memorable events and provided collaborative public art consulting services.
The word “partially” is missing from in front of “funded”. The artists still have to raise money themselves, grants above $20,000 are rare.
The word “support” is in there several times, and it’s crucial. This year’s Art Honoraria grants were $800,000, 2.6% of revenue – $10 from every ticket. So how do they get from that to “more than a million”? If a Burning Man staffer goes to project meetings, this appears to count as “in kind” contributions. So $1.2 million of cash sponsorship gets inflated to $2.5m in “grants and support to artists”. Most of the artists I’ve spoken to don’t really feel supported by the Burning Man Project, or feel any need to employ them as consultants. Many feel like they have to battle against BMOrg and their selectively enforced rules to make their projects happen. If they use the words “Burning Man” or photos of their artwork on the Playa in fundraising to get their art to the event, the kind of support they will get is more likely to be from the legal people sending them threatening letters, or demanding they take our insurance policies.
Perhaps this is all going to change in the new system, and Burning Man will raise money on behalf of artists and pass those funds through to the artists without taking a cut. Maybe Burning Man will take out a blanket liability policy for art at its event, and pay the artists’ share out of ticket revenues.
Unfortunately, their track record suggests otherwise. Burning Man Arts tells us one story on their web site, but the IRS filings of their non-profits from Guidestar paint a very different picture.
|Black Rock Arts Foundation||Assets||Revenue||Expenses||Profit||Grants||Efficiency|
|Burning Man Project|
For an organization whose very foundation principle is Gifting, they don’t appear to be very good at The Art of Giving. They seem quite good at stacking up the cash in their bank account rather than spending it on grants, though.
Believe who you want, Burners. Believe BMOrg, telling you that everything’s wonderful, and that centralizing art grants within the Burning Man Project is going to be good for artists and donors. Or believe us, showing you what 6 years of IRS Form 990 filings say. According to the IRS, BRAF spent $805,848 on grants between 2007-2012 – not $2.5 million.
For donors, this development means that financial gifts to art projects for the Burning Man event in the Black Rock Desert can be tax deductible and opens up a wide range of new opportunities for supporters of the arts
Donations to the Black Rock Arts Foundation were already tax deductible. That’s why we can see the IRS data. So, what gives for the givers? “A wide range of new opportunities”…such as? “Coming soon”.
it’s not technically a merger. Legally speaking, Black Rock Arts Foundation is becoming a subsidiary of Burning Man Project. Operationally, the two organizations are bringing their resources together to create one robust art program that will work on projects both on and off the playa
It’s not technically a merger, it’s technically a takeover. The new program will be run by BMP, who will bank all the money. BRAF board members who recently left are not being replaced.
I wonder if the real reason behind this is that BMP needs to do something “charity like” to maintain their tax-free status. Maybe the bean counters cautioned that sending founders to San Mateo for panel discussions where they took credit for charities they didn’t provide grants to wasn’t quite enough?
BMOrg provided us with a handy FAQ for their announcement. It uses a lot of words to explain that there are no new initiatives, programs, tools, or sources of funding and support for artists, and there are no new opportunities for donors to give. In fact, pretty much nothing’s changed. However, “ideas are being explored for the future”. Clearly a lot of thought has gone into how this merger could help artists and donors.
What are the benefits of doing this?
This change will benefit artists and donors, and will ultimately lead to more art being created and enjoyed by more people around the globe. It breaks down the barrier between art on playa and art in the world, and instead creates one entity that will work in the interest of both. Artists will have more opportunities to receive funding and other forms of support, and donors will have a new range of options for supporting the arts.
What is the timeline for this to take place?
The legal transaction was completed on July 24, 2014. The transition and restructuring of the entities will occur over the coming months and into 2015.
What happens to the BRAF Board?
Many of the BRAF Board members have stepped down and we thank them for their dedication and service building a vibrant, successful arts organization over the past 13 years. A scaled down version of the BRAF Board will continue to exist. We are working with members of the board to engage them in new ways with Burning Man Project and Burning Man Arts.
How will decisions on grants be made?
Burning Man and BRAF grant programs will continue to award grants based on the same criteria as before. While we will create some additional efficiency by merging these programs and sharing tools and other resources, we don’t anticipate making immediate changes to our grant criteria or decision-making bodies.
How are current BRAF programs being affected?
We don’t expect the transition to have any major immediate effect on existing projects, grants or grant applications. They will be completed within the framework of BRAF in collaboration with Burning Man Project.
What new programs are being planned for?
None at this time, but there are some ideas being explored for the future.
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Check out the financials of black rock llc and you will find that nearly 8 million is used up in “payroll”… no profit margins are listed but by using simple math and ticket prices per person a handy profit is made every year. Combine that profit with the payroll tacked on and it is easy to surmise that black rock llc is raking in the dough at an outrageous pace… I personally think that the kajillionaire influence that has surfaced in past years has fueled a mindset change over at black rock llc that is now fueled by profit. I have no beef with anyone making a buck but burners everywhere should be upset that it is happening at burning man….
Thanks, we already did:
http://burners.me/2014/05/09/the-great-bmorg-cash-out-of-2010-to-2016-28-million-to-45-million-est/ (this post is being updated because we’ve underestimated the amount pulled out via the Decommodification LLC trademark licensing company)
This is a similar path the renaissance faires took years ago. At first, very authentic with all the arts and acting. Now it’s just a big farce with a swap meet feel to it. This is typically what happens when dollar amounts become larger and larger. Perhaps next year they should construct a gigantic $ sign and set fire to it to celebrate the millions they’ve made over the last decade.
PERFECT analogy. Agrere with constructing a $ sign and setting fire to it…it sure as hell ain’t what it used to be.
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I knew it was all over when the BMORG wanted the Black Rock Gazette to calm down it’s reporting. It’s so much nicer to not print real news and focus instead on what the pop count is. Ah, the good old days.
Well, for me, RV’s driving on Esplanade, Sparkle Ponies looking for trashcans, and the DPW throwing up their hands telling me, ‘oh, were you here last year? They now drive out to temple burn in their RV’s and then leave from there.’ did it.
In dust we trust, Burning Man i don’t. It may be a great party, but participation went the way of plug and play. Entheon was the beginning of the end.
I will always be a burner, as that’s about the people, but if half the people are first timers now, well, i’ll see you under the RAMP OF DEATH!!!!!!!!
Thanks for all the placement fun! Thanks for the ticketing fiasco, thanks for getting me in touch with my real family, i’ll be doing something with them from now on, as that man left, once he stepped off the hay. RIP Paul Addis, the best burn i ever saw.
Agreed, 07-08 seems like the peak. I will always be a burner too. We don’t need no OMGSTEP
I believe the direction they are moving makes sense. If the idea of building a vision that is sustainable beyond the lifetimes of the creators is feasible then a non profit makes sense.
The alternative, by historical ecample, to a non profit organization would be a theme park.
It would be therefore understandable that it may takes many years for such a project to work out.
Unfortunately, it seems that all manner of commercialization and disinformation can now be justified “because it’s a non-profit”. If they truly want to make a vision sustainable beyond the creators, they need to give up control – or at least invite the community onto the board – not just give up paying taxes, while they create new companies to get the royalties from OUR art that THEY claim to own.