Founded On Fire Magick

Fest300 has just published a lengthy interview with Burning Man Founder Crimson Rose. Are they the new Voices of Burning Man?

The article is very interesting and I encourage you to read it in its entirety at Fest300. I want to highlight in particular the occult and marketing aspects of this. The emphasis is ours:

Every year, hundreds of accomplished fire performers throughout the world wipe sweat from their brows, cross their fingers and submit an audition reel for the experience of a lifetime. If accepted, these “conclaves” are granted exclusive access to the Holy of Holies at the godfather of transformational festivals: the Great Circle at Burning Man . They’ll be among the select few taking part in a ritualized fire dance as a gift to all the fest’s participants, and as tribute to the epic burning of “the Man.”

Out of all the myriad forms of artistic expression found at festivals today, many are grandiose achievements by incredible men. But the hearty warmth, nurturing, and acceptance that pervade these places are divinely feminine. Perhaps the archetype who best captures this quality is Crimson Rose , the fire performance community’s celebrated heroine and a founding board member at Burning Man.

Often hailed as “the godmother of fire arts” (she was the first-ever fire dancer on the playa), Crimson reviews conclave auditions with a panel of legends to select the crème de la crème for the ceremony. Year after year, fire performers strive just to be a part of her continued legacy by pouring their souls into their Burning Man performances so the tradition is passed with grace on to the next generation.

To learn more about this sacred art, we caught up with Crimson Rose, who graciously took some time with us to talk about the origins of fire performance, the history of fire dance at Burning Man and the future of man’s first invention in the festival community.

Before joining the Burning Man community in her current role, Crimson was a fine art model and dancer for 27 years. In the 80s, a good friend passed along the art of fire dancing. Coming from a background in theater and dance she took to it quickly and fostered an intimate relationship with flames.

And when they say “intimate relationship” in this puff piece glowing tribute, they’re not kidding:

“…to me, that was really the journey of magic that I discovered not only within myself, but in fire dance itself.”

In those days, everybody danced but nobody danced with fire. What Burners now enjoy out on the esplanade is an evolution of many ancient dancing-based traditions – which only became more tribal once flames were introduced. “I don’t do poi and I don’t do staff,” she said. “My dancing is really handling torches and a bowl of fire, dipping them into the fire and laying that on my body.

Sometimes called fleshing, this technique has been passed down through tribal civilizations for generations. It’s sensual and intimate, and sparks a very special rapport with fire, both for the viewer and the performer.

Righty-ho. Nothing too occult about that is there, worshipping fire so intimately that you want it laying on your body, “sensually”. Perfectly normal behavior, everyone does it, Marge Simpson‘ll be into next.

When we asked about her first-ever dance, she said, “I discovered things about myself because I felt like the fire was a sort of essence of all life. Although, it really is more a phenomena in some sense because there’s a magic to it…That magic, for a lot of fire performers, is the hottest part of the flame…“It was also as if the fire was sort of leading me on its own journey. Sort of provoking me to bring it to life.””

Burning Man Darren Keith Processional

In this photo by Darren Keith, note the Devil Horns on all the keepers of the sacred flame, who stride like giants above us in their Procession to The Man

Without question, this person believes that this is a magick ritual she is performing, in the much larger magick ritual of Burning Man. She was recruited into the Organization Project in 1990 – 7 years before Harry Potter came out – specifically to perform this magickal role.

The Man looked a little different back in 1986

The Man looked a little different back in the early days

We asked how she got involved with this desert social experiment in the first place. She thought for a bit, and took us back to a time before that first dance, to an email and a phone call with the man often accredited with launching Burning Man, Larry Harvey himself. “In 1990, I had a conversation with Larry Harvey and he talked about a thing they were doing. He had sent me a video of what they did the year before. It was really dark. It was a lot of fire and I couldn’t figure out what the hell they were doing.”

…she said to herself sarcastically. “I’m gonna be really cool because I don’t know what the hell these people are doing. They started pulling and a man raised up, and something clicked in me.” Crimson explained. “I didn’t know what it was. But I knew that I had to go to the desert.” Footage from the prior year continued to beckon her to visit. Seeing a man in the film breath the fire that ignited the effigy was enough to inspire the trip.

Igniting the effigy, from the magickal cauldron called El Diabla. Inside the pentagram and the 0.666% circle.

“I always felt like I was sort of a freak. You know, that I never fit in. Not with my family. Not with the school. And all of a sudden I felt like I was among my family in the desert.”

Yep, that’s the marketing pitch. Play to the social element, give the reason why all the freaks should buy tickets to this transformational festival. They don’t have to look beautiful and glamorous and cool like the people at other festivals. But maybe once they spend $400 and brainwash themselves at the self-service cult, they will walk away feeling Burnier-Than-Those People.

Back to the occult bits:

At the center of her magnetic attraction this new subculture was this effigy, over which Crimson grew protective. In one of her first encounters with it, “one of the very first things I did is I had these 16-foot-wide silk wings that I wore as I climbed the Man.” People were astonished to look up and see what looked like a fairy climbing to the top of the figure’s shoulder. “I felt like that at that point, I was the protector for the Man. If the man was going to be released we had to do it in the best way that we could, so that year I got a chance to actually help set him on fire.” For the first time, the magic of dance kicked off the legendary ceremony.

Dance, magic dance.

We must all worship the fire. Like Druids.

Despite an urge to push the envelope every year, rules now exist with a sort of informal reverence for the Great Circle. The fire is hallowed and respected

…Fire dancing at Burning Man spawned greater mysticism and creative energy, along with an appreciation for the accompanying rituals and traditions from which fire dancing came.

The flame that Burns the man is lit in a magickal cauldron named El Diabla. Image: Dust to Ashes/Flickr

The flame that Burns the man is lit in a magickal cauldron named El Diabla. Image: Dust to Ashes/Flickr

Image: Blip.TV documentary on Helco

Image: Blip.TV documentary on Helco

“Spawning greater mysticism” is presented here as a positive. Is this black magick, or white magick? It happens at night in a pentagram with people wearing devil horns and a fire lit from a cauldron named El Diabla; the corporation they started around it chose to launch with Helco parties where they got a lawyer to draw up contracts for people to sell their souls to the Devil. It seems pretty obvious to me which side we’re talking about, but your mileage may vary.

The suggestion that Crimson Rose invented incorporating  fire dancing in sacred rituals at Burning Man in 1991 is ridiculous, as anyone who has been to a South Pacific island could tell you.  

Back to the sales pitch:

One of the great joys of Burning Man is that it provides a space for us to go and learn about one another and ourselves through such rituals. Those who travel to the playa often report feeling more distant from what is familiar. Many, like Crimson Rose, find deeper connection. This will be her 24th Burn on the playa, and she told me, “Every time I go I feel I’m coming back to a place I’ve always been. You know, it sort of reminds me of home.” [Source: Fest300]

mcsatans

Image: Geek Times

Even in the sales pitch there are quite strong occult and psychological elements.

I’m not sure how things could be made more clear to you, people. This is one of the Founders of Burning Man laying out for you specifically what goes on, what she was recruited into the organization to add to their Project.

An occult black magick ritual ceremony of fire dance. It’s more than just a rave in the desert…


 

We have published quite a few articles on the spiritual and occult side of Burning Man in the past. We have a lot of new readers now who probably have never seen some of our earlier work, I would encourage you to check these out: and think for yourself.

2014:

 The Magickal Symbols Are Displayed, The Occult Ritual Can Commence

Brainwashing: the New Billionaire Obsession

Creating God in the Digital Age

Satanists With Guns

2013:

Magic On A Grand Scale

2012:

Seeking Divine Truth at Burning Man

Finding Jesus at Burning Man – a Christian perspective

“Theater in a Crowded Fire” – Spirituality, Burning Man, and the Apocalypse – Neo-Paganism

Hidden Dangers of the Rainbow – Paganism, Wicca, Druids, Lucifer

Ghost Trancing on Sacred Lands – Native American

Burner Principles vs the 10 Native American Commandments – Native American

Burner Fundamentalism – Burning Man’s own religion

Looking for the Next Evolutionary Step – Buddhism and consciousness

 

 

Ticket Hell [Updates]

Did you get your tickets in the Individual Sale? Or did you miss out, like 60,000 other dejected Burners?

According to BMOrg, 80,000 Burners registered for the sale. It sold out in about 80 minutes.

I tried to log in from the email link, the moment that my network time-synched clock turned 12:00:00. It didn’t work, so I tried from profiles.burningman.org. Both finally worked, at 12:00:56. I was in, minute one! I thought maybe I had a chance.

The predicted queue was “more than an hour”. I hoped that only meant 61 minutes. Last year tickets sold out in about 40 minutes, so that wasn’t great news.

Next, “the ticket sale is paused”. Many Burners started to report getting the same message. It seems that Burning Man broke Ticketfly, at about 12:06.

esteban hernandez screenshot

They got it back up and running, then released the queue again.

Vehicle passes were the first to sell out. 12,000 were offered. They went in less than 49 minutes.

Then, before it even began, it was over.

Burner Gaurang reported tickets being sold out at 1pm.

At 1:21pm PST, @bmantickets tweeted:

At that time, I was in line, with “more than an hour” as my wait. Then, it reduced – only 50 minutes. Anyone would think that they still had a chance, since the line was reducing.

this is what my 3 windows said, 1 minute before tickets sold out

this is what my 3 windows said, 1:20pm PST

Screenshot 2015-02-18 13.29.14

this message on ePlaya was 1:24pm PST

Screenshot 2015-02-18 13.32.23

Things improving. Still looks like a chance 1:32pm PST, 11 minutes after sold out Tweet

It was not until 15 minutes later, that the Ticketing system delivered the bad news officially:

Bad news! 1:35pm PST, 14 minutes after they actually sold out

Bad news! 1:35pm PST, 14 minutes after they actually sold out

Then, the screen changed. Suddenly, although I could not buy tickets or vehicle passes, I was being asked to make a $40 donation to the Burning Man Project. As many of those as I want. No thank you.

Through at last! 1:43pm PST

Through at last! 1:43pm PST

Assuming that everyone bought 2 tickets, means 20,000 people today got through this system successfully. And even 40% of them faced disappointment and challenges ahead, when they could not buy a vehicle pass. Burning Man said that there were more than double the number of registrations, as there were tickets. 80,000 people chasing 160,000 tickets, from a pool of 40,000 tickets.

At least 60,000 people missed out today, an entire Burning Man’s worth. Not only did we miss out on getting tickets, but we all wasted between 81 minutes (when @bmantickets announced they were sold out) and 96 minutes (when the queue message changed from waiting to sold out) of our valuable time.

The 2014 Black Rock City Census estimates the median Burner income at $51,000. This means that an hour of time for the average median Burner is worth $24.52 (based on a 40-hour work week). 96 minutes of time across 60,000 Burners adds up to a waste of $2,353,846 – in order for BMOrg to make $18,360,000, or $226,666 per minute.

96 minutes of 60,000 Burners’ time is the equivalent of 4000 days, or 11 years.

Just the 14 minutes between tickets selling out (1:21pm from Tweet) to the queue being updated (1:35pm for me), multiplied by the 60,000 people who waited in vain, is 840,000 minutes: 14,000 hours of Burner time were completely wasted, just in failing to shut down all the queues the moment that tickets were sold out.

It Creates So Much Negative Energy – Is That By Accident or Design?

There are many other events in the world that sell out quickly. Usually, that happens in just minutes. Burning Man is the only one with this incredibly convoluted system of Burner profiles and queuing. The system seems custom-made to create disappointment on a massive scale.

First, the $800 VIP tickets – which bring no benefits over regular tickets – remind many Burners that others have more money than them. Money to Burn. These used to be there as Christmas Gifts, and to enable lower income Burners to get tickets, but now they are released after the holidays are over and support far fewer low income Burners and art than they could. So disappointment is created around the holidays, not being able to Gift them at the main time of Gifting; and disappointment is created among the low income Burners, who have to beg for a ticket with essays and paperwork.

Next, the Directed Group Sale tells the vast majority of Burners that they’re nothing, not cool enough or “in” enough to be on the Guest List. And even people who are on the list, get disappointed when they can’t get tickets.

The process of registering for the sales before they start, creates a whole bunch of disappointed Burners who didn’t get the memo and logged in too late to register and are SOL.

Then the Individual Sale just created 3 disappointed Burners, for each one that is elated to get a ticket. It’s particularly frustrating because we all got there in the first minute, and before that did all the right things, jumped through all the right hoops, made the profiles and registered and made sure there was money in the bank and our credit cards were ready – and all of that was for nothing.

Many Burners who managed to get tickets today still missed out on getting a vehicle pass. There is now some confusion whether all 27,000 vehicle passes have been sold, or if there will be another 1250 in the OMG sale.

BMOrg’s whole approach to ticketing brings tens of thousands of people together at once. For an hour and a half they are waiting in hope, only for everyone to be devastated at the same moment. Only a select few are “lucky” enough that their connection got through at the right time. The luck trickles out over 80 minutes, but the vain hope lingers another 15 – then BOOM! Everyone gets the bad news at once. Sorry, you missed out – but hey, you can still donate to us!

Burners are made to suffer again in line at the Gate, and Will Crawl. Hours in the sun, with no shade. Lines that move ridiculously slowly, and don’t move fairly. Unreasonable requests made against people in wheelchairs.

WHY? Why make us go through this? Why make Burners suffer?

It’s positively Satanic.

hqdefaultWhich would be easy to laugh off, if this was “just a festival” or “just a rave”. Something where Satanism had no place. Instead, Satanism has played a major role in Burning Man’s history from the get-go. Satanists take delight in the suffering of others, it is one of many elements in their religion.

Burning Man has been created to take place inside a Pentagram, and is based on the rituals of ancient death cults. Danger Ranger said “we’re Satanists with guns” and Evil and the Devil featured prominently in the very first themes. Burning Man’s life as an LLC began with a takeover by Helco, a malevolent corporation. At the “Hell Yes! Hell No!” party, they handed out contracts to people to sell their souls to the Devil.

In Larry Harvey’s own words:

It’s one thing to laugh at the thought that something so old fashioned-sounding as a soul might be acquired through an act of purchase. Many modern comedies have used this plot. However, it is quite another thing to be accosted by a person who earnestly offers to buy it.

helco eplaya 1996Customers were offered contracts closely typed in nine-point font on legal-size sheets of paper. The font grew ever smaller as the text progressed. Entitled “Standard Short Form Contract For Purchase of Soul”, this legal handiwork appeared to cover every possible contingency. It was authored by an old friend of mine, Doug Holloway, an attorney. As a reward for parting with their souls, ‘sellers’ were allowed to ascend the steep stairs of a dark and sinister multi-tiered throne that projected a full three stories overhead. On a stage beneath its summit sat Satan, played by Flash. As part of our satiric scheme, Satan was understood to have lost his position in the midst of corporate reshuffling. No longer CEO of an underworld empire, he now served as a corporate spokesperson. He had become to Hell what Colonel Sanders is to chicken. Cheerfully bearing up in this role, Flash allowed each customer to sit on his lap. He invited them to whisper their most secret wishes and desires in his ear.

about this photoAfter receiving a bright red lollipop, they descended a second set of stairs on the opposite side of the platform. Near the base of these stairs, we stationed the Soul Sucker, a Rube-Godbergesque sculpture by Al Honig. It was purportedly designed to physically suck each soul from its human body (in reality, its seat vibrated) and deposit this commodity in a second and quite beautiful sculpture by Paul Windsor. Entitled The Stupa of Limbo, it was said to function as a kind of spiritual settling tank. (It was a very elegant piece, composed of opened books, lacquered and laid out in tiers surrounding a glass water tank. Later that year, it appeared in the desert.) One important fact that customers were never told was that, according to the terms of HELCO’s contract, the lollipop was their sole payment for their souls. We also left it up to them to realize that this sugared treat was saturated with cinnamon that would burn their tongues.

you still get the lollipop...

you still get the bright red lollipop/sugared treat…

Just like BMOrg’s “Minister of Propaganda” is supposedly an ironic title, and yet that’s exactly what they do…isn’t it ironic that Satanic elements played such a big part in the foundation of Burning Man, and particularly with the later creation of BMOrg. The unique systems they’ve designed for profiling, ticketing, and queueing fail to solve problems that have been solved many times over by the ticketing industry. Instead they have the side effect of creating mass suffering and disappointment.

It’s conceivable that this side effect is merely accidental, the result of poor design or a lack of empathy for the customer. There is no doubt that the other consequences of this system have been to deliver BMOrg tens of millions of dollars every year, allow them to keep pushing ticket prices up, and ensure there is the healthiest possible secondary market. Anyone gifted tickets, is gifted something that is worth a thousand dollars or more and easily tradeable. Insiders given half a dozen tickets and vehicle passes, therefore get a nice little bonus if they need some cash. The $800 pre-sale sets the after market price nicely.


The “Open Market”

BMOrg says:

keep an eye on the open market for them — they’ll be out there

Right now, on StubHub there are 380 tickets available, with the cheapest going for $1030. There are 112 vehicle passes, for $250 each. Burners who got tickets today but missed out on vehicle passes are basically forced to go to Stubhub and pay above face value for a vehicle pass. Either that, or carpool, Burner Express, or fly in.

For a system that we’re supposed to believe has been designed to prevent scalping – which isn’t a problem anyway – it sure is amazing how this system really seems to facilitate scalping.

Perhaps there is nothing sinister to any of this, it’s all just accident and coincidence. Maybe the wasting of 11 years of Burners’ time this year was necessary to enable 16,000 virgins to have a transformational experience. We are saving the world with Burning Man, leave no trace, the waste of 100,000 hours of Burner time is a small sacrifice to make in the name of (non-)profit. And if you don’t like it, start your own!

Next, is 60,000 disappointed Burners trying their luck with STEP (4000 tickets last year) and OMG (1000 tickets this year).  Your odds are 1 in 12 – in other words, there is a 92% chance that you won’t get tickets in those sales. Good luck, Burners.


[Update 2/18/15 5:50pm]

I wrote about the ticketing system and the algorithms behind it last year: 60% Veterans.

It appears some Burners figured out a clever “hack” to circumvent the system.

ticketfly tip

There is more discussion of this at Reddit.

It wasn’t even as complicated as that. Clicking the emailed ticket link several times would sometimes get to the real ticket ordering page. If you can jump straight to the ordering page by clicking the link they told you to click on, then I wouldn’t call it a cheat, just a really dumb issue with TicketFly. It sounds like some camps took advantage of this to get tickets before people who trusted the queue system (protip: don’t), which is distasteful.

Other Burners used Javascript hacks to get into the queue before everyone else.

One determined Burner, when told that tickets weren’t available, decided to try again and make a donation…which then worked.

donation tickets lead to more

[Update 2/18/15 6:40pm]

The Voices of Burning Man discusses the vehicle passes:

fewer VPs were made available (12,000) in the Individual Sale than tickets (40,000) and some of you were able to purchase a ticket (or two) but not a VP. But the good news is that the ratio of purchases of VPs to tickets was actually really good today — 36,000 tickets were sold before the 12,000 VPs sold out.

If you didn’t get one, please know that you’ve still got options:

  1. Vehicle Passes will be sold in the OMG Sale. In fact, there will be more VPs available than tickets. For those who have not purchased a VP from us yet, there will be an option to register to purchase just a VP — so if you didn’t get a VP in the Individual Sale, you’ll be able to register to purchase one in the OMG Sale.
  2. A lot of folks bought a VP not knowing if they need it or not, and will be looking to offload theirs. Ask around, and keep an eye on the open market for them — they’ll be out there.

So there you have it, Burners. BMOrg are now encouraging you to participate in the “open market”.

Some Burners were not impressed.

  • Avalanche

    You can’t take an art exhibit, a hexayurt, a sizable enough tent, a slushie maker, a shade structure, a bar, or booze on an bus.

    Presumably this is why last year there was more taking and less gifting, more RVs, more PnP camps, bro hackers, sparkle ponies, and party children.

    Inane.

  • RW

    Oh yay,
    Those of us with tickets and no VP may have to wait until just DAYS before we go to know if we are going to have our own transportation, sleeping area, food, water, bathroom, for those with medical issues, and the ability to leave earlier than most do, due to work schedule.
    This just seems to get worse and worse every year. Soon all the planners and responsible burners will just give up and stop attending, and the playa will be left with the thieves and beggars, because that is all that are going to be interested in this type of situation.

  • Highland Walker:

This type of decision ensures that: 1) Burning Man gets less money; 2) scalpers get more money; 3) Burners have to pay more and/or go through more hassle to get there; and, 4) there will be no fewer vehicles at the Burn than last year. Brilliant.

[Update 2/18/15 6:50pm]

Burner Dave posted this screen shot to our Facebook page.

20 donation

It appears that there is some kind of selection going on. Not all Burners are the same, according to this process. Some Burners were asked to make a $20 Donation, and others (like myself) were asked for $40. Was this based on number of prior burns? Country?

40 donation

[Update 2/18/15 7:42pm]

Vivid Seats has tickets from $760, and plenty of ’em:

Screenshot 2015-02-18 19.42.39Stubhub has plenty, Vehicle Passes are skyrocketing:

Screenshot 2015-02-18 19.44.37

There are hundreds on eBay as well, where tickets start at $1100 and car passes are now $350. An arbitrage opportunity, for any Burners chasing paper…

Screenshot 2015-02-18 19.46.29

Monty Python sold out the 20,000 capacity O2 arena in 43 seconds

This is Why Concert Tickets Sell Out In Seconds – looks at insider scalping by Bieber’s management

Why Your Favorite Concerts Sell Out – looks at Ticketmaster and the bots that make money from it

[Update 2/18/15 8:02pm]

Coverage of the sale in SFist

The Rolling Stones scalp their own tickets

[Update 2/18/15 8:42pm]

Here’s another hack Burners used today, thanks to Burner Gaurang:

Replace tickets.burningman.org with ticketfly.com in the email link they sent and you bypass the queue

http://tickets.burningman.org/purchase/event/758499
(wait in BM queue)
=
http://ticketfly.com/purchase/event/758499
(by entering this you bypass the queue)

[Update 2/18/15 10:34pm]

LiveForLiveMusic says Burning Man sold out in less than an hour and people are pissed.

[Update 2/19/15]

Thanks to reader delicious for sending this in.

For $750, you can get a bot that will buy tickets for you at TicketFly. As many as you want.

Screenshot 2015-02-19 12.19.33

The Magickal Symbols Have Been Displayed. The Occult Ritual Can Commence [Update]

photo: Eric Zumstein/Flickr

photo: Eric Zumstein/Flickr

Embrace went up yesterday in a ceremony rich with transhumanist symbolism. Humanity got to witness fire start in their eyes, explode into their brains, then blow a hole through the top of their heads before the two figures – man, woman, trans, whatever Alpha and Omega symbolized to you – were gone completely in about 20 minutes. More than a quarter of a million dollars, 170,000 lbs of timber, just incinerated. Sacrificed, in the name of Big Art.

Today’s a new day. The big one. The ceremony is scheduled to begin at 8, with a ritual procession. Then, at 8:45 Fire Conclave will present a spellbinding performance of twirling fire, hot dancers, and thumping primal drums. At 9:15, the Man burns.

The video feed this year is being brought to us in mobile HD by the Desert Wizards of Mars. Yes, really.

2013 final web

The whole concept of Burning Man is modelled on Ancient Babylonian Magick called the Rites of Eleusis. Using a combination of magic mushrooms and LSD, which was synthesized from a bread fungus, the wealthy elites of olden times were able to control the entire population of their cities. This stuff has worked for thousands of years, and Burning Man is the latest and greatest incantation and incarnation of it.

Don’t believe me? Read below for some of Larry Harvey’s writing about all of this.

From CEO Maid Marian’s public profile:

Her first love and escape from work is her two sweet-tempered kitties, and her second is her level 80 fire-specced Blood Elf Mage.

Familiars and avatars. Fire and blood are the elements of her Mage.

The producer of this bewitching event loves cats. Her art car is a cat.

marian cat-car

This Skull and Bones tree has been on display all week in front of First Camp:

bone tree burning manIt spends the rest of the year at their work ranch, next to a giant occult mask.

bone tree skull ranch-burning_man4

Here the Magickal Symbols are today, all wheeled out and symbolically presented for the world on the HD UStream feed. This is what we get to see before darkness falls and the warm-up starts.

familiar tree wand

The Familiar (L, art car), the Witching Tree (C, white sculpture), and the Magic Wand (R, Control Tower)

 

The camera pulls back just wide enough to get all 3 symbols in. The Control Tower to the right, much loved last year, has been all gussied up this year. People are climbing in it and looking out from the platform at the top. It looks like a Shake Weight with a rapier stuck on the end, but it also looks like a magic wand.

The symbols have been displayed, the ritual can commence, the ceremonies can begin.

Remember, good people. Harmony is stronger. Black magic thrives on chaos, it loves to breed discord and mistrust. White magic is unity, truth, love. Connection to source, Universal Infinite Love is our power. We don’t need no magic ritual connection to artificially intelligent False Idols in a re-creation of ancient rites of death, rebirth, and control.

human-mandala-2011

 

 

 


 

The Cremation of the Crop

 

“By the power of your fellowship…Dull Care is SLAIN!” – from the Bohemian Grove Cremation of Care ceremonial effigy burn. The crowd cheers “Murder! Murder! Bring fire!”

 

In the Year 2000, Internet counter-culture personality Alex Jones, who broadcasts his show Infowars.com with the tag line “if you are receiving this transmission, you ARE the resistance” – crashed Bohemian Grove. After doing some on-site reconnaissance, he decided to just walk through the gates and bluff his way past any security. In conjunction with UK filmmaker Jon Ronson, he got some never before seen footage of the Bohemian Grove’s Cremation of Care ceremony.

His associate was quite disturbed after the experience. “When you’re in the patriot movement, you hear rumors about stuff like this going around. You don’t know whether it is true, well it is. I saw it.”

Jones broke it down in his usual succinct manner: “you’ve got death on this black boat bringing a pallet with a papier mache person, they take it over and they burn it for some idol, some Owl god, it looks more like a demon, it’s got horns up there and they just call it an Owl… We’re not supposed to worship Jesus or anything…it’s worship the Owl God”.

Robed lamplighters conduct a ceremony, leading up to the lighting of the effigy. It is the high point of the Bohemian Grove’s midsummer encampment, occuring half way between its “Low Jinks” opening and “Hi Jinks” afterparty. Jinx is a word from witchcraft, a jinx is a spell. To “jinx” something is normally interpreted to mean to put a curse on it that will make it radiate bad luck. A fundamental principle of magic that is agreed upon by both sides, light and dark, is karma – if you curse something, you curse yourself. That is why white magicians say prayers and cast positive spells – the only consequence of their goodwill is more luck and happiness and goodwill in their own lives. White magic leans more toward the acquisition of wisdom and a general feeling of faith and trust in the universe. The Black form is concerned more with the acquisition of power and is reflective of a basic faith in oneself. Black magicians revel in pain, and torment, and suffering. In evil. That is why their occult rituals always happen in secret, and why they organize themselves in secret societies, often quite literally under ground in caves.

Everything is permitted, and nothing is true, said the Magicians of Chaos.

The lamplighters are commanded, “Bring fire! “

 The Owl Moloch responds, in a voice recorded for the event by famous broadcaster Walter Cronkite:

BohemianGrove5 buddha

I prefer Buddha to Molech. The Grove has both

 Fools! Fools! Fools!

When will ye learn..

That me ye cannot slay?

Year after year ye burn me in this Grove

Lifting your puny shouts of triumph to the stars

But when again ye turn your faces to the marketplace

Do ye not find me waiting as of old?

Fools. Fools. Fools to dream ye conquer Care 

Year after year within this happy grove. Our fellowshiop bans thee for a space,. So shall we burn thee once again this night,

And with the flames that eat thine effigy, we shall read the sign

Midsummer sets us free!

Ye shall burn me once again? Laughter

Not with these flames

Begone dull care. Fire shall have its will of thee!

Once again, mid summer sets us free!

 

Midsummer is the ancient Druidic term for the Summer Solstice, the same Pagan and astrological event that Burning Man was started to celebrate.

The use of wording is interesting. “Fellowship” has Masonic overtones, and brings to mind Lord of the Rings, a book most certainly based on knowledge of the inner workings of The Man, the secret society networks of the Round Table groups. Larry Harvey’s father was a Freemason, and his brother was in their DeMolay youth lodge.

“Ban” means to cast out, to forbid; but there is another sense of the word. “bann”, like Banner, is a flag that would be used on the battlefield by Celtic soldiers of the Robert the Bruce Braveheart type.

“The banns” is a term for a proclamation of an alliance, a partnership such as marriage. It is seen as a celebration in Pagan culture.

a notice read out on three successive Sundays in a parish church, announcing an intended marriage and giving the opportunity for objections

“Care”, the effigy of Molech, their god of wisdom and blood sacrifice, calls out three times that they are FOOLS. No-one objects. This is the bann, between the Grovers and The Man. Their effigy, their giant statute.

So “our fellowship banns thee for a space” is saying “our fraternity is proclaiming our partnership with you for this event, we will be joined together in this celebration”. When they burn Care, they are becoming one with it.

When you burn The Man, you don’t become one with it, anymore than burning an Owl at Bohemian Grove removes care from the world – or from these participants. It’s an excuse for a party, but it’s also a mass ceremonial ritual, symbolizing The Man as being between the people suffering physically in the dust, and The Gods, towering above them with the power of shock and awe. We look up to it on a pedestal, with a fire so hot capturing all our energies, that if we get too close to it we could burn. The power to kill, and we are powerless against that. The only thing we can do is respect its power, and be humbled by how great The Man is. Before everyone goes back to their lives, working for The Man. Obeying all the rules of The Man.

Why can they burn Care at the Grove? Because they are the owners of The Man. The ones building the hives to control us like to go to Burning Man. Bohemian Grove is for the owners of the hives like Google and Facebook and Apple that we’re all glued into – and the ancient bloodline families that own them. Many Grovers also attend Burning Man, and have from very early on in the event’s history.

satan man 1986 baker beach

The first Burning Man effigy on Baker Beach, 1986. Note the horns and the flared hips, giving it the appearance of Cernunnos, Baphomet, or Pan.

The conceptual structure of the Burning Man is ritual. Rather than “Dull Care”, their idol is called “The Man”. When they burn the Man at Burning Man, they are celebrating their freedom and independence. Free to be who they want to be and do what they want, without the expectations and pressures and responsibilities of “The Default World”. In fact, The Man is reprogramming their minds with lessons and impressions that it wants them to return to the Default World with, and spread out to those around them.

At Bohemian Grove, when they burn Care, the captains of industry and government and academia and the arts, the Generals of The Man, can forget about their responsibilities and just party for a bit. This occult ritual goes back to the Cult of Dionysus, also known as Bacchus. The Dionysian mysteries combined ritual, costume, repetition of phrases, rhythmic beats and music, smoke, lighting effects, fire, intoxication, hallucination. The whole society were expected to participate in the Mysteries at some point, even slaves. Over time, as religious oppression pushed the so-called “Pagan” religions underground into secret societies, the selection of candidates to indoctrinate became more strategic. Over time, the ancient orders became more exclusive and powerful. Their focus on being male-only removed them from the need to deal with issues of primogeniture – hereditary title. A Man would be chosen based on the judgement of other men. The Society would hold the wealth and continue the man’s power after he died, because by replacing a Man’s place within the secret society, replacing his larger position in the outside world became a fait accompli.

At Burning Man, when they burn The Man, the elements are all the same as Bohemian Grove, because they are the same as the Dionysian Mysteries. Fire and darkness. Lamplighters, costumes, masks, symbols, robes, ritual. Rhythms, dancing, lights, drugs…an entrancing and intoxicating spectacle. The feeling of being part of something exclusive and special, not available to “regular” people in the outside world. At Bohemian Grove, The Man gets to burn Care, then party without it; at Burning Man, We The Burners get to burn The Man: for one night, anyway.

There is only one remotely similar event to Bohemian Grove and Burning Man in the US, the Pagan ritual burn called Zozobra. It started shortly after Bohemian Grove. The idol they burn is called Anxiety rather than Care. Almost all the other pagan effigy burns in the country are related to Burning Man as regional events, or spun out from Burning Man’s networks. It is only Burning Man and Bohemian Grove that share so closely the concepts of theme camps, alternate names, a ban on commerce, emphasis on theater and lectures, ritualizing of the effigy burn, and extreme decadence.

Both events were modeled on, and inspired by, the Rites of Eleusis. Gordon Wasson was Vice President of Public Relations for JP Morgan. In the official story, he “discovered” magic mushrooms, and got them on the cover of Life magazine through a chance meeting at the Century Club, the East coast version of Bohemian Grove. In the less widely publicized version, which comes with FOIA-requests and other evidence, Wasson’s expeditions were financed by the CIA’s MKULTRA program. Wasson wrote a book with Albert Hoffman, the “inventor” of LSD, called The Road to Eleusis: Unveiling the Secret of the Mysteries.

Thomas Hardy wrote in The Cutting Edge Magazine:

“Burning Man offers a no-holds-barred “Woodstock” style festival where neo-pagans, wiccans, transvestite entertainers, curiosity seekers, and old hippies can go to trance, perform rituals, burn sacrifices to deities, fornicate, and otherwise ‘express’ themselves freely.”

Brian Doherty is a historian who has studied Burning Man for a long time, and wrote a book on it, “This is Burning Man”. Writing in Reason magazine in 2000, he said:


outhtere in here
To many long-time attendees, the festival has turned away from its promise as what underground social theorist Hakim Bey calls a “temporary autonomous zone”-a place where a chosen few could create a new, free social order outside the purview of dominant authority… The agencies that sign off on Burning Man’s permits have come to see the festival more as an opportunity than as a problem and have thus forged a relatively easygoing relationship with the openly danger- and drug-filled event.

To Harvey, Burning Man is more than just a party. But he’s vague about exactly what it represents. Harvey talks a lot about the meaning of the event – the word sacred comes up often-and he once wrote an article in the neo-mystic magazine Gnosis in which he compared Burning Man to Rome’s ancient mystery religions. But it’s hard to be sure what he wants to come out of the event. In fact, he’s proud that the event’s central symbol-the Man-is enigmatic. “We never say what the Man means,” he points out. “He’s just there to provide a unified focus for the community. It could become a wonderfully coercive tool politically-like, ‘The Man doesn’t like that, the Man says …… We could make The Man The Man, right? But he stands beyond the social circle, like a god or the prospect of war, something that unifies everyone.”

The mystery religions are linked to the Cult of Dionysus, and can be traced back to the even more ancient rituals of Mithras. Bacchanalian revelry outdoors is a big part of it.

The path of paganism goes back to the same theology that the ruling elites have been following, worshipping, in secret rituals for centuries.  “Man is God” is the occult belief behind the New Age movement, Paganism, Luciferianism and Satanism. The Church of Satan was founded in San Francisco, next to the Presidio Military Base – just like Burning Man. Satanists do not worship the Devil as a separate being that gives them orders. Rather, They themselves are the God. Satanism is the true essence of the Mystery Religion, the religion of no religion. There’s nothing at its core, just an Abyss. An empty void of nothingness, in which nothing is real and everything is one.  Similarly, Pagans and Burners do not directly worship the devil as their Lord and savior. “The greatest trick the devil ever played was convincing us he doesn’t exist”, says Kaiser Soze in the movie The Usual Suspects. That is the Devil’s goal, to make man believe that neither god nor the devil exist. The core belief of the New Age, that you will find to be widely held at Burning Man, is Self is God. The belief that Man is God transforms people into a vehicle by which They can drive humans into perpetual conflict under the guise of “saving the world”.

In 2014 Burning Man published a “book club” cultural discussion series on their official blog. The entire basis of the series was “The Death of God”.

If Burning Man is more than just a party, like Larry says, then what is it exactly? What experiments are going on, socially and spiritually, within this pentagon-shaped petri dish?

In the summer of 1995, as the tenth effigy burn was approaching, Larry Harvey reflected on the rituals in the magazine Gnosis. He published the story under the name of Darrel van Rhey, but later admitted on his own web site that he wrote the article. In the past Burning Man have always denied having any awareness of the movie “The Wicker Man”, but that is not the same as denying any awareness of Druids and their rituals. This article clearly exposes that not only were the founders aware of the occult, it is a fundamental element in this fire magic event which takes place inside a Pentagon, with a .666% circle touching the edges of the pentagram within it.

Although Darryl van Rhey is beleived to be a pseudonym for Larry Harvey, he interviewed Darryl in 1999 and 2000 – according to official Burning Man blog. He was photographed with him in 2004  – again, according to Burning Man, since this photo is from Danger Ranger’s Flickr. In 1995, he wrote in Gnosis magazine. If this didn’t come straight from Harvey himself using DVR as a pseudonym, then it was certainly straight from the horse’s mouth to Darryl’s pen. Rearrange the letters of “Darryl Van Rhey” and you get “ND Larry Harvey” (ND presumably stands for nom de’plume). In his 2000 Reason article, Doherty attributes Larry Harvey as the author. Erik Davis also attributes the article to Harvey.

Larry Harvey himself, writing on his own web site, claimed he was the author of the story – obviously oblivious to the other articles there where he had therefore interviewed himself:

We concentrated on the desert, instead. We no longer needed to publicize ourselves in San Francisco and could now rely on ticket revenue from the Burning Man event. The title of our performance that year was Mysterium. It was subtitled The Secret Rites of Burning Man. This was accompanied by a memorable motto: “Let’s put the cult back into culture!” It focused on the idea of fertility…I had been reading literature about the many Mystery religions of the ancient Greco-Roman world. The participatory character of these ancient religious movements intrigued me. Earlier in the year, I’d written an article for Gnosis, a San Francisco-based magazine.

The Revelation of the Method serves to make the magic more powerful. The true meaning of the event has been deliberately obscured from those who willingly participate in its rituals – which is the way of the dark wizard. Harvey tells us that this amibguity is not by accident, but rather has been very carefully calculated. A smoke screen, smoke and mirrors. A glamor.

 


 

In the following story from Gnosis Magazine 20 years ago, the emphasis is our commentary. The article is presented in its entirety, so that no-one can claim the author is being quoted out of context. On the contrary, Mr Harvey references this piece in his own writings on his company web site.

 

The Burning Man: A Modern Mystery

by Darryl van Rhey [aka Larry Harvey]

Gnosis Magazine Summer 1995

On Labor Day weekend in early September, thousands of people will converge in Nevada’s Black Rock Desert. Somewhere near the center of this awesome space – reputedly the largest flat expanse of land in North America – they will erect a giant effigy. The Burning Man, as it is called, will tower over a spontaneous community, a miniature civilization complete with clubs and cabarets, several radio stations, and a daily newspaper, The Black Rock Gazette. The masthead motto of this journal sets the tone of the ensuing weekend. “Welcome to Nowhere”, it reads, “Its name is whatever you name it. Its wealth is whatever you bring it. Next week it will be gone, but next week might as well be never. You are here now”.

Throughout the festival that follows, people indulge their whims and creative impulses. However they choose to express themselves – through costumes, dance, sculpture, or the construction of elaborate theme camps – they are encouraged to do so in an environment where distinctions like “professional” and “amateur” or “audience” and “spectator” soon become meaningless. By day the campground is a colorful community of tents and fantastic shelters with flags and banners flying in the wind. By night it is transformed into a dreamscape as artists craft light, sound, neon, and the primal element of fire into luminous spectacles.

On the final evening of the festival, participants join in a grand promenade. Dancers bearing torches lead them to the Burning Man along a pathway flanked by monumental spires. Clamor, cries, and high pitched ululations are succeeded by a hush as the four-story figure is ignited. Then a wild pandemonium ensues as lapping flames engulf the torso in a solid sheath of fire. Mounting upward, they ignite a fuse: fountains of fireworks spew out of the giant’s head. Most animate now, at the moment of his demise, he soon shudders, and the three-quarter ton figure comes crashing to the ground.

Organizers shroud the meaning of this celebration in a cloud of calculated ambiguity.

Pressed to explain their intentions, they cite a simple doctrine. “The Project never interferes with anyone’s immediate experience”. Participants are urged to create their own interpretations.

The weekend might be described as an avant-garde art festival, a ritual enactment of creation and destruction, or an exotic free-wheeling party.

Yet, to the student of religion, these rites suggest a time, a place, and a social setting that has precedents in ancient history.

Throughout the classic period of Western civilization, there existed a diverse spiritual movement that is known as mystery religion. The mystery cults, as they were called, arose within a new world order. The conquests of Alexander and the subsequent spread of Roman rule throughout the Mediterranean world had greatly expanded the scope of classical civilization. Stretching from the shores of the Atlantic to the Caspioan Sea, it occupied a vast cosmopolitan domain, teeming with commerce and hosting the ideas of many cultures . Immense allocations of men and monies had displaced entire populations. The citizenry of the empire, uprooted and heterogeneous, now congregated in large urban centers. Within this sophisticated and self-conscious milieu, huge societal gaps separated rich from poor and urban from rural populations, and intense economic specialization further divided the classes. It was a world, in other worlds, remarkably like our own.

Arising from this complex milieu, the mysteries derived from diverse sources. Traditions drawn from many cultures flowed like tributary streams into the great Mediterranean basin, bringing with them the worship of Isis and Osiris of Egypt, Mithra of Persia, and the Anatolian Great Mother. Yet the mystery cults had much in common. All were grafted onto the stock of agrarian fertility festivals – relics of a prehistoric past – yet were essentially urban in character. They typically employed theatrical parades and pageants to attract a pool of individuals who might share little else in common, and they were organized as lodges. Membership within a cult implied broad equality with fellow mystai or initiates.

Ceremonies often took the form of pilgrimages. Participants removed themselves to sacred sites. Mystai sang and danced to flutes and cymbals, others wore masks and sported strange attire. Such celebrations might take many days, and while they lasted, class distinctions were dissolved. “Persons who are being initiated into the mysteries throng together at the outset amid tumult and shouting”, wrote Plutarch of the Eleusinian mysteries celebrated near Athens, “but when the holy rites are being disclosed and performed, the people are immediately attentive in awe and silence.

Such initiations were performed by firelight at night in enactment of a central myth of death and rebirth. They were often highly theatrical performances, and, unlike the tribal traditions from which they sprang, placed a unique emphasis on personal choice.

Many people probably attended the festivals simply to have fun. Intense, ecstatic and immediate, the rites did not stress doctrinal belief, but valued toward show and inward feeling. Artistotle states the mysteries weren’t about a teaching, they were initiations focused on direct experience.

The mystery cults, long a dominant form of idol worship in the late classical world, perished with the fall of Greco-Roman civilization. Yet the modern immolation of the Burning Man, surrounded by impromptu rites of celebration, forms an arresting analogy. The parallels are striking, fire, sacrifice, pilgrimage, visionary spectacle, egalitarianism, revelry, recruitment from an urban population, direct experience opposed to doctrinal belief, and central to it all, a myth of death and rebirth.

Organizers of this modern mystery disclaim any conscious plan to reproduce the past. Yet it might be that culture itself, is responding to the changing needs of our society. As students of ritual understand, the past and present rotate on a single wheel of time.

 


See Live-Blogging the Burn for all the occult references that happened at this year’s re-enactment of the Magickal Mystery Rituals.

[Update 8/31/14 2:22pm]

Thanks to Curt.Net for sharing these images he created.

virtuvius curt

the man pentagram curt

 

The description of Bohemian Grove ceremonies is from the recording in this documentary, filmed secretly at their annual event.