Tag Archives: rich

Mar 14 2016

Art Budget Shenanigans [Update]

A Burning Man artist has responded to my request for feedback in yesterday’s post Follow the Money, with a most interesting tale.

 

From Anonymous Burner:

BMHQ Artists meeting, 2014

BMHQ Artists meeting, May 2015

 

This picture was taken at the Follow Up Artists’ Summit held last May at BMHQ.  This was the second meeting after the first one in 2014 where a group of artists tried to make changes in the artist contract for the event but were met with a meeting facilitator that broke everyone up to bitch in different sessions.
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Then last May they held the follow up meeting.  Whereas there were upwards of 50 at the first meeting, this one was poorly attended.  Besides myself there was 2 other “Playa” artists and a bunch of newbies.  No one would show up because they knew nothing was going to come out of this meeting. They had tons of food…
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Looking at the pie chart, they state that for 2015 they would spend $3M on the art.  For ease of discussion, look at 40% Grants, 40% Services, and 20% Administration.
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1.2M for Grants (now includes Man and Man Base)
$600k on Admin?  Pick a number of FTEs for BRC art at $100k each.  They don’t have 6 FTEs working on BRC art and they sure as hell aren’t paying them $100k
$1.2M on Services?  For the heavy equipment thats used to build the site and is already out there?
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They won’t feed the artists at the Commissary.  The art projects have to pay for water, fuel, light towers, wood, DG for burns, Etc, Etc.  Plus pay for Port-o-Lets, feeding their crew, and everything else.  How are these service and Admin amounts calculated?
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Here’s the problem these folks have:
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They can’t raise money for the BM Project because if you donate to it, what is your donation doing?  I see lots of folks flying around the world talking.  What specific programs can they point to to make a case for donating money to the BM project?
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That leaves them trying to run the non-profit on the back of the event.  Yes the event makes money, finally – they ran the outfit out of a cigar box for years –  but leaves them unable to increase funding for the artists.  And given the way these lemmings throng to get a spot on the cliff, why should they even consider it.
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And now that they have to raise money for the BM project, where do they go?  To the folks that have been funding these pieces and supporting the artists.  It is a very shallow donor pool.  The result is “donor fatigue”  these folks are weary of being badgered by the Org and look for more permanent art installations.
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At the same time, they have to be careful in getting the community to support the artists more – Larry’s latest efforts are lame in that he keeps referring to the moneyed class and most folks say “he can’t be talking about me, I don’t have any money”.  My wealthy friends that have supported art projects in the past have been insulted by his “let the rich folks pay for it”.  Many are taking the year off this year, as am I.
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Well, I found that somewhat cathartic.  Thanks for hearing me out.

 

burnersxxx:

Thanks very much for sharing that. The artist raises some good points.

Specifically, from a $3 million budget, the numbers work out to:

$1,290,000 Art (43%)

$570,000 Admin (19%)

$1,140,000 Services (38%)

Heavy Equipment Rental was $2.45 million in 2014.

From a $1.2 million Black Rock City art budget, in 2016 they are paying for:

60 Honoraria art projects. Partial grants, artists have to raise most of the project costs themselves

33 Guild Workshops. Regional projects. Projects required to raise almost all the funding and supply personnel themselves.

The Man

The Piazza

The “Turning Man” contraption

The Temple. Partial grant, artists who “win” the project have to raise most of the funding themselves

4 Belltowers

A blacksmith shop

Possible other sculptures

Is the $90,000 what gets spent on art across Burners Without Borders, Black Rock Arts Foundation, Burning Man Arts, and all the other non-Playa activities?

[Update 3/15/16 5:44pm]

The artist has responded to some of the questions raised in our comments. emphasis ours

A question was raised about tickets and that was a good point.  I don;t know how the value of the tickets given to artists/art projects is calculated or categorized.  Here is what I do know – 
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Registered art pieces (funded and non-funded) get access to free tickets, vehicle passes, early arrival passes and the coveted 12 mile (aka Point 1) access privilege
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In addition to the free art project tickets, there are also half price (aka staff tickets) that are made available to the project depending on project scope, schedule, and staffing.  And if that isn’t enough, the Org can also press the special button and grant full price tickets to the artists as well.
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When the Org gives an artist a free ticket (or a half price ticket) how is it categorized in the accounting?  I would bet that in the calculations for the BRC art budget that the tickets are added to Administration or the Services figure at face value ($390).
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One way artists can take advantage of the Org is to have a high profile project start to go bad.  When that happens the tickets and vehicle passes can really start to flow.  A case in point is last year’s Temple – they had like 150 people in their build camp – due to physical constraints they really couldn’t have more than about 30 people working on the Temple at a time.  Even allowing for a generous support crew there was still upwards of 50-75 burners early to the event getting the party started early.
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The other question that was raised had to do with the construction of the Man Base and The Man.  One of the reasons the contractors category has been growing is that the “traditional” Man Base and Man Build crews have been terminated.  The Man and the Man Base are now basically built by hired carpenters – the Org has outsourced the construction function under the guise that “professionals” were needed to build the infrastructure for the city.  They got rid of the Man Base crew in 2013 (Cargo Cult) and the Man Build crew in 2014 or 2015 depending on how you define the termination.
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Another change for contractors happened this year when the Org eliminated the DPW Power Crew and outsourced the electrical grids to Agreko.  They kept a small crew of former DPW Power folks in supervisory roles, and the end result is a little more Disneyfication of the event.  Eventually they’ll outsource gate and perimeter to a security firm and the event will have all the charm of a visit to Ikea.
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The shark was jumped in 2012 with the ticket lottery.  When we look back 10-15 years from now I believe we will acknowledge that the year tickets became scarce was the year the Org stopped caring.
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This is an interesting point about the accounting. If a $397 ticket is sold for half price, do they write it off in the books as $200 of “Admin Costs” (claiming full revenue for the ticket, then the lost revenue as an expense) and then claim that they are contributing this towards arts?
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Why is the only time this “$3 million on art” figure appears in a small, quiet meeting with artists – and all the press discussion is of $1.2 million or $1.5 million? Why do they feed artists generously  (and unnecessarily) at HQ, yet shut them out of the Commissary during their builds?
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Thanks very much to the artist who has been contributing here, I can confirm that I have also heard what they are saying about entire crews being sacked and replaced with contractors from other sources. People who have given a decade or more of their lives to physically constructing Burning Man have been shunted out the door, while newcomers get to cash in. One consequence of this corporatization/Disneyfication is that it is more scaleable and movable. As I said recently to VICE, let’s take this show on the road!
Mar 13 2016

Follow the Money [Updates]

If you thought this year’s theme of “Da Vinci’s Workshop” and the corresponding shift of Propaganda Minister Will Chase over to the Maker Movement meant that 2016 was going to be all about 3d printing, laser cutting, computer-controlled manufacturing, nanomaterials, and all of the exciting things going on in Silicon Valley with the built environment…think again.

So far, it seems, it’s all about money.

We’re not quite 10 weeks into the year, and already we’ve had:

Art, Money and the Renaissance: Re-imagining the Relationship

What Powered the Renaissance? (Could it Have Happened Without Cash?)

The Renaissance’s $ecret Weapon for Arts Funding

How Burners are Re-Inventing the Artists Workshop (answer: “fronted by a master and funded by a relatively small group of wealthy clients”)

And now, Larry Harvey’s latest post “Following the Money: the Florentine Renaissance and Black Rock City”

Is it just me, or is there a bit of a “theme within a theme” starting to emerge here?

In the new post, Larry likens BMOrg spending $1.2 million in art grants to Lorenzo de Medici taking notice of the young man Michelangelo and moving him into his palace to get intimate, or Peggy Guggenheim sponsoring Jackson Pollack.

When Lorenzo de’ Medici adopted the young Michelangelo into his family, he did much more than hire on a hand to serve his needs. Private patronage is personal; it is immediate and intimate, and what is true of Florence and our temporary city is also true of every celebrated art scene ever known. One example is the relationship of a famous heiress, Peggy Guggenheim, and Jackson Pollack, a struggling painter. Peggy paid the painter’s daily bills, bought his work when no one else would, and organized his first art show. At a soirée held in her home, she even let him pee in her fireplace (though not on the carpet)…

…Money sluiced through the streets and piazzas of Renaissance Florence, and yet the sheer hydraulic force of capital did not determine every outcome. Money was a means, but not an end. What mattered most was social interaction in the context of a networked culture driven by ideals, and Burning Man may be regarded in a similar light. One way to fathom this phenomenon is to follow the money. In 2016, Black Rock City will distribute 1.2 million dollars to artists in the form of honoraria.

It is around 3% of revenues – almost exactly half this year’s $2,349,000 Vehicle Pass take.

Artists have been asking for a fair and equitable contract. Here at Burners.Me, we have been suggesting more should be spent on art than on lawyers. It doesn’t sound like Larry & Co are listening to either of these groups, so we wonder where the feedback he’s getting is coming from – and if his information diet is being distorted and propagandized as it moves up the food chain.

In the case of Burning Man, such quasi-governmental patronage does not exhaust resources that are devoted to art. As with competitions sponsored by the Wool Guild, Black Rock City’s honoraria are awarded by a small committee, but this curatorship, as practiced by a few, is counter-balanced by a radically populist patronage. Each year many artist groups will subsidize their projects through community fundraising events and crowd-sourced campaigns on the Internet. Some critics say that Burning Man should shoulder all of these expenses, but we have found that self-initiated efforts create constituencies, loyal networks that support these artists on and off the playa.

This has produced a flow of art that’s issued out of Black Rock City in the form of privately commissioned work, civic installations, and exhibitions subsidized by festivals. Now this surge of money in support of art is going global.

[Source: Burningman Journal]

Radically populist patronage? Sounds like Sanders and Trump voters.

I would love to see a link to somewhere on the Internet where somebody said that BMOrg should pay all the costs of all the art at Burning Man. I think the general consensus here has been that they should pay more of the costs than a third of the pieces they promote the crap out of and claim credit for – and they should probably pay for The Temple, the same way they do for The Man.  Let us spend our artist funding budget supporting pieces that wouldn’t otherwise get there, rather than mega-works you can promote with Oprah and Dr Phil and sell tickets to for $1207+ for spectators to come and behold.

Here is a recent link to Larry Harvey repeating his oft-told tall tale that “no artist has ever signed their art at Burning Man”. This previously espoused philosophy seems to be the antithesis of his latest claim, that the art at Black Rock City funded by their annual Medici donation of $1.2 million (by year BM30) has enabled outside careers and markets for its artists. Personally, I believe the latter to be closer to the truth, and his earlier claim to be false. Nice to see you coming round, Larry.

Last year, in an interview with Ignite Channel, BMOrg were claiming to have created their own art market.

So instead of trying to cater to the traditional art market, Burning Man has created its own. The Burning Man Project not only funds art projects shown at the festival itself, but supports artists creating interactive projects in cities internationally. 

Many cultural festivals have since followed Burning Man’s example in putting art front and center. With pride, Harvey shares: “Many people come [to Burning Man] for the art and stay for the community. (…) We are making it more possible for artists to sell their art in such a way that they can live off their art.” By supporting artists who would otherwise struggle to gain recognition in the traditional art market, Burning Man and other festivals are giving birth to creative dreams while shining a light on unlikely art.

“Anybody who’s going to take art as a vocation has to endure enough. Artists deserve to make a living.” — Larry Harvey

I would be interested to hear the opinions of some Burner artists about this. Has BMOrg helped them to live off their art? Last we heard, BMOrg’s artist contract specifically forbade artists from paying themselves anything from the art grant. It also said BMOrg take a 10% cut if the art piece is sold off-Playa.

Are they going to claim credit, and a cut of the money, for this? If you ask me, the credit and the money should all go to Marco.

Bliss-Dance-Marco-Cochrane-web_t1000

Artist Marco Cochrane with Bliss Dance, now in front of the MGM at Park Las Vegas. Image: MGM Resorts

[Update 3/13/16 11:55pm]

A reader has let us know that the reason the art grants have “increased” from $850k to $1.2m in the last couple of years is that the costs of The Man are now being lumped together with Art Honoraria grants.

 

[Update 3/13/16 5:42pm]

Here’s what BMOrg said last week:

Burning Man Arts is funding BRC art to the tune of $1.2 million this year, including these Honoraria recipients, as well as the sculptures, the bell towers, and the 33 Guild Workshops in the Piazza around the Man.

The sculptures? Meaning, The Man and his rotating clock frame? Or other sculptures as well as the Man and the Temple?

The $ are also funding blacksmithing collective Iron Monkeys, linked to BMOrg Board member Kay Morrison, to provide a functioning blacksmith shop in the desert:

There will even be a functioning, participatory blacksmith shop — the Piazza de Ferro — built by the Iron Monkeys. Sparks will fly!

What further indications do we have that the $1.2 million BRC art budget is funding The Man, as well as everything else listed and fractional funding of 60 art projects?

In the most recent financial information we have for the Burning Man Project (2014) the Man and platform can be found at the bottom: $407,055 for Cargo Cult and $237,581 for Fertility 2.0. It’s hard to imagine that 2014’s 120 foot-high Man cost much less than this to construct.

As you can see, in 2014 the Man and Platform are no longer being listed as a separate line item (Donations to Schools and Regionals have also disappeared). Are they office expenses? Contractors has risen $2 million from 2013 to 2014, neatly mirroring a drop in (estimated) profit after all expenses from $4 million to $2 million. Perhaps it could be hidden away in there – but, why?

2014 bmp comparison financials 2013 2013 burnersdotme 2

Mar 4 2016

FCS Tries to Make Amends with Free Camp Placement Service

fcs_facebook-665x375

In the past couple of years there have been some mixed messages from BMOrg about Commodification Camps. On the one hand, Larry Harvey writes a big post saying “concierges are here to stay!”, and creates a theme based on rich patronage of the arts. On the other hand, the BJ says “concierges are banned!”, and singles out one organization in particular: Festivals Concierge Service.

They have just released a statement to the Burner community. emphasis ours

A Message to the Burning Man community

 

Dear Friends,

Dear Burners,

As the CEO of FCS – and a committed member of the BM community – I feel compelled to make a statement to the Burner community.

While I fully understand and support Burning Man’s discontent with plug-and-play camps and commodification, I feel there is a misconception about what we do (and do not do) for our clients at Burning Man. Further, I feel we have been unfairly singled out as a poster child for BM support services, as there are a number of other companies providing assistance to both participants and camps on the playa.

With FCS, our primary intention is to help shift the consciousness of our first-time Burner clients. We encourage them to truly embody the culture and spirit of Burning Man. We guide them through the philosophy of Burning Man, with particular focus on the 10 principles and the need to protect and foster the community. We do this because we are passionate and committed Burners ourselves, and we have seen the positive and life changing influence Burning Man can have on our clients; many leave the week with a profound shift in consciousness and seek more community experiences and opportunities to make positive change in the world. Many of the clients we help get to Burning Man return each year and we continue to assist them in their logistics and preparation for their Burn.

 

We have never – and will never – offer an all-inclusive Burning Man experience.

We have only facilitated travel and logistics for our clients. That’s it.

FCS offers:

 

  1. GUEST CAMP PLACEMENT

 

We help our clients to have the best possible Burning Man experience – and placement in the right camp is critical to this, as any experienced burner can attest.

We will now offer assistance with camp placement as a gift to the community; not just to our clients but also for any other Burner who may need this help.

No fee is charged for this service.

  1. ON-SITE SERVICES

 

We do not offer any on-site services. We do not hire Sherpas for our clients.

Services related to RVs and trailers are provided by our suppliers directly or by the camps. We contract only Burning Man Outside Services Program (OSS) selected partners, and our providers pay the various BLM and Burning Man taxes. This is common practice across Black Rock City.

  1. OFF-SITE SERVICES

 

All services that we provide prior to and post the event (e.g. costumes, transport, accommodation) cannot be considered as contributing to the commodification of Burning Man as they are provided outside of Black Rock City and are part of the overall experience for all burners.

Further, we deeply encourage our clients to limit those services to the basics necessity to survive on the Playa.

  1. TICKETS

 

We will no longer buy tickets on behalf of our clients.

We continue to encourage them to buy through the pre-sales and other BM tickets releases. We are not a ticket broker.

  1. ART SUPPORT

 

We encourage our clients to contribute to the community by directly assisting or building an art project or though sponsoring a project with financial contributions.

We guide our clients through this process and connect them with the projects that best fit their interests and budget.

  1. GIFTING

 

Gifting on the playa is an essential part of the culture at Burning Man. When working with our first-time Burners to encourage them to use their creativity to find their own personal gifts and embrace the spirit of unconditional gifting throughout the week – and hopefully this continues long after BM.

—

With love,

Antoine Sepulchre

CEO / Founder

Burners on Reddit weren’t exactly jumping on the offer.

What should we do with members of the community who acknowledge the error of their ways, amend them and try to gift something decent as an apology? Should we publicly shame them, hate them, persecute them – all in the name of Radical Inclusion? Or should we accept the apology, and move on with having a good time?

Here’s the email that BRC Boss Charlie Dolman sent to theme camp organizers and mutant vehicle owners:

From: Placement 
Date: Fri, Jan 8, 2016 at 3:28 PM
Subject: Festivals Concierge Services (FCS) & Burning Man 2016

Dear Theme Camp/Mutant Vehicle producers –

Last year, a company called Festivals Concierge Services (FCS) advertised concierge camping and travel package services at the Burning Man event. We informed FCS it was not permitted to operate at our event and published a blog post (http://journal.burningman.org/2015/05/philosophical-center/tenprinciples/kicking-concierge-caboose-in-black-rock-city) to notify participants. Although FCS denied it would be providing services, its CEO (Antoine Sepulchre) and another employee (Florence Defort) were found to be doing exactly that, which led to their citation by BLM and eviction from the 2015 Burning Man event for unpermitted commercial activities. We also learned FCS made deals with a small number theme camps to host FCS clients for a price.

Although we have already informed FCS it will not be permitted to provide services to Black Rock City in 2016, we understand the company has begun marketing Burning Man travel packages again and contacting air carriers and OSS vendors. The FCS website claims the company “collaborates with Burning Man Outside Services Program selected partners.” We have let established OSS providers know that providing services to concierge companies like FCS will subject their OSS contracts to cancellation, as these companies directly circumvent the principles underlying the OSS program.

If you, or your OSS provider, are contacted by any representative of FCS or anyone identifying themselves as an FCS client, we ask that you please let us know. In keeping with Burning Man’s Ten Principles, we do not want theme camps or mutant vehicle owners to support concierge camping or travel package services. That includes hosting FCS clients or providing services like access to mutant vehicles. Collaborating with FCS could certainly compromise your good standing with Burning Man, including access to directed group tickets, placement, and mutant vehicle licensing.

Please don’t hesitate to contact us with any questions you might have regarding the policy outlined in this message. We can be reached by email at 

Sincerely,

Charlie Dolman
Event Operations Director
Burning Man

If you want to ban concierges, then ban concierges. Singling out one company, and turning a blind eye to the dozens of others, is not Civic Responsibility.

Here’s Larry’s big post on Concierge Culture.

Scan Burning Man’s Ten Principles, and you will not find radical equality among them. This is because our city has always been a place where old and young, and rich and poor, can live on common ground. The word for this is fellowship, as in the fellowship of a club or lodge whose members, however diverse, are united by common values and a sense of shared experience. But common ground is not a level playing field, and should not be interpreted as mandating equal living conditions.

This issue of equality almost amounts to a straw man. I do not believe that most people would want to live in a city that is the equivalent of a Marxist State, a place in which the prying eyes of envious neighbors are forever trained upon one.

Here’s the current BJ series on how the correct model for the arts is wealthy patrons like in the days of Leonardo Da Vinci.

Here’s how a corporation is selling an all-inclusive Burning Man package tour experience, which is the exception that proves the rule.

BMOrg are trying to expand the airport, with bigger planes bringing in an additional 1000 passengers per day.

We want wealthy patrons, paying $1299 per ticket…but they can’t bring sherpas or pay people off-Playa to shop and pack for them? Or they can – as long as they have sufficient Borg points that the rules no longer apply?