Art historian, PhD student Stephen Mack, has written an excellent de-construction of the Burning Man 2016 art theme at The Daily Dot. The Medicis had a unicorn horn in their art collection. Who knew! And BMOrg are playing fast and loose with history. Who’d have thunk it!

Please read it in its entirety – here’s the conclusion for TL;DR:

There actually is something about this period of the Florentine Renaissance thatwould appeal to the Burning Man crowd: The Florentine art patrons believed genuinely in the idea that money could be spent virtuously and they felt that spending on art was virtuous. Several scholars have gone into this idea in some depth. I think that many people in the Renaissance looked to art to engage them in learned discussion—perhaps to contemplate morality, to visualize and understand religious concepts, and even, I think, to contemplate on the ideas of nature and of representation. Spending money on art wasn’t virtuous simply because it provided the masses with beautiful objects, but because, in the Renaissance (as in most periods), to engage with a work of art was, in effect, to seriously contemplate both the world they lived in and the spiritual world beyond this one.

I imagine that the organizers of Burning Man had this type of contemplation in mind when they conceptualized the “Turning Man.” I’m sure many bros will have wonderful acid- and shroom-induced journeys staring up at Turning Man, and may indeed come out of it with a challenged view of the world. This is a great thing. And, ultimately, it is for exactly this reason that we should spend money on art in the first place. (Well, not so much the drug-culture part, but the challenging-our-view-of- the-world part. Not that the drug part is so bad, either.)

But the fanciful utopian history Burning Man has written to underpin this journey is an utter farce. And rewriting history to our own ends is never a good thing. 

That said, the Renaissance did their own rewriting of history, too. The learned elites idolized Classical Antiquity in much the same fanciful way that Burning Man now idolizes the Renaissance. In this way—though it was likely unintentional—Burning Man actually has done a decent job emulating the Renaissance. 

Read the full article at Daily Dot.

In the last year the non-profit Burning Man Project – which we’re told was created as the ultimate gift to us, giving Burning Man back to the Burners – has assimilated other charities BRAF, Burners Without Borders, and Black Rock Solar. Control of these networks is now cemented in the grip of the Project and the Ruling Group behind it. The Rulers get to play Medici in the economy of Black Rock City. They bank all the money from the Gerlach festival ($34 million), tax free (even though it’s not a tax deductible deduction for us buying tickets). They take a gallery commission on art sold outside the Playa by Burning Man artists. They get a share of the revenues of more than 100 licensed vendors approved to sell things at Black Rock City. They grant about $800,000 in cash and a couple of hundred thousand “in kind” in their patronage of the arts. Most artists are expected to raise two-thirds to three-quarters of the project costs themselves. And work for free.

My sincere hope is this “creative Maker artist” theme flavor will signify a new era from Burning Man’s owners founders controllers. Let’s hope for much more generous patronage of Burner art from the Medicis Ruling Group, both visible and invisible. 10% of revenues would be a great start – and let the artists pay themselves.

We will get a hint of the direction we’re heading soon, when the long overdue IRS public filing for 2014 for the Burning Man Project is made public. Perhaps we will get to hear soon about some of the activities and achievements of the Burning Man Project in taking our contributions to execute its mission.