Strike 2 in EDM War: Opulent Temple Denied Placement for 2015 [Updates]

BanAllTheThings

When news came out that Dancetronauts had been banned for at least a year for being Too Loud For Burning Man, we wondered if there might be more to the story. Was this part of a bigger pushback to exclude “Broners” from our culture, an attempt to differentiate Burning Man as “more than just another EDM festival on the circuit?”

Well, speculate amongst yourselves, Burners…meanwhile, the coincidences continue to mount. Now we hear that Playa stalwarts Opulent Temple have been denied placement. Why? For not being interactive enough.

This is a sound camp with at peak moments more than 10,000 people being entertained. By the world’s best DJ talent, for free.

From Opulenttemple.org (emphasis ours):

2014 saw us go big once again. We produced and gifted our 11th incarnation of the camp, doing so for our 7th time anchoring a corner spot. We built a new (partially) crowd funded DJ booth we called Armagan, aka OPod 3.0. We also built new 3D screens for visual mapping known in OT slang as the snowflake screens, new I-beams and support structure to put the raised stage platforms together, and a custom made 3 shower stall on a trailer. We moved warehouses, did upgrades on our fire effects manifold, built a paneled LED light effect DJ booth for indoor events, threw 16 fundraisers, and we bought a swing set. We also founded a new 501c non-profit organization called Sacred Dance Foundation to formalize with the IRS what we always been in action, a non-profit community, gifting an experience in the hopes it will do a small part to plant seeds of goodness in troubled times.

So yes, we’ve been extremely busy, expended a high amount of financial and personal resources last year to make it all happen and ended up with a considerable amount of debt. It took us quite a few events just to come back from the deficit so we head into this year’s burn needing a different and less risky experience. Our core team has never had a year since starting or joining OT where we haven’t produced a large sound camp. It takes a massive coordinated group effort each year to raise enough funds to bring our production to the desert and I’m sure you know that we, like every other sound camp, do it all with only the support of our community, without any help from BMorg. We attempted to apply for a grant for our large-scale fabrication projects last year but were denied because sound camps and music are not considered art that the powers that be wish to support. While other art installation projects have access to almost $1 million in grant money, free tickets for crew and validation from BMorg, sound camps get no support even though we also contribute a highly interactive and memorable experience to tens of thousands of burners every night of the week at BM and beyond. It would be safe to say that sound camps play a big role in why many of the BRC population make the trek each year so the lack of support and respect from the organizers is disheartening… so much that they didn’t even assign us a placement for our camp this year.

So now the plan is to step back and have a different BM experience while still maintaining an OT presence and vibe in Black Rock City. There will still be a great OT camp that will be close to the many dance floors in the 10:00 and Esplanade vicinity, and we’ll still do a number of events, but they just won’t take place in our own sound camp and dancefloor. We’ve asked why we’re not getting placed and were told our camp is not ‘interactive’ enough since most of the events we’re doing are mobile. We’ll be announcing our events here in the coming weeks but definitely keep Wednesday night open for us with your creatively fabulous white attire for our annual Sacred Dance ‘White Party’, but this year on the open playa, stationed around the Flaming Lotus Girl’s Serpent Mother. We hope to enroll as many art cars as possible to link up and add to the epic party. Please contact us if your art car would like to join that sonic train and participate in the overall experience.

Thank you for the ongoing support to help us do what we do. Seems like the community based sound camps (in contrast to millionaire funded ones) are dwindling; many of the popular sound camps from years past will be absent this year: Roots Society, Osiris, Dancetronauts, Digital Apex. At this point we don’t really know year to year where the wind will blow us, but you can certainly bet whichever direction that is, we’ll be forging ahead with fire, beats, community and a mission, forever purposeful.

See you in the desert!

The only major sound camps we’ve heard that got placement are billionaire camp White Ocean and Disorient. Burners this year will also have to make do without:

Root Society

Osiris

Dancetronauts

Digital Apex

If you’ve heard of any other sound camps that won’t be returning this year because they were denied placement or couldn’t get enough tickets, please let us know and I’ll update the list.

When the Founders first announced their retirement and transition to a non-profit, then followed it up with an Anti-Burner ticket lottery, we speculated as to their motivation. Was there some perverse element disgruntled at Burners, and actually trying to destroy Burning Man from within?

I’m not sure what the motivation is, maybe you guys have some ideas. The decisions they’re making at BMHQ in the Mission just seem to be getting worse and worse, the older the Founders get. A tragedy, really.

shark burning man sfbg


[Update 9/13/15 5:25pm PST]

Thanks to a source for sharing this. From OT’s recent email to camp members:

This year is a unique year by OT standards because for the first year since our inception in 2003, we are not building a large sound stage / camp-central dance floor.   After 12 straight years we decided this was finally the year to step back and have a different BM experience while still maintaining an OT presence and vibe in Black Rock City.

So, there will be a great OT camp…But please be clear, though there will be  many dance floors in our immediate vicinity, most of the time it won’t be our own.

The camp will have limited space this year for ~120 people, including no more than about 20 RV’s.  (for comparison, last year we had about 275 people by the end of the week).  So by our standards will be on the mellow / intimate scale.  The requested camp placement is 250 feet back from 10 & A (so essentially behind whatever sound camp is on 10 &A).  That puts us well behind the usual loudness that’s generally been part of the OT camping experience but still close to the Esplanade and the action.

So that’s all they were looking for – somewhere to put less than half of the previous year’s camp. That’s the placement that was denied them, for not being “interactive enough”. So do the camps behind the 10 o’clock sound camps all have to be interactive now?

They were going to have events every night which were all open to the public.

EVENTS
Party wise we will do 5 events (only one of which is a full on OT scale blow out.)

-Tuesday Sunset: OT Happy Hour – Meet and greet for all camp members and open to the public to invite friends, live DJ’s and drinks.
-Tuesday Night: OT partners with an Art Car tba for an OT vibe and DJ mobile party.
** – Wednesday Night: our biggest event of the week – our annual OT Sacred Dance ‘white party’ – open playa locale TBA.
-Thursday Night: OT hopes to partner with a placed sound camp to synergize vibe and talent with our crew and theirs.
-Friday Sunset: OT Happy Hour – Meet and greet for all camp members and open to the public to invite friends, live DJ’s and drinks.

Would it have been so hard to reward their loyalty with placement? If not where they requested, then anywhere?

Burners on social media are saying that MOOP is the “actual reason” Opulent Temple were denied placement. This allegation has now been completely debunked, see below.

In other veteran news, Dusty Rhino was denied placement on the Esplanade, for not being interactive enough.

Let’s hope this means there will be incredibly interactive camps along the Esplanade this year, and in the back streets behind the sound camps.


[Update 7/11/15 6:34pm]

Opulent Temple themselves, perhaps fearing further ire from the Borg, have moved to downplay the situation, and distance themselves from any speculation about motivation.

Hey folks, OT here. We know people love getting drama-tastic about Burning Man, but while we appreciate Burners.me a lot for their support of music at BM, we feel this headline is a bit sensationalized. We don’t want to get pulled into some conversation about ‘war’ on EDM music, because frankly we don’t see it that way. Our scoop is in the web posting and we encourage people to read it on our site. Again in a nutshell – Unlike previous years, we don’t have our fixed stage. We never planned on having it for the reasons outlined in our post, which has nothing to do with placement. We are doing a number of OT events though, that will be at various spots around the playa, and because our camp itself did not have an interactive element, but is more of a base camp for our events around BRC, we weren’t placed. We’re still going to be there, it just makes things harder for us than we hoped it would be. We thought and wished partially based on legacy and previous contribution we’d get a reserved spot, but we didn’t. We’re not trying to call victim, it is what it is, we’re well versed in being disappointed in decisions from the org and we choose to be there with open eyes. It had nothing to do w MOOP either, for the record… There was zero mention of MOOP in their reasons for their decision. Thanks for everyone’s support and we look forward to seeing everyone out there, especially Wednesday night at the Serpent Mother. Peace.

[Update 7/11/15 7:00pm]

Thanks to MzFit for helping clear this up. Despite the haters’ claims (which we can put down to disinformation, or maybe familiar smear campaign tactics), OT was green for MOOP last year. They had a single red dot, which presumably was dealt with. It was a lot less than most camps, including most camps that only had one MOOP mark.

Screenshot 2015-07-13 18.57.08


 

[Update 7/14/15 9:03am PST]

This is from last year’s Piss Clear BRC Weekly. It reveals some of the Founders’ attitudes towards EDM and ravers:

sound camp lineup ban

 

White Ocean got placement. Dancetronauts and Opulent Temple got punishment. One is a billionaire camp (the founder owns 50 private jets), the other two are long time Burner camps who have put years into the event. Draw your own conclusions…welcome to Burning Man 2.0.


[Update 7/14/15 11:28am]

Someone suggested that 300 camps were denied placement this year, but officially it was 95. See the comments to this story for details.

From Opulent Temple:

For the record – 95 camps that asked were not placed (not 300). From our placement communication: “More camps requested Theme Camp placement than we have dedicated space for and as a result, we were unable to place 95 camps. Unfortunately your camp is one of these unplaced camps.”
Secondly, though yes – our in-camp interactivity was low (we know), it’s not like it was non-existent. Our interactive elements in the camp will be a large & plush public shade area open to anyone to come enjoy. (The same we always had on Esplanade for anyone to come chill) + 2 public sunset happy hours with guest DJ’s and drinks. + we’ll do 3-4 ‘mobile’ events and out about BRC, with Wednesday being the biggie. We’re doing more at our camp than some placed art car based camps that do nothing at their camp except park their art car when not in use.
Lastly, having some time to reflect, we say the reality of the placement thing is not that serious, it’s just been blown up because some have thought our normal big sound camp wasn’t placed, and we never intended to do the sound camp. It’s just the redundant, and consistent illustrative principle. We were, admittedly, hoping and assuming that our years of huge output of contribution was good for something in the consideration. Now we know it isn’t.

 

It’s Hip To Be Square

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Another interview from Grover Norquist, in what looks like a summertime ski lift. The Grove is now a “Burning Man aficionado” after attending once by private plane and staying up til 2:30am on a couple of occasions. He said he did not witness a single intoxicated person at Burning Man, even though he delivered a lecture on Psychedelics and hung out mostly at the Absinthe bar. His outrageous costume was a Moroccan man-dress and a Russian military uniform he got from his spooky activities in Afghanistan.

Is this a case of the right wing trying to appropriate left wing culture, to try to be cool? These guys sure think so:

grover at bm

Fusion produced this video showing Grover in action gifting Cuban cigars, lip balm and Nutella on the Playa. He’s so cool that he’s drinking the Kool Aid, and wants to come back with his political dream team.

grover dreamteam

I’ve also just found this gem of an article with Grover, one of several media interviews that both he and political figure Denis Kucinich gave on-Playa at last year’s Burning Man.

From New York magazine:

01-norquist-burning-man.w529.h352.2x

Norquist strolls around Black Rock City in 2014. Image: NY Mag

It’s a hell-hot Friday afternoon, and conservative anti-tax activist Grover Norquist and I are walking down a dusty footpath at Burning Man, the annual New Age festival held in Nevada’s Black Rock Desert. As we stroll past rows of parked RVs on Gold Street, we pass a large tent that advertises “Free Taint Washes.” A man approaches us from inside, carrying a jug of water with a misting attachment.

“Would you like a spray?” the man asks.

“Not today,” Norquist says.

The man smiles. “Well, would you like a taint wash?”

Norquist has been at Burning Man for less than a day, but he’s already learning lots of new things — including the word taint, which, after a moment of confusion, he asks me to define. (Hmm, how to put this to the godfather of modern American conservatism?) Sheepishly, I inform him that the perineum it’s the colloquial term for the patch of skin between the genitals and the anus that people take well good care of it know a days using anal bleach creamanal bleach cream, and other products. People call it the taint, I say, because it taint one part and it taint the other, either.

“Okay, I did not know that,” Norquist says. “Is that a recent slang?”

We continue down the path, past a “shaman dome” and a 22-foot-tall sculpture of a penis entitled “The Divine Masculine.” Nearby, a topless woman rides by on a fur-festooned bicycle. The oontz-oontz of house music reverberates in all directions. It’s a much different scene than you’d find at the offices of Americans for Tax Reform, the influential right-wing organization Norquist leads, but he seems charmed rather than frightened.

“If you had 500 people get together and [they did] something like this, that would be impressive,” he says, surveying the blocks full of elaborately decorated theme camps. “But seventy thousand?”

Image: Tremr

Image: Tremr

Further down the path, while Norquist is making a point about the evils of labor unions, a man in a fedora runs over to meet us … (He is possibly very stoned.) “Gentlemen, I’m coming here to get some news on the report,” he says. After an awkward silence, the man whirls away and shouts, “Now watch me get run over — it’s going to be modern art!”

“Did you know that guy?” Norquist asks…

Grover lets the hidden agenda slip:

In the long run, Norquist thinks that the high-profile regulatory struggles of tech companies like Uber and Airbnb could help the GOP attract young Silicon Valley voters if it positions itself as the innovation-friendly party.

But really, he’s just there to party party. Sure he is.

Image: Fusion

Image: Fusion

…enough about politics — Norquist is here to have his mind blown…he periodically stops to admire the roadside attractions: a golf cart decorated to look like a gumball machine; an antique car with a “Nixon/Agnew” bumper sticker; a geodesic dome. We pass HeeBeeGeeBee Healers, a camp that puts on daily spiritual healing workshops where attendees are asked to chant like monkeys.

“Is that the gong one?” Norquist says with a laugh. “I saw an advertisement for a place where you lie down and they hit gongs near you and they can cure your appendicitis or something.”

Norquist is still getting used to Burning Man’s quirky traditions — for starters, he doesn’t yet have a “playa name,” the nickname given to first-time Burners as a rite of passage. (“I went through eight years of the Bush administration without a nickname,” he says. “I think Grover is sufficiently unique.”)

[Source: New York]

Read the full interview here.

There’s big elections coming up in 2016, and Burners are an attractive little bubble of voters for politicians to reach. Maybe if we’re lucky this year Hillary, Jeb, and Trump will all bring their planes and give interviews too, with paparazzi standing by to record the evidence of them actually Gifting and Participating and being all Radical. Of course, we’d have to turn the music down.

http://twitter.com/GroverNorquist/status/505893399824588801/photo/1

http://twitter.com/GroverNorquist/status/505893009158705152/photo/1

Burner Artists Ripped Off by David Guetta and Nicki Minaj

You would think that top DJs could afford to pay for their art installations, instead of stealing them. David Guetta is the #2 highest paid DJ in the world ($30 million in 2014, so as big as Burning Man), and Nicki Minaj is #11 on the Forbes rappers list ($11 million in 2014), the only woman listed.

Maybe BMOrg’s IP policy made it all too hard. Rather than negotiating with all the lawyers, they just went to a set designer and said “make me this”.

Guetta appears with the art piece(s) and flame effects at about 2:20.

The official video for the song is definitely Burning Man themed:

Will they appear on the Playa this year, to perform their new hit?

From thump.vice.com (emphasis ours):

Did David Guetta and Nicki Minaj Steal From Burning Man for Their Billboard Music Awards Performance?

…Structures on stage with Guetta and Minaj nearly identical to those of a Burning Man art installation known as the HYBYCOZO series have prompted accusations the DJ and rapper stole someone else’s work.

“We received several calls in the evening telling on Sunday telling us to turn on the TV to watch the David Guetta performance because our design was popping up all over the stage,” designer Yelena Filipchuck tells THUMP. “It was so egregious that people who weren’t even that familiar with the project sent us messages asking us if we did the stage design!

Filipchuck and her design partner Serge Beaulieu debuted the HYBYCOZO installation at Burning Man after a successful Kickstarter campaign in the summer of 2014. The series of steel-wrought, laser-cut, light-emitting geometrical structures went on to become one of the most photographed installations in the festival world after follow-up appearances at Treasure Island festival in San Francisco and Further Future outside of Las Vegas earlier this month.

HYBYCOZO, a contraction of Hyperspace Bypass Construction Zone, features a number of different geometric permutations placed in conjunction, but in particular, the pentagonal dodecahedron (12-sided structure of five-sided panels) is the design that the designers suggest was pinched by Guetta and Minaj.

side by side hybocozo

Side by Side comparison. Image: Vice

“The size looks similar at six feet tall,” says Filipchuck. “The pattern attempts to be a copy, we zoomed in and the composition of the pattern matched exactly [a circle in a pentagon] on a grid of lines coming out of the corners. The shape itself even had the same thicker darker edges, glowing from the inside and matched the distinctive laser-cut repeating patterns that we are known for.”

Strengthening Filipchuck and Beaulieu’s intellectual property theft case is the more circumstantial evidence in the “Hey Mama” video, in which Guetta and Minaj galavant in distinctly Burning Man-themed scenes, replete with dusty post-apocalyptic revelers, art cars, and a stage setup commonly used at Burner spin-off events like Desert Hearts.

…”The part that hurts the most is that we are young artists doing festival art and stage design. Now it feels like anything we do will just be copied by one of these huge corporate teams,” Filipchuck adds. “If they wanted this aesthetic they should have contacted us to discuss the options rather than [create] what a appears to be blatant rip off of our art without our permission.”

Guetta enjoys burner vibes in the video for his and Minaj’s “Hey Mama”

Read the full story at Thump.

Over to you, BMOrg. You say that your IP policy is only there to protect artists and defend our culture: please go and defend our artists and our culture from these thieves.