Tag Archives: braf

Nov 3 2015

Re-Writing History for the Banksters

Art historian, PhD student Stephen Mack, has written an excellent de-construction of the Burning Man 2016 art theme at The Daily Dot. The Medicis had a unicorn horn in their art collection. Who knew! And BMOrg are playing fast and loose Lorenzo Mediciwith history. Who’d have thunk it!

Please read it in its entirety – here’s the conclusion for TL;DR:

There actually is something about this period of the Florentine Renaissance thatwould appeal to the Burning Man crowd: The Florentine art patrons believed genuinely in the idea that money could be spent virtuously and they felt that spending on art was virtuous. Several scholars have gone into this idea in some depth. I think that many people in the Renaissance looked to art to engage them in learned discussion—perhaps to contemplate morality, to visualize and understand religious concepts, and even, I think, to contemplate on the ideas of nature and of representation. Spending money on art wasn’t virtuous simply because it provided the masses with beautiful objects, but because, in the Renaissance (as in most periods), to engage with a work of art was, in effect, to seriously contemplate both the world they lived in and the spiritual world beyond this one.

I imagine that the organizers of Burning Man had this type of contemplation in mind when they conceptualized the “Turning Man.” I’m sure many bros will have wonderful acid- and shroom-induced journeys staring up at Turning Man, and may indeed come out of it with a challenged view of the world. This is a great thing. And, ultimately, it is for exactly this reason that we should spend money on art in the first place. (Well, not so much the drug-culture part, but the challenging-our-view-of- the-world part. Not that the drug part is so bad, either.)

But the fanciful utopian history Burning Man has written to underpin this journey is an utter farce. And rewriting history to our own ends is never a good thing. 

That said, the Renaissance did their own rewriting of history, too. The learned elites idolized Classical Antiquity in much the same fanciful way that Burning Man now idolizes the Renaissance. In this way—though it was likely unintentional—Burning Man actually has done a decent job emulating the Renaissance. 

Read the full article at Daily Dot.

In the last year the non-profit Burning Man Project – which we’re told was created as the ultimate gift to us, giving Burning Man back to the Burners – has assimilated other charities BRAF, Burners Without Borders, and Black Rock Solar. Control of these networks is now cemented in the grip of the Project and the Ruling Group behind it. The Rulers get to play Medici in the economy of Black Rock City. They bank all the money from the Gerlach festival ($34 million), tax free (even though it’s not a tax deductible deduction for us buying tickets). They take a gallery commission on art sold outside the Playa by Burning Man artists. They get a share of the revenues of more than 100 licensed vendors approved to sell things at Black Rock City. They grant about $800,000 in cash and a couple of hundred thousand “in kind” in their patronage of the arts. Most artists are expected to raise two-thirds to three-quarters of the project costs themselves. And work for free.

My sincere hope is this “creative Maker artist” theme flavor will signify a new era from Burning Man’s owners founders controllers. Let’s hope for much more generous patronage of Burner art from the Medicis Ruling Group, both visible and invisible. 10% of revenues would be a great start – and let the artists pay themselves.

We will get a hint of the direction we’re heading soon, when the long overdue IRS public filing for 2014 for the Burning Man Project is made public. Perhaps we will get to hear soon about some of the activities and achievements of the Burning Man Project in taking our contributions to execute its mission.

 

 

Nov 24 2014

2013 Charity Results Released [Update]

Last weekend, Burning Man Arts – the new organization that is a merger between two of the non-profits in BMOrg’s empire, Black Rock Arts Foundation and the Burning Man Project –  threw its Eighth annual Artumnal Gathering event.

I would love to be able to tell you the story of what a great job Burning Man’s non-profit subsidiary is doing in supporting the Arts, how much money it gives to poor artists and how little it keeps for itself.

Sadly, that story would be a fairytale: the evidence paints a different picture.

Today, the IRS Form 990 filing for 2013 for BRAF was released. We’re still waiting on BMP’s information, when it’s available I will write another post.

Their overall efficiency score was 20% – meaning that if you give $1 to the Arts via BRAF, only 20 cents of it will go the Arts. The rest is absorbed into salaries and overheads.

Here is an updated table of their giving for the previous 7 years:

Black Rock Arts Foundation Assets Revenue Expenses Profit Grants Efficiency
2013 $626,574 $508,442 $428,860 $79,582 $101,556 20.0%
2012 $560,917 $621,359 $477,525 $143,834 $114,449 18.4%
2011 $588,129 $735,147 $577,706 $157,441 $219,080 29.8%
2010 $392,205 $478,567 $461,961 $16,606 $169,274 35.4%
2009 $364,588 $405,762 $278,003 $127,759 $80,349 19.8%
2008 $237,910 $439,353 $498,831 -$59,478 $105,906 24.1%
2007 $268,433 $532,346 $352,662 $179,684 $116,790 21.9%
Total $560,917 $3,212,534 $2,646,688 $565,846 $805,848 25.1%
Burning Man Project
2013
2012 $368,249 $591,672 $259,925 $331,747 $36,378 6.1%

The total amount of money the charity raised in 2013 dropped 20% from 2012. They kept their salaries about the same, and reduced the amount that actually gets paid out in grants.

Gifting

2012: $114,449

2013: $101,566

Gifting dropped by 11.3%.

The grant money was split between Individuals (US and non-US), and Organizations.

Individuals (US): $36,370

Organizations (US): $46,696

Individuals (non-US): $18,500

16 un-named individuals split $36,370; 11 got an average of $1,306 each, and 5 received larger awards, $4,400 average.

The overseas figure is made up of $12,500 to the Czech Republic, split between 2 recipients; and $6,000 to someone in London.

Of the Grants to US Organizations, the breakdown is:

The Exploratorium $10,000

The Box Shop $6,000

Urban Matter, Inc $6,000

Engineered Artworks Ltd $11,100

The $10,000 is a mere drop in the bucket to the Exploratorium, which raised $40 million in 2012 and has $138 million of assets. But it is the second largest grant handed out by BRAF, representing almost 10% of their total grant allocation.

12 works of art were donated to the group, recorded as a non-cash contribution of $50,000 – $4,166 each.

The charity still sits on most of the money given to it. Net Assets increased 15.7%:

Net Assets

2012: $507,753

2013: $587,335

They ended the year with $478,088 in cash – 4.7 times what they gave out to artists.

Almost half of the organization’s revenues went to salaries, which increased slightly:

Salaries (% of revenues)

2012: $209,461 – 33.7%

2013: $211,491 – 41.6%

This was more than double the amount of funds they paid out to the cause they represent.

They were charged $40,000 for accounting costs – a number that seems extraordinarily high, for filling out a 34 page form. More than $1000 per page – and many of the pages are blank. I wonder if the charity was forced to shoulder some of the burden of the complexities related to their “transition to a non-profit” – which included carving out the only real assets of the business, its trademarks and related royalty streams, to Decommodification LLC, a new for-profit company owned by the 6 remaining founders of Burning Man.

Note that the overall “non-profit” group paid a staggering $1.43 million to its accountants and lawyers in 2013, according to their Afterburn report.

BRAF paid $25,154 for rent and office expenses, $1,707 for travel, and $4,303 for insurance.

Like BMP, there are 18 directors of BRAF. Each put in 2 hours per week – except for Freddy Hahne (President) and Tracy Burton (Treasurer), who commit 4 hours each. Of Burning Man’s 6 remaining founders, only Larry, Harley, and Will & Crimson are listed as contributing their time to BRAF.

BRAF’s Artumnal was their only fundraising event during the year.

According to the IRS form, BMP Director Chris Bently’s building charged a whopping $8,345 for the use of the Bently Reserve venue: 8.1% of the money that was raised at the event. Mr Bently inherited the $47 million building and many other assets including a $45 million coin collection and a 50,000 acre cattle ranch.

The 2013 Artumnal Gathering grossed $185,780.

$38,684 was spent on food.

$33,315 was spent on entertainment. Some of the entertainers (listed below) are salaried employees of BMOrg.

$102,936 went to BRAF as contributions. For any sponsors wondering how much of their Artumnal ticket or table donation is tax-deductible, it appears to be 55% – but don’t take my word for it, I’m not an accountant. You should seek independent, professional advice, rather than telling the IRS “Burners.Me is my financial advisor”.

Since $101,566 was the amount actually gifted by the Black Rock Arts Foundation over the course of the entire year, basically the Artumnal raises all the money that goes to the artists.

You can see the IRS Form 990 for the Black Rock Arts Foundation here. Hopefully when they release the 2013 Form 990 for the Burning Man Project, it will tell a much better story, one of generously passing donations given to them on to the artists.

[Update 11/25/14 10:12am] Burn After Reading magazine brings us a report from the event, which (ironically) was shut down by a fire alarm.

[Update 12/14/8:15pm] See All We Want For Chri$tma$ Is Your Money for links to further analysis we’ve done on the charitable performance of “we call the whole thing Burning Man”.

From blackrockarts.org:

Performers

Art and Installations

Flowers and Decor

  • Christina Pettigrew
  • Julz (Hookahdome)
  • Marcia Crosby
  • $teven Ra$pa

Photography

image: Eleanor Preger, Facebook

image: Eleanor Preger, Facebook

Nov 19 2014

A New Online Art Grant System Is Live

OLYMPUS DIGITAL CAMERA

image: Jim Bauer/Flickr (Creative Commons)

A new online system for Art Grants has quietly gone live. It’s buried deep in the blackrockarts site. The deadline is December 1 and you have to pay a fee to submit your Letter of Intent. It’s a little confusing – although it is called “Burning Man Grants for Art”, it’s only for art projects that aren’t going to Burning Man.

For Playa art, they provide a link to Burning Man’s web site, which says the deadline is Feb 15. This information conflicts with the last JRS, which said:

Burning Man Arts — the new department combining the Black Rock City Art Department with the Black Rock Arts Foundation (BRAF) — will launch a new online system in mid-November designed to make it easier for artists to apply for honoraria grants for art destined for Black Rock City.

This year, applicants will be required to first submit a Letter of Intent (LOI), which will allow the Grant Committee to select which projects will be invited to participate in the full grant application process, saving everybody time and effort.

The system will go live in mid-November, and LOI submissions will be accepted for four weeks. The Grant Committee aims to inform artists if they are invited to participate in the full grant application process by the beginning of 2015.

All artists hoping to receive a Black Rock City honorarium will need to participate in this new LOI process.

More information will be made available via the Jackrabbit Speaks and on the Burning Man Arts web pages as the rollout approaches.

Reading between the lines, I figure that both the blackrockarts.org and burningman.com sites have incorrect information, and artists who want an Honorarium Art Grant for a project at Burning Man 2015 should treat the Jackrabbit’s information as the most current – and wait for an announcement of the new system.

The other new online system that Black Rock Arts announced in their October newsletter, is for non-Playa art:

Burning Man Grants for Art (formerly the BRAF Grants to Artists program) 2015 grant cycle is underway!  The online form for submitting a Letter of Intent (LOI) is now live. Tell us about your fantastic idea for a community-driven, interactive art project!

We fund projects that incorporate community involvement and exist for public benefit. If you’re hatching an idea for a project that brings people together, prompts interaction, and reaches beyond traditional experiences of public art, we’d love to hear about it!

The deadline for “Burning Man Grants for Art” – which, to be clear, is actually for art that is NOT for Burning Man – is December 1 2014, so artists who want to be considered for that need to pay the fees and get their submissions in, in the next 11 days. They fund 10 to 15 projects a year, between $500 and $10,000, with grants typically being in the range of $2000 – $6000.

From blackrockarts.org:

We have begun accepting Letters of Inquiry (LOI’s) for our 2014-2015 grant cycle. Read on to find a link to the LOI submission form. The deadline to submit an LOI is December 1, 2014. Late LOI’s will not be accepted, with no exceptions.

Full proposals will be accepted by invitation only, with LOI applicants either invited to submit a proposal or rejected by early January 2015 (exact date TBD).

We prioritize funding highly interactive, community-driven, collaborative works of art that are accessible to the public and civic in scope.

What is ‘interactive’ art?

  • Art that requires human interaction to complete the piece.
  • Art that involves the community and the audience in its creation, presentation and display.
  • Art that prompts the viewer to act.
  • Art that can be experienced in more ways than visually. We are fans of art that is can be approached, touched, heard or experienced, as well as viewed.
  • Art that prompts people to interact with one another.
  • Art that responds to participants and to its environment.
  • Art that causes people to reflect on the larger community.
  • Art that challenges the viewers’ traditional perspective on art.
  • Art that belongs to the public and exists for the benefit of all.

What kind of work does this program not fund?

Although we are open to all proposed forms of media, there are some common projects that typically fall outside the scope of our criteria. The exception to all of the examples listed below would be if the project had a highly interactive element that moves the project outside the definitions of its genre.

We typically do not fund:

  • Static work, such as sculpture with no interactive component
  • Gallery work, such as paintings in a gallery
  • Publications – poetry books, photo books, fiction, etc
  • Photography
  • Screenplays or films
  • Musical, theater or dance productions
  • Social aid/relief efforts
  • Entrepreneurial endeavors
  • Art destined for the annual Burning Man event in Black Rock City. There is a separate grant process to fund playa-bound artwork. Please visit the Burning Man website to learn more about the BRC Honorarium application process. (This program does, however, sometimes fund works headed to regional Burning Man events)

Our grants range between $500 and $10,000, but we most commonly award between $2000 and $6000. We typically fund approximately from 10 to 15 projects a year and receive as many as 300 proposals.

Full proposals will be accepted by invitation only in early 2015. To be invited, you must submit a Letter of Inquiry by December 1st.

Timeline

  • Our online LOI application for our 2015 grant cycle is live!
  • LOI’s are due December 1, 2014, 5:00 pm, Pacific Standard Time.
  • Selected applicants will be invited to submit a full proposal by early January, 2015 (exact date TBA).
  • Proposals are accepted by invitation only, and will be due in February, 2015 (exact date TBA)
  • Selected grantees are usually announced March 15 of the year of the award.
  • Funds are usually released to new grantees April 1 of the year of the award.

Late Letters of Inquiry and proposals will not be accepted. No exceptions. Please read our application instructions below for more details on how to apply.

Letter of Inquiry Instructions

Our online Letter of Inquiry will give you the opportunity to provide us with the following:

  • Name of contact person, contact person’s phone number, email address and mailing address
  • Name of the lead artist or program manager if different from the contact person
  • Name of project or program
  • An invitation code, which is “GrantsForArt-LOI-2015“
  • Brief description of the physical manifestation of project or program (1500 characters, about 250 words or 1 double-spaced page)
  • Brief description of how the project or program fits the program’s grant criteria and definition of interactivity. (1500 characters, about 250 words or 1 double-spaced page)
  • One to three images or other media files
There is a $5.00 fee to submit your LOI. The entirety of this fee is payment to Slideroom.com, the online application service we use. You will be asked to pay with a credit card upon completion of the LOI. You will need an invitation code to submit the online LOI, which is posted on this page, above. [Code is: “GrantsForArt-LOI-2015″]
 
  

Proposal Instructions

Invitations for proposals will be extended to selected projects in late December 2014 or early January 2015. If selected, you will be invited to fill out our full application online. Uninvited proposals will not be considered.

In our online application, you will have the opportunity to tell us about your project, its goals, audience and interactive potential.

A complete proposal includes:

  1. The completion of the online proposal. We do not accept printed and mailed proposals.
  2. A timeline. Our online application has a form where you may describe your timeline, or you may upload your own format. We prefer you use our online form.
  3. A budget. Our online application will have a link to a template you may use, or you may upload your own format. We prefer you use our template.
  4. Supplemental images and materials. You will have the opportunity to upload images or other media files. We highly recommend you submit visual representations of your proposed project.
There is a $5.00 fee to submit a full proposal. The entirety of this fee is payment to Slideroom.com, the online application service we use. You will be asked to pay with a credit card upon completion of the proposal.
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image: Carrie Cizauskas/flickr (Creative Commons)

image: Carrie Cizauskas/Flickr (Creative Commons)

Once again, the burden is shifted to the artists, who have to pay to submit a Letter of Intent, and pay again to submit a full proposal. $1500 doesn’t seem like too much for BMOrg to spend on software licensing, to let the 300 artists submitting proposals send them in for free. It’s less than 3 Donation tickets. Sure, it’s only five bucks (twice, if the artist makes it through the first round) – but it’s only five bucks to the corporation raking in $30 million a year, too, and to the non-profit entity with more than $1 million of undistributed assets. It seems a little cheap, for a charity whose sole purpose is supporting the Arts.

We’re still waiting on the announcement of 2015’s theme, which would be helpful to know for artists submitting their ideas for grants.

The 2014 theme was announced on January 8, the 2013 theme was announced on November 30, 2012, and the 2012 theme was announced on this day, November 19, three years ago at the Artumnal Gathering fundraising gala. The 2014 Artumnal will be held this Saturday, perhaps the announcement will come then.