Radical Inclusion Party Foul

A guest post by Mayor of the Techno Ghetto Terbo Ted TerboLizard, the founder of doof at Burning Man. Ever wonder why there are thousands of massively popular raves in the world, and yet the Cacophony Society didn’t really grow beyond a few groups of a couple of hundred weirdos? In 2017 They are still promoting the idea that we should glorify the Cock’o’phonies while demonizing the ravers, which shows how out of touch the Burning Man Organization has become from the community that creates the $40 million cash cow/ party arts festival for them for free every year. It’s tax-free for them, but Burners still pay a 9% tax on their tickets. And bring the food, the bars, the music, the DJs, the art cars, and so on.

How many people at Burning Man like the music coming from the art cars and big camps? Half? More than half? Personally I would say 95%+, YMMV. If you didn’t like that sort of music, Burning Man would be an oddly uncomfortable place to spend a week’s vacation time.

Count the crowds, and look where they are. A lot of crowds, all over the Playa, almost always around music. It is clear that electronic music is what made Burning Man so popular, and if the Ten Principles mean anything at all, it means we should welcome people who come to enjoy that aspect of Burner culture at least as much as we welcome anyone else. Not try to shun and shame those who made Burning Man what it is, out of some weird ideal of “what a Burner should be” – presumably some sort of submissive, compliant, social justice virtue signalling volunteer freak. Burning Man was HUGE before the Ten Principles were thought up.

BURNERBITCH

Image: Leila Moussaoui, The Bold Italic

 


Burning Man: Radical Inclusion Party Foul

FOR IMMEDIATE RELEASE
Anyone who follows Burningman culture year-round probably stumbled across a recent article titled “Burning Man’s Culture Is In Danger – Tales from the Global Leadership Conference.” The wildly popular article at burn.life prominently featured a picture of ne’er do well young party bros in unfortunate festival attire, with the caption “Ultimately, the worst case scenario is that we end up with an event dominated by idiots like this (not sure where this was taken or who took it, but it’s not at BM….yet.)”
Before I get into any more details, I am going to both embarrass myself and brag a little bit… here is a picture of me, as a young man in my early twenties, out on the playa in 1992, right after I played THE first DJ set EVER at Burning Man.

Terbo Ted at Burning Man, 1992, Black Rock Desert, Nevada
That’s what I wore for my set. Note the visual similarities in how myself and the four young men are dressed; literally, I could stand next to these fellas being portrayed as ‘bad guys’ 25 years into the future and fit right in.
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But let’s look at the history of Burningman. When the collectives I associated with brought rave culture out there- electronic dance music- whatever you want to call it, many of the early burners treated us like pariahs. ‘Ravers’ were blamed for just about anything that went wrong in early 90s burns, and some of it was deserved, and some of it wasn’t. But there were three key BM organizers in the early years on the playa who were the glue that made Burningman stick. Larry Harvey, Michael Mikel (aka Danger Ranger) and John Law were all very supportive of our efforts to bring a new facet of culture into the Burningman experience. Those three understood the concept of radical inclusion well before that was even a stated principle of the event. The written ten principles came to the playa much later than the DJ sound systems. Today there are all kinds of arguments going back and forth regarding the virtues or failures of the music culture at Burningman, that’s another discussion for another time.
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Let’s look at the attire everyone is so scared of. When I was in my early 20s I was living on something like $500 a month or less in San Francisco. That is impossible now but it wasn’t really possible then either. I had no money for fancy clothes. The neon hat I had was a free giveaway from the liquor store, it had a cigarette brand sponsor. I used to smoke cigarettes back then. I used to go over to Larry’s house for coffee and talk about plans for the upcoming MAN year-round. At times I would take two packs of cigarettes (buy-one-get-one free quality you understand) and give one of the packs to Larry, who also was living on next to nothing as far as money goes. The shirt I had on in this picture was something you’d get out of a free pile somewhere outside of a thrift store, or for a dollar at a garage sale (they used to have those in the Mission, believe it or not). That was how we lived. If you had told me back then that people would be expected to wear elaborately hand made outfits that cost thousands of dollars to the burn I would not have believed you. If I had any costume at all for Burningman back then, it was because I got it for free somehow.
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Let’s apply that to the ‘party goons’ in this picture. I was able to easily find those garments they’re wearing online. The neon green RAGE hats are $10, you can buy them online here. The shirts with garish slogans are also in the $10-$20 range. The point I’m getting to is that young people don’t have lots of excess money, and you’re going to see these sorts of fun and low-cost things being worn. The young kids don’t have $800 for a handmade steampunk top hat with hand distressed goggles sewn in, and the entire outfit that goes with it, do you understand?
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And let’s decode the messaging in their attire:
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RAGE. Hey, it’s kinda close to BURN. Party on.
ALL I DO IS FUCK & PARTY. I think many people at least fantasize that’s what their burn is going to be about, if not in fact acting it out for real. I know that I do those things out there (when not busy MOOPing of course). I’m hoping you get to do those things out there as well, if you choose to.
SHOW ME YOUR TITS. This is absolutely perfect male attire on Thursday afternoon for Critical Tits Bike Ride. I am going to order one for myself this year. Easy to find online in multiple colors and fonts and at low cost!
PARTY WITH SLUTS & ME GUSTA WHORES Burningman does take place in Nevada. Not Berkeley. Prostitution is legal in Nevada.
LET’S GET FUCKING WEIRD. Heck, this could be an official theme for one of the coming Burns for all I care. I approve.
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After twenty-five years of watching Burningman grow from less than 1000 people to selling out tens of thousands of tickets in half an hour, I’ve seen it go through many growing pains and phases, some of which were gut wrenchingly awful, some of which were transformative in a beautiful way.
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When we were first going out there, I remember Larry explaining to me that when you put yourself into that void out there on the playa, whatever it is that is you- your inner self- is going to emerge because there’s nothing else there as a reference point. Everything you do out there is your inner self projecting itself into the world. The experience there is real. Something like that. The concept of Radical Self Expression undoubtably rose out of these beliefs.
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Today, I can’t help but cringe at all of the Burner fashion conformity that happens. You can find websites in China selling ‘Burner’ style goggles now. And you know the look I’m talking about, the ‘Mad Max Muppet Pirate Clown on Acid’ get-up or whatever it is you see tens of thousands of times out there. We didn’t have a dress code at early Burningmans (although that’s not true, there were cocktail parties and theme parties with dress codes out there as early as I can remember). It’s great that the culture has developed some sort of visual ontology- maybe- but that we’ve seen that culture start to move toward exclusion of chosen costumes is a step in the wrong direction, a step away from inclusion, away from expression, it’s a push toward conformity and rule following. Early Burningmans were populated and created by pranksters, they pushed the boundaries of what was socially acceptable, comfortable, or- in many instances- lawful. They weren’t conforming to anything. Unlike today’s Burner culture. Shame on you people.
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After the burn.life article was getting heavily forwarded around social media I had started making light hearted and favorable comments about the photo with the party bros on the Facebook group called ‘Official Unofficial Burning Man Page’ or whatever it is. I posted links where you could buy RAGE hats or some of the shirts in the comment threads, jokingly (and not for profit or anything like that, not as a commodity) as a commentary. And one of the admins banned me from the Facebook group. Shame on you people.
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And let’s pretend those four party bros are out there this year in their chosen attire everyone wants to make fun of. Neon RAGE party hats and all. Having them time of their lives. Maybe they’ll even have some Whip-Its™ to share at sunrise, and you could do some with them and teach them about MOOP in the process. Remember, virgins are very welcome at Burningman. And once virgins get exposed to the culture, they can’t be unexposed to it. Who knows what great new and heretofore unthunk inspirations from the playa might transform those young bros’ lives. Hopefully they wouldn’t instead get forced down a path of derisive hierarchical conformity from the experience of going out there. The default world does that well enough, thank you.
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About the storyteller:
Terbo Ted first visited the Black Rock Desert in 1992 when there was no gate, no perimeter, no road, no trash fence and you could drive your car as fast as you wanted in any direction. Terbo was the first DJ to play in Black Rock City, with no one there to hear his set on a dusty Friday afternoon. Later, in the early years he was the only one ever to be called “Mayor of the Techno Ghetto.” His playa self and default world self can be remarkably similar these days.

The Man Behind The Music

Image: IRDeep via Spin

Image: IRDeep via Spin

Spin magazine has an interview with Opulent Temple founder Syd Gris. Some highlights:

The organizers behind Burning Man deny any affiliations of being a “music festival,” but, for all intents and purposes, this is the wildest music festival in the world.

The denial of their identity as a music festival lets Burning Man rely heavily on crowdsourcing the 24-hour, over-the-top productions, visuals, DJ booths, sound equipment, and world-class music performances to ticket holders…

Attendees being responsible for their own entertainment is exactly what separates Burning Man from any other music festival. You bought the ticket, and have to do all the work. 

Gris is the co-founder, lineup curator, and overall production director for more than 13 years with the sound camp known as Opulent Temple. 

CREDIT: Photo by IRDeep

Opulent’s major objective is twofold: to provide a platform for spiritual dance expression and for DJs to explore the more artistic (and perhaps unacknowledged at other commercial festivals) side of their craft…

 This year, Opulent Temple took a step away from their typical stage build for their popular Wednesday night “White Party.” Instead, they provided attendees a truly magical alternative that captured the true essence of Burning Man by forming a commutative stage consisting of multiple art cars from other camps. The Opulent team set up their DJ stand on top of an art car, outfitted with large speakers, to drive deeper into the open center area of Burning Man. Various cars from other camps outfitted with large speakers met them at a specific location and linked up wirelessly through RF technology to form a makeshift half circle dance floor. While each car was synced directly to the Opulent DJ performance, additional art cars unaffiliated with the camp would drive in and the Opulent workers would link them up to join the party as well.

What was the sound camp scene like when you arrived at your very first Burning Man?
Back in 2001, there were certainly less of them and most every scale of production was downsized compared to current standards of Burning Man sound camps, especially the scale of sound systems. I say that mostly because camps such as “Lush” in 2004 and “Sol System” that same year (fondly known as Sol Henge) were even by today’s sound camp’s standards massive productions, but those were definitely outliers and seemingly burned both crews out because neither ever came back after that year.

Is it true that you fought for the rights of sound camps at Burning Man?
Yes, I organized a bunch of camps in 2008 including representatives from camps like El Circo, the Deep End, Green Gorilla, and others to approach the Burning Man organizers to request some changes and support. The premise was basically that collectively we’ve felt like we give a lot to the event. Which, of course, is fine; it’s why we started creating such camps in the first place. But we hoped we might get more support and resources from the organizers to do what we do since it is our perception the role of the Large Scale Sound & Art Camps had evolved to be an integral part of a large number of attendees experience and reason for coming. What we asked for and what we got for our efforts were different. Spoiler alert: not much!

Did artists like Tiesto find it unique having to purchase their own ticket?
Yes. We are a volunteer and fundraising camp. All the equipment, food, shelter, and electricity comes out of our own pockets, while we all have day jobs outside of Burning Man. He provided a donation to our camp debt after he played for us in 2005, he said, “It’s the only time I’ve paid someone to play for them.”

What did Opulent Temple do to set the standard for today’s music scene at Burning Man?
What we did to raise the bar was really just building on the precedence of the great camps that came before us but taking it to a higher level. We make our own art and the production pieces that make up our camp, and we build new stuff every year to add to our recognizable look. We were the first to have a DJ-operated flame-throwing booth, and the first to consistently bring out an eclectic range of so-called ‘big-name’ DJs, and we did it all year round through volunteers building the camp and making the art.

CREDIT: Photo by IRDeep

What’s the future of the music community of Burning Man? Will the music be too much and eventually take away from the art as it slowly becomes the main attraction?
I think people’s association and experience of Burning Man — unless something drastically changes — is always one of art and music. For now, it is by far primarily dance music. Though it sounds ironic to say, in one light you could say the organization has gone to great lengths to do nothing to support music at Burning Man beyond allowing it to exist. They do a lot to nurture the art scene, so I don’t see it becoming too much.

[Source: Spin]

Read the full interview at Spin Magazine.

Here’s a Syd Gris set from last year’s Halloween.

2015 Music Lineups

Did you download the free Rockstar Librarian Music Guide? This year, it seems a little light – listings from major camps like White Ocean and Robot Heart are not there at all.

If you were conspiracy-minded, then you might see this as related to the War on EDM, the declaration of a DMZ and new rules for loud art cars, and BMOrg’s request that no camps reveal their DJs until after the OMG sale. Perhaps digging even deeper into the underlying motives, if no live entertainment is ever promoted before ticket sales, BMOrg can try to argue they’re not providing Live Entertainment which would make them subject to a 9% tax like other large events in Nevada.

Those more inclined to view the world through rose tinted glasses will have to just shrug this off as maybe this year all the camps here had time to make flyers, but most were just too busy to email their flyers to RSL at the same time they were posting them on Facebook. YMMV – we report, you decide!

This particular conspiracy theory was first articulated at burningman.com in July 2014

This particular conspiracy theory was first articulated at burningman.com in July 2014

 

Anyway, if you want to know if your favorite DJs are going to be there, and make plans to meet your friends at events, here are all the flyers I can find for this year. If you have another one that’s not listed here, please share and I’ll add it. You may want to print this page to a PDF and take it with you to the Playa.

A big thanks to K-Dust’s Definitive Music Guide and The Music of Burning Man on Facebook, where many of these were posted.

lucent dossier

2015 shift lineup

 

2015 disorient2015 disorient lexel2015 steampunk saloon2015 trapezee

2015 celtic chaos2015 question mark

2015 ooligan alley

2015 white ocean



2015 exxxplosivo

2015 soma 2015 milk 2015 unicorn rampage 2015 liquid giraffe 2015 loomer 2015 kings 2015 alastair 2015 david starfire 2015 alex ferrer

2015 playaskool2015 pile palace Charlie-2015-line-up 2015 funky town 2015 beats boutique 2015 christina 2015 scumfrog
2015 big joe daddy 2015 human experience 2015 funk for peace 2015 little john 2015 ra so
2015 music mexico2015 alex cecil 2015 tropic thunder

2015 dragonfly den

mayanwarrior2015

2015 slut garden

2015 sacred spaces 2015 desert hearts 2015 ego trip 2015 pink mammoth2015 kramer

2015 illuminaughty

Opulent Temple will be everywhere…and Carl Cox is playing at their White Party.

Tuesday

Opulent Rhino

Opulent Temple & Dusty Rhino present: The Opulent Rhino

10:00 & ILLUSION – THEN MOVE TO INNER PLAYA

09:00
DJ B
10:00
Nugz
11:00
Jonboy
12:00
Alvaro Bravo
01:00
DJ Dan
02:00
Billy Seal
03:00
DJ Wes Smith
(04:00)

Wednesday

13th Annual Sacred Dance White Party

Sacred Dance: Our 13th Annual ‘White Party’ at BRC

PART I: KICK OFF BETWEEN THE MAN AND SERPENT MOTHER ALONG 4:00 AXIS.

Base vehicle: Bounce

09:00
El Jefe Rojo
10:00
Syd Gris

(Car departs @ 10:30 & moves to Serpent Mother around 10:45)

PART II: SERPENT MOTHER, INNER PLAYA ALONG 4:00 AXIS.

Base vehicle: Thor Bus

10:45
Syd Gris
11:30
Grammar
12:15
Dulce Vita
01:00
Carl Cox
(2:00)

(Bounce peels off from Serpent Mother party around 12:45 to re-establish new spot)

PART III: R-EVOLUTION INNER PLAYA ALONG 1:00 AXIS.

Base vehicle: Bounce

01:00
Kyle Jouras
02:00
Skrillex & Diplo as Jack Ü
03:15
DJ ICON
04:00
Billy Seal
04:45
ELiKi w Violin Girl

PART IV: OPEN PLAYA STRAIGHT UP FROM R-EVOLUTION FOR SUNRISE

05:30
Mike Butler
(7:00)

Thursday

Opulent Temple @ Trifucta

Opulent Temple at Trifucta

7:00 & ESPLANADE

10:00
Brian Williams
11:00
Grammar
12:00
Vinkalmann
01:00
Jonboy
(2:00)

Friday: Double Header

Opulent Temple at Disorient and Camp Questionmark

Opulent Temple at Disorient

8:00 & ESPLANADE | HOUSE MUSIC

10:00
DJ ICON
10:45
Dulce Vita
11:30
Mike Butler
12:15
ELiKi
01:00
Brian Peek
02:00
Camea
05:00
Jean Dom

Opulent Temple at Camp Questionmark: FROM DUST TIL DAWN

2:00 & CARNY | BASS MUSIC

09:00
Dulce Vita
10:30
Cosmic Selector
11:15
Sayer
12:15
DJ ICON
01:00
Bleep Bloop
02:00
Tokimonsta
03:00
Phutureprimitive
04:00
Deekline
05:00
El Papa Chango
06:00
PRSN
07:00
Raso

Art Car Support by The Grabber

WILL GO IN BETWEEN BOTH OT PARTIES AND BEYOND.

09:00
(Open)
10:30
Jonboy
12:00
DJ Hil
01:00
(Open)
03:00
Chris Tower
?

Strike 2 in EDM War: Opulent Temple Denied Placement for 2015 [Updates]

BanAllTheThings

When news came out that Dancetronauts had been banned for at least a year for being Too Loud For Burning Man, we wondered if there might be more to the story. Was this part of a bigger pushback to exclude “Broners” from our culture, an attempt to differentiate Burning Man as “more than just another EDM festival on the circuit?”

Well, speculate amongst yourselves, Burners…meanwhile, the coincidences continue to mount. Now we hear that Playa stalwarts Opulent Temple have been denied placement. Why? For not being interactive enough.

This is a sound camp with at peak moments more than 10,000 people being entertained. By the world’s best DJ talent, for free.

From Opulenttemple.org (emphasis ours):

2014 saw us go big once again. We produced and gifted our 11th incarnation of the camp, doing so for our 7th time anchoring a corner spot. We built a new (partially) crowd funded DJ booth we called Armagan, aka OPod 3.0. We also built new 3D screens for visual mapping known in OT slang as the snowflake screens, new I-beams and support structure to put the raised stage platforms together, and a custom made 3 shower stall on a trailer. We moved warehouses, did upgrades on our fire effects manifold, built a paneled LED light effect DJ booth for indoor events, threw 16 fundraisers, and we bought a swing set. We also founded a new 501c non-profit organization called Sacred Dance Foundation to formalize with the IRS what we always been in action, a non-profit community, gifting an experience in the hopes it will do a small part to plant seeds of goodness in troubled times.

So yes, we’ve been extremely busy, expended a high amount of financial and personal resources last year to make it all happen and ended up with a considerable amount of debt. It took us quite a few events just to come back from the deficit so we head into this year’s burn needing a different and less risky experience. Our core team has never had a year since starting or joining OT where we haven’t produced a large sound camp. It takes a massive coordinated group effort each year to raise enough funds to bring our production to the desert and I’m sure you know that we, like every other sound camp, do it all with only the support of our community, without any help from BMorg. We attempted to apply for a grant for our large-scale fabrication projects last year but were denied because sound camps and music are not considered art that the powers that be wish to support. While other art installation projects have access to almost $1 million in grant money, free tickets for crew and validation from BMorg, sound camps get no support even though we also contribute a highly interactive and memorable experience to tens of thousands of burners every night of the week at BM and beyond. It would be safe to say that sound camps play a big role in why many of the BRC population make the trek each year so the lack of support and respect from the organizers is disheartening… so much that they didn’t even assign us a placement for our camp this year.

So now the plan is to step back and have a different BM experience while still maintaining an OT presence and vibe in Black Rock City. There will still be a great OT camp that will be close to the many dance floors in the 10:00 and Esplanade vicinity, and we’ll still do a number of events, but they just won’t take place in our own sound camp and dancefloor. We’ve asked why we’re not getting placed and were told our camp is not ‘interactive’ enough since most of the events we’re doing are mobile. We’ll be announcing our events here in the coming weeks but definitely keep Wednesday night open for us with your creatively fabulous white attire for our annual Sacred Dance ‘White Party’, but this year on the open playa, stationed around the Flaming Lotus Girl’s Serpent Mother. We hope to enroll as many art cars as possible to link up and add to the epic party. Please contact us if your art car would like to join that sonic train and participate in the overall experience.

Thank you for the ongoing support to help us do what we do. Seems like the community based sound camps (in contrast to millionaire funded ones) are dwindling; many of the popular sound camps from years past will be absent this year: Roots Society, Osiris, Dancetronauts, Digital Apex. At this point we don’t really know year to year where the wind will blow us, but you can certainly bet whichever direction that is, we’ll be forging ahead with fire, beats, community and a mission, forever purposeful.

See you in the desert!

The only major sound camps we’ve heard that got placement are billionaire camp White Ocean and Disorient. Burners this year will also have to make do without:

Root Society

Osiris

Dancetronauts

Digital Apex

If you’ve heard of any other sound camps that won’t be returning this year because they were denied placement or couldn’t get enough tickets, please let us know and I’ll update the list.

When the Founders first announced their retirement and transition to a non-profit, then followed it up with an Anti-Burner ticket lottery, we speculated as to their motivation. Was there some perverse element disgruntled at Burners, and actually trying to destroy Burning Man from within?

I’m not sure what the motivation is, maybe you guys have some ideas. The decisions they’re making at BMHQ in the Mission just seem to be getting worse and worse, the older the Founders get. A tragedy, really.

shark burning man sfbg


[Update 9/13/15 5:25pm PST]

Thanks to a source for sharing this. From OT’s recent email to camp members:

This year is a unique year by OT standards because for the first year since our inception in 2003, we are not building a large sound stage / camp-central dance floor.   After 12 straight years we decided this was finally the year to step back and have a different BM experience while still maintaining an OT presence and vibe in Black Rock City.

So, there will be a great OT camp…But please be clear, though there will be  many dance floors in our immediate vicinity, most of the time it won’t be our own.

The camp will have limited space this year for ~120 people, including no more than about 20 RV’s.  (for comparison, last year we had about 275 people by the end of the week).  So by our standards will be on the mellow / intimate scale.  The requested camp placement is 250 feet back from 10 & A (so essentially behind whatever sound camp is on 10 &A).  That puts us well behind the usual loudness that’s generally been part of the OT camping experience but still close to the Esplanade and the action.

So that’s all they were looking for – somewhere to put less than half of the previous year’s camp. That’s the placement that was denied them, for not being “interactive enough”. So do the camps behind the 10 o’clock sound camps all have to be interactive now?

They were going to have events every night which were all open to the public.

EVENTS
Party wise we will do 5 events (only one of which is a full on OT scale blow out.)

-Tuesday Sunset: OT Happy Hour – Meet and greet for all camp members and open to the public to invite friends, live DJ’s and drinks.
-Tuesday Night: OT partners with an Art Car tba for an OT vibe and DJ mobile party.
** – Wednesday Night: our biggest event of the week – our annual OT Sacred Dance ‘white party’ – open playa locale TBA.
-Thursday Night: OT hopes to partner with a placed sound camp to synergize vibe and talent with our crew and theirs.
-Friday Sunset: OT Happy Hour – Meet and greet for all camp members and open to the public to invite friends, live DJ’s and drinks.

Would it have been so hard to reward their loyalty with placement? If not where they requested, then anywhere?

Burners on social media are saying that MOOP is the “actual reason” Opulent Temple were denied placement. This allegation has now been completely debunked, see below.

In other veteran news, Dusty Rhino was denied placement on the Esplanade, for not being interactive enough.

Let’s hope this means there will be incredibly interactive camps along the Esplanade this year, and in the back streets behind the sound camps.


[Update 7/11/15 6:34pm]

Opulent Temple themselves, perhaps fearing further ire from the Borg, have moved to downplay the situation, and distance themselves from any speculation about motivation.

Hey folks, OT here. We know people love getting drama-tastic about Burning Man, but while we appreciate Burners.me a lot for their support of music at BM, we feel this headline is a bit sensationalized. We don’t want to get pulled into some conversation about ‘war’ on EDM music, because frankly we don’t see it that way. Our scoop is in the web posting and we encourage people to read it on our site. Again in a nutshell – Unlike previous years, we don’t have our fixed stage. We never planned on having it for the reasons outlined in our post, which has nothing to do with placement. We are doing a number of OT events though, that will be at various spots around the playa, and because our camp itself did not have an interactive element, but is more of a base camp for our events around BRC, we weren’t placed. We’re still going to be there, it just makes things harder for us than we hoped it would be. We thought and wished partially based on legacy and previous contribution we’d get a reserved spot, but we didn’t. We’re not trying to call victim, it is what it is, we’re well versed in being disappointed in decisions from the org and we choose to be there with open eyes. It had nothing to do w MOOP either, for the record… There was zero mention of MOOP in their reasons for their decision. Thanks for everyone’s support and we look forward to seeing everyone out there, especially Wednesday night at the Serpent Mother. Peace.

[Update 7/11/15 7:00pm]

Thanks to MzFit for helping clear this up. Despite the haters’ claims (which we can put down to disinformation, or maybe familiar smear campaign tactics), OT was green for MOOP last year. They had a single red dot, which presumably was dealt with. It was a lot less than most camps, including most camps that only had one MOOP mark.

Screenshot 2015-07-13 18.57.08


 

[Update 7/14/15 9:03am PST]

This is from last year’s Piss Clear BRC Weekly. It reveals some of the Founders’ attitudes towards EDM and ravers:

sound camp lineup ban

 

White Ocean got placement. Dancetronauts and Opulent Temple got punishment. One is a billionaire camp (the founder owns 50 private jets), the other two are long time Burner camps who have put years into the event. Draw your own conclusions…welcome to Burning Man 2.0.


[Update 7/14/15 11:28am]

Someone suggested that 300 camps were denied placement this year, but officially it was 95. See the comments to this story for details.

From Opulent Temple:

For the record – 95 camps that asked were not placed (not 300). From our placement communication: “More camps requested Theme Camp placement than we have dedicated space for and as a result, we were unable to place 95 camps. Unfortunately your camp is one of these unplaced camps.”
Secondly, though yes – our in-camp interactivity was low (we know), it’s not like it was non-existent. Our interactive elements in the camp will be a large & plush public shade area open to anyone to come enjoy. (The same we always had on Esplanade for anyone to come chill) + 2 public sunset happy hours with guest DJ’s and drinks. + we’ll do 3-4 ‘mobile’ events and out about BRC, with Wednesday being the biggie. We’re doing more at our camp than some placed art car based camps that do nothing at their camp except park their art car when not in use.
Lastly, having some time to reflect, we say the reality of the placement thing is not that serious, it’s just been blown up because some have thought our normal big sound camp wasn’t placed, and we never intended to do the sound camp. It’s just the redundant, and consistent illustrative principle. We were, admittedly, hoping and assuming that our years of huge output of contribution was good for something in the consideration. Now we know it isn’t.

 

RockStar Librarian – Going Strong For Ten Years

rockstar librarian

Now this is an art project I can get behind.

Rockstar Librarian has been publishing a guide to the music of Burning Man for the past decade. It has now grown to a 32-page booklet, listing more than 5,000 DJ sets and live music performances.

Rockstar Librarian, President of the Galaxy, 2008

Rockstar Librarian, President of the Galaxy, 2008

She is raising money to help with the production costs. Now that the guide is so big, it creates a lot of work for her and her designer who have to work around the clock for 3 days straight.

It’s an amazing offering, and one that BMOrg themselves could easily donate $5,000 to, given how integral it is to their event.

As well as the guide, she also compiles as many of the DJ sets from the Burn that she can link to. Sign up for her free newsletter to get access to last year’s sets. Here are the 2013 sets on Soundcloud: 229 of them. It takes a massive amount of time to put this kind of information together, and it is incredibly useful to all Burners – as well as fans around the world of the thousands of different DJs .

Please support Rockstar Librarian, let’s thank her for all the spectacular work she has done for the Burner community to date and encourage her and her team to keep working so hard for us in the future.

Donate here.

If you want to get your set listed in the guide, the deadline is August 12 – but please don’t leave it to the last minute, if you can avoid it.